THE TRIPLE ALLIANCE AND TRIPLE ENTENTE
This review of causes and motives may be supplemented by a brief statement of what is meant by the Triple Alliance and Triple Entente, terms which come into common prominence in discussing European politics. They indicate the division of Europe, so far as its greater Powers are concerned, into two fully or partially allied bodies, the former consisting of Germany, Austria and Italy, the latter of Great Britain, France and Russia. These organizations are of comparatively recent date. The Alliance began in 1879 in a compact between Germany and Austria, a Dual Alliance, which was converted into a Triple one in 1883, Italy then, through the influence of Bismarck, joining the alliance. In this compact Austria and Germany pledged themselves to mutual assistance if attacked by Russia; Italy and Germany to the same if attacked by France.
The Triple Entente—or Understanding—arose from a Dual Alliance between France and Russia, formed in 1887, an informal understanding between Britain and France in 1904 and a similar understanding between Britain and Russia in 1907. Its purpose, as formed by Edward VII, was to balance the Triple Alliance and thus convert Europe into two great military camps. When organized there seemed little probability of its being called into activity for many years.
Chapter III.
STRENGTH AND RESOURCES OF THE WARRING POWERS
Old and New Methods in War—Costs of Modern Warfare—Nature of National Resources—British and American Military Systems—Naval Strength—Resources of Austria-Hungary—Resources of Germany—Resources of Russia—Resources of France—Resources of Great Britain—Servia and Belgium
Within the whole history of mankind the nations of the earth had never been so thoroughly equipped for the art of warfare as they were in 1914. While the arts of construction have enormously developed, those of destruction have fully kept pace with them; and the horrors of war have enormously increased side by side with the benignities of peace. It is interesting to trace the history of warfare from this point of view. Beginning with the club and hammer of the stone age, advancing through the bow and arrow and the sling-shot of later times, this art, even in the great days of ancient civilization, the eras of Greece and Rome, had advanced little beyond the sword and spear, crude weapons of destruction as regarded in our times. They have in great part been set aside as symbols of military dignity, emblems of the “pomp and circumstance of glorious war.”
Descending through the Middle Ages we find the sword and spear still holding sway, with the bow as an important accessory for the use of the common soldier. As for the knight, he became an iron-clad champion, so incased in steel that he could fight effectively only on horseback, becoming largely helpless on foot. At length, the greatest stage in the history of war, the notable invention of gunpowder was achieved, and an enormous transformation took place in the whole terrible art. The musket, the rifle, the pistol, the cannon were one by one evolved, to develop in the nineteenth century into the breech-loader, the machine gun, the bomb, and the multitude of devices fitted to bring about death and destruction by wholesale, instead of by the retail methods of older days.
At sea, the sailing vessel, with her far-flung white wings and rows of puny guns, has given way to the steel-clad battleship with her fewer but enormously larger cannons, capable of flinging huge masses of iron many miles through the air and with a precision of aim that seems incredible for such great distances.
We must add to this the torpedo boat, a tiny craft with a weapon capable of sinking the most costly and stupendous of battleships, and the submarine, fitted to creep unseen under blockading fleets, and deal destruction with nothing to show the hand that dealt the deadly blow. Even the broad expanse of the air has been made a field of warlike activity, with scouting airships flying above contending armies and signaling their most secret movements to the forces below.