PRACTICE
A few years ago Dr. Gulick laid down the following hints on training for the boys in their athletic work in New York City:
1. Always warm up slowly and cool off gradually when finished.
2. Stop practice when you are exhausted.
3. Dress lightly for practice or competition.
4. Practice regularly, a little each day if possible.
5. Have regular hours for eating and sleeping.
6. Don’t smoke.
To a person who has the correct perspective on the penmanship habit the application of the hints enumerated will seem quite reasonable. To train in any line, one must practice. Repetition is necessary, and the time element essential, as it takes many efforts to accomplish the desired end, good penmanship. The muscles to be trained are large, and the conventional forms are small.
With a little forethought and planning the practice period may be varied, live and interesting. Everyone must learn, sooner or later, that much discipline may be gained by keeping steadily at work not interesting in itself. James says: “We have of late been learning much of the philosophy of tenderness in education; ‘interest’ must be assiduously awakened in everything, difficulties must be smoothed away. Soft pedagogics have taken the place of the old steep and rocky paths to learning. But from this lukewarm air the bracing oxygen of effort is left out. It is nonsense to suppose that every step in education can be interesting.”
Thoughtless practice might much better be left undone. There is no use in trying to excuse careless work to oneself with the thought, “I won’t count this time.” Each careless stroke is being registered though we do not count it; for nothing we ever do, strictly speaking, is ever wholly blotted out. Paths frequently and recently trodden are those that lie most open, and those which may be expected most easily to lead to results.
The first practice may be difficult, for the nervous and muscular systems have a new lesson to learn. The second and third trials will be easier, for the body has begun to recognize what lies before it. The following attempts will steadily become easier. A path means economy in traveling. The muscle should work with a fatalistic steadiness; if so, the result must necessarily be work done in a clean and finished manner.
Ready for Drill
To be concrete, let us presuppose a thirty minute practice period in muscular movement penmanship, under fairly favorable conditions. The desk should be adjusted for physical comfort. The light should come from the left side. Loose sheets of good quality paper eight by ten and one-half inches in size, with three-eighths inch spacing should be furnished. At least two sheets should be placed under the one being used, that the penpoint may be saved extra wear. A fluid ink that flows freely is best. A coarse, flexible pen, blotter, and ink-wiper complete the list of supplies. It is assumed that the adopted manual containing instructions and model letter forms is always on the desk for reference during the practice period.
Our first aim should be to get the mind and muscle into action. To this end at least two hundred two-space straight strokes or the same number of ovals should be made in one minute. Secondly, this will assist in the form building of the letter to be mastered, which let us assume is the capital O. A light smooth line will be obtained by limiting the amount of ink. Make at least two hundred strokes with one dip of ink. Correct speed will be best obtained by requiring the time limit in all drill work. Correct slant should develop as a result of the correct teaching of the straight stroke exercise.
Having done this preliminary drill we are now ready to consider the second point of the lesson, namely, the making of the letter O. The first consideration is the general form. By comparison with the model we find a striking analogy in width and slant, to the form of the oval. The ending stroke and the points that characterize the letter must be observed, and lastly, the size is to be noted. Close the eyes a moment and see if the image is fixed. Prepare to write by using the handle end of the penholder until the right rhythm has been established by counting one, two, for the first O; three, four, for the second O; five, six, for the third O; seven, eight, for the fourth O; nine, ten, for the fifth letter of the group. Five “make believe” letters is the result of this count; we can easily make three groups of five each, across the page. Time consumed will be one minute for sixty to seventy-five letters. When the muscular adjustment is perfected through this preparatory motion, then, and then, only, are the pupils ready to write. Write and compare with the model, time and again. If the letter has been visualized correctly, each child will be able to criticize his own work effectively. Glaring errors should be pointed out first and remedied. Work on this letter might occupy the main portion of the writing lesson for many days before passing to another letter form.
Any class that has been drilled correctly on the ovals, straight strokes and capital O should be able to apply the movement acquired to a short word and this perhaps forms the most important part of the lesson. For example take “Omen,” spelling the letters aloud, capital O-m-e-n. Words so dictated should be executed by junior high school pupils and adults at the rate of at least fifteen to eighteen per minute. This will prevent any possibility of a return to finger movement at this time. Dictation of letters is quite effective with slow pupils. The application of movement to a word, at the close of each lesson, will lead the pupils quite unconsciously into a better movement of all written work. Here they get the help along the lines necessary to steady and modify the movement, and a chance to get into the swing of actual writing without too much thought as regards the content. Such drill serves the same purpose in penmanship that scale practice does in music. The writing of words at the close of each lesson serves as the connecting link between the theoretical drill work and practical writing. Such daily drill work as just suggested at the close of the writing lesson will effectually eliminate the sharp line of demarcation between the drills and “real writing.” In a short time a list of words will be the result, and these with others may be combined into sentences. The supplementary words given should incorporate all the small letters of the alphabet; the one-space letters first, thirteen in all, then the loops above the line, b, f, h, k, and l; loops below the line, g, j, y, and z; and lastly, those irregular in height, p, t, q, and d. A fair allotment of time for the above suggestive plan would be five to ten minutes on ovals and strokes; ten to fifteen minutes on the letter O; and five to ten minutes on the word-practice.
The group plan seems to be the only logical method of reaching all pupils with the instruction necessary to their peculiar needs. The advanced group will be learning to act independently, while the other will be learning basic principles. Friendly criticism and rivalry should be fostered, by comparing the method by which results were obtained. Let one group watch the other work. Let the group watching count for the other and change about. Generally, the entire class work, if any, should be posted, unless it be known that a certain page is posted because of its special merit. Pupils should be taught at the outset that team work in a drill subject is what counts and should take proper pride in good work as a class. Every class will produce a few good writers. In many schools a new lesson is not taken up before seventy-five per cent of the pupils have accomplished the preceding lesson well according to standards previously agreed upon. It is often impossible for all members of a class to attain perfection in penmanship. We do not demand that in other subjects.