Chapter IV: The Sequels to “Amadis de Gaul”
“Inferior as these after-books of Amadis certainly are, they form so singular an epoch in the history of literature that an abridgment of the whole series into our language is to be desired.”—Southey
In dealing with the literatures of the Peninsula, a task for which he was eminently well equipped, Southey followed an instinct of natural discrimination which seldom played him false. Feeble as some of the ‘after-books’ of Amadis undoubtedly are, we cannot afford to ignore them, if only because of the literary phenomena they present. In these fantastic tales the imagination which had flowered so luxuriantly in Amadis became overblown. They are, indeed, the petals fallen from the fading rose—so quickly did the wonderful blossom of chivalric fiction droop and wither.
The first of these sequels, called The Fifth Book of Amadis, is more generally known as Esplandian, as it chiefly refers to the adventures of that hero. Cervantes is, perhaps, rather more unkind to this romance than its peculiar merits deserve, for he makes his critical curate say of it: “Verily the father’s goodness shall not excuse the want of it in the son. Here, good mistress housekeeper, open that window and throw it into the yard. Let it serve as a foundation to that pile which we are to set a-blazing presently.”
The first edition of Esplandian was published at Seville in 1542. The greater part of it seems to have been composed by Montalvo, the original translator of Amadis. But whereas when he penned that work he acted the part of a translator only, in Esplandian he undertook the rôle of authorship proper, and that he failed to discern the wide distinctions which separate these tasks is rather painfully apparent. It seems to me, however, a mistaken criticism which brands Esplandian as entirely lacking in merit, and I suspect that more than one of the censorious folk who have thus entreated it have not perused it in the original, or have merely taken Cervantes’ word regarding its lack of quality. It is notorious that many English critics seem to believe it possible to pass a verdict upon works written in Spanish without possessing more than a nodding acquaintance with the language, and the absurd idea obtains among many men of letters, who ought to know better, that, given a knowledge of Latin and French, the acquisition of the Castilian tongue is merely a matter of a little reading.
Esplandian possesses many quaint beauties, and the fairy ‘machinery’ and rather distinguished simplicity of its atmosphere make it most pleasant and delectable to peruse. Where, too, may we encounter a better or more representative example of romantic extravagance at its best?—for Esplandian, without exhibiting the grosser faults of its descendants, has the rich and varied colour of that imaginative excess which is the birthright of all true poets, and in the discipline of which all are not successful. I quite admit, however, that Esplandian is food for the enthusiast, and I do not recommend its perusal to unromantic souls. It is not for the barbers and curates of this world, and pity ’tis that they who cannot appreciate its spirit should attempt to influence others to its detriment.
Esplandian spent his childhood at the Court of his grandfather, King Lisuarte, and had scarcely been knighted when he felt the call of high adventure. His wishes in this respect were speedily gratified, for shortly after the gilt spurs had been placed on his heels he fell into a deep swoon, which seemed to portend enchantment of no common order. As he slept, the people of the Firm Island, whence he had journeyed to have knighthood conferred upon him, beheld a vast mountain of fire approach the shore, from which issued the sylph-like form of the enchantress Urganda the Unknown, sailing through the air upon the back of an enormous dragon. Some time prior to these events Amadis, to whose custody the malicious Archelaus had been entrusted, had injudiciously released that firebrand of the magical world, only to learn shortly afterward that the unscrupulous wizard had taken advantage of his new-found liberty to work his wiles once more upon the all too unsuspecting Lisuarte, who seemed incapable of profiting by experience, and who now paid for his credulity by incarceration in the deepest dungeons of the necromancer’s castle. Urganda announced to the distracted son-in-law that it would be necessary for Esplandian to execute a mission of vengeance, and ere it was possible to question her further she bore away the youth on the back of the winged monster she bestrode.
The enchantress conveyed the sleeping Esplandian to a mysterious vessel called the Ship of the Great Serpent, and on waking it was with no little exaltation of spirit that he found himself on its deck. As he was wafted across the smooth ocean he felt a thrill of pleasure arising from the magical ease with which the enchanted galley skimmed the waves. In time he beheld a rocky islet standing in the midst of a forsaken sea, and going ashore he found it to be barren and showing no other sign of habitation than a tall tower, which crowned its topmost height. He climbed the eminence upon which it stood, and discovered the ancient fortalice to be completely deserted. Exploring its recesses, he observed a stone in which a richly ornamented sword was firmly embedded, but as he attempted to grasp this the air was rent by the bellowings of a frightful dragon, which descended upon him with such velocity that ere he could prepare himself for its onset it had coiled its enormous folds round his body in an effort to break through the plates of his armour and crush him to death. Man and monster wrestled to and fro in a death-grapple, and so terrific were their exertions that the earth shook and the castle rocked beneath them as they swayed and writhed in a deadly embrace. At length Esplandian succeeded in freeing his right hand from the dragon’s encircling folds, and, drawing a magic sword which Urganda had bestowed upon him, passed it through the monster’s scaly hide. Mortally wounded, the dragon relaxed its grip, and its huge body became rigid in death. When he had assured himself that it was quite dead, Esplandian quitted the castle and returned to the shore, a weird light which came from the enchanted sword, which he had extracted from the boulder, guiding his footsteps through the gathering dusk.
Re-embarking on the Ship of the Great Serpent, he was speedily wafted to a rugged country known as the Forbidden Mountain, a stronghold on the borders of Turkey and Greece. At a distance he perceived a castle, and was making his way thither when he encountered a hermit, who warned him to avoid it, and told him that a prince of renown was imprisoned therein. At once it occurred to Esplandian that this must be none other than Lisuarte, and the castle the stronghold of the wicked Archelaus, and this surmise naturally made him resolve to inquire into the character of the place. As he neared the gate he saw that it was guarded by a giant sentinel, who, on espying him, rushed at him fiercely, brandishing a formidable club. Avoiding the onset of his gigantic adversary, Esplandian slew him with the sword of power, and was about to enter the castle when he was suddenly confronted by Archelaus in person. A bitterly contested struggle ensued. The enchanter, enraged at the stripling’s audacity in seeking to probe the mysteries of his stronghold, and in the knowledge that he came of the race of his detested enemy Lisuarte, attacked Esplandian with great fury. But his blind rage could not avail against the cooler courage of his youthful antagonist, who succeeded in dispatching him with the magic sword, thus for ever putting an end to his necromantic enormities. A nephew of the slain enchanter next assaulted the young knight, but he too fell before the magic falchion of Urganda. Next Arcobone, the mother of Archelaus, a witch deeply versed in the mysteries of the occult arts, sought to vanquish him by the force of her anathemas, but the powers of counter-charm concealed in Esplandian’s blade saved him from the fury of the dread sybil, who felt herself bound to obey his behests. He commanded her to reveal the place of Lisuarte’s confinement, and had the satisfaction of releasing his aged relative.
As Esplandian and Lisuarte were about to leave the island, the fleet of Matroed, eldest son of Arcobone, arrived off its shores, and the young hero found himself forced to do battle with a fresh enemy, for, relying upon his ability to defeat such a youthful adversary with ease, Matroed made the combat a strictly personal one, and he and Esplandian were engaged in deadly fight until the waning of the sun. But at length the many wounds which the pagan warrior had received forced him to discontinue the struggle, and he begged Esplandian to permit him to die in peace. At this juncture a holy man arrived, and the expiring heathen requested his blessing, which was piously granted.
Assuming the name of ‘the Black Knight,’ from the colour of his armour, Esplandian now ruled in the Forbidden Mountain as lord of the castle he had subdued. But he was not permitted to remain in quiet for long, as the fortalice was speedily invested by Armato, the Soldan of Turkey, with a great army. Attracting numerous followers to himself, however, Esplandian defeated the paynims, and took their sovereign prisoner. Encouraged by this success, he carried the war into the heart of the Turkish dominions and captured the principal city.
Before entering upon his career of adventure Esplandian had met Leonorina, daughter of the Emperor of Constantinople, of whom he had become greatly enamoured, and during the course of his war with the Turks he had dispatched many messengers to her, assuring her of his undying affection. He now learned that she had taken umbrage at his long absence, so, when the capital of Turkey had fallen to his sword, he speedily set out for Constantinople. Arrived there, he purchased a cedar chest of exquisite workmanship, which he entrusted to certain messengers, commanding them to bear it to the lady. When she opened it in the privacy of her own apartment, to her mingled confusion and delight her long-absent lover himself emerged from its recesses. In Spanish romance it is inevitable that the loves of the hero and heroine should remain unknown to the lady’s relatives, not only because this was demanded by the romantic susceptibilities of the average Spanish reader, but because Spanish opinion would have been seriously affronted by the idea of parental compliance in any intercourse between the lovers prior to marriage, save of the most formal kind. This sorry condition of affairs still obtains among the middle and upper classes of Spain and Spanish America, and we can scarcely suppress amusement when we hear of ardent youths unable to converse confidentially with the maidens to whom they are formally affianced otherwise than by assuming some ridiculous disguise, or through the kind offices of servants. Not infrequently young Spanish couples whose engagement is quite en règle, and to whose union not the slightest opposition is made, arrange and carry out an elopement, purely because of the romantic atmosphere surrounding such a proceeding. It is circumstances such as these which enable us to appreciate the firm hold of romance upon the Spanish heart.
But Esplandian had but little time for dalliance, as the Turks were once more arrayed against him in the field. He had, however, a firm ally in Urganda, but, to counterbalance this, the infidels were supported by the enchantress Melia, the sister of Armato, the defeated soldan, who had succeeded in making his escape upon the back of a flying dragon, dispatched for that purpose by this Turkish witch. With all speed he levied a large army, and set siege to Constantinople. Numerous as the sands of the sea were his allies, one of whom was a beautiful Amazonian queen, who brought with her to the scene of hostilities a squadron of fifty griffins, which flew over the city much in the manner of devastating aircraft, belching fire and smoke on the heads of the unhappy folk below.
So dire was the loss of life in this combat between the forces of Christendom and paganism that at last it was agreed that the question of pre-eminence should be settled by the issue of a double combat. Amadis and Esplandian were selected on the one side, and the Amazon queen and a celebrated pagan soldan on the other. The heathens were defeated, but so enraged were they at their downfall that they rushed to the attack with every available man (and woman) in their hosts. But the Christians, mightily encouraged by the victory of their champions, repulsed them with terrific loss, and drove them from the bounds of the Grecian dominions. The Greek Emperor, probably only too happy to rid himself of the burden of such a troublous inheritance, resigned his crown to Esplandian, who espoused his Leonorina and settled down to the task of governing the Hellenic realm.
Relieved from the pressure of military duties, in which she had proved herself no inefficient ally, the sage Urganda had now leisure to pay some attention to the private affairs of her mortal charges. On consulting her magic mirror and other divinatory apparatus, she was desolated to find that Amadis, Galaor, Esplandian, and indeed all of her favourite champions, were soon to pay the debt of nature. Had her prophetic soul been enabled to envisage the immensities of fiction to which their future adventures were to give rise, she would undoubtedly have allowed nature to take its course, so we must conclude that her powers of vision were limited. Resolved to frustrate unkindly Fate, she summoned her protégés to the Firm Island, and advised them, if they desired to escape mortality, to obey the injunctions she would now place upon them. They anxiously assured her that these would be carried out to the letter, and with the best possible grace submitted to be cast into a magic sleep, from which, it was decreed, they were not to awaken until disenchanted by Lisuarte, son of Esplandian, who, on gaining possession of a certain magic sword, would be enabled to bring them once more to life with renewed vigour.
The Sixth Book of the Amadis series is concerned with the adventures of Florisando, his nephew, but as its hero is not in the line direct, and is, moreover, intolerably tiresome, we may well pass him over with a mere mention of his existence.