I

It is a well-known peculiarity of Norwegian authors that they all want something. It is either some of the “new devilries” with which Father Ibsen amuses himself in his old age, or else it is the Universal Disarm-ment Act and the peace of Europe, which Björnson, with his increasing years and increasing folly, assures us will come to pass as a result of “universal morality;” or else it is the rights of the flesh, which have been discovered by Hans Jaeger; but whatever they want, it is always something that has no connection with their art as authors. All their writings assume the form of a polemical or critical discussion on social subjects; yet in spite of their boasted psychology, they care little for the great mystery which humanity offers to them in the unexplored regions lying between the two poles: man and woman; and as for physiology, they are as little concerned about it as Paul Bourget in his Physiologie de l’Amour Moderne, where there is no more physiology than there is in the novels of Dumas père.

“When the green tree,” etc. That is the style of the Norwegian authors; and as for the authoresses of the three Scandinavian countries,—they are all ladies who have been educated in the high schools. They cast down their eyes, not out of shyness,—for the modern woman is too well aware of her own importance to be shy,—but in order to read. They read about life, as it is and as it should be, and then they set themselves down to write about life as it is and as it should be; but they really know nothing of it beyond the little that they see during their afternoon walks through the best streets in the town, and at the evening parties given by the best bourgeois society.

This is the case with all Scandinavian authoresses, with one exception. This one exception can see, and she looks at life with good large eyes, opened wide like a child’s, and sees with the impartiality that belongs to a healthy nature; she can grasp what she sees, and describe it too, with a freshness and expressiveness which betray a lack of “cultured” reading.