HERCULES AND APHRODITE
Mademoiselle Clairette used to say that if a danseuse could not throw a glance to the conductor of the band without the juggler being jealous, the Variety Profession was coming to a pretty pass. She also remarked that for a girl to entrust her life's happiness to a jealous man would be an act of lunacy. And then "Little Flouflou, the Juggling Genius," who was dying to marry her, would suffer tortures. He tried hard to conquer his failing, but it must be owned that Clairette's glances were very expressive, and that she distributed them indiscriminately. At Chartres, one night, he was so upset that he missed the umbrella, and the cigar, and the hat one after another, and instead of condoling with him when he came off the stage, all she said was "Butter-fingers!"
"Promise to be my wife," he would entreat: "it is not knowing where I am that gives me the pip. If you consented, I should be as right as rain—your word is better to me than any Management's contract. I trust you—it is only myself that I doubt; every time you look at a man I wonder, 'Am I up to that chap's mark? is my turn as clever as his? isn't it likely he will cut me out with her?' If you only belonged to me I should never be jealous again as long as I lived. Straight!"
And Clairette would answer firmly, "Poor boy, you couldn't help it—you are made like that. There'd be ructions every week; I should be for ever in hot water. I like you very much, Flouflou, but I'm not going to play the giddy goat. Chuck it!"
Nevertheless, he continued to worship her—from her tawdry tiara to her tinselled shoes—and everybody was sure that it would be a match one day. That is to say, everybody was sure of it until the Strong Man had joined the troupe.
Hercule was advertised as "The Great Paris Star." Holding himself very erect, he strutted, in his latticed foot-gear, with stiff little steps, and inflated lungs, to the footlights, and tore chains to pieces as easily as other persons tear bills. He lay down and supported a posse of mere mortals, and a van-load of "properties" on his chest, and regained his feet with a skip and a smirk. He—but his achievements are well known. Preceding these feats of force, was a feature of his entertainment which Hercule enjoyed inordinately. He stood on a pedestal and struck attitudes to show the splendour of his physique. Wearing only a girdle of tiger-skin, and bathed in limelight, he felt himself to be as glorious as a god. The applause was a nightly intoxication to him. He lived for it. All day he looked forward to the moment when he could mount the pedestal again and make his biceps jump, and exhibit the magnificence of his highly developed back to hundreds of wondering eyes. No woman was ever vainer of her form than was Hercule of his. No woman ever contemplated her charms more tenderly than Hercule regarded his muscles. The latter half of his "turn" was fatiguing, but to posture in the limelight, while the audience stared open-mouthed and admired his nakedness, that was fine, it was dominion, it was bliss.
Hercule had never experienced a great passion—the passion of vanity excepted—never waited in the rain at a street corner for a coquette who did not come, nor sighed, like the juggler, under the window of a girl who flouted his declarations. He had but permitted homage to be rendered to him. So when he fell in love with Clairette, he didn't know what to make of it.
For Clairette, sprightly as she was, did not encourage Hercule. He at once attracted and repelled her. When he rent chains, and poised prodigious weights above his head, she thrilled at his prowess, but the next time he attitudinised in the tiger-skin she turned up her nose. She recognised something feminine in the giant. Instinct told her that by disposition the Strong Man was less manly than Little Flouflou, whom he could have swung like an Indian club.
No, Hercule didn't know what to make of it. It was a new and painful thing to find himself the victim instead of the conqueror. For once in his career, he hung about the wings wistfully, seeking a sign of approval. For once he displayed his majestic figure on the pedestal blankly conscious of being viewed by a woman whom he failed to impress.
"What do you think of my turn?" he questioned at last.
"Oh, I have seen worse," was all she granted.
The giant winced.
"I am the strongest man in the world," he proclaimed.
"I have never met a Strong Man who wasn't!" said she.
"But there is someone stronger than I am," he owned humbly. (Hercule humble!) "Do you know what you have done to me, Clairette? You have made a fool of me, my dear."
"Don't be so cheeky," she returned. "Who gave you leave to call me 'Clairette,' and 'my dear'? A little more politeness, if you please, monsieur!" And she cut the conversation short as unceremoniously as if he had been a super.
Those who have seen Hercule only in his "act"—who think of him superb, supreme—may find It difficult to credit the statement, but, honestly, the Great Star used to trot at her heels like a poodle. And she was not a beauty by any means, with her impudent nose, and her mouth that was too big to defy criticism. Perhaps it was her carriage that fascinated him, the grace of her slender figure, which he could have snapped as a child snaps jumbles. Perhaps it was those eyes which unwittingly promised more than she gave. Perhaps, above all, it was her indifference. Yes, on consideration, it must have been her indifferent air, the novelty of being scorned, that made him a slave.
But, of course, she was more flattered by his bondage than she showed. Every night he planted himself in the prompt-entrance to watch her dance and clap his powerful hands in adulation. She could not be insensible to the compliment, though her smiles were oftenest for Flouflou, who planted himself, adulating, on the opposite side. Adagio! Allegretto! Vivace! Unperceived by the audience, the gaze of the two men would meet across the stage with misgiving. Each feared the other's attentions to her, each wished with all his heart that the other would get the sack; they glared at each other horribly. And, meanwhile, the orchestra played its sweetest, and Clairette pirouetted her best, and the Public, approving the obvious, saw nothing of the intensity of the situation.
Imagine the emotions of the little juggler, jealous by temperament, jealous even without cause, now that he beheld a giant laying siege to her affections!
And then, on a certain evening, Clairette threw but two smiles to
Flouflou, and three to Hercule.
The truth is that she did not attach so much significance to the smiles as did the opponents who counted them. But that accident was momentous. The Strong Man made her a burning offer of marriage within half an hour; and next, the juggler made her furious reproaches.
Now she had rejected the Strong Man—and, coming when they did, the juggler's reproaches had a totally different effect from the one that he had intended. So far from exciting her sympathy towards him, they accentuated her compassion for Hercule. How stricken he had been by her refusal! She could not help remembering his despair as he sat huddled on a hamper, a giant that she had crushed. Flouflou was a thankless little pig, she reflected, for, as a matter of fact, he had had a good deal to do with her decision. She had deserved a better reward than to be abused by him!
Yes, her sentiments towards Hercule were newly tender, and an event of the next night intensified them. It was Hercule's custom, in every town that the Constellation visited, to issue a challenge. He pledged himself to present a "Purse of Gold"—it contained a ten-franc piece— to any eight men who vanquished him in a tug-of-war. The spectacle was always an immense success—the eight yokels straining, and tumbling over one another, while Hercule, wearing a masterful smile, kept his ten francs intact. A tug-of-war had been arranged for the night following, and by every law of prudence, Hercule should have abstained from the bottle during the day.
But he did not. His misery sent discretion headlong to the winds. Every time that he groaned for the danseuse he took another drink, and when the time came for him to go to the show, the giant was as drunk as a lord. The force of habit enabled him to fulfil some of his stereotyped performance, he emerged from that without disgrace; but when the eight brawny competitors lumbered on to the boards, his heart sank. The other artists winked at one another appreciatively, and the manager hopped with apprehension.
Sure enough, the hero's legs made strange trips to-night. The sixteen arms pulled him, not only over the chalk line, but all over the stage. They played havoc with him. And then the manager had to go on and make a speech, besides, because the "Purse of Gold" aroused dissatisfaction. The fiasco was hideous.
"Ah, Clairette," moaned the Strong Man, pitifully, "it was all through you!"
Elsewhere a Strong Man had put forth that plea, and the other lady had been inexorable. But Clairette faltered.
"Through me?" she murmured, with emotion.
"I'm no boozer," muttered Hercule, whom the disaster had sobered. "If I took too much today, it was because I had got such a hump."
"But why be mashed on me, Hercule?" she said; "why not think of me as a pal?"
"You're talking silly," grunted Hercule.
"Perhaps so," she confessed. "But I'm awfully sorry the turn went so rotten."
"Don't kid!"
"Why should I kid about it?"
"If you really meant it, you would take back what you said yesterday."
"Oh!" The gesture was dismayed. "You see! What's the good of gassing? As soon as I ask anything of you, you dry up. Bah! I daresay you will guy me just as much as all the rest, I know you!"
"If you weren't in trouble, I'd give you a thick ear for that," she said. "You ungrateful brute!" She turned haughtily away,
"Clairette!"
"Oh, rats!"
"Don't get the needle! I'm off my rocker to-night."
"Ah! That's all right, cully!" Her hand was swift. "I've been there myself."
"Clairette!" He caught her close.
"Here, what are you at?" she cried. "Drop it!"
"Clairette! Say 'yes.' I'm loony about you. There's a duck! I'll be a daisy of a husband. Won't you?"
"Oh, I—I don't know," she stammered.
And thus were they betrothed.
To express what Flouflou felt would be but to harrow the reader's sensibilities. What he said, rendered into English, was: "I'd rather you had given me the go-by for any cove in the crowd than that swine!"
They were in the ladies' dressing-room. "The Two Bonbons" had not finished their duet, and he was alone with her for a moment. She was pinning a switch into her back hair, in front of the scrap of looking- glass against the mildewed wall.
"You don't do yourself any good with me Flouflou, by calling Hercule names," she replied icily.
"So he is!"
"Oh, you are jealous of him," she retorted.
"Of course I am jealous of him," owned Flouflou; "you can't rile me by saying that. Didn't I love you first? And a lump better than he does."
"Now you're talking through your hat!"
"You usedn't to take any truck of him, yourself, at the beginning. He only got round you because he was drunk and queered his business. I have been drunk, too—you didn't say you'd marry me. It's not in him to love any girl for long—he's too sweet on himself."
"Look here," she exclaimed. "I've had enough. Hook it! And don't you speak to me any more. Understand?" She put the hairpins aside, and began to whitewash her hands and arms.
"That's the straight tip," said Flouflou, brokenly; "I'm off. Well, I wish you luck, old dear!"
"Running him down to me like that! A dirty trick, I call it."
"I never meant to, straight; I—Sorry, Clairette." He lingered at the door. "I suppose I shall have to say 'madame' soon?"
"Footle," she murmured, moved.
"You've not got your knife into me, have you, Clairette? I didn't mean to be a beast. I'd have gone to hell for you, that's all, and I wish I was dead."
"Silly kid!" she faltered, blinking. And then "The Two Bonbons" came back to doff their costumes, and he was turned out.
Never had Hercule been so puffed up. His knowledge of the juggler's sufferings made the victory more rapturous still. No longer did Flouflou stand opposite-prompt to watch Clairette's dance; no longer did he loiter about the passages after the curtain was down, on the chance of being permitted to escort her to her doorstep. Such privileges were the Strong Man's alone. She was affianced to him! At the swelling thought, his chest became Brobdingnagian. His bounce in company was now colossal; and it afforded the troupe a popular entertainment to see him drop to servility in her presence. Her frown was sufficient to reduce him to a cringe. They called him the "Quick- change artist."
But Hercule scarcely minded cringing to her; at all events he scarcely minded it in a tête-à-tête; she was unique. He would have run to her whistle, and fawned at her kick. She had agreed to marry him in a few weeks' time, and his head swam at the prospect. Visions of the future dazzled him. When he saw her to her home after the performance, he used to talk of the joint engagements they would get by-and-by—"not in snide shows like this, but in first-class halls"—and of how tremendously happy they were going to be. And then Clairette would stifle a sigh and say, "Oh, yes, of course!" and try to persuade herself that she had no regrets.
Meanwhile the Constellation had not been playing to such good business as the manager had anticipated. He had done a bold thing in obtaining Hercule—who, if not so famous as the posters pretended, was at least a couple of rungs above the other humble mountebanks—and the box-office ought to have yielded better results. Monsieur Blond was anxious. He asked himself what the Public wanted. Simultaneously he pondered the idea of a further attraction, and perspired at the thought of further expense.
At this time the "Living Statuary" turn was the latest craze in the variety halls of fashion, and one day poor Blond, casting an expert eye on his danseuse, questioned why she should not be billed, a town or two ahead, as "Aphrodite, the Animated Statue, Direct from Paris."
To question was to act. The weather was mild, and, though Clairette experienced pangs of modesty when she learnt that the Statue's "costume" was to be applied with a sponge, she could not assert that she would be in danger of taking a chill. Besides, her salary was to be raised a trifle.
Blond rehearsed her assiduously (madame Blond in attendance), and, to his joy, she displayed a remarkable gift for adopting the poses, As "The Bather" she promised to be entrancing, and, until she wobbled, her "Nymph at the Fountain" was a pure delight. Moreover, thanks to her accomplishments as a dancer, she did not wobble very badly.
All the same, when the date of her debut arrived, she was extremely nervous. Elated by his inspiration. Blond had for once been prodigal with the printing and on her way to the stage door, it seemed to her that the name of "Aphrodite" flamed from every hoarding in the place. Hercule met her with encouraging words, but the ordeal was not one that she wished to discuss with him, and he took leave of her very much afraid that she would break down.
What was his astonishment to hear her greeted with salvos of applause! Blond's enterprise had undoubtedly done the trick. The little hall rocked with enthusiasm, and, cloaked in a voluminous garment, "Aphrodite" had to bow her acknowledgments again and again. When the time came for Hercule's own postures, they fell, by comparison, quite flat.
"Ciel!" she babbled, on the homeward walk; "who would have supposed that I should go so strong? If I knock them like this next week too, I shall make Blond spring a bit more!" She looked towards her lover for congratulations; so far he had been rather unsatisfactory.
"Oh, well," he mumbled, "it was a very good audience, you know, I never saw a more generous house—you can't expect to catch on like it anywhere else."
His tone puzzled her. Though she was quite alive to the weaknesses of her profession, she could not believe that her triumph could give umbrage to her fiancé. Hercule, her adorer, to be annoyed because she had received more "hands" than he had? Oh, it was mean of her to fancy such a thing!
But she was conscious that he had never wished her "pleasant dreams" so briefly as he did that night, and the Strong Man, on his side, was conscious of a strange depression. He could not shake it off. The next evening, too, he felt it. Wherever he went, he heard praises of her proportions. The dancing girl had, in fact, proved to be beautifully formed, and it could not be disputed that "Aphrodite" had wiped "Hercules" out. Her success was repeated in every town. Morosely now did he make his biceps jump, and exhibit the splendours of his back— his poses commanded no more than half the admiration evoked by hers. His muscles had been eclipsed by her graces. Her body had outvied his own!
Oh, she was dear to him, but he was an "artiste"! There are trials that an artiste cannot bear. He hesitated to refer to the subject, but when he nursed her on his lap, he thought what a great fool the Public was to prefer this ordinary woman to a marvellous man. He derived less rapture from nursing her. He eyed her critically. His devotion was cankered by resentment.
And each evening the resentment deepened. And each evening it forced him to the wings against his will. He stood watching, though every burst of approval wrung his heart. Soured, and sexless, he watched her. An intense jealousy of the slim nude figure posturing in the limelight took possession of him. It had robbed him of his plaudits! He grew to hate it, to loathe the white loveliness that had dethroned him. It was no longer the figure of a mistress that he viewed, but the figure of a rival. If he had dared, he would have hissed her.
Finally, he found it impossible to address her with civility. And
Clairette married Flouflou, after all.
"Clairette," said Flouflou on the day they were engaged, "if you don't chuck the Statuary turn, I know that one night I shall massacre the audience! Won't you give it up for me, peach?"
"So you are beginning your ructions already?" laughed Clairette, "I told you what a handful you would be. Oh, well then, just as you like, old dear!—in this business a girl may meet with a worse kind of jealousy than yours."