Contents
| PAGE | |
| CHILDHOOD | |
| KING BABY | [3] |
| A BLESSING FOR THE BLESSED | [5] |
| TO RAOUL BOUCHARD | [8] |
| TO-DAY AND TO-MORROW | [10] |
| THE NESTING HOUR | [11] |
| THE LITTLE SISTER— | |
| Bath-time | [12] |
| Bed-time | [13] |
| A TWILIGHT SONG | [14] |
| A WINTRY LULLABY | [15] |
| THE WARM CRADLE | [16] |
| THE DROOPING FLOWER | [17] |
| MOTHERS IN THE GARDEN— | |
| I. | [18] |
| II. | [19] |
| THE GRAVEL PATH | [20] |
| THE NEW PELISSE | [21] |
| SOLACE | [22] |
| STRANGE LANDS | [23] |
| MARCH MEADOWS— | |
| A Lark | [24] |
| Lambs | [25] |
| THE ROBIN | [26] |
| THE MOUSE | [27] |
| THE BAT | [28] |
| THE SWALLOW | [29] |
| SNOWDROPS | [30] |
| FROST | [32] |
| APPLES | [33] |
| LONELY CHILDREN— | |
| I. | [34] |
| II. | [35] |
| PLAYGROUNDS | [36] |
| FAIRINGS | [38] |
| THE FLOWER TO THE BUD | [40] |
| SIX SONGS OF GIRLHOOD | |
| LOVE AND THE MAIDENS | [43] |
| AWAKENINGS | [44] |
| THE CLOUDED SOUL | [46] |
| THE HEALER | [47] |
| THE OPEN DOOR | [48] |
| THE FUGITIVE | [49] |
| THE FAITHFUL WIFE | [53] |
| WOMANHOOD | |
| A WOMAN TO HER POET | [63] |
| THE INFIDEL | [64] |
| LOVE WITHIN VOWS | [65] |
| THE EXILE | [66] |
| THE SCAR INDELIBLE | [67] |
| REVULSION | [68] |
| THE CAPTIVE | [69] |
| POSSESSION'S ANGUISH | [70] |
| TREASURES OF POVERTY | [72] |
| SOLITUDE | [73] |
| THE HEART ASLEEP | [74] |
| ADVERSITY | [75] |
| FACES OF THE DEAD | [76] |
| THE SLEEPER | [80] |
| STARS | [81] |
| TRELAWNY'S GRAVE | [82] |
| V.R.I.—JANUARY 22, 1901 | [83] |
| LINES ON A PICTURE BY MARY GOW | [84] |
| TO SERENITY | [85] |
| ELEVEN SONNETS | [89] |
| THE OPEN AIR | |
| SUNSHINE IN FEBRUARY | [103] |
| THE CUCKOO | [104] |
| A SONG IN THE MORNING | [107] |
| IN A LONDON SQUARE | [109] |
| THE CALL OF THE GREEN | [111] |
| SUMMER ENDING | [112] |
| NEAR AUTUMN | [114] |
| NOVEMBER | [115] |
| THE COMMON WEALTH | [117] |