Wishes

Whoe’er she be,

That not impossible She,

That shall command my heart and me;

Where’er she lie,

Locked up from mortal eye,

In shady leaves of Destiny;

Till that ripe birth

Of studied Fate stand forth,

And teach her fair steps to our earth;

Till that divine

Idea take a shrine

Of crystal flesh, through which to shine;

Meet you her, my wishes,

Bespeak her to my blisses,

And be ye called my absent kisses.

The poet is supposing that the girl whom he is to marry may not as yet even have been born, for though men in the world of scholarship can marry only late in life, the wife is generally quite young. Marriage is far away in the future for the student, therefore these fancies. What he means to say in short is about like this:

“Oh, my wishes, go out of my heart and look for the being whom I am destined to marry—find the soul of her, whether born or yet unborn, and tell that soul of the love that is waiting for it.” Then he tries to describe the imagined woman he hopes to find:

I wish her beauty

That owes not all its duty

To gaudy ’tire or glist’ring shoe-tie.

Something more than

Taffeta or tissue can;

Or rampant feather, or rich fan.

More than the spoil

Of shop or silk worm’s toil,

Or a bought blush, or a set smile.

A face that’s best

By its own beauty drest

And can alone command the rest.

A face made up

Out of no other shop

Than what nature’s white hand sets ope.

A cheek where grows

More than a morning rose

Which to no box his being owes.


Eyes that displace

The neighbor diamond and outface

That sunshine by their own sweet grace.

Tresses that wear

Jewels, but to declare

How much themselves more precious are.

Smiles, that can warm

The blood, yet teach a charm

That chastity shall take no harm.


Life, that dares send

A challenge to his end,

And when it comes, say “Welcome, friend!”

There is much more, but the best of the thoughts are here. They are not exactly new thoughts, nor strange thoughts, but they are finely expressed in a strong and simple way.

There is another composition on the same subject—the imaginary spouse, the destined one. But this is written by a woman, Christina Rossetti.