BOOK II
"Thou, Trivia, goddess, aid my song: Through spacious streets conduct thy bard along."
Gay's Trivia, or New Art of Walking Streets of London.
L'oiseau Bleu
What is it, I have more than once asked myself, what is it that I am looking for in my walks about London? Sometimes it seems to me as if I were following a Bird, a bright Bird that sings sweetly as it floats about from one place to another.
When I find myself however among persons of middle age and settled principles, see them moving regularly to their offices—what keeps them going? I ask myself. And I feel ashamed of myself and my Bird.
There is though a Philosophic Doctrine—I studied it at College, and I know that many serious people believe it—which maintains that all men, in spite of appearances and pretensions, all live alike for Pleasure. This theory certainly brings portly, respected persons very near to me. Indeed with a sense of low complicity I have sometimes followed and watched a Bishop. Was he too on the hunt for Pleasure, solemnly pursuing his Bird?
At The Bank
Entering the Bank in a composed manner, I drew a cheque and handed it to the cashier through the grating. Then I eyed him narrowly. Would not that astute official see that I was only posing as a Real Person? No; he calmly opened a little drawer, took out some real sovereigns, counted them carefully, and handed them to me in a brass-tipped shovel. I went away feeling I had perpetrated a delightful fraud. I had got some of the gold of the actual world!
Yet now and then, at the sight of my name on a visiting card, or of my face photographed in a group among other faces, or when I see a letter addressed in my hand, or catch the sound of my own voice, I grow shy in the presence of a mysterious Person who is myself, is known by my name, and who apparently does exist. Can it be possible that I am as real as any one else, and that all of us—the cashier and banker at the Bank, the King on his throne—all feel ourselves like ghosts and goblins in this authentic world?
Mammon
Moralists and Church Fathers have named it the root of all Evil, the begetter of hate and bloodshed, the sure cause of the soul's damnation. It has been called "trash," "muck," "dunghill excrement," by grave authors. The love of it is denounced in all Sacred Writings; we find it reprehended on Chaldean bricks, and in the earliest papyri. Buddha, Confucius, Christ, set their faces against it; and they have been followed in more modern times by beneficed Clergymen, Sunday School Teachers, and the leaders of the Higher Thought. But have the condemnations of all the ages done anything to tarnish that bright lustre? Men dig for it ever deeper into the earth's intestines, travel in search of it farther and farther to arctic and unpleasant regions.
In spite of all my moral reading, I must confess that I like to have some of this gaudy substance in my pocket. Its presence cheers and comforts me, diffuses a genial warmth through my body. My eyes rejoice in the shine of it; its clinquant sound is music in my ears. Since I then am in his paid service, and reject none of the doles of his bounty, I too dwell in the House of Mammon. I bow before the Idol, and taste the unhallowed ecstasy.
How many Altars have been overthrown, and how many Theologies and heavenly Dreams have had their bottoms knocked out of them, while He has sat there, a great God, golden and adorned, and secure on His unmoved throne?
I See the World
"But you go nowhere, see nothing of the world," my cousins said. Now though I do go sometimes to the parties to which I am now and then invited, I find, as a matter of fact, that I get really much more pleasure by looking in at windows, and have a way of my own of seeing the World. And of summer evenings, when motors hurry through the late twilight, and the great houses take on airs of inscrutable expectation, I go owling out through the dusk; and wandering toward the West, lose my way in unknown streets—an unknown City of revels. And when a door opens and a bediamonded Lady moves to her motor over carpets unrolled by powdered footmen, I can easily think her some great Courtezan, or some half-believed Duchess, hurrying to card-tables and lit candles and strange scenes of joy. I like to see that there are still splendid people on this flat earth; and at dances, standing in the street with the crowd, and stirred by the music, the lights, the rushing sound of voices, I think the Ladies as beautiful as Stars who move up those lanes of light past our rows of vagabond faces; the young men look like Lords in novels; and if (it has once or twice happened) people I know go by me, they strike me as changed and rapt beyond my sphere. And when on hot nights windows are left open, and I can look in at Dinner Parties, as I peer through lace curtains and window-flowers at the silver, the women's shoulders, the shimmer of their jewels, and the divine attitudes of their heads as they lean and listen, I imagine extraordinary intrigues and unheard of wines and passions.
Social Success
The servant gave me my coat and hat, and in a glow of self-satisfaction I walked out into the night. "A delightful evening," I reflected, "the nicest kind of people. What I said about finance and French philosophy impressed them; and how they laughed when I imitated a pig squealing."
But soon after, "God, it's awful," I muttered, "I wish I were dead."
Apotheosis
But Oh, those heavenly moments when I feel this trivial universe too small to contain my Attributes; when a sense of the divine Ipseity invades me; when I know that my voice is the voice of Truth, and my umbrella God's umbrella!
The Spring in London
London seemed last winter like an underground city; as if its low sky were the roof of a cave, and its murky day a light such as one reads of in countries beneath the earth.
And yet the natural sunlight sometimes shone there; white clouds voyaged in the blue sky; the interminable multitudes of roofs were washed with silver by the Moon, or cloaked with a mantle of new-fallen snow. And the coming of Spring to London was to me not unlike the descent of the maiden-goddess into Death's Kingdoms, when pink almond blossoms blew about her in the gloom, and those shadowy people were stirred with faint longings for meadows and the shepherd's life. Nor was there anything more virginal and fresh in wood or orchard than the shimmer of young foliage, which, in May, dimmed with delicate green all the smoke-blackened London trees.
Fashion Plates
I like loitering at the bookstalls, looking in at the windows of printshops, and romancing over the pictures I see of shepherdesses and old-fashioned Beauties. Tall and slim and crowned with plumes in one period, in another these Ladies become as wide-winged as butterflies, or float, large, balloon-like visions, down summer streets. And yet in all shapes they have always (I tell myself) created thrilling effects of beauty, and waked in the breasts of modish young men ever the same charming Emotion.
But then I have questioned this. Is the emotion always precisely the same? Is it true to say that the human heart remains quite unchanged beneath all the changing fashions of frills and ruffles? In this elegant and cruel Sentiment, I rather fancy that colour and shape do make a difference. I have a notion that about 1840 was the Zenith, the Meridian Hour, the Golden Age of the Passion. Those tight-waisted, whiskered Beaux, those crinolined Beauties, adored one another, I believe, with a leisure, a refinement, and dismay not quite attainable at other dates.
Mental Vice
There are certain hackneyed Thoughts that will force them-selves on me; I find my mind, especially in hot weather, infested and buzzed about by moral Platitudes. "That shows—" I say to myself, or, "How true it is—" or, "I really ought to have known!" The sight of a large clock sets me off into musings on the flight of Time; a steamer on the Thames or lines of telegraph inevitably suggest the benefits of Civilization, man's triumph over Nature, the heroism of Inventors, the courage, amid ridicule and poverty, of Stephenson and Watt. Like faint, rather unpleasant smells, these thoughts lurk about railway stations. I can hardly post a letter without marvelling at the excellence and accuracy of the Postal System.
Then the pride in the British Constitution and British Freedom, which comes over me when I see, even in the distance, the Towers of Westminster Palace—that Mother of Parliaments—it is not much comfort that this should be chastened, as I walk down the Embankment, by the sight of Cleopatra's Needle, and the Thought that it will no doubt witness the Fall of the British, as it has that of other Empires, remaining to point its Moral, as old as Egypt, to Antipodeans musing on the dilapidated bridges.
I am sometimes afraid of finding that there is a moral for everything; that the whole great frame of the Universe has a key, like a box; has been contrived and set going by a well-meaning but humdrum Eighteenth-century Creator. It would be a kind of Hell, surely, a world in which everything could be at once explained, shown to be obvious and useful. I am sated with Lesson and Allegory, weary of monitory ants, industrious bees, and preaching animals. The benefits of Civilization cloy me. I have seen enough shining of the didactic Sun.
So gazing up on hot summer nights at the London stars, I cool my thoughts with a vision of the giddy, infinite, meaningless waste of Creation, the blazing Suns, the Planets and frozen Moons, all crashing blindly forever across the void of space.
The Organ of Life
Almost always In London—in the congregated uproar of streets, or in the noise that drifts through wails and windows—you can hear the hackneyed melancholy of street music; a music which sounds like the actual voice of the human Heart, singing the lost joys, the regrets, the loveless lives of the people who blacken the pavements, or jolt along on the busses.
"Speak to me kindly," the hand-organ implores; "I'm all alone!" it screams amid the throng; "thy Vows are all broken," it laments in dingy courtyards, "And light is thy Fame." And of hot summer afternoons, the Cry for Courage to Remember, or Calmness to Forget, floats in with the smell of paint and asphalt—faint and sad—through open office windows.
Humiliation
"My own view is," I began, but no one listened. At the next pause, "I always say," I remarked, but again the loud talk went on. Someone told a story. When the laughter had ended, "I often think—"; but looking round the table I could catch no friendly or attentive eye. It was humiliating, but more humiliating the thought that Sophocles and Goethe would have always commanded attention, while the lack of it would not have troubled Spinoza or Abraham Lincoln.
Green Ivory
What a bore it is, waking up in the morning always the same person. I wish I were unflinching and emphatic, and had big, bushy eyebrows and a Message for the Age. I wish I were a deep Thinker, or a great Ventriloquist.
I should like to be refined and melancholy, the victim of a hopeless passion; to love in the old, stilted way, with impossible Adoration and Despair under the pale-faced Moon.
I wish I could get up; I wish I were the world's greatest Violinist. I wish I had lots of silver, and first Editions, and green ivory.
In The Park
"Yes," I said one afternoon in the Park, as I looked rather contemptuously at the people of Fashion, moving slow and well-dressed in the sunshine, "but how about the others, the Courtiers and Beauties and Dandies of the past? They wore fine costumes, and glittered for their hour in the summer air. What has become of them?" I somewhat rhetorically asked. They were all dead now. Their day was over. They were cold in their graves.
And I thought of those severe spirits who, in garrets far from the Park and Fashion, had scorned the fumes and tinsel of the noisy World.
But, good Heavens! these severe spirits were, it occurred to me, all, as a matter of fact, quite as dead as the others.
The Correct
I am sometimes visited by a suspicion that everything isn't quite all right with the Righteous; that the Moral Law speaks in muffled and dubious tones to those who listen most scrupulously for its dictates. I feel sure I have detected a look of doubt and misgiving in the eyes of its earnest upholders.
But there is no such shadow or cloud on the faces in Club windows, or in the eyes of drivers of four-in-hands, or of fashionable young men walking down Piccadilly. For these live by a Rule which has not been drawn down from far-off and questionable skies, and needs no sanction; what they do is Correct, and that is all. Correctly dressed from head to foot, they pass, with correct speech and thoughts and gestures, correctly across the roundness of the Earth.
"Where Do I Come In?"
When I read in the Times about India and all its problems and populations; when I look at the letters in large type of important personages, and find myself face to face with the Questions, Movements, and great Activities of the Age, "Where do I come in?" I ask myself uneasily.
Then in the great Times-reflected world I find the corner where I play my humble but necessary part. For I am one of the unpraised, unrewarded millions without whom Statistics would be a bankrupt science. It is we who are born, who marry, who die, in constant ratios; who regularly lose so many umbrellas, post just so many unaddressed letters every year. And there are enthusiasts among us who, without the least thought of their own convenience, allow omnibuses to run over them; or throw themselves month by month, in fixed numbers, from the London bridges.
Microbes
But how Is one to keep free from those mental microbes that worm-eat people's brains—those Theories and Diets and Enthusiasms and infectious Doctrines that we are always liable to catch from what seem the most innocuous contacts? People go about laden with germs; they breathe creeds and convictions on you whenever they open their mouths. Books and newspapers are simply creeping with them—the monthly Reviews seem to have room for nothing else. Wherewithal then shall a young man cleanse his way; and how shall he keep his mind immune to Theosophical speculations, and novel schemes of Salvation?
Can he ever be sure that he won't be suddenly struck down by the fever of Funeral, or of Spelling Reform, or take to his bed with a new Sex Theory?
But is this struggle for a healthy mind in a maggoty universe really after all worth it? Are there not soporific dreams and sweet deliriums more soothing than Reason? If Transmigration can make clear the dark Problem of Evil; if Mrs. Mary Baker Eddy can free us from the dominion of Death; if the belief that Bacon wrote Shakespeare gives a peace that the world cannot give, why pedantically reject such kindly solace? Why not be led with the others by still waters, and be made to lie down in green pastures?
The Quest
"We walk alone in the world," the Moralist, at the end of his essay on Ideal Friendship, writes somewhat sadly, "Friends such as we desire are dreams and fables," Yet we never quite give up the hope of finding them. But what awful things happen to us? what snubs, what set-downs we experience, what shames and disillusions. We can never really tell what these new unknown persons may do to us. Sometimes they seem nice, and then begin to talk like gramophones. Sometimes they grab at us with moist hands, or breathe hotly on our necks, or make awful confidences, or drench us from sentimental slop-pails. And too often, among the thoughts in the loveliest heads, we come on nests of woolly caterpillars.
And yet we brush our hats, pull on our gloves, and go out and ring door-bells.
The Kaleidoscope
I find in my mind, in its miscellany of ideas and musings, a curious collection of little landscapes and pictures, shining and fading for no reason. Sometimes they are views in no way remarkable-the corner of a road, a heap of stones, an old gate. But there are many charming pictures, too: as I read, between my eyes and book, the Moon sheds down on harvest fields her chill of silver; I see autumnal avenues, with the leaves falling, or swept in heaps; and storms blow among my thoughts, with the rain beating forever on the fields. Then Winter's upward glare of snow appears; or the pink and delicate green of Spring in the windy sunshine; or cornfields and green waters, and youths bathing in Summer's golden heats.
And as I walk about, certain places haunt me: a cathedral rises above a dark blue foreign town, the colour of ivory in the sunset light; now I find myself in a French garden full of lilacs and bees, and shut-in sunshine, with the Mediterranean lounging and washing outside its walls; now in a little college library, with busts, and the green reflected light of Oxford lawns—and again I hear the bells, reminding me of the familiar Oxford hours.
Oxford Street
One late winter afternoon in Oxford Street, amid the noise of vehicles and voices that filled that dusky thoroughfare, as I was borne onward with the crowd past the great electric-lighted shops, a holy Indifference filled my thoughts. Illusion had faded from me; I was not touched by any desire for the goods displayed in those golden windows, nor had I the smallest share in the appetites and fears of all those moving and anxious faces. And as I listened with Asiatic detachment to the London traffic, its sound changed into something ancient and dissonant and sad—into the turbid flow of that stream of Craving which sweeps men onward through the meaningless cycles of Existence, blind and enslaved forever. But I had reached the farther shore, the Harbour of Deliverance, the Holy City; the Great Peace beyond all this turmoil and fret compassed me around. Om Mani padme hum—I murmured the sacred syllables, smiling with the pitying smile of the Enlightened One on his heavenly lotus.
Then, in a shop-window, I saw a neatly fitted suit-case. I liked that suit-case; I desired to possess it. Immediately I was enveloped by the mists of Illusion, chained once more to the Wheel of Existence, whirled onward along Oxford Street in that turbid stream of wrong-belief, and lust, and sorrow, and anger.
Beauty
Among all the ugly mugs of the world we see now and then a face made after the divine pattern. Then, a wonderful thing happens to us; the Blue Bird sings, the golden Splendour shines, and for a queer moment everything seems meaningless save our impulse to follow those fair forms, to follow them to the clear Paradises they promise.
Plato assures us that these moments are not (as we are apt to think them) mere blurs and delusions of the senses, but divine revelations; that in a lovely face we see imaged, as in a mirror, the Absolute Beauty—; it is Reality, flashing on us in the cave where we dwell amid shadows and darkness. Therefore we should follow these fair forms, and their shining footsteps will lead us upward to the highest heaven of Wisdom. The Poets, too, keep chanting this great doctrine of Beauty in grave notes to their golden strings. Its music floats up through the skies so sweet, so strange, that the very Angels seem to lean from their stars to listen.
But, O Plato, O Shelley, O Angels of Heaven, what scrapes you do get us into!
The Power of Words
I thanked the club porter who helped me into my coat, and stepped out lightly into the vastness and freshness of the Night. And as I walked along my eyes were dazzling with the glare I had left; I still seemed to hear the sound of my speech, and the applause and laughter.
And when I looked up at the Stars, the great Stars that bore me company, streaming over the dark houses as I moved, I felt that I was the Lord of Life; the mystery and disquieting meaninglessness of existence—the existence of other people, and of my own, were solved for me now. As for the Earth, hurrying beneath my feet, how bright was its journey; how shining the goal toward which it went swinging—you might really say leaping—through the sky.
"I must tell the Human Race of this!" I heard my voice; saw my prophetic gestures, as I expounded the ultimate meaning of existence to the white, rapt faces of Humanity. Only to find the words—that troubled me; were there then no words to describe this Vision—divine—intoxicating?
And then the Word struck me; the Word people would use. I stopped in the street; my Soul was silenced like a bell that snarls at a jarring touch. I stood there awhile and meditated on language, its perfidious meanness, the inadequacy, the ignominy of our vocabulary, and how Moralists have spoiled our words by distilling into them, as into little vials of poison, all their hatred of human joy. Away with that police-force of brutal words which bursts in on our best moments and arrests our finest feelings! This music within me, large, like the song of the stars—like a Glory of Angels singing—"No one has any right to say I am drunk!" I shouted.
Self-Analysis
"Yes, aren't they odd, the thoughts that float through one's mind for no reason? But why not be frank—I suppose the best of us are shocked at times by the things we find ourselves thinking. Don't you agree," I went on, not noticing (until it was too late) that all other conversation had ceased, and the whole dinner-party was listening, "don't you agree that the oddest of all are the improper thoughts that come into one's head—the unspeakable words I mean, and Obscenities?" When I remember that remark, I hasten to enlarge my mind with ampler considerations. I think of Space, and the unimportance in its unmeasured vastness, of our toy solar system; I lose myself in speculations on the lapse of Time, reflecting how at the best our human life on this minute and perishing planet is as brief as a dream.
The Voice of the World
"And what are you doing now?" The question of these school contemporaries of mine, and their greeting the other day in Piccadilly (I remember how shabby I felt as I stood talking to them)—for a day or two that question haunted me. And behind their well-bred voices I seemed to hear the voice of Schoolmasters and Tutors, of the Professional Classes, and indeed of all the world. What, as a plain matter of fact, was I doing, how did I spend my days? The life-days which I knew were numbered, and which were described in sermons and on tombstones as so irrevocable, so melancholy-brief.
I decided to change my life. I too would be somebody in my time and age; my contemporaries should treat me as an important person. I began thinking of my endeavours, my studies by the midnight lamp, my risings at dawn for stolen hours of self-improvement.
But alas, the day, the little day, was enough just then. It somehow seemed enough, just to be alive in the Spring, with the young green of the trees, the smell of smoke in the sunshine; I loved the old shops and books, the uproar darkening and brightening in the shabby daylight. Just a run of good-looking faces—and I was always looking for faces—would keep me amused. And London was but a dim-lit stage on which I could play in fancy any part I liked. I woke up in the morning like Byron to find myself famous; I was drawn like Chatham to St. Paul's, amid the cheers of the Nation, and sternly exclaimed with Cromwell, "Take away that bauble," as I sauntered past the Houses of Parliament.
And Anyhow
And anyhow, soon, so soon (in only seven million years or thereabouts the Encyclopaedia said) this Earth would grow cold, all human activities end, and the last wretched mortals freeze to death in the dim rays of the dying Sun.
Drawbacks
I should be all right.... If it weren't for these sudden visitations of Happiness, these downpourings of Heaven's blue, little invasions of Paradise, or waftings to the Happy Islands, or whatever you may call these disconcerting Moments, I should be like everybody else, and as blameless a rate-payer as any in our Row.
Talk
Once in a while, when doors are closed and curtains drawn on a group of free spirits, the miracle happens, and Good Talk begins. 'Tis a sudden illumination—the glow, it may be of sanctified candles, or, more likely, the blaze around a cauldron of gossip.
Is there an ecstasy or any intoxication like it? Oh? to talk, to talk people into monsters, to talk one's self out of one's clothes, to talk God from His heaven, and turn everything in the world into a bright tissue of phrases!
These Pentecosts and outpourings of the spirit can only occur very rarely, or the Universe itself would be soon talked out of existence.
The Church of England
I have my Anglican moments; and as I sat there that Sunday afternoon, in the Palladian interior of the London Church, and listened to the unexpressive voices chanting the correct service, I felt a comfortable assurance that we were in no danger of being betrayed into any unseemly manifestations of religious fervour. We had not gathered together at that performance to abase ourselves with furious hosannas before any dark Creator of an untamed Universe, no Deity of freaks and miracles and sinister hocus-pocus; but to pay our duty to a highly respected Anglican First Cause—undemonstrative, gentlemanly and conscientious—whom, without loss of self-respect, we could sincerely and decorously praise.
Misgiving
We were talking of people, and a name familiar to us all was mentioned. We paused and looked at each other; then soon, by means of anecdotes and clever touches, that personality was reconstructed, and seemed to appear before us, large, pink, and life-like, and gave a comic sketch of itself with appropriate poses.
"Of course," I said to myself, "this sort of thing never happens to me." For the notion was quite unthinkable, the notion I mean of my own dear image, called up like this without my knowledge, to turn my discreet way of life into a cake-walk.
Sanctuaries
She said, "How small the world is after all!"
I thought of China, of a holy mountain in the West of China, full of legends and sacred trees and demon-haunted caves. It is always enveloped in mountain mists; and in that white thick air I heard the faint sound of bells, and the muffled footsteps of innumerable pilgrims, and the reiterated mantra, Nam-Mo, O-mi-to-Fo, which they murmur as they climb its slopes. High up among its temples and monasteries marched processions of monks, with intoned services, and many prostrations, and lighted candles that glimmer through the fog. There in their solemn shrines stood the statues of the Arahats, and there, seated on his white elephant, loomed immense and dim, the image of Amitabha, the Lord of the Western Heavens.
She said "Life is so complicated!" Climbing inaccessible cliffs of rock and ice, I shut myself within a Tibetan monastery beyond the Himalayan ramparts. I join with choirs of monks, intoning their deep sonorous dirges and unintelligible prayers; I beat drums, I clash cymbals, and blow at dawn from the Lamasery roofs conches, and loud discordant trumpets. And wandering through those vast and shadowy halls, as I tend the butter-lamps of the golden Buddhas, and watch the storms that blow across the barren mountains, I taste an imaginary bliss, and then pass on to other scenes and incarnations along the endless road that leads me to Nirvana.
"But I do wish you would tell me what you really think?"
I fled to Africa, into the depths of the dark Ashanti forest. There, in its gloomiest recesses, where the soil is stained with the blood of the negroes He has eaten, dwells that monstrous Deity of human shape and red colour, the great Fetish God, Sasabonsum. I like Sasabonsum: other Gods are sometimes moved to pity and forgiveness, but to Him such weakness is unknown. He is utterly and absolutely implacable; no gifts or prayers, no holocausts of human victims can appease, or ever, for one moment, propitiate Him.
Symptoms
"But there are certain people I simply cannot stand. A dreariness and sense of death come over me when I meet them—I really find it difficult to breathe when they are in the room, as if they had pumped all the air out of it. Wouldn't it be dreadful to produce that effect on people! But they never seem to be aware of it. I remember once meeting a famous Bore; I really must tell you about it, it shows the unbelievable obtuseness of such people."
I told this and another story or two with great gusto, and talked on of my experiences and sensations, till suddenly I noticed, in the appearance of my charming neighbour, something—a slightly glazed look in her eyes, a just perceptible irregularity in her breathing—which turned that occasion for me into a kind of Nightmare.
Shadowed
I sometimes feel a little uneasy about that imagined self of mine—the Me of my daydreams—who leads a melodramatic life of his own, quite unrelated to my real existence. So one day I shadowed him down the street. He loitered along for a while, and then stood at a shop-window and dressed himself out in a gaudy tie and yellow waistcoat. Then he bought a great sponge and two stuffed birds and took them to lodgings, where he led for a while a shady existence. Next he moved to a big house in Mayfair, and gave grand dinner-parties, with splendid service and costly wines. His amorous adventures in this region I pass over. He soon sold his house and horses, gave up his motors, dismissed his retinue of servants, and went—saving two young ladies from being run over on the way—to live a life of heroic self-sacrifice among the poor.
I was beginning to feel encouraged about him, when in passing a fishmonger's, he pointed at a great salmon and said, "I caught that fish."
The Incredible
"Yes, but they were rather afraid of you."
"Afraid of me?"
"Yes, so one of them told me afterwards."
I was fairly jiggered. If my personality can inspire fear or respect the world must be a simpler place than I had thought it. Afraid of a shadow, a poor make-believe like me? Are children more absurdly terrified by a candle in a hollow turnip? Was Bedlam at full moon ever scared by anything half so silly?
Terror
A pause suddenly fell on our conversation—one of those uncomfortable lapses when we sit with fixed smiles, searching our minds for some remark with which to fill up the unseasonable silence. It was only a moment—"But suppose," I said to myself with horrible curiosity, "suppose none of us had found a word to say, and we had gone on sitting in silence?"
It is the dread of Something happening, Something unknown and awful, that makes us do anything to keep the flicker of talk from dying out. So travellers at night in an unknown forest keep their fires ablaze, in fear of Wild Beasts lurking ready in the darkness to leap upon them.
Pathos
When winter twilight falls on my street with the rain, a sense of the horrible sadness of life descends upon me. I think of drunken old women who drown themselves because nobody loves them; I think of Napoleon at St. Helena, and of Byron growing morose and fat in the enervating climate of Italy.
Inconstancy
The rose that one wears and throws away, the friend one forgets, the music that passes—out of the well-known transitoriness of mortal things I have made myself a maxim or precept to the effect that it is foolish to look for one face, or to listen long for one voice, in a world that is after all, as I know, full of enchanting voices.
But all the same, I can never quite forget the enthusiasm with which, as a boy, I read the praises of Constancy and True Love, and the unchanged Northern Star.
The Poplar
There is a great tree in Sussex, whose cloud of thin foliage floats high in the summer air. The thrush sings in it, and blackbirds, who fill the late, decorative sunshine with a shimmer of golden sound. There the nightingale finds her green cloister; and on those branches sometimes, like a great fruit, hangs the lemon-coloured Moon. In the glare of August, when all the world is faint with heat, there is always a breeze in those cool recesses, always a noise, like the noise of water, among its lightly hung leaves.
But the owner of this Tree lives in London, reading books.
On the Doorstep
I rang the bell as of old; as of old I gazed at the great shining Door and waited. But, alas! that flutter and beat of the wild heart, that delicious doorstep Terror—it was gone; and with it dear, fantastic, panic-stricken Youth had rung the bell, flitted round the corner and vanished for ever.
Old Clothes
Shabby old waistcoat, what made the heart beat that you used to cover? Funny-shaped hat, where are the thoughts that once nested beneath you? Old shoes, hurrying along what dim paths of the Past did I wear out your sole-leather?
Youth
Oh dear, this living and eating and growing old; these doubts and aches in the back, and want of interest in the Moon and Roses...
Am I the person who used to wake in the middle of the night and laugh with the joy of living? Who worried about the existence of God, and danced with young ladies till long after daybreak? Who sang "Auld Lang Syne" and howled with sentiment, and more than once gazed at the summer stars through a blur of great, romantic tears?
Consolation
The other day, depressed on the Underground, I tried to cheer myself by thinking over the joys of our human lot. But there wasn't one of them for which I seemed to care a hang—not Wine, nor Friendship, nor Eating, nor Making Love, nor the Consciousness of Virtue. Was it worth while then going up in a lift into a world that had nothing less trite to offer?
Then I thought of reading—the nice and subtle happiness of reading. This was enough, this joy not dulled by Age, this polite and unpunished vice, this selfish, serene, life-long intoxication.
Sir Eustace Carr
When I read the news about Sir Eustace Carr in the morning paper, I was startled, like everyone else who knew, if only by name this young man, whose wealth and good looks, whose adventurous travels and whose brilliant and happy marriage, had made of him an almost romantic figure.
Every now and then one hears of some strange happening of this kind. But they are acts so anomalous, in such startling contradiction to all our usual ways and accepted notions of life and its value, that most of us are willing enough to accept the familiar explanation of insanity, or any other commonplace cause which may be alleged—financial trouble, or some passionate entanglement, and the fear of scandal and exposure. And then the Suicide is forgotten as soon as possible, and his memory shuffled out of the way as something unpleasant to think of. But with a curiosity that is perhaps a little morbid, I sometimes let my thoughts dwell on these cases, wondering whether the dead man may not have carried to the grave with him the secret of some strange perplexity, some passion or craving or irresistible impulse, of which perhaps his intimates, and certainly the coroner's jury, can have had no inkling.
I had never met or spoken to Sir Eustace Carr—the worlds we lived in were very different—but I had read of his explorations in the East, and of the curious tombs he had discovered—somewhere, was it not?—in the Nile Valley. Then too it happened (and this was the main cause of my interest) that at one time I had seen him more than once, under circumstances that were rather unusual. And now I began to think of this incident. In away it was nothing, and yet the impression haunted me that it was somehow connected with this final act, for which no explanation, beyond that of sudden mental derangement, had been offered. This explanation did not seem to me wholly adequate, although it had been accepted, I believe, both by his friends and the general public—and with the more apparent reason on account of a strain of eccentricity, amounting in some cases almost to insanity, which could be traced, it was said, in his mother's family.
I found it not difficult to revive with a certain vividness the memory of those cold and rainy November weeks that I had happened to spend alone, some years ago, in Venice, and of the churches which I had so frequently haunted. Especially I remembered the great dreary church in the piazza near my lodgings, into which I would often go on my way to my rooms in the twilight. It was the season when all the Venice churches are draped in black, and services for the dead are held in them at dawn and twilight; and when I entered this Baroque interior, with its twisted columns and volutes and high-piled, hideous tombs, adorned with skeletons and allegorical figures and angels blowing trumpets—all so agitated, and yet all so dead and empty and frigid—I would find the fantastic darkness filled with glimmering candles, and kneeling figures, and the discordant noise of chanting. There I would sit, while outside night fell with the rain on Venice; the palaces and green canals faded into darkness, and the great bells, swinging against the low sky, sent the melancholy sound of their voices far over the lagoons.
It was here, in this church, that I used to see Sir Eustace Carr; would generally find him in the same corner when I entered, and would sometimes watch his face, until the ceremonious extinguishing of the candles, one by one, left us in shadowy night. It was a handsome and thoughtful face, and I remember more than once wondering what had brought him to Venice in that unseasonable month, and why he came so regularly to this monotonous service. It was as if some spell had drawn him; and now, with my curiosity newly wakened, I asked myself what had been that spell? I also must have been affected by it, for I had been there also in his uncommunicating company. Here, I felt, was perhaps the answer to my question, the secret of the enigma that puzzled me; and as I went over my memories of that time, and revived its sombre and almost sinister fascination, I seemed to see an answer looming before my imagination. But it was an answer, an hypothesis or supposition, so fantastic, that my common sense could hardly accept it.
For I now saw that the spell which had been on us both at that time in Venice had been nothing but the spell and tremendous incantation of the Thought of Death. The dreary city with its decaying palaces and great tomb-encumbered churches had really seemed, in those dark and desolate weeks, to be the home and metropolis of the great King of Terrors; and the services at dawn and twilight, with their prayers for the Dead, and funereal candles, had been the chanted ritual of his worship. Now suppose (such was the notion that held my imagination) suppose this spell, which I had felt but for a time and dimly, should become to someone a real obsession, casting its shadow more and more completely over a life otherwise prosperous and happy, might not this be the clue to a history like that of Sir Eustace Carr's—not only his interest in the buried East, his presence at that time in Venice, but also his unexplained and mysterious end?
Musing on this half-believed notion, I thought of the great personages and great nations we read of in ancient history, who have seemed to live with a kind of morbid pleasure in the shadow of this great Thought; who have surrounded themselves with mementoes of Death, and hideous symbols of its power, and who, like the Egyptians, have found their main interest, not in the present, but in imaginary explorations of the unknown future; not on the sunlit surface of this earth, but in the vaults and dwelling-places of the Dead beneath it.
Since this preoccupation, this curiosity, this nostalgia, has exercised so enormous a fascination in the past, I found it not impossible to imagine some modern favourite of fortune falling a victim to this malady of the soul; until at last, growing weary of other satisfactions, he might be drawn to open for himself the dark portal and join the inhabitants of that dim region, "Kings and Counsellors of the earth, Princes that had gold, who filled their houses with silver." This, as I say, was the notion that haunted me, the link my imagination forged between Sir Eustace Carr's presence in that dark Venetian church, and his self-caused death some years later. But whether it is really a clue to that unexplained mystery, or whether it is nothing more than a somewhat sinister fancy, of course, I cannot say.
The Lord Mayor
An arctic wind was blowing; it cut through me as I stood there. The boot-black was finishing his work and complaints.
"But I should be 'appy, sir, if only I could make four bob a day," he said.
I looked down at him; it seemed absurd, the belief of this crippled, half-frozen creature, that four-shillings would make him happy. Happiness! the fabled treasure of some far-away heaven I thought it that afternoon; not to be bought with gold, not of this earth!
I said something to this effect. But four shillings a day was enough for the boot-black.
"Why," he said, "I should be as 'appy as the Lord Mayor!"
The Burden
I know too much; I have stuffed too many of the facts of History and Science into my intellectuals. My eyes have grown dim over books; believing in geological periods, cave-dwellers, Chinese Dynasties, and the fixed stars has prematurely aged me.
Why am I to blame for all that is wrong in the world? I didn't invent Sin and Hate and Slaughter. Who made it my duty anyhow to administer the Universe, and keep the planets to their Copernican courses? My shoulders are bent beneath the weight of the firmament; I grow weary of propping up, like Atlas, this vast and erroneous Cosmos.
Under An Umbrella
From under the roof of my umbrella I saw the washed pavement lapsing beneath my feet, the news-posters lying smeared with dirt at the crossings, the tracks of the busses in the liquid mud. On I went through this dreary world of wetness. And through how many rains and years shall I still hurry down wet streets—middle-aged, and then, perhaps, very old? And on what errands?
Asking myself this cheerless question I fade from your vision, Reader, into the distance, sloping my umbrella against the wind.