131. Come, Holy Ghost, in love

Ray Palmer, 1808-87

Tr. from the Latin

Veni, Sancte Spiritus,

Et emitte caelitus

Lucis tuae radium:

Veni, Pater pauperum;

Veni, Dator munerum;

Veni, Lumen cordium.

Consolator optime,

Dulcis Hospes animae,

Duce Refrigerium,

In labore Requies,

In aestu Temperies,

In fletu Solacium.

O Lux beatissima,

Reple cordis intima

Tuorum fidelium.

Sine tuo numine

Nihil est in homine.

Nihil est innoxium.

Lava, quod est sordidum,

Riga, quod est aridum,

Rege, quod est devium,

Fove, quod est languidum,

Flecte, quod est rigidum,

Sana, quod est saucium.

Da tuis fidelibus

In te confidentibus

Sacrum septenarium;

Da virtutis meritum,

Da salutis exitum,

Da perenne gaudium. Amen.

This truly great Latin hymn, addressed to the Holy Spirit, comes from the 12th or 13th century. Its authorship is uncertain. Archbishop Trench characterized it as “the loveliest of all the hymns in the whole cycle of Sacred Latin Poetry.” Many translations have been made of it, this one by Ray Palmer.

Ray Palmer, who held pastorates at Bath, Me., and Albany, N. Y., was for a time corresponding secretary for the American Congregational Union. His name remains the greatest among hymnists and translators in the American Congregational church. His hymn, “My faith looks up to Thee” ([150]), is known all over the world.

MUSIC. MALVERN is from The Hallelujah, a series of compilations of tunes, edited by J. J. Waite and H. J. Gauntlett, first published in 1842. The work was intended to encourage the congregation to sing in parts, an altogether novel principle in the English churches of that time. To make the music easy to read, the notes were numbered, the tonic sol-fa system having, as yet, not been developed. The present arrangement is by John Roberts, 1822-77, Welsh Methodist pastor and musician of extraordinary ability. He did much to improve congregational singing in the church and was an eminent conductor of school music festivals. Roberts wrote a number of tunes that are high in favor throughout Wales and was incomparable as an arranger of congregational hymn tunes.