Joan Thursday: A Novel

by Louis Joseph Vance

"What's the matter with you, anyway?" he demanded, hotly.

---

"Nothing," she replied quietly; "only I don't want to be pawed."

"No?" he exclaimed with sarcasm. "Is that straight?"

"Yes, that's straight—and so'm I!"

Recollecting himself, Quard attempted to carry off his discomfiture with a shrug and a laugh: "Oh, all right. Don't get huffy. I didn't mean anything."

"I know you didn't, but don't do it again."

He turned out into the corridor; hesitated. "Well—let it go at that, can't you?"

"All right," she said sulkily: "you let it go at that."

Quard tramped off without saying anything more, and, whatever his resentment and disappointment, schooled himself to control them, and met her half-way to a reconciliation when the approaching hour of their first public appearance brought them together in the wings.

And by this time Joan had been sufficiently diverted by other experiences to have regained her normal poise. The dingy, stuffy, and evil-smelling dressing-room to which she had been assigned had suffered an invasion of three other women: two worn and haggard clog-dancers and a matronly ballad-singer who, having donned an excessively soiled but showy evening gown, had settled down calmly to her knitting: an occupation which had interfered not in the least with her flow of animated and not unkindly gossip. Joan gathered that her voice was the main support of a small family, consisting of a shiftless husband and three children, for the younger of whom the mother was knitting a pair of small, pink bootees. These last had immediately enlisted the sympathetic interest of the clog-dancers, one of whom boasted of the precocity of her only child, a boy of eight living with his grandmother in Omaha, while the other told simply of the death of two children, due to neglect on the part of those to whom she had been obliged to entrust them while on the road....

Joan was the first to reach the entrance to the dingy "kitchen-set" which was to figure as a star dressing-room for the purposes of their sketch (and, for the purposes of subsequent offerings, as the drawing-room of a mansion on Fifth Avenue and the palm room of a fashionable hotel). About ten times the size of any dressing-room ever constructed, it was still atmospherically cheerless and depressing. She looked it over momentarily to make sure that the various simple properties were in place, and turned to find Quard approaching. Beneath the jaunty assurance which even his hang-dog make-up couldn't wholly disguise, she was able to detect traces of some uneasiness and anxiety.

It was a fact that he had grown a trifle afraid of her.

The discovery impressed her as so absurd that she smiled; and instantly the man was himself again. He thrust out a hand, to which with covert reluctance she entrusted her own.

"All right now?" he asked cheerfully.

She nodded: "All right."

"Good enough. Let's see what kind of a house we've got."

He found a peep-hole near the proscenium arch and peered intently through it for a moment or two; then beckoned Joan to take his place. But she could make but little of what seemed a dark well filled with flickering shadows. She turned away.

"Only a handful out there," Quard assured her. "It's too early for much of a crowd. No good getting nervous about this bunch."

"I'm not," she asserted quietly.

And she wasn't; no less to her own surprise than to Quard's, she was conscious of no trace of the stage-fright she had heard so much about. Indeed a singular feeling of indifference and disappointment oppressed her; it was all so unlike what she had looked forward to as the setting for her first appearance in public. The dreary and tawdry atmosphere behind the scenes of the dilapidated little theatre; the weary and subdued accents in which her dressing-room associates had discussed their offspring; the tinkle-tankle-tinkle-whang of a painfully automatic piano in the orchestra-pit; her own shabby second-hand costume; the brutal grotesqueness of Quard's painted countenance at close range—these owned little in common with those anticipations roused by the glitter and glamour of that fleshy show on the New York Theatre roof garden. She felt cheated; in perspective, even the stocking-counter seemed less uninviting....

A muffled outbreak of laughter and brief murmur of applause filtered through the curtain. The piano stopped with a crash. Quard nodded and, touching her elbow, urged her toward the entrance.

"Film's finished. Ready and steady, old girl."

"I'm all right," she said sullenly. "Don't you worry about me."

She heard the curtain rise with a rustling as of mighty wings penetrated by the shrill squeal of an ungreased block; held back a moment; and walked on, into a dazzling glare of footlights, conscious of no emotion whatever beyond desire to get finished with her part and return to the dressing-room. At the designated spot, near the centre of the stage, she paused, faced the audience with her trained smile and mouthed the opening lines with precisely the proper intonation....

The curtain fell at length amid a few, scattering hand-claps that sounded much like faint-hearted firecrackers exploding at a distance. Joan rose from the chair in which she had been seated in a posture simulating abandonment to tears of joy, and walked soberly off the stage—barely anticipating a few stage-hands, who rushed on to make the changes necessary for the next act.

Quard was waiting for her.

"Well," he said, "it didn't go so bad, did it?"

"No," she agreed listlessly.

"Anyhow, they didn't throw things at us."

"No." She endeavoured to smile, with indifferent success.

"I got a lot more laughs with that spittoon business than I thought I would," he continued thoughtfully as they turned back toward the dressing-rooms.

Joan made no reply, but when she stopped at the door of her dressing-room, Quard added tentatively:

"Anyway, it beats clerking in a department store, doesn't it?"

With some hesitation she replied: "I don't know...."

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XIII

Immediately after her second public appearance in "The Convict's Return," Joan removed her make-up, changed to street dress and scurried through the rain to a Child's restaurant, not far from the theatre. In her excitement she had forgotten lunch and she was now thoroughly hungry. But she lingered purposely over the meal and even for some time after she had finished, preoccupied with self-dissection.

She was—at last!—an actress; but she was none the less singularly discontented. In a very brief time she had travelled a great way from the Joan Thursby of East Seventy-sixth Street; a world of emotion and experience already dissociated them; but she seemed to have profited little by the journey. She felt sure that she had started the wrong way to prove her ability to act. And foreseeing nothing better than her present circumstances, she questioned gravely an inscrutable future.

Instinctively she felt uneasy about this intimate, daily relationship with Quard. She wasn't afraid of him, but she was a little afraid of herself—because she liked him. Though still she dwelt in secret longing upon the image, half real, half fanciful, of a lover gentle and strong and fine—such an one as John Matthias might prove—for all that, Charlie Quard had the power to stir her pulses with a casual look of admiration, or with some careless note of tenderness in his accents.

The shower slashed viciously at the restaurant windows. At that hour there were few other patrons in the establishment, no lights to relieve the dismal greyness of the afternoon, and no sounds other than an infrequent clash of crockery, the muffled shuffling of waitresses' feet, and their subdued voices, the melancholy and incessant crepitation of the downpour.

Joan was sensible to the approach of an exquisite despondency; and in alarm, fearing to think too deeply, she arose, ran back to the theatre and on impulse paid her way in through the front, to watch the flickering phantasmagoria of the flying films and to sit in judgment on the antics of her fellows on the variety bill. She was in no hurry to return to the dressing-room, with its smells of grease-paint, scented powder, ordinary perfumes, sweat, stale cigarette-smoke, gin, and broken food. One of the clog-dancers claimed a tubercular tendency, for which she asserted gin to be a sovereign specific; but as the day ran on was even forgetting, at times, to cough by way of an overture to recourse to the bottle. The other, viewing this proceeding with public disfavour, had opened up an apparently inexhaustible and hopelessly monotonous store of reminiscence of the privations she had endured in consequence of "Fanny's weakness." Joan gathered that the two were forever being dropped from one bill after another because of Fanny's weakness.

And of this she had five more days to anticipate and to endure....

She crawled back to Forty-fifth Street at half-past eleven, that night, so dog-tired that she had neither the heart nor the strength to call on the Deans with her good news; this though there were sounds of discreet revelry audible through the door of the second-floor front....

Somehow the week wore out without misadventure. Joan walked through her part with increasing confidence. Quard left her very much to herself when they were off the stage; indeed, he spent no more time in the theatre than was absolutely necessary. What he did out of it she did not know, but from the frequency with which he played his part with an alcoholic breath, she surmised that he was solacing himself in conventional manner for his degradation to "the four-a-day."

On the third day the clog-dancers were dispensed with for the reason forecast, their place being taken by two female acrobats of a family troupe, who lolled about for eleven hours at a stretch in their grimy pink tights and had little to say either to Joan or to the matronly lady with the robust voice and the knitting. But the change was a wholesome one for the dressing-room.

The following week Charles D'Arcy & Company played at another house of equal unpretentiousness, on the East Side, and the week after that was divided between two other theatres. And on Wednesday of the fourth week—they were then in Harlem—what Joan had vaguely foreseen and hoped against, happened.

Quard turned up in the morning with red-rimmed eyes, a flushed face and a thick tongue blatantly advertising a night of sleepless drunkenness. By sheer force of an admirable physique and the instinct of a trained actor, he contrived to play the first turn without mishap, snatched a little sleep in his dressing-room, and seemed almost his everyday self at the next repetition. But after that he left the theatre to drug his jangling nerves with more whiskey; and appeared at the final repetition so stupefied that he would not have been permitted to go on the stage but for remissness on the part of the stage-manager. Before he had been five minutes on view he was hooted off and the curtain was rung down amid an uproar.

Once back in her dressing-room (where she was alone, since their act was the last on the bill and the rest of the performers had already left the theatre) Joan gave way to a semi-hysterical tempest of tears. It was her first experience at close quarters with a man in hopeless intoxication, and while Quard's surrender was too abject to terrify, she was faint with disgust of him and incensed beyond measure with him for having subjected her to those terrible five minutes before a howling audience. With this, she was poignantly aware that henceforth their offering was "cold": by morning Quard's name would be upon the black-list and further booking impossible to secure. She might as well count herself once more out of work, and now in even less hopeful circumstances than when first she had struck out for herself; for then she had been buoyed up by the fatuous confidence of complete inexperience, and then she had been comparatively affluent in the possession of twenty-two dollars. Now she knew how desperately hard was the way she must climb, and she had less than five dollars. What little she had been able to set aside out of her weekly wage had gone to purchase some sorely needed supplements to her meagre wardrobe.

It was some time before she could collect herself enough to dabble her swollen eyes with cold water, scrub off her make-up, and change for the street.

She stole away presently across an empty and desolate stage and through the blind, black alley leading from the stage-door to One-hundred-and-twenty-fifth Street. She felt somewhat relieved and comforted by the clean night air and the multitude of lights—the sense of normal life fluent in its accustomed, orderly channels. It seemed, in her excited fancy, like escaping from the foul, choking atmosphere of a madhouse....

The theatre was near Third Avenue, toward which Joan hurried, meaning to board a southbound car and transfer to Forty-second Street. But as she neared the corner she checked sharply, and (simple curiosity proving stronger than her impulse to fly across the street) went more slowly—only a few yards behind a figure that she knew too well—a swaying figure with weaving feet.

Vastly different from the carefully overdressed, dandified person he had been at their first meeting, Quard stumbled on, his hands deep in pockets, head low between his shoulders, a straw hat jammed down over his eyes. Obviously he was without definite notion of either his where-abouts or his destination. Passers-by gave him a wide berth.

He seemed so broken and helpless that pity replaced horror and indignation in the heart of the girl. After all, he hadn't been unkind to her; but for him she would long since have gone to the wall; and ever since their clash on the day of the try-out, he had treated her with a studied respect which had pleased her, apprehensive though she had remained of a renewal of his advances.

Suddenly, and quite without premeditation, she darted forward and plucked Quard by the sleeve just as he was on the point of staggering through the swinging doors of a corner saloon. If her impulse had been at all articulate, she would have said that this was, in such extremity, the least she could do—to try to save him from himself.

"Charlie!" she cried. "No, Charlie—don't be a fool!"

The man halted and, turning, reeled against the door-post. "Wasmasr?" he asked thickly. Then recognition stirred in his bemused brain. "Why, it's lil Joan Thursh'y...."

"Come away," she insisted nervously. "Don't be a fool. Don't go in there. Go home."

He moved his head waggishly. "Thash where 'm goin'—home—soon's I brace up a bit."

"Come away!" Joan repeated sharply, dragging at his cuff. "Do you hear? Come away. A walk'll straighten you out better'n anything else."

"Walk, eh?" Quard lifted his chin and lurched away from the door-post. "Y' wanna take walk with me? All right"—indulgently—"I'll walk with you, lil one, 's far's y' like."

"Come, then!" she persisted. "Hurry—it's late."

He yielded peaceably, with a sodden chuckle; but as he turned the lights of the saloon illumined his face vividly for an instant, and provided Joan with a fresh and appalling problem. The man had forgotten to remove his make-up; his mouth and jaws were plastered with a coat of bluish-grey paint, to suggest a week's growth of beard when viewed across footlights; there were wide blue rings round his eyes, and splashes of some silvery mixture on his dark hair. His face was a burlesque mask, so extravagant that it could not well escape observation in any steady light. It was impossible for Joan to be seen publicly with him—in a street-car, for instance. But now that she had taken charge of him, she couldn't gain her own consent to abandon the man to the potentially fatal whims of his condition. For a moment aghast and hesitant, in another she recognized how unavoidable was the necessity of adopting the suggestion his stupefied wits had twisted out of her pleadings: she would have to walk with him a little way, at least until he could recover to some slight extent.

Indeed, even had she desired to, she would probably have found it difficult to get rid of him just then; for in an attempt to steady himself, Quard grasped her arm just above the elbow; and this grip he maintained firmly without Joan's daring to resent it openly. She was to that extent afraid of his drunkenness, afraid of his uncertain temper.

Submissively, then, she piloted him to the south side of the street, where with fewer lighted shop-windows there was consequently less publicity, and to Lexington Avenue, turning south and then west through the comparative obscurity of One-hundred-and-twenty-fourth Street. Neither spoke until they had traversed a considerable distance and turned south again on Lenox Avenue. The streets were quiet, peopled with few wayfarers; and these few hurried past them with brief, incurious glances if not with that blind indifference which is largely characteristic of the people of New York. Quard suffered himself to be led with a docility as grateful as it had been unexpected. It was apparent to the girl that he was making, subconsciously at least, a strong effort to control his erratic feet. He retained her arm, however, until they were near One-hundred-and-sixteenth Street: when, noticing the lights of a corner drug-store, the girl held back.

A swift glance roundabout discovered nobody near.

"Where's your handkerchief, Charlie?" she demanded.

"Where's whash? Whashmasser?"

"I say," she repeated impatiently, "where's your handkerchief? Get it out and scrub some of that paint off your face. Do you hear? You look like a fool."

"'M a fool," Quard admitted gravely, fumbling through his pockets.

"Well, I won't be seen with you looking like that. Hurry up!"

Her peremptory accents roused him a little. He found his handkerchief and began laboriously and ineffectually to smear his face with it, with the sole result of spreading the colour instead of removing it. In this occupation, he released her arm. With a testy exclamation, Joan snatched the handkerchief from him and began to scour his cheeks and jaws, heedless whether he liked it or not. To this treatment he resigned himself without protest—with, in fact, almost ludicrous complaisance, lowering his head and thrusting it forward as if eager for the scrubbing.

For all her willingness she could accomplish little without cold cream. When at length she gave it up, his jowls were only a few shades lighter. She shrugged with despair, and threw away the greasy handkerchief.

"It's no use," she said. "It just won't come off! You'll have to go as you are."

"Whash that? Go where?"

"Now listen, Charlie," she said imperatively: "see that drug-store on the corner? You go in there and ask the man to give you something to straighten you out."

Quard nodded solemnly, fixed the lighted show-window with a steadfast glare, and repeated: "So'thin' to straighten m' out."

"That's it. Go on, now. I'll wait here."

He wagged a playful forefinger at her. "Min' y' do," he mumbled, and wandered off.

"And—Charlie!—get him to let you wash your face," she called after the man.

Waiting in the friendly shadow of a tree, she watched him anxiously through the window; saw him turn to the soda-fountain and make his wants known to the clerk, who with a nod of comprehension and a smile of contempt began at once to juggle bottles and a glass.

Singularly enough, it never occurred to the girl to seize this chance to escape. She was now accepting the situation without question or resentment. Quard seemed to her little better than an overgrown, irresponsible child, requiring no less care. Somebody had to serve him instead of his aberrant wits. To leave him to himself would be sheer inhumanity.... But she reasoned about his case far less than she felt, and for the most part acted in obedience to simple instinct.

She saw him drain a long draught of some whitish, foaming mixture, pay and reel out of the store. He had, of course, forgotten (if he had heard) her plea to remove the remainder of his make-up. She was angry with him on that account, as angry as she might have been with a heedless youngster. But she did not let this appear. She moved quickly to his side.

"Come on," she said quietly, turning southward; "you've got to walk a lot more."

He checked, mumbled inarticulately, staring at her with glazed eyes, but in the end yielded passively. In silence they continued to One-hundred-and-tenth Street, Joan watching him furtively but narrowly. The drug worked more slowly than she had hoped. Primarily, in fact, it seemed only to thicken the cloud that befogged his wits. But by the time they had gained the last-named street, she noticed that he was beginning to walk with some little more confidence.

He now seemed quite ignorant of her company—strode on without a word or glance aside. They crossed to Central Park and, entering, began to thread a winding path up the wooded rises of its northwestern face. Momentarily, now, there was an increasing assurance apparent in the movements of the man. He trudged along steadily, but with evident effort, like one embarrassed by a heavy weariness. His breathing was quick and stertorous.

The park seemed very quiet. Joan wondered at this, until she remembered that it must have been nearly midnight when they stopped at the drug-store. She had noticed idly that the clerk had interrupted preparations to close in order to wait on Quard.

They met nobody afoot, not even a policeman; but here and there, upon benches protected by umbrageous foliage, figures were vaguely discernible; men and women, a pair to a bench, sitting very near to one another when not locked in bold embraces. Joan heard their voices, gentle, murmurous, fond. These sights and sounds, the intimations they distilled, would at a previous time have moved the girl either to derision or to envy; now she felt only a profoundly sympathetic compassion, new and strange to her, quite inexplicable.

Near the top of the hill they found a bench set in the stark glare of an arc-light, and therefore unoccupied. Upon this Quard threw himself as if exhausted. He said nothing, seemed wholly oblivious of his companion. Immediately he was seated his chin dropped forward on his chest, his hat fell off, his arms and legs dangled inertly. He appeared to sink at once into impregnable slumber; yet Joan was somehow intuitively aware that he wasn't asleep.

She herself was very weary, but she couldn't leave him now, at the mercy of any prowling vagabond of the park. Picking up his hat, she sat down beside him with it in her lap, glad of the chance to rest. She was at once and incongruously not sleepy and thoughtless. Convinced that Quard was coming to himself, she was no longer troubled by solicitude; her wits wandered in a vast vacuity, sensitive only to dull impressions. She felt the immense hush that brooded over the park, a hush that was rendered emphatic by the muffled but audible and fast drumming of the man's over-stimulated heart, straining its utmost to pump and cleanse away the toxic stuff in his blood; the infrequent rumble and grinding of a surface-car on Central Park West seemed a little noise in comparison. Now and again a long thin line of glimmering car-windows would wind snakily round the lofty curve of the Elevated structure at One-hundred-and-tenth Street. Beyond, the great bulk of the unfinished cathedral on Morningside Heights loomed black against a broken sky of clouds.

At one time a policeman passed them, strolling lazily, helmet in hand while he mopped his brow. His stare was curious for the two silent and ill-assorted figures on the bench. Joan returned it with insolent and aggressive interest, as if to demand what business it was of his. He grinned indulgently, and passed on.

She had lost track of time entirely when Quard stirred, sighed, lifted his head and sat up with a gesture of deep despondency. The movement roused her from a dull, lethargic, waking dream.

"Feeling better, Charlie?" she asked with assumed lightness.

He nodded and groaned, without looking at her.

"Able to go home yet?"

"In a minute," he said drearily.

"Where do you live?" she persisted.

He waved a hand indifferently westward. "Over there—Ninety-sixth Street."

"Think you'll be able to walk it?"

"Oh, I'm all right now." He groaned again, and leaned forward, elbow on knee, forehead in his hand. "I feel like hell," he muttered.

"The best thing for you is to get to bed and get some sleep," said the girl, stirring restlessly.

He snapped crossly: "Wait a minute, can't you?"

She subsided.

"I guess you know I've gummed this thing all up, don't you?" he asked at length.

"Yes, I guess you have," she replied, listless.

"And, of course"—bitterly—"it's all my fault...."

To this she answered nothing.

"Well, I'm sorry," he pursued in a sullen voice. "I guess I can't say any more'n that."

She sighed: "I guess it can't be helped."

He leaned back again, explored a pocket, brought to light a roll of money, with shaking hands stripped off four bills. "Well, anyway, there's your bit."

Taking the bills, she examined them carefully. "That's a whole week," she said, surprised.

"All right; it's coming to you."

With neither thanks nor further protest, she put the money away in her pocket-book.

"You've acted like a brick to me," he continued.

"Don't let's talk about that now—"

"I don't want you should think I don't appreciate it. If it hadn't been for you, I don't know when I'd've got home—chances are, not till tomorrow night, anyway. The old woman'd've been half crazy."

Joan kept silence.

"My mother," he amended, with a sidelong glance. "There's only the two of us."

"Well," said the girl rising, "if that's so, you'd better get home to her; she won't be any too happy until she sees you—and not then."

Reluctantly he got to his feet. "She thinks I'm a great actor," he observed bitterly; "and I'm nothing but a damn' drunken—"

Joan interrupted roughly: "Ah, can that bunk: it'll keep till tomorrow—and maybe you'll mean it then."

He subsided into silence, whether offended or penitent she neither knew nor cared. She gave him his hat, avoiding his look, and without further speech they found their way out to the gate at One-hundred-and-third Street. Here Joan paused to await an Eighth Avenue car.

"You'd better walk all the way home, even if you don't feel like it," she advised Quard brusquely. "It won't do you any harm, and that mop of yours is a sight."

"All right," he assented. He moved tentatively a foot or so away, checked, turned back. "I suppose this is good-bye—?" he said, offering his hand.

"I guess it is," she agreed without emotion. Barely touching his clammy and tremulous fingers, she hastily withdrew her own.

A southbound car was swinging down to them, not a block distant. Quard eyed it with morose disfavour.

"At that," he said suddenly, "maybe this wouldn't've happened if you hadn't been so stand-offish. I only wanted to be friends—"

In her exasperation Joan gave an excellent imitation of Miss May Dean's favourite ejaculation. "My Gawd!" she said scornfully—"if you can't think of any better excuse for being a souse than to blame it on me.... Good night!"

The car pulled up for her. She climbed aboard—left him staring.

---

XIV

Though it was after three in the morning when Joan got home, she wasn't, as she had thought to be, the only waking person in the house. She had no sooner entered than, fagged though she was, she grasped this knowledge with a thrilling heart.

Beneath the door of the back-parlour a thin yellow line of light shone, as brilliant in the obscurity as the rim of a newly minted coin. She paused; and there came to her ears the swift staccato chattering of a typewriter.

Of a sudden she remembered how long it was since John Matthias had been anything but an abstraction in the background of her consciousness. He might have been at home for days: she had neither known nor thought of him, so wrapped up had she been with the routine of her work and the formless intrigue of emotions stimulated by the personality of Charlie Quard.

But now Charlie had eliminated himself from her life (she was quite sure that she would never see him again) while to the man labouring late, behind that closed door, she must be even more a dim reminiscence than ever before.

It stung her pride to think that Matthias had been able to forget her so easily. And she regretted bitterly that she herself had been so ready to let the image of her absent-minded benefactor fade upon the tablets of her memory.

By way of mute apology and recompense she hastened to enshrine anew in her heart her ideal of a gentleman; and it was fashioned in the likeness of John Matthias. And she resolved not to let another day pass without approaching him. She was sure he would help her if he could; and she was very anxious to make him realize her again.

But morning found her in quite another humour, one as diffident as different. And promptly she made a discovery so infinitely dismaying that it put the man altogether out of her mind for the time being. The Deans, she learned, had on the previous day received an offer for an engagement at a summer park in the Middle West, and had accepted, packed up and departed, all in an afternoon.

So she was more lonely than ever she had been since leaving home. The bedroom of the Dancing Deans, that salon where those stars of remote and lowly constellations had assembled to afford Joan her only glimpses of social life, was empty, swept and garnished. Those whom she had met there, and who had been nice to her, those scatter-brained, kind-hearted, shiftless denizens of the vaudeville half-world, were once again removed from her reach.

She spent that day and the next on the streets, trudging purposefully through the withering heat of August, once more a figure of the pageant which marches that most dolorous way, theatrical Broadway in the dog-days; one with the groups of idling actors with their bluish jowls and shabby jauntiness, one with and yet aloof from that drift of inexplicable creatures of stunted bodies and shoddy finery, less women than children, wistful of mien, with their strange, foreign faces and predatory eyes, bold and appealing to men, defiant to women....

Nothing came of it: the agencies took no more interest in her fortunes than they had before she could truthfully lay claim to stage experience. Each night she crawled home, faint with fatigue and the burden of the broiling day, to relish the bitter flavour of the truth that she would never go far without influence.

The third day she spent at home, resting and furbishing up her wardrobe to make a good appearance in the evening. Toward nightfall she bathed, did up her hair in a new and attractive way, shrewdly refrained from dressing her face with rouge and powder after the fashion the Deans had taught her, and clothed herself simply and sweetly in her best skirt and a fresh shirtwaist—both recent purchases.

In the deepening gloom of evening she mounted guard alone upon the stoop.

Circumstances could not have proved more favourable; and since her eyes were quick to distinguish the tall and slender figure of Matthias the moment he turned out of Longacre Square, the length of the block away, she had ample time to prepare herself. And yet it was with growing consternation that she watched his approach, and when at last he ran lightly up the steps, she was so hampered by embarrassment that the words she had framed to address him went unuttered, and her tentative movement to rise was barely perceptible—a start, a sinking back. So that Matthias, in his preoccupation, received only a faint impression that he had somehow disturbed the girl (whoever she might be) and lifting his hat, murmured an inarticulate word of apology and brushed past her into the vestibule. As the door of the back-parlour was noisily closed, tears of anger and mortification started to Joan's eyes. Then promptly temper overcame that which had daunted her calmer mood. Before she knew it she was knocking at Matthias's door.

He answered immediately and in person, with his coat off and his collar unfastened by way of preparation for a long night's work. Staring blankly, he said "Oh?" in a mechanical and not at all encouraging manner.

"Mr. Matthias—" Joan began with a slight, determined nod.

"Oh—good evening," he stammered.

Seeing him more at loss than herself, her self-confidence returned in some measure. "You don't remember me, Mr. Matthias," she asserted with a cool smile.

He shook his head slowly: "So sorry—I've got a shocking memory. It'll come back to me in a minute. Won't you—ah—come in?"

Joan said "Thanks," in a low voice, and entered. "I am Joan Thursday," she added with a hint of challenge in voice and glance.

"Oh, yes, Miss Thursday—of course! Won't you sit down?"

Matthias offered her an easy chair, but the girl was quite aware, as she accepted it, that he was still vainly racking his memory for some clue to the identity of Joan Thursday.

"You were very kind to me one night about six weeks ago," she said, choosing her words carefully in order not to offend his fastidious taste. "Don't you remember? It was a rainy night, and I had nowhere to go, and you let me stay here—"

"Oh!" he exclaimed, his face lighting up. "Of course, I remember now. Joan Thursday—to be sure! You left me a little note of thanks. I've often wondered what became of you."

"I've been living here, right in this house, ever since."

"You don't mean it. How very odd! I should think we'd have met before this, if that's the case."

"You've had plenty of chances," she laughed, feeling a little more at ease. She rested her head against the back of the chair and regarded him through half-lowered lashes, conscious that the lamplight was doing full justice to her prettiness. "I've seen you dozens of times."

"That's funny!" he observed, genuinely perplexed. "I don't see how that could have happened—!"

"You were always too busy thinking about something else to look at poor me," she returned; and then, intuitively sensitive to the affectation of the adjective "poor" (a trick picked up from one of Maizie's women friends) she amended it hastily: "at me, I mean."

"Well, I don't understand it, but I apologize for my rudeness, just the same," he laughed; and sat down, understanding that the girl wanted something and meant to stay until she got it, wondering what it could be, and a little annoyed to have his working time thus gratuitously interrupted. "So," he ventured, "you fixed things up to stop here, did you? At least, I seem to remember you—ah—weren't in very good form, financially, that night we met."

"Yes," she said, "I fixed it up all right. I'd lost my money, but the next day I found it again, and I came back here because I didn't know where else to go, and besides there was my friends upstairs—the Deans, you know."

"Oh, yes, to be sure. And did they help you find work on the stage? You did want to go on the stage, if I'm not mistaken."

"Yes; that's why I left home, you know. But they didn't help me any—the Deans didn't—at least, not exactly; though it was through them I met a fellow who took me on for a vaudeville turn."

"Why, that's splendid!" said Matthias, affecting an enthusiasm which he hardly felt. "And—you made good—eh?"

"Well"—she laughed a little consciously—"I guess I did make good. But he didn't. He was a boozer, and they threw us out of the bill last Wednesday."

"That's too bad," said Matthias sympathetically. "I see."

And truly he did begin to see: she was out of a job and wanted assistance to another. It wasn't the first time—nor yet merely the hundredth—that he had been approached on a similar errand. People seemed to think that—simply because he wrote plays which, if produced at all, scored nothing more than indifferent successes at best!—he could wheedle managers into providing berths for every sorry incompetent who caught the footlight fever. It was very annoying. Not that he wouldn't be glad to place them all, given time and influence; but he had neither.

Joan, watching him closely, saw his face darken, guessed cunningly the cause. And suddenly the buoyant assurance which had been hers up to this stage in their interview deserted her utterly. No longer enheartened by faith in the potency of her good looks and the appeal of her necessity, she became again the constrained and timid girl of unreasonable and inarticulate demands.

After a brief silence, Matthias looked up with a smile.

"I don't suppose you have anything else in sight?"

Joan shook her head.

"And you need a job pretty hard—eh?"

"Oh, I do!" she cried. "I haven't hardly any money, and the Deans have gone away, and the agencies won't pay any attention to me—"

"I understand," he interrupted. "Half a minute: I'll try to think of something."

Unconsciously he began to pace the way his feet had worn from door to window.

"How old are you?" he asked abruptly.

She started and instinctively lied: "Twenty...."

His surprise was unconcealed: "Really?"

She faltered unconvincing amendment: "Nearly."

"No matter," he said briskly. "It comes to the same thing: you're under twenty. The stage is no place for girls of your age. Don't you think you'd better chuck it—go home?"

Not trusting herself to speak, she shook her head, her eyes misty with disappointment.

"Besides, you're too good looking...."

Struck by her unresponsiveness, he paused to glance at her, and noted with consternation the glimmer of tears in her lashes.

"Oh, I say! Don't cry—we'll find something for you, never fear!"

"I'm sorry," she gulped. "I—I didn't mean to.... Only, I can't go home, and I must find something to do, and you'd been so kind to me, once, I thought—"

"And I will!" he asserted heartily. "I'm only trying to advise you.... I don't want to preach about the immorality of the theatre. A sensible girl is as safe on the legitimate stage as she would be in a business office—safer! But theatrical work has other effects on one's moral fibre, just as disastrous, in a way. It's lazy work; barring rehearsals, you won't find yourself driven very hard—unless ambition drives you, and you've got uncommon ability and mean to get to the top. Otherwise, you won't have much to do, even if constantly engaged. You'll get average small parts; you may be on in one act out of three or four. But even if you appear in every act, you'll only be in the theatre three hours or so a day. The rest of it you'll waste, nine chances out of ten. You'll lie abed late, and once up it won't seem worth while starting anything before it's time to show up at the theatre. That's the real evil of stage life: to every hard-working actor it turns out a hundred—five hundred—too lazy even to act their best, of no real use either to themselves or to the world."

He checked and laughed in a deprecatory manner. "I didn't mean to speechify like this, but I do know what I'm talking about."

Joan had listened, admiring Matthias intensely, but thoroughly sceptical of his counsel, to the tenor of which she paid just sufficient heed to perceive that doubts admitted would condemn her cause.

"I mean to succeed," she said in an earnest voice: "I mean to work hard, and I do believe I'll make good, if I ever get a chance."

"Then that's settled!" assented Matthias promptly. "The thing to do now is to find out what you can do with a chance."

He pawed the litter of papers on the table, and presently brought to light a typed manuscript in blue paper covers.

"This," he said, rustling the leaves, "is the first act of a play we're going to put on early in September. It goes into rehearsal in a week or ten days. There's a small part in the first act—a stenographer in a law office—a slangy, self-sufficient girl—you might be able to play. As I say, it's small; but it's quite important. It's the fashion nowadays, you know, to write pieces with small casts and no parts that aren't vital to the action. If you should bungle, it would ruin the first act and might kill the play. But I'm willing to try you out at rehearsals—with the distinct understanding that if you don't fit precisely you'll be released and somebody else engaged who we're sure can play it."

"That's all I ask," said the girl. "You—you're awful' kind—"

"Nonsense: I'd rather have you than anyone else I can think of just now, because you're pretty, and pretty women help a play a lot; and the man who's putting this piece on would rather have you because he'll get you for less money than he'd have to pay an actress of experience. So, if you make good, all hands will be pleased."

"Shall I begin to study now?" Joan asked, offering to take the manuscript.

"Not necessary. Your part will be given you when the first rehearsal is called. I merely want to refresh my memory, to see how much you'll have to do."

He ran hastily through the pages.

"As I thought: you are on at the opening for about ten minutes, and near the end of the act for a two-minute scene. Twelve minutes' work a day for, say, twenty-five dollars a week: that isn't bad. You'll be out of the theatre by half-past nine every night.... You see the point I've been trying to make?"

"Yes," Joan assented. "It seems very easy. I hope I can do it."

"I'm sure you can," said Matthias. "But—how are you going to live between now and the opening?"

Joan's eyes were blank.

"Have you any money?" he insisted.

"A very little," she faltered—"eighteen dollars—"

"You won't get pay for rehearsals; and they'll last three weeks; after we open it will be another week before the ghost walks. That's—say—six weeks you've got to scrape through somehow. Eighteen dollars won't cover that. Perhaps you'd better go back to your old job until we start."

"I was fired from the last, and it would take more than two weeks for me to find anything like it, I know."

"And there you are!"

Matthias tossed the manuscript back to the table, waved his hands eloquently and threw himself into a chair, regarding her with his whimsical, semi-apologetic smile.

"I'm afraid," he added after a minute, "I've reached the end of my string. Further suggestions will have to come from you."

"I don't know," said the girl doubtfully. "Maybe I can think of something—maybe something will turn up."

"I hope so. Perhaps even I may invent something. If I do, I'll let you know, Miss Thursday."

He arose, his manner an invitation to go, to which she couldn't be blind.

She got up, moved slowly toward the door.

"I hope I haven't bothered you much—put you out of your writing—"

"Oh, that's all right," he interrupted insincerely.

"And you have been awful' good to me."

"Please don't think of it that way."

He was holding the door for her, but on the threshold she hesitated.

"Unless," she ventured half-heartedly—"unless I could help you some way with your work."

"Help me?" he exclaimed, at once amazed and amused.

"I mean, copying—if you ever have any."

"Type-writing?"

She nodded, with a flush of hope. "When I was a kid—I mean, before I left school—I studied a while at a business college—nights, you know. They taught me type-writing by the touch system, but I couldn't seem to get the hang of shorthand, and so had to give it up and go to work in a store."

"Now that is a helpful thought!" he cried, turning back into the room. "Wait a minute. There may be something in this. Let me think."

But his deliberation was very brief.

"It can be done!" he announced in another moment. "I have got a lot of stuff to be copied. You see, about a month ago I...."

He checked, his eyes clouding without cause apparent to the girl.

"Well!" he went on with a nervous laugh—"I didn't feel much like work. Guess I must've done too much of it, for a while. Anyway, I found I had to quit, and went out of town for a while. Of course I couldn't stop work really—a man can't, if he likes his job—and so I took some manuscripts along and revised them in long-hand. Now they ought to be copied—I'd been thinking of sending them out to some public stenographer—but if you want the work, it's yours."

---

XV

Never had any of her difficulties been adjusted in a manner more satisfactory to Joan. She rose at once from an abyss of discouragement to sunlit peaks of happiness. Installing a rented type-writing machine in the room adjoining her own (temporarily without a tenant and willingly loaned by Madame Duprat) she tapped away industriously from early morning till late at night, sedulously transcribing into clean type-script the mangled manuscripts given her by Matthias. By no means a rapid worker, after renewing acquaintance with the machine she made up for slowness by diligence and long hours. And the work interested her: she thought the plays magnificent; and a novel which Matthias gave her when his stock of old plays ran low she considered superb. It was his first and only book, and had not as yet been submitted to the mercies of a publisher. But to Joan it was something more than a book; it was a revelation, her primal introduction to the world of the intellect. From poring over its pages, she grew hungry for more, thrilled by the discovery that she could find interest and pleasure in reading.

She began to borrow extensively from the circulation branch of the Public Library in Forty-second Street, and to read late into the night, defying the prejudices of Madame Duprat on the question of gas consumption....

Refusing an offer of public stenographer rates, she had asked for ten dollars a week. This Matthias paid her, under protest that the work was worth more to him. The arrangement was, however, a fortunate one; for though at first Joan earned more than she received, after rehearsals of "The Jade God" had started she was seldom able to give more than two or three hours a day to the copying.

These rehearsals furnished her with impressions vastly different from those garnered through her experience with "The Convict's Return."

The company assembled for the first time on a mid-August morning, in the author's study. There were present eight men, aside from Matthias and the manager, his producing director and his press agent, and four women, including Joan. After brief introductions, the gathering disposed itself to attention, and Matthias, rocking nervously in his revolving desk-chair, read the play aloud. To most of those present the work was new and unfamiliar; they listened with intense interest, keenly alive to the possibilities of the various parts for which they had been cast.

But Joan was not of these; she had typed all the parts and knew not only the story but her own slight though significant rôle (as she would have said) "backwards." Sitting in a shadowed corner, she devoted herself to studying those with whom her lines were to be cast.

The leading lady was an actress who, after several attempts to star at the head of her own company, was reduced to playing second to the young and handsome matinée hero of several seasons ago, planning to return in triumph to the stage after an unsuccessful effort to retire from it into the contented estate of well-financed matrimony. Through their widely published photographs Joan was familiar with the features of both.

She thought the star charming; good-humoured, good-looking, well-mannered, slight and graceful, he had all the assurance of a Charlie Quard and none of his vain swagger.

But Joan decided on sight to detest the leading woman. She was a pale, ashen blonde, with a skin as colourless as snow, level dark brows, sharp blue eyes set close to the bridge of her pointed nose, and a thin-lipped, violent mouth. The first impression she conveyed was one of dangerous temper; the second, that she had been happy in her choice of photographers. Throughout the reading, she sat negligently on the arm of a chair, swinging a foot and staring out of the window with an air of immitigable disdain.

Of the other women, one was a grey-haired, sweet-faced lady of perhaps fifty years, whose eyes softened winningly whenever they encountered Joan's, the other an unlovely creature of middle-age and long stage experience, who seemed to have no interest in life aside from her unfolding part. The remainder of the company, of a caste hall-marked by the theatre, offered nothing novel to Joan's eyes—aside from a fat, red-faced lump of a youth who was to act a thick-witted, sentimental office-boy, in love with the stenographer (Joan). This one she decided to tolerate on suspicion; he resembled a type which she had found difficult, apt to impertinence and annoying attentions.

Rideout, the man financially responsible for the production, was an English actor of reputation and considerable ability. Carrying his stoutish body with an ease that almost suggested slenderness: with his plump, blowsy face, twinkling eyes and fat nose of a comedian: the insuppressible staginess of his gesture would have betrayed his calling anywhere. Now and again Joan surprised an anxious expression lurking beneath his humorous smile; she had inferred from some casual remark made by Matthias that Rideout was staking all he possessed on the success of this play.

The producing manager, Wilbrow, was a short, lean-bodied American, with lantern jaws, large intent eyes, and a nervous frown. Joan was impressed with the aloof pleasantness of his manner: she was to know him better.

The reading over, the company was dismissed with instructions to report at ten the next morning at an obscure dance-hall masquerading under the name of an opera house, situate in the immediate neighbourhood, between Eighth and Ninth Avenues. Several lingered to affix signatures to contracts—Joan of their number; and when these were gone, there remained in conference the star, the leading woman, Matthias, Rideout, and Wilbrow.

Going out to dinner that night, Joan passed Matthias bidding good-bye to the leading woman in the hallway. He seemed tired and wore a harassed look; and later, when the girl delivered the outcome of her day's copying, he had a manner new to her, of weary brusqueness.

The first rehearsal proper was held in a stuffy and ill-ventilated room, so dark that it was necessary to use the electric lights even at high noon. The day was fortunately cool, otherwise the place had been insufferable. There was little attempt at acting; the company devoted itself, under Wilbrow's patient direction, to blocking in the action. They had no stage—simply that bare, four-square room. Half a dozen chairs and a few long benches were dragged about to indicate entrances and properties. Nobody pretended to know his part—not even Joan, who knew hers perfectly. The example of the others, who merely mumbled from the manuscripts in their hands, made the girl fear to betray amateurishness by discovering too great an initial familiarity with her lines. So she, too, carried her "'script," and read from it. When not thus engaged, she sat watching and noting down what was going on with eager attention.

But she took away with her a depressing sense of having engaged in something formless and incoherent.

But succeeding rehearsals—beginning with the second—corrected this misapprehension. That afternoon developed Wilbrow suddenly into a mild-mannered, semi-apologetic, and humorous tyrant. He discovered an individual comprehension of what was required for the right development of the play, and an invincible determination to get it. He never lost either temper or patience, neither swore nor lifted his voice; but having indicated his desire, wrought patiently with its subject, sometimes for as long as an hour, until he had succeeded in satisfying it. He worked coatless, with his long black hair straggling down over his forehead and across his glasses: an incredibly thin, energetic, and efficient figure, dominated by a penetrating and masterful intelligence. Not infrequently, taking the typed part from the hands of one of his puppets, he would himself give a vivid sketch of its requirements through the medium of intonation, gesture, and action. And to Joan, at least, the effects he created by these means were as striking in the feminine rôles as in the masculine. Utterly devoid of self-consciousness, he had the faculty of seeming for the moment actually to be what he sought to suggest: one forgot the man, saw only what he had in mind.

Another thing that surprised the girl more than a little was the docility with which her associates submitted to his dictation and even invited it. She had heard of actors "creating" rôles; but in this company no one but the producer seemed to be creating anything. The others came to rehearsals with minds so open that they seemed vacuous; not one, whether the star, his leading woman, or any of their supporting players, indicated the least comprehension of what they were required to portray or the slightest symptom of original conception. What Wilbrow told them and then showed them how to do, they performed with varying degrees of success. So that Joan at last came to believe the best actors those most susceptible to domination, least capable of independent thought. As he gradually became acquainted with his lines and the business Wilbrow mapped out for him, the star began to give more compelling impersonations at each rehearsal; but to the girl he never seemed more than a carbon filament of a man, burning bright with incandescence only when impregnated with the fluid genius of a superior mentality. So, likewise, with the leading woman....

As for herself, Joan was hardly happy in her endeavour to please. Having unwisely formed her own premature conception of her part, and lacking totally the technical ability to express it, she ran constantly afoul of Wilbrow's notions. She was called upon first to erase her own personality, next to forget the personality which she had meant to delineate, and finally to substitute for both these one which Wilbrow alone seemed able to see and understand. She strove patiently and without complaint, but in a stupefying welter of confusion. While on the pretended stage she was constantly terrified by Wilbrow's mild but predominant regard, which rendered her only awkward, witless, and ill-at-ease. Then, too, her attempts to imitate his brilliant and colourful acting were received with amusement, not always wholly silent, by the rest of the company. She seemed quite unable to follow his lead; and toward the end of the first week, throughout the whole of which (she was aware from the calm resignation of Wilbrow's attitude) she had improved not one whit, she began to despair.

Inasmuch as she appeared only in the first act, she was customarily excused from attendance at the rest of each rehearsal, and spent this extra time at home, over her typewriter; thus maintaining the fiction of earning her weekly stipend.

On Saturday afternoon, however, as soon as her "bit" had been rehearsed, there occurred one of those quiet, aloof conferences between Wilbrow, Rideout, and Matthias, which she had learned to recognize as presaging a change in the cast. Twice before, such consultations had resulted in the release of subordinate actors who had proved unequal to their parts. Now from the author's uneasy and distressed eye, which alternately sought and avoided her, Joan divined that her own fate was being weighed in the balance. And her heart grew heavy with misgivings. None the less, she was permitted to leave with no other advice than that the rehearsals would resume on the following Monday, at nine in the morning, on the stage of a Broadway theatre.

She hurried home in a mood of wretched anxiety and creeping despair. Wilbrow had indisputable excuse for dissatisfaction with her; Rideout was quite humanly bent on getting the best material his money could purchase—and she was far from that; while Matthias couldn't reasonably protest against her dismissal for manifest incompetency. And dismissal now meant more to Joan than the loss of her coveted chance to appear in a first-class production; it meant not only the loss of the living she earned as typist—and she had been engaged with the understanding, implicit if not explicit, that Matthias had only enough extra work to occupy her until the opening of his play; dismissal from the cast of "The Jade God," in short, meant the loss to her of Matthias.

There was no longer in her heart any doubt that she loved him. The admiration conceived in her that first night, when he had turned himself out to afford her shelter, had needed only this brief period of propinquity to ripen into something infinitely more deep and strong. And from the first she had been ready and willing to adore his very shadow upon an excuse far less encouraging than his kindly though detached interest in her welfare. In her cosmos Matthias was a being as exotic as a Martian, his intelligence of an order that passed understanding. His thoughts and ways of speech, his interests and amusements (as far as she could divine them) the delicacy of his perceptions, and the very refinements of his mode of life, all new and strange to her, invested him with a mystery as compelling to her imagination as the reticences of a strange and beautiful woman have for the mind of a young man. She worshipped him with a hopeless and inarticulate longing, and was content with this for the present; but hourly she dreamed of a day when through his aid she should have lifted herself to a position in which she would seem something more to him than a mere, forlorn shop-girl out of work and scratching for a living. If only she might hope to become an actress of recognized ability!...

It was a truism in her conception of life that the estate of actress was a loadstone for the hearts of men.

If success were to be denied her!...

In her bedroom, behind a locked door, she hurried to her pillow and to tears. She had known many an hour darkened by the fugitive despairs of youth; but never until this day had she been so despondently sorry for herself.

Later, the banal ticking of her tin alarm-clock penetrated her consciousness, and she remembered that she had work to do—to be finished before evening, if her promise to Matthias were to be kept. She rose, splashed face and eyes with cold water, and went to her typewriter in the adjoining room.

She had really very little to do in order to complete her task—only a few pages of scored and interlined manuscript to reduce to clean copy; but her mind was not with her work. Time and again she found herself sitting with idle hands, thoughts far errant; and now and then she had to dry her eyes before she could proceed: so stubbornly did she cling to the sorry indulgence of self-pity! Once, even, she was so overcome by contemplation of her sufferings that she bowed her head upon the table where the manuscript lay, and wept without restraint for several minutes—without restraint and, toward the last, with kindling interest in the discovery that her tears were bedewing a freshly typed page.

If Matthias were to notice, would he understand? And, understanding, what would he think?...

With shame-faced reluctance she destroyed the blotched page and typed it anew.

It was dark before she finished; and she was glad of this when she gathered up the manuscript to take to her employer. With no light in his room other than that of the reading-lamp with the green shade, her stained and flushed cheeks and swollen eyes would escape detection. It was not that she wouldn't have welcomed sympathetic interest, but a glance in the mirror showed her she had wept too unrestrainedly not to have depreciated the chiefest asset of her charm—her prettiness.

However, she could not well avoid the meeting: the work must be delivered; but if she were lucky she would find him in one of his frequent moods of abstraction, and their interview need only be of the briefest. Nevertheless, she would have sent the work to him by the chambermaid if her week's wage had not been due that night.

She waited a moment, listening at the door to the back-parlour; but there was no sound of voices within; and reassured, she knocked.

His response—"Come in!"—followed with unexpected promptness. She obeyed, though with misgivings amply justified as soon as she found herself in the room, which was for once well-lighted, two gas-jets on the chandelier supplementing the green-shaded lamp.

Matthias was bending over a kit-bag on the couch, hastily packing enough clothing to tide him over Sunday. He threw her an indifferent glance and greeting over his shoulder.

"Hello, Miss Thursday! I was beginning to wonder whether you'd forgotten me. I'm going to run down to Port Madison until Monday morning—last chance I'll have for a day in the country for some time, probably. Chances are, Wilbrow will keep us at work next Sunday. Got that 'script all ready?"

Joan, depositing it on the table, murmured an affirmative in a voice uncontrollably unsteady. Before entering she had been quite sure of her ability to carry off the short interview without betraying her harrowed emotions. But to find the man about whom they centred packing to leave town—to leave her!—added the final touch of misery to her mood. And the inflection of her response could not have failed to strike oddly on his hearing.

Uttering a wondering "Hello!" he straightened up and swung round to look at her. And a glance sufficed: his smile faded, was replaced by a pucker of sympathy between his brows.

"Why, what's the trouble?"

Joan averted her face. "N-nothing," she faltered. Her lip trembled, her eyes filled anew. She dabbed at them with a wadded handkerchief.

Matthias hesitated. He drew down the corners of his mouth, elevated his brows, and scratched a temple slowly with a meditative forefinger. Then he nodded sharply and, crossing to the door, closed it.

"Tell me about it," he said, coming back to the girl. "Things not going to suit you, eh?"

She shook her head, looking away. "I—I—!" she stammered—"I can't act!"

"O nonsense!" he interrupted with kindly impatience. "You mustn't get discouraged so easily. Naturally it comes hard at first, but you'll catch on. Everything of this sort takes time. I was saying the same thing to Wilbrow today."

"Yes," she mumbled, gulping—"I—I know. I was watching you. H-he and Mr. Rideout wanted to fire me, didn't they?"

"What? Oh, no, no!" Matthias lied unconvincingly. "They—they were just wondering.... I assured them—"

"But you hadn't any right to!" the girl broke in passionately. "I can't act and—and I know it, and you know it, as well as they do. I can't—I just can't! It's no use.... I'm no good...."

Of a sudden she flopped into a chair, rested her head on arms folded on the table, and sobbed aloud.

Matthias shook his head and (since she could not see him) permitted himself a gesture of impotent exasperation. This was really the devil of a note! Women were incomprehensible: you couldn't bank on 'em, ever. Here was he preparing to catch a train, and not too much time at that....

But a glance at the clock reassured him slightly; he had still a little leeway. All the same, he didn't much relish the prospect of being compelled to invest his spare minutes in attempting to comfort a silly, emotional girl. And, besides, somebody in the hallway might hear her sobbing....

This last consideration took him somewhat reluctantly to her side. "There, there!" he pleaded, intensely irritated by that feeling of helplessness which always afflicts man in the presence of a weeping woman, whether or not he has the right to comfort her. "There—don't cry, please, Miss—ah—Thursday. You're all right—really, you are. You—you're—ah—doing all this quite needlessly, I give you my word."

He might as well have attempted to stem a mountain torrent.

"I wish I could make you understand this is all quite unnecessary," he groaned.

"I—I'm so mis'able!" came a wail from the huddled figure.

"I'm sorry," he said uncomfortably—"awfully sorry, truly. But you—I'm not afraid you won't make good, and I don't intend to let you go until you've had every chance in the world. That's a promise."

He ventured to give her quaking shoulder a light, encouraging pat or two, and rested his hand upon the corner of the table.

"Come, now—brace up—please. I—"

With a strangled sob Joan sat up, caught his hand and carried it to her lips. Before he could recover from his astonishment it was damp with her tears and kisses.

Instantly he snatched it away.

"You—you're so good to me!" she cried.

Matthias, horrified, stepped back a pace or two, as if to insure himself against a repetition of her offence, and quite mechanically dried his hand with a handkerchief. And then, in a flash, he lost his temper.

"What the devil do you mean by doing that to me?" he demanded harshly. "Look here—you stop this nonsense. I won't have it. I—why—it's outrageous! What right have you got to—to do anything like that?"

The shock of his anger brought the girl to her senses. Her tears ceased in an instant, as if automatically. She rose, mopping her face with her handkerchief, swallowed one last sob, and moved sullenly toward the door.

"I'm sorry," she mumbled. "I—you've been very kind to me—I forgot myself. I'm sorry."

"Well ..." he said grudgingly, in his irritation. "But don't let it happen again."

"There's no chance of that," the girl retorted with a brief-lived flash of spirit. "Good night."

"Good night," he returned.

She was gone before he recovered; and then compunction smote him, and he followed her as far as the hallway.

In the half-light of the flickering gas-jet, he saw her only as a shadow slowly mounting the staircase. And a glance toward the front door discovered indistinct shapes of lodgers on the stoop.

"Miss Thursday!" he called in a guarded voice.

She heard, hesitated a single instant, then with quickened steps resumed the ascent.

He called once again, but she refused to listen, and he returned to his study in a state of insensate rage; which, however, had this time himself for its sole object—Joan's transgression quite lost sight of in remorse for his brutality. He could not remember ever having spoken to any woman in such wise: no man had any right to speak to any woman in such a manner, for any cause, however exasperating.

Tremendously disgusted with himself, and ashamed, he tramped the floor so long, trying to quiet his conscience, and made so many futile attempts to apologize to the girl by word of hand—one and all either too abject or too constrained—that he had lost his train before he produced the lame and halting effort with which he was at length fain to be content.

A later train was bearing him under the East River to Long Island when Joan read his message.

A servant had taken it to the girl's room and, knocking without receiving an answer, concluded that Joan was out and slipped it under the door.

When the descending footsteps were no longer audible, Joan rose from the bed, lighted the gas, and with blurred vision deciphered the lines:

"Dear Miss Thursday:—Please forgive me for my unmannerly exhibition of temper. I regret exceedingly my inability to make you understand how sorry I am to have hurt your feelings.

"And do please understand that there is no grave dissatisfaction with your work at rehearsals. Remember that you have two weeks more in which to show what you can do.

"I shall hope that you are not too deeply offended to overlook my loss of temper and to continue typing my book; if possible I'd like to have another chapter by Monday night.

"Sincerely yours,

"John Matthias."

"P. S.—I enclose—what I'd completely forgotten—the regular weekly amount—$10."

She fell asleep, at length, with this note crushed between her pillow and her cheek.

---

XVI

Her work proved invaluable distraction for the greater part of that long and lonely Sunday. When not at her typewriter she was tormented by alternate fits of burning chagrin and of equally ardent gratitude toward Matthias. Had this last been in town and chanced to meet her, she must either have quitted him definitely or have betrayed her passion unmistakably even to the purblind eyes of a dreaming dramatist. As it was, the girl had time to calm down, to recognize at once his disinterestedness and her own folly. If her infatuation did but deepen in contemplation of his generosity, she none the less regained poise before bedtime and with it her determination to succeed in spite of her stupidity, if only to justify his kindness.

But the morning that took her back to rehearsals found her in a mood of dire misgivings. She would have forfeited much—anything other than their further association—to have been spared the impending encounter with Matthias. And although the author was not present when she reached the theatre, her embarrassment hampered her to a degree that rendered her attempts to act more than ever farcical.

Wilbrow, seated in a chair on the "apron" of the stage, his back to the lifeless footlights, did not interrupt her once; but despair was patent in his attitude, and despair informed his eyes, and not long after her scene was finished the producer for the first time betrayed indications of temper.

"Blaine!" he said abruptly in a chilling voice to one of the minor actors—"don't you know there's a window over there—up left centre?"

The player thus addressed, who had been idling purposelessly near the centre of the stage, looked up with a face of blank surprise.

"Sure," he said—"sure I know it."

"That's something, at least!" Wilbrow commented acidly. "I'm glad you remember it. If I'm not mistaken, I've reminded you of that window twice every day since Monday."

"Yes," agreed the other with a look of painful concentration; "I guess that's right, too."

"And yet you can't remember what I've told you just as often—that I want you to be up there, looking out of the window, when Sylvia enters!"

The actor turned out expostulatory palms. "But, Mr. Wilbrow, what for? I don't see—"

"Because," the producer interrupted incisively, "the stage directions indicate it; because the significance of this scene requires you to be there, looking out, unaware of Sylvia's entrance; because you look better there; because it dresses the stage; because you're in the way anywhere else; because I—God help me!—because I—want—you—to—be—there!"

A smothered giggle broke from a group of players technically off-stage. Wilbrow glared icily toward that quarter.

"Yes, I know," Blaine agreed intelligently. "But how do I get there?"

The front legs of Wilbrow's chair rapped the boards smartly as he jumped up. In silence, he grasped Blaine's arm and with a slightly exaggerated melodramatic stride propelled him to the indicated spot, released him, and stood back.

"Walk!" he announced with an inimitable gesture of tolerant contempt; and went back to his chair. Not a line of his face had changed. He sat down, nodded to the leading woman.

"All right, Mary," he said; and to another actor: "Now, the cue for Sylvia, please!"

Joan shivered a little.

Matthias did not come in until after the girl had finished her part in the afternoon rehearsal. She caught sight of him in the darkened auditorium just as she went off; and hurried from the house in tremulous dread.

But a meeting was inevitable; and that evening, just before the dinner hour, found her reluctantly knuckling the door of the back-parlour. The voice of Matthias bade her enter, and she drew upon all her scant store of courage as she turned the knob. To her immense relief he was not alone. Rideout and Moran, the scene painter, were in consultation with Matthias over two small model stages set with painted pasteboard scenery.

Matthias greeted her with a preoccupied smile and nod.

"Oh, good evening, Miss Thursday. More 'script, eh? Thank you."

Silently Joan gave him the manuscript and left the room. But the door had no sooner closed than it was re-opened and again closed. She turned to face this dreaded crisis.

His smile was friendly and pleasant if a trace uncertain. He made as if to offer his hand, and thought better of it.

"Oh, Miss Thursday.... I sent you a note...."

She nodded, timid eyes avoiding his.

"Am I forgiven?"

"I—I—if you'll forgive me—" she faltered.

"Then that's all right!" he cried heartily. "I'm glad," he added with unquestionable sincerity—"and sorry I was such a brute. I ought to have understood what a strain you'd been under. Shall we say no more about it?"

She nodded again: "Please...."

"Good!" He offered his hand frankly, subjected hers to a firm, cool pressure, and moved back to his study door. "Good night."

She whispered her response, and ran upstairs to her room, almost beside herself with delight.

It was all right!

Best of all, the advances had come from him; he it was who had sued for pardon where the fault was hers—clear proof that he thought enough of her to wish to retain her friendship!

With a glad and comforted heart she settled down to attack anew the vexatious problem of her rôle in "The Jade God."

But for all her worry and good will, the next morning's rehearsal of her scenes passed off in the same terrible silence as had marked Monday's. And in the same afternoon the storm broke.

After plodding through her first scene, Joan was about to go off when Wilbrow called her.

"Miss Thursday," he said quietly, "one of three things has got to happen—now: either you'll follow my instructions, or you'll quit, or I will. I've told you what I want so many times that I'm tired repeating myself. Now we're going to go over that scene again and again, if it takes all afternoon to get what I'm after. But, before we start, I will ask you to bear one thing in mind: this isn't an ingénue part; there's no excuse for acting it like a petulant school-girl. Even pretty stenographers are business-like in real life—sometimes—and we're trying to secure some semblance of real life in this production. In other words, I want you to forget Billie Burke and try to act like a human being who's a little sore on her job and her employer, but not sore enough to chuck it just yet. Now, if you please—begin right at the beginning."

For an instant Joan stood hesitant, on the verge of refusing. There seemed to be no satisfying this man: he either didn't or wouldn't understand; she tried desperately to please him—and her sole reward was to be held up to the derision of the entire company! It was intolerable! And of a sudden she hated Wilbrow with every atom of her being. But ... if she were to talk back or refuse to go on, Matthias would be forfeited from her life.

She choked down her chagrin, resisted the temptation to wither Wilbrow with a glare, and sulkily resumed her place in the chair beside another chair that was politely presumed to be her typewriter desk.

At once the fat boy whom she detested crossed the indefinite line dividing the scene from "off-stage," and leering insolently, spoke the opening line of the play. Seething with indignation, the girl looked up and in cutting accents shot her reply at him. She was pleased to surprise a look of dumb amazement in his eyes. At all events, she had succeeded in letting him know just how she felt toward him! And this success inspired her to further efforts. She rattled through the remainder of the scene with the manner of a youthful termagant.

When she had finished, Wilbrow said nothing beyond: "Again, please."

The demand served only to deepen her resentment, and the second repetition differed not materially from the first.

Ceasing to speak, she flounced away, but Wilbrow's voice brought her back.

"Very good, Miss Thursday," he said mildly—"very good indeed. But why—in the name of Mike!—if you could do it—why wouldn't you until now?"

"Because," Joan stammered—"because—!"

But she didn't dare say what she wished to, and checked her tongue in a fit of sulks more eloquent than any words she could have found.

Wilbrow waited an instant, then laughed quite cheerfully.

"The usual reason, eh? I might have guessed you had a sure-'nough one concealed about you.... That's all for today. Tomorrow morning at nine."

Privately pondering this experience, Joan surprised its secret, and drew from it a conclusion that was to have an important influence upon her professional future: in order to act convincingly, she must herself feel the emotions accredited to her part. As applied to her individual temperament, at that stage of its development, this rule had all the inflexibility of an axiom. Others might—as others do—act in obedience to the admonitions of their intelligence: Joan could at that stage act only according to the promptings of her emotional self.

So she encouraged herself to hate Wilbrow with all her heart, to despise him without ceasing night or day; no charitable thought of the manager was suffered to gain access to her humour at any hour. And so admirably did she succeed in impregnating her mind with virulent dislike of the man, that she afforded him no end of amusement. She made a point of coming to the rehearsals early enough to infuriate herself with contemplation of him in the flesh; and of walking up and down, before and between her scenes, thinking evil of him. The twinkle with which his eyes followed her, in place of their erstwhile calm indifference or resignation, worked only to intensify her rancour. Curiously enough, a clear comprehension of the illogical absurdity of it all made her temper even more bitter.

One day just before the final rehearsals, Wilbrow, meeting her at the stage-door, planted his slender body squarely in her way.

"Good morning!" he said cheerfully, with a semi-malicious smile. "My congratulations, Miss Thursday! You're doing nobly."

"Thanks," Joan said curtly, pausing perforce.

"You ought to be very grateful to me. Are you?"

"No."

"I wonder what you'd do under the direction of a man you happened to like?"

"I don't know." Joan gave him a sullen look. "Will you please let me pass."

"Delighted." He moved aside with mocking courtesy. "I ask only one thing of you: don't fall in love with me before our first night. I haven't got time to sour another sweet young thing's amiable disposition.... Keep on hating me as hard as you like—and we'll make at least a half-portion actress of you yet...."

Toward the end of the second week, Joan began to notice that Rideout was growing less assiduous in attendance. At first inclined to lay this to his satisfaction with the progress—to her the production seemed to be taking on form and colour in a way to wonder at—she later overheard a chance remark of one of her associates, to the effect that Rideout was himself rehearsing with another company.

"Well," someone commented, "if it was my coin back of this show, I'd stick by it if I had to play the office-boy."

"I guess," was the reply, "Rideout ain't got any too much outside what he's sunk in this production. Shouldn't wonder if he needs what he's to get with Minnie Aspen."

"Mebbe. He's a good trouper. What does he drag down, anyway?"

"Four hundred a week."

"Nix with those Lambs' Club figures. I mean regular money."

"Oh, two hundred and fifty, sure."

"Now you've said something...."

During the third week it was announced that "The Jade God" would open in Altoona on the following Monday. And at the same time Joan discovered that she was expected to provide her own costume, a simple affair but unhappily beyond the resources of either her wardrobe or her pocket-book. In despair she took the advice of Mrs. Arnold (the sweet-faced lady of fifty, whom Joan counted her only friend on the company) and approached Rideout's personal representative, Druggett, with a demand for an advance. With considerable reluctance Druggett surrendered fifteen dollars, and promised her as much more on Monday, toward expenses on the road. And again on the advice and introduction of Mrs. Arnold, the girl succeeded in satisfying her needs at an instalment-plan clothing-house: paying eight dollars down on a bill of about forty and agreeing to remit the balance at the rate of four dollars each week.

The final dress-rehearsal was called for Saturday morning. They were to leave New York Sunday night. But on Friday afternoon a sense of uneasiness and uncertainty invaded the temper of the organization. Wilbrow neglected the players to engage in protracted conferences with Matthias, Rideout, Moran, and Druggett, out of earshot, at the back of the auditorium. One or two weather-wise "troupers" hazarded gloomy surmises as to the nature of the "snag": that most favoured involved a "shake-up with the Shuberts" over some change in their route. With a singular unanimity the prophets of disaster either avoided or overlooked the actual cause of the trouble.

At ten o'clock the next morning—a little late—Joan, with her costume in the dilapidated wicker suit-case, hurried into the theatre to find the company scattered about the stage in poses variously suggestive of restless dejection. Neither the star nor the leading woman was present, and there was no scenery in sight, other than that belonging to the production which occupied the same stage nightly. Rideout was nowhere to be seen, but the author, the producer, and Druggett were engaged in earnest but inaudible argument "out front." From their manner Joan inferred that Druggett was advocating some course actively opposed by Wilbrow and passively by Matthias. The group broke up before she found opportunity to question her associates. Druggett, in manifest dudgeon, turned sharply and marched out of the house, while Wilbrow strode purposefully back to the stage by way of the passage behind the boxes, Matthias following with an air of profound disgust and despondency.

From the centre of the stage the producer addressed the little gathering.

"Ladies and gentlemen!" he said sharply; and waited until he had all their attention. "There'll be no rehearsal today, and—and unless something quite unexpected happens, we won't open Monday. The truth is, there isn't money enough behind this show to finance it beyond Altoona. Moran can't collect on his scenery, and won't deliver. Mr. Matthias has offered to fix Moran up if we agree to go out, but I can't see it that way. Mr. Rideout's proposition is that we go on the road and run our chances of making expenses—but I don't have to tell you people what a swell show we'd have of breaking even on a tank route at this season of the year—hot weather still with us, and all that. We might—but that's about all you can say. And I don't think any of us want to count ties from Altoona....

"Mr. Druggett thinks that Mr. Rideout will be able to make a deal with the Shuberts, but I doubt it. Just now they're all tied up with their own productions and have no time to waste on a gambling risk like this. Of course, if I'm wrong, you'll all be notified. But I wouldn't, if I were you, pass up another engagement on the off-chance of this thing panning out after all.

"I'm sorry about this—we're all sorry, naturally. We all lose. Mr. Matthias here loses as much as any of us—the rights in a valuable property for several months, at the inside. I'm out fifteen hundred dollars I was to get for putting the show on. And Rideout's out the two thousand real coin he's invested in expectation of backing which failed to materialize. Personally I refused to shoulder the responsibility of letting you go out in ignorance of the real state of affairs. That's all."

He hesitated an instant, as if not satisfied that he had dealt fully with the situation, and glanced a little ruefully from face to face of the company. But for the moment none made any comment. And with an uncertain nod to the author, Wilbrow turned and disappeared through the stage-door.

Matthias waited a trifle longer, as though anticipating trouble with the disappointed players; but there was no feeling manifest in their attitude toward him other than sympathy for a fellow-sufferer. And presently he consulted his watch and followed the stage-director.

Those left in the theatre discussed the contretemps in subdued and regretful accents, betraying surprisingly little rancour toward anyone connected with it. Even Rideout escaped with slight censure. He was, in the final analysis, one of them—an incurable optimist who had erred only in banking too heavily on hope and promises.

By twos and threes they gathered up their belongings and straggled off upon their various ways, a sorry, philosophic crew. Within ten minutes their dissociation was final and absolute.

---

XVII

Late in the evening, Matthias gave it up, and shaking off Rideout (whose only hope had resided in the author's anxiety to save his play) betook himself to an out-of-the-way restaurant to idle with a tasteless meal.

He was at once dog-weary and heart-sick.

The net outcome of some ten hours of runnings to and from, of meetings and schemings, of conferences by telephone and of communications by telegraph with those who had promised financial support to Rideout's project, was an empty assurance, indifferently given by the Shuberts, to the effect that, if nothing happened to make them think otherwise, they might possibly be prepared to consider the advisability of producing "The Jade God" about the first of January.

The truth of the situation was that neither the Shuberts nor any other managerial concern was likely (as Wilbrow put it) "to look cross-eyed at the piece" until they could get full control of it; which would be in some three months, when Rideout's contract to produce would expire by limitation. And since Rideout might be counted upon to hold on to his contract rights till the last minute and leave nothing else undone in the effort to recoup his already substantial losses, it was useless to consider the play as anything but a property of potential value relegated indefinitely to abeyance.

Matthias believed in the play with all his heart. During the last three weeks he had watched it come to life and assume the form he had dreamed for it, coloured with the rich hues of his imagination and quick with the breath of living drama. And because he possessed in some measure that rare faculty of being able to weigh justly the work of his own hand, and had looked upon this and seen that it was good, he had counted on it to win him that recognition which, more than money, his pride craved—partly by way of some compensation for what it had suffered at the hands of Venetia Tankerville.

He was still sore with the hurt of that experience. Privately he doubted whether he would ever wholly recover from it; but the doubt was a very private one, never discovered even to his most sympathetic friends, not even to Helena, whose scorn of her sister-in-law remained immeasurable. Fortunate in having been able to afford those several weeks in the wooded hills of Maine, in their fragrant and passionless silences Matthias had found peace and regained confidence in his old, well-tried, wholesome code of philosophy; which held that though here and there a man ill-used by chance or woman might be found, the world was none the less sound and kind at heart, and good to live in.

For all that, he could not easily endure the thought of Venetia's lowering herself to use him to further her love affair with Marbridge; of Venetia going from his arms and lips to the lips and arms of that insolent animal, Marbridge: the one amused by her successful cunning, the other contemptuous in his conquest. And he often wondered with what justice he judged the woman. It comforted him a little, at times, to believe that she had not acted so cruelly altogether as a free agent, to think her meeting with Marbridge in New York a freak of chance and fate, her elopement an unpremeditated and spontaneous surrender to the indisputable magnetism of the man. Marbridge commanded the reluctant admiration of men who did not like him—who knew him too well to like him. How much more easily, then, might he not have overcome the scruples of a girl untutored in the knowledge of her own heart....

Or had it all been due merely to the fact that John Matthias was not a man to hold the love of women? Such men exist, antipathetic to the Marbridges of the world. Was he of their unhappy order, incapable of inspiring enduring love?

He could review a modest cycle of flirtations with women variously charming and willing to be amused, light-hearted attachments and short-lived, one and all, those that might have proved more lasting broken off without ill-will on either side—though always by the woman. Venetia alone had named Love to him as if it stood to her for something higher and more significant than the diversion of an empty hour—Venetia who was now in Italy, the bride of Marbridge!

And yet, oddly enough, it wasn't his memories of Venetia and his regrets and wounded self-esteem that rendered insipid his belated dinner and made him presently abandon it in favour of the distracting throngs of Broadway. They were thoughts of another woman altogether that urged him forth and homeward—a poignant sympathy for Joan Thursday, the friendless and forlorn, whose high anticipations had with his own that day gone crashing to disaster. He couldn't remember what had made him think of her, but now that he did, it was with disturbing interest.

He found himself suddenly very sorry for the girl—much more sorry for her than for himself. What to him was at worst a staggering reverse, to her must seem calamitous beyond repair.

It wasn't hard to conjure up a picture of the child, pitifully huddled upon her bed, in tears, heart-broken, desolate, perhaps (since he had not been home to pay her) supperless and hungry!

Matthias quickened his stride. His suddenly awakened and deep solicitude tormented him. He had received evidence that Joan's was a nature tempestuous and prone to extremes: he didn't like to contemplate the lengths to which despair might drive her.

Through the texture of this new-found care ran a thread of irritation that it should have proved a care to him. He realized that he must of late have been giving a deal of thought to the girl. Formerly he had been aware of her much as he was of Madame Duprat; such kindness as he had shown her had been no greater than, and of much the same order as, he would have shown a stray puppy. Tonight he found himself unable to contemplate her as other than a vital figure in his life—a creature of fire and blood, of spirit and flesh, at once enigmatic and absolute, owning claims upon his consideration no less actual because passive. He who had pledged his ability and willingness to find her a foothold on the stage, was responsible for her present distress and disappointment. And if his good offices had been sought rather than voluntary, still was he responsible; for she wouldn't have dreamed of seeking them if he hadn't in the first place insisted on putting her under obligation to him. He had in a measure bidden her to look to him; now it was his part to look out for her.

Hardly a pleasant predicament: Matthias resented it bitterly, with impatience conceding the weight of that doctrine which teaches the fatal responsibility of man for his hand's each and every idle turn. He had paused to pity a stray child of the town; and because of that, he now found himself saddled with her welfare. A situation exasperating to a degree! And, he argued, it was merely this subconscious sense of duty which had of late held the girl so prominently in his mind—ever since, in fact, that night when she had broken down and impulsively kissed his hand. Just that one hot-headed, frantic, foolish act had primarily brought home to Matthias his obligations as the object of her unsought, unwelcome gratitude....

He found Joan waiting on the stoop: a silent and vigilant figure, aloof from the other lodgers—a woman and two or three men lounging on the steps. And as these moved aside to give Matthias way, Joan rose and slipped quietly indoors, where in the hall she turned back with a gesture that too clearly betrayed the strain and tensity of her emotions; but, to his gratification, she was dry of eye and outwardly composed.

"You were waiting for me?" he asked; and taking assent for granted rattled on with a show of cheerful contrition: "Sorry I'm late. There were ten dozen stones we had to turn, you know."

Her eyes questioned.

He smiled, apologetic: "No use; Rideout simply can't swing it."

"I've finished type-writing that book," she announced obliquely.

"Have you? That's splendid! Will you bring it to me? And then we can have a little talk."

She nodded—"I'll go fetch it right away"—and scurried hastily up the stairs as he went on to his room.

Leaving the door ajar and lighting his reading-lamp, Matthias closed the shutters at the long windows, adjusting their slats for ventilation. Then for some minutes he was left to himself. Resting against the edge of his work-table, he studied ruefully a cigarette which he was too indifferent or too distracted to continue smoking. Smouldering between his fingers, its slender stalk of pearly vapour ascended with hardly a waver in the still air, to mushroom widely above his head. It held his eyes and his thoughts in dreaming.

He was thinking, simply and unconsciously, of the Joan he had just realized in the half-light of the hallway: a straight, slim creature with eyes like troubled stars, her round little chin held high as if in mute defiance of outrageous circumstance; vividly alive; giving a strange impression, as of some half-wild thing, at once timid and spirited, odd and—beautiful.

To the sound of a light tap on the open door, the girl herself entered, a mute incarnation of that disturbing memory. She put down the manuscript before acknowledging his silent and intent regard. But becoming aware of this, her eyes wavered and fell, then again steadied to his. He was vastly concerned with the surprising length of her dark silken lashes and the delicate shadows on her warm, rich flesh. And he was sensitive to the virginal sweetness and fluent grace of her round and slender body. Vaguely he divined that the calm courage of her bearing was merely a naïve mask for a nature racked by intense feeling....

"That's the last," she said quietly, indicating the manuscript. "I finished up this evening," she added, superfluously yet without any evidence of consciousness.

"Thank you. I'm glad to get it." Ransacking his pockets, Matthias found money, and paid her for the week.

"I suppose that'll be all?" she asked steadily. "I mean, you won't want any more type-writing done for a while?"

"I don't know," he said slowly. "We'll have to ... talk things over. Today has changed everything.... If you don't mind, I'll shut the door: people all the time passing through the hall...."

She shook her head slightly to indicate a mild degree of impatience with his punctiliousness about that blessed door. Unconscious of this, having closed it, he returned to her, frowning a little as he reviewed her circumstances with a mind that seemed suddenly to have lost its customary efficiency of grasp.

He found her eyes and lost them again, glancing aside in inexplicable embarrassment.

"I'm sorry," he said slowly, looking down at the manuscript she had just delivered, and abstractedly disarranging it with thin, long fingers—"awfully sorry about the way things have turned out. I—"

She interrupted him sharply: "O no, you're not!"

He looked up quickly, amazed and disconcerted by the hint of anger in her tone. A little tremor ran through her body and she lifted her chin a trace higher while she met his stare with eyes hot and shining. Red spots like signals blazed in her either cheek.

Confused, he stammered: "I beg your pardon—!"

"I say you're not sorry. You're glad. You're glad, just like anybody else might be. I don't blame you."

She shot these words at him like bullets, with a disturbing display of passionate resentment. He opened his lips to speak, and thinking better of it, or else not thinking at all in his astonishment, gaped witlessly, wholly incapable of conceiving what had got into the girl.

With a flush of scornful satisfaction her eyes remarked these evidences, so easily to be misinterpreted; then quickly she lowered her head and turned away, leaning against the table, her back to the light and face in shadow.

"I don't blame you," she repeated in a sullen murmur.

He demanded blankly: "My dear girl, what do you mean?"

"I mean.... Why, just that you're glad to get rid of me!" she returned, looking away. He noticed the nervous strength with which her hands closed over the edge of the table, the whitening of their small knuckles.... "It's perfectly natural, I guess. I've been a nuisance so long, you've got every right to be tired of having me hang around—"

"But, my dear young woman—!"

She interrupted impatiently: "Oh, don't call me that. It don't mean anything. I guess I know when I'm not wanted. I'll go now and never bother you any more."

Moving a pace or two away, she resumed before Matthias could muster faculties to cope with this emergency:

"All the same, I don't want you to think I don't appreciate how good you've been to me—and patient, and all that. I am grateful—honest'—but I'm not as dumb as you think: I know when I'm in the way, all right!"

"But you entirely misunderstand me—"

"O no, I don't! You've made yourself plain enough, if you didn't think I had sense enough to see. It don't take brains to see through a man who's only trying to be polite and kind—all the time bored—"

"But, Miss Thursday—"

She turned toward the door.

He made a gesture of open exasperation. This was all so unfair! He had only meant to be kind and considerate and—and everything like that! And now she had drawn against him one of those unique and damnable indictments which seem to be peculiarly the product of a certain type of feminine mentality, and against which man is constitutionally incapable of setting up any effective defence, reason and logic alike being arbitrarily ruled out of court by the essential injustice of the charge. She chose to accuse him of having adopted toward her a mental attitude of which he was wholly guiltless; and there was no way by which he might persuade her of his innocence!

And it was so confoundedly clear that she considered herself, temporarily at least, abused and altogether justified of her complaint!

"Please," he begged, "don't go yet. Give me a chance!"

Her hand was on the knob. She hesitated, with an air of expectant and generous concession.

"You're really quite unfair," he began; but paused to regain control of himself and to wonder a little, blindly, why it was that he tolerated her impudence—for it couldn't be called anything less. It would be much more sensible and quite just to bow to her construction of their indefinite relations and let her go her ways without more argument.

In spite of everything, he could not refrain from one last attempt to set himself right.

"I don't quite know what to say to you," he resumed patiently, "when you insist on putting thoughts into my head that never were there. I've really wanted to help you—"

"Why?"

The monosyllable brought him up startled and staring. "Why? I hardly know...."

"Didn't you know better?"

"I don't understand you—"

Her eyes were wide and dark to his; all trace of petulance had faded from her manner. "You ought to. You ought to know," she insisted quietly, "that a man like you can't be just kind to a girl like me without.... Oh!" she cried, "I suppose it would've been different if the show had gone out—and everything—but now, with that hope gone—and nothing more to do for you—with no prospects but to lose you—the only friend I've got in the world—!"

Her voice broke at a high pitch, and she fell silent, turning away to stare with swimming eyes down at the table. He saw her trembling violently, her lips quivering. His amazement was extraordinary and bewildering. He heard his voice, as it might have been another's, saying: "Does it really mean so much to you?"

"Oh, can't you see!"

With a little, helpless motion of her hands, she lifted quickly to him a face of flushed and tear-dimmed loveliness. Another man might have been numb to its appeal: to Matthias it proved irresistible, coming sharp upon the shock of comprehending that she offered him her love, herself.

In a stride, hardly knowing what he did, he folded the girl in his arms. She lay therein for an instant as though bewitched by the exquisite wonder of this consummation of her fondest, maddest dreams; then in a breath became a woman reanimate and wild with love, clinging to him with all her strength, in an ecstasy of impassioned tenderness.

Bending his head, Matthias found her lips.

"My dear, dear girl!" he murmured.

"Oh," she breathed, "I have loved you always—always!"

"If I had only known, if I had only guessed—!"

"How could you? I didn't know ... not till a little while ago.... And even then, I couldn't have told you ... only the thought of losing you ... my dear, my dear!"

"I never guessed...."

"You're not sorry? You're not angry with me—?"

"Angry? I adore you!"

"You will love me always?"

"Always and forever."

"And never send me away from you?"

"You shall never leave me but of your own will."

"I think I was going mad with the thought of losing you!"

"My beloved girl!..."

The dusky stillness of the room was murmurous with whispers, sighs, terms of endearment half smothered and all but inaudible.

To these a foreign and alarming sound: a rapping at the door.

Matthias lifted his head, wincing from the interruption. The girl in his arms moved feebly, as if to disengage. He held her for a moment still more close. Her heart sounded sonorously against his bosom. "Hush!" he said in a low and warning voice. And then the rapping was repeated. At once he released her. She moved away, blushing and dishevelled, the fragrant freshness of her starched linen waist a crumpled disorder, her hair in disarray; her crimson face one of many evidences of the tumult of her senses.

In the hallway a man's voice said: "He must be in. There's a light—"

A woman answered impatiently: "Of course he's in; but the chances are he's asleep." She called in a louder tone: "Jack—Jack Matthias!"

Recognizing the voice of his aunt, that person groaned aloud—"O Lord!"—stole a glance at Joan, hesitated, shrugged, as if to say: There's no help for it! Then he answered the door.

Helena swept in with a swirl of impatient skirts. "Good heavens!" she cried. "What ails you, Jackie? We knocked half a dozen times. Were you—?"

Her glance encountering Joan, the words dried on her lips.

Tankerville, at her heels, jerked a motor gauntlet from his fat hand in order to grasp that of Matthias. "Surprised you—eh?" he chuckled—"getting in so late. Well, it's all accidental. We were bound home—been visiting the Hastings for a week, you know—but the car broke down just this side of Poughkeepsie and delayed us and...."

He became distressfully aware of his wife's silence, simultaneously ascertained the cause of it, and cut his speech short in full stride.

Matthias laughed a little, quietly: no good trying to carry off this situation; by many a clue aside from Joan's confusion, they were betrayed.

"You've caught us," he said cheerfully. "We may as well own up. Helena, this is Joan—Miss Thursday—my fiancée. And Joan, this is my aunt, Mrs. Tankerville—and her husband."

And immediately he was conscious of the necessity of bridging the pause that would inevitably hold these three confounded, pending adjustment to his amazing announcement.

"We had intended to keep it quiet for a while," he pursued evenly, shutting the door.... "Helena, let me help you with that cloak.... But since you've declared yourselves in, we can only ask you to hold your peace until we're ready. I'm sure we can count on you both."

Tankerville puffed an explosive: "Oh—certainly!"

Helena glanced shrewdly from Joan to Matthias. He smiled his confidence in her, knowing that he might count upon her doing the right thing to put the girl at ease—just shoulders of the girl as positively as he might count upon her violent opposition to the match as soon as she discovered that he had engaged himself to her pet abomination, a woman of the stage.

With a bright nod to him, she turned back to Joan; drew slowly near to her; dropped kindly hands upon the shoulders of the girl.

"But, my dear!" she exclaimed in a tone of expostulation—"you are beautiful!"

---

XVIII

Escorting his aunt to the car, Matthias helped her in, closed the door, and then, with a grin of amused resignation masking that trepidation to which he was actually a prey, folded his arms on the top of the door and invited the storm with one word of whimsical accent: "Well?"

"Is it true?" she demanded, as if downright incredulous.

"Most true," he insisted with convincing simplicity.

The tip of one gloved finger to her chin, Helena considered remotely.

"She's very beautiful," she conceded, "and sweet and fetching and hopelessly plebeian. She'd be wonderful to have around, to look at; but to listen to.... Oh my dear! what are you thinking of?"

"Cut it," Tankerville advised from his corner. "None of your funeral, old lady."

"That consideration never yet hindered a Matthias," his wife retorted—"or a Tankerville, either, as far as I've been gifted to observe. However"—she turned again to her nephew—"you are presumably in love, and I hope you'll be happy, if ever you marry her. I shan't interfere—don't be afraid—but ... I could murder Venetia for this!"

"Good night," said Matthias, offering his hand.

But instead of taking it, his aunt leaned forward, caught his cheeks between both hands, and kissed him publicly.

"Good night," she murmured in a tragical voice. "And Heaven help you!... When is it going to be?"

"We haven't settled that yet," he laughed; "but you may be sure I shan't marry until I'm able to support my wife in a manner to which she's unaccustomed."

He returned to Joan with—until he recrossed the threshold of his study—a thought ironic concerning the inconsistency of Helena's veneration of caste with her union to fat, good-natured, pretentiously commonplace George Tankerville. For that matter, the Matthias dynasty itself was descended from a needy, out-at-elbows English adventurer who had one day founded the family fortunes by taking title to Manhattan real estate in settlement of a gambling debt and on the next had died in a duel—the only act of thoughtful provision against improvidence registered in his biography. So Matthias wasn't much disposed to reverence his pedigree: social position, at least as a claim upon his consideration, meant little to him: the only class distinctions he was inclined to acknowledge were those created by the intellect and of the heart. In his private world people were either intelligent or stupid, either kindly or (stupidly) egoistic. To the first order, with humility of soul he aspired; for the other he was, without condescension, heartily sorry....

But there was nothing half so analytical as this in his temper when he rejoined Joan: only wonder and rejoicing and delight in her.

He found her near the door, tense and hesitant, as though poised on the point of imminent flight. There was in her wide eyes a look almost of consternation; they seemed to glow, shot with the fire of her lambent thoughts. A doubting thumb and forefinger clipped her chin; a thin line of exquisite whiteness shone between her scarlet lips.

Closing the door, he opened his arms. She came to them swiftly and confidently. Doubts and fears vanished in the joy of his embrace; she was no longer lonely in a world unfriendly.

From the eloquent deeps of their submerged and blended senses, words now and again floated up like bubbles to the surface of consciousness:

"You still love me?"

"I love you."

"It wasn't pity—impulse—Jack—?"

"It was—love. It is love. It shall be love, dear heart, forever and always...."

"You told her—your aunt—we were engaged!"

"Aren't we?"

A convulsive tightening of her arms....

A whisper barely articulate: "You really ... want me ... enough to marry me?"

"I love you."

"But...."

"Isn't that enough?"

"But I am—only me: nothing: a girl who dares to love you."

"Could any man ask more?"

"You.... What will your friends say?... You'll be ashamed of me."

"Hush! That's treason."

"But you will—you won't be able to help it—"

A faint, half-hearted cry of protest: words indistinguishable, silenced by lips on lips; a space of quiet....

"How shall I make myself worthy of you?"

"Love me always."

"How shall I dare to meet your family, your friends—?"

"You will be my wife."

"But that won't be for a long time...."

"Yes, we must wait—be patient, Joan." She lifted her head, wondering. "But don't fear; love will sustain us."

"I will be patient. You'll have to give me time to learn how not to disgrace you—"

"What nonsense!"

"I mean it. I must be somebody. I'm nobody now."

"You are my dearest love."

"I must be more, to be your wife. Give me time to learn to act. When I am a success—"

"No more of that!" There was definite resolution in the interruption. "You must give up all thought of the stage."

"But I want to—"

"It's not the place for you—for my wife that is to be."

"But we're not to be married for a long time, you say."

"I'm a poor man, dear—I have enough for one, not enough for two. It may be only weeks, it may be months or years before my work begins to pay."

"But meantime I must live—support myself, somehow."

"You will leave that to me?"

"I must do something—be independent—"

"Won't you leave it all to me? I will arrange everything—"

"I'll do whatever you wish me to."

"And forget the stage—?"

"I don't know—I'll try, Jack."

"You must, dear one."

It was not a time for disagreements. Joan clung more closely to him. The issue languished in default, was forgotten for the time....

Transports ebbed: the faintest premonitory symptoms of a return to something resembling sanity made their appearance; of a sudden Matthias remembered the hour.

"Do you know," he said with tender gravity, having consulted his watch, "it's after eleven?"

"It doesn't seem possible," she laughed happily.

"And I'm hungry," he announced. "Aren't you?"

She dared to be as frank as he: "Famished!"

"Come along, then! Run, get your hat. It gives us an excuse for at least two hours more...."

By the time she had repaired the damage this miracle had wrought with her appearance, Matthias had walked to the Astor and brought back a taxicab. The attention affected Joan with a poignant and exquisite sense of happiness.

It was only her second ride in a motor vehicle. The top being down, they sat very circumspectly apart; but Matthias captured her hand and eye spoke to eye with secret laughter of delight, each reading the other's longing thought. The speed of the cab and its sudden slackening as it picked its path down Broadway, the flow of cool air against her face, the swimming maze of lights through which they sped, the sense of luxury and protection, added the last touch of delirious pleasure to Joan's mood.

Matthias had chosen the café of "Old Martin's," at Twenty-sixth Street, the first place that suggested itself as one where they could sup without the girl being made to feel out of place in her modest work-a-day attire; but his thoughtfulness was misapplied: Joan was exalted beyond such annoyances; and those feminine glances which she detected, of pity, disdain, and jealousy, she took complacently as envious tributes to her prettiness and her conquest.

From a seat against the wall, in a corner, she reviewed the other patrons of the smoke-wreathed room with a hauteur of spirit that would have seemed laughable had it been suspected. She thought of herself as the handsomest woman there, and the youngest, of Matthias as the most distinguished man and—the luckiest. The circumstances of the place and her partner enchanted her to distraction.

The food Matthias ordered she devoured heedlessly; but there was a delicious novelty in the experience of sipping her first glass of champagne. It was, for that matter, the first time she had ever tasted good wine, or any kind of alcoholic drink other than an occasional glass of lukewarm beer, cheap and nasty to begin with and half-stale at best, and that poisonous red wine of the Italian boarding-house to which Charlie Quard had introduced her. She had never dreamed of anything so delicious as this dry and exhilarating draught with its exotic bouquet and aromatic bubbles.

With a glowing face and dancing eyes she nodded to Matthias over the rim of her goblet.

"When we are rich," she laughed softly, "I'm never going to drink anything else!"

He smiled quietly, enjoying her enjoyment; but, when emptied, the half-bottle he had ordered was not renewed.

There was without that enough intoxication in his fondness, in the simulacrum of gaiety manufactured by the lights, the life, the laughter, and in the muted, interweaving strains of music. Joan felt that she was living wonderfully and intensely, a creature of an existence transcendent and radiant.

It was after one when another taxicab whisked them homeward through the quieting streets. She sat as close as could be to her lover and would not have objected on the grounds of "people looking" had he put an arm round her. Though he didn't, she was not disappointed, sharing something of his mood of sublimely sufficient contentment. But when he bade her good night at the foot of the stairs in the deserted and poorly lighted hallway, she gave herself to his caresses with a passion and abandon that startled and sobered Matthias, and sent him off to his room and bed in a thoughtful frame of mind.

Lying awake in darkness until darkness was dimly tempered by the formless dusk that long foreruns the dawn, he communed gravely with his troubled heart.

"Things can't go on this way—as they've started. There's got to be sanity.... It's myself I've got to watch, of course," he said with stubborn loyalty to his ideal. "I mustn't forget I'm a man—nine years older—nearly ten.... Why, she's hardly more than a kiddie.... She doesn't know.... I've got to watch myself...."

And in her room, four floors above, Joan sat as long before her bureau, chin cradled on her slim, laced fingers, eyeing intently the face shown her by gas-light in the one true patch of the common, tarnished mirror.

When at length she rose, suddenly conscious of a heavy weariness, she lingered yet another long moment for one last fond look.

"It's true," she told herself with a little nod of conviction; "I am beautiful. She said I was ... he thinks I am ... I must be...."

---

XIX

For a long time Joan lay snug between the sheets, staring wide-eyed into the patch of lustrous blue morning sky framed by the window, reviewing this new and wonderful adventure of her heart from a point of view remote, detached, and critical. Thoughts recurred that in the excitement and ardour of the night had been passed over and neglected; and from them she derived a new, strange, and intoxicating sense of power.

Her first waking thought was as her last before sleeping: I am beautiful.

Her second, not I love him, but He loves me.

And her third grew out of the second: I can make him do what pleases me.

Yesterday a lowly supplicant at the shrine of love: today Love's very self, adored and desired by an erstwhile divinity now humbled to the level of humanity!

A fit of petulance, beauty in tears, a whispered word of passion: strange and strangely simple incantation to have turned a world upside down! How easily was man suppled to the spell!

The sense of power ran like wine through her being: she felt herself invincible, an adept of love's alchemy; she had surprised its secret, and now the world of man's heart lay open to the practices of her disastrous art. For a moment she experienced an almost terrifying intimation of empires ripe for conquest that lay beyond Matthias; but from this she withdrew her troubled gaze; nor would she look again; not yet....

She considered his mad extravagance of last night—taxicabs, champagne, tips! Was he, then, able to afford such expenditures? In her understanding they went oddly with his pretensions to decent poverty. Or had he merely lost his head under the influence of her charms? This last theory pleased her; she adopted it with reservations: the question remained one to be cleared up.

He disapproved of a career upon the stage for her?... Joan smiled indulgently: that matter would be arranged in good time. She meant to have her way....

At a tap on her door she changed suddenly from the aloof egoist to a woman athrill before the veil of portentous mysteries. She sat up in bed, called out to know who was knocking, gave permission to the chambermaid to enter, and received a note in the hand of Matthias.

"Past twelve o'clock," she read, "and still no sign of you, sweetheart. I give you thirty minutes to dress and come to me. If you don't, I'll come for you. After breakfast, we'll run out of town for the day—our first day together! Matthias."

Half wild with delight, she hurried through her toilet and ran down-stairs to find her lover waiting in the hallway, watch in hand.

He closed it with a snap, and made her a quaintly ceremonious bow. "In two minutes more—!" he observed in a tone of grave menace. "But before we go out, have the kindness to step into my humble study. I have somewhat to say to you."

She appeared to hesitate, to be reluctant and preoccupied occupied.

"What about?" she demanded distantly.

But her dancing eyes betrayed her.

"Business," he said, sententious. His gesture indicated a vigilant universe of eavesdroppers. "Nobody's but our own!"

Nevertheless, there was none to spy upon them as he drew her gently by the waist, down the hall and into the back-parlour. She yielded with a charming diffidence.

In his embrace the sense of power slipped unheeded from her ken; returned the deep, obliterating rapture of over-night. Lips that first submitted, soon gave in return, then demanded....

She clung heavily to him, a little faint and breathless with a vague and sweet and nameless longing....

At breakfast in a neighbouring restaurant, Matthias disclosed his plans for the day, involving a motor trip down along the north shore of Long Island, dinner at Huntington, a return by moonlight. Joan, enchanted by the prospect—the sum of whose experience outside Manhattan Island was comprised in a few trips to Coney Island—consented with a strange mingling of eagerness and misgivings; the thought of the cost troubled a conscience still haunted by memories of last night's prodigality.

"I didn't know you had an automobile."

"I haven't; I'm chartering one for the day."

"But ... but ... won't it be awf'ly expensive?"

"Don't worry, dear."

"But, you know, you aren't—rich."

"I'm a magnate of happiness, at all events: and today is our day, the first of our love, sweetheart. For twelve long hours we're going to forget everything but our two selfish selves. Why fret about tomorrow? It always does manage to take care of itself, somehow. And frankly, I don't care to be reminded of its existence today; for tomorrow I work...."

A day of quicksilver hours slipping ever from their jealous grasp; of hours volatile and glamorous: in Joan's half-dazed consciousness, a delectable pageant of scenes, sensations and emotions no sooner comprehended than displaced by others no less wonderful....

Abed long after midnight, visions besieged her bewilderingly: a length of dusty golden highway walled by green forest, with a white bridge glaring in sunlight at the bottom of a hill; the affrighting onrush of great motor-cars meeting their own, and the din and dust of their passage; the bright harbour of Huntington, blue and gold in a frame of gold and green, viewed from the marble balustrade of the Château des Beaux Arts; the wrinkled, kindly, comprehending face of a waiter who served them at dinner; the look in her lover's eyes as she repeated, on demand, guarded avowals under cover of the motor's rumble; the ardent face of a boy who had seemed unable to cease staring at her in the restaurant; silver and purple of the road by night; wheeling ranks of lights dotting the desolation of suburban Brooklyn; the high-flung span of Queensboro' Bridge, a web of steel and concrete strung with opalescent globes; the glare of the city's painted sky; the endless pulsing of the motor; their last caress on parting at the foot of the stairs....

On the morrow she went back to her typewriter like Cinderella to her kitchen. But what work Matthias was able to invent for her was neither arduous nor urgent; she was able to take her time on it, and wasted many an hour in dreaming. Her mind was, indeed, more engaged with thoughts of new frocks than with the circumstances of her love or her services to her lover.

She was to receive thenceforward twenty-five instead of ten dollars a week. Matthias had experienced little difficulty in over-ruling her faint protestations: they were to be together a great deal, he argued, and she must be able to dress at least neatly; moreover, by requiring her promise to marry him at some future time when his fortunes would permit, he had in a measure made her dependent upon him; she couldn't reasonably be asked to wait for long on a bare pittance.

His arguments were reinforced by one he knew nothing of, a maxim culled from the wisdom of Miss Maizie Dean: It was up to a girl to look out for herself first, last, and all the time. The platitude had made an ineffaceable impression upon Joan's sense of self-preservation. And if Matthias were able to afford nightly dinners for two at good restaurants, in addition to theater tickets several times a week, he ought to be able to afford a decent compensation to his stenographer; especially when it was his wish that she refrain from attempting to earn more money on the stage.

It was, however, true that no offer had come to Joan of other theatrical work, and that the issue of her ambition remained in abeyance, a subject which she didn't care to raise and which Matthias, since that first night, had considered settled.

Customarily they met each evening about half-past six at some distance from their lodgings: a precaution against gossip on the part of the other inmates of the Maison Duprat. Thence they would go to dine at some favourite restaurant, where food was good and evening dress not obligatory—the café of their first supper by preference, or else the Lafayette, in University Place, the Brevoort House, or one of a few minor French establishments upon which Matthias had conferred the approval of a discriminating taste. Thereafter, if he meant to work, they would take a taxicab for a brief whirl through Central Park or up Riverside Drive to Grant's Tomb and back. Or if he considered attendance upon some first representation important enough to interfere with his work, as forming part of the education of a student of contemporaneous drama, they would go to a theatre, where he always contrived to have good but inconspicuous seats.

In all, Joan must have attended with him eight or nine first-nights; and since Matthias refused to waste his time on musical comedy, they witnessed for the most part plays dealing with one phase or another of social life in either London or New York. From these Joan derived an amount of benefit which would have surprised anyone ignorant of the quickness of perception and intelligent adaptability characteristic of the American girl, however humble her origin. The poorest plays furnished her with material for self-criticism and improvement. As plays, indeed, she was but vaguely interested in them, but as schools of deportment, they held her breathlessly attentive. She never took her gaze from the stage so long as there remained upon it an actress portraying, however indifferently, a woman of any degree of cultivation whatever. Gestures, postures, vocal inflections, the character of their gowns and the manner in which they contrived to impart to them something of their wearer's personality, the management of a tea-cup or a fashion of shaking hands: all these were registered and stored away in the girl's memory, to be recalled when alone, reviewed, dissected, modified to fit her individually, practised, and eventually to be adopted with varying discretion and success.

She who was to be the wife of a man of position, was determined that his friends and associates should find little to censure in her manners. For long Helena Tankerville figured to Joan as an impeccable model of tact, distinction, taste, and gentlewomanliness. To become as Helena was, summed up the dearest aspirations of the girl. She began to be very guarded in her use of English, eschewed as far as her means permitted the uniform style of costume to which New York women are largely prone, dressed her hair differently and upon no superstructure other than its own, and spent long hours manicuring and observing the minor niceties of the feminine toilet.

Paradoxically, with the obtuseness characteristic of a certain type of imaginative man, Matthias appreciated and was grateful for the improvement in his fiancée without realizing it objectively; what pleased his sensitive tastes, he accepted as normal expressions of innate good-breeding; what jarred, he glossed with charity. It was inconceivable that he should love any woman but one instinctively fine: he endowed Joan with many a grace and many a virtue that she did not possess; and this implicit assertion of his, that she was all that the mistress of his heart ought to be, incited her to more determined efforts to resemble all that by birth and training she was not.

It was some time before the novelty palled and she grew restive under the strain of it all....

"I had a talk with Rideout today," he observed during dinner, on an evening about a fortnight subsequent to the disbanding of "The Jade God" company. "He's dickering with Algerson—thinks the thing may possibly come to a deal before long."

"How do you mean?" Joan enquired with quick interest.

"Algerson wants to buy Rideout's interest in the play—at a bargain to himself, of course. Rideout is holding out for a better offer, but he's hard pressed, and I rather think he'll close with Algerson within a few days."

"Who's Algerson?" Joan asked, after an interval devoted to ransacking her memory for some echo of that name; resulting in the conviction that she had never heard it before.

"He runs a chain of stock companies out on the Pacific Coast, and now he's anxious to branch out into the producing business."

"And if he gets 'The Jade God'—when will he put it on?"

"Can't say—haven't seen him. I'm not supposed to know he's interested as yet; though of course they'll have to come to me before the deal can be ratified."

"But you'll consent?"

"Rather! Especially if Algerson will take over Rideout's contract as it stands. It provides for pretty good royalties, and as a prospective bridegroom I'm very much interested in such sordid matters."

Joan traced a meaningless pattern on the cloth with a tine of her fork; glanced surreptitiously at Matthias; remembered that toying with the tableware wasn't good form, and quietly abandoned the occupation.

"I wonder ..." she murmured abstractedly.

"You wonder what—?" Matthias prompted when she failed to round out her thought.

She laughed uneasily. "I was just wondering if—if he gets the piece—Algerson would give me a chance at my old part?"

"Not with my consent," said Matthias promptly. "You know I don't want you to stick at that game."

"But I'm tired doing nothing," she pouted prettily.

Matthias shook his stubborn head. "Besides," he added quickly, "Algerson will probably try the show out in one of his stock houses before he goes to the expense of organizing a new and separate production. I mean, he'll use people already on his pay roll, and not engage outsiders until he knows pretty well whether he's got a success or a failure on his hands."

"You think he will produce out West?"

"Probably."

"And will you have to go?"

"I don't know. I shan't unless I get some guarantee of expenses. Although ... I don't know ... perhaps I ought to. Wilbrow and I are the only people who know how the thing ought to be done, and Algerson most certainly won't pay what Wilbrow asks for making a production—and his expenses to the Coast and back, besides.... It would be a shame to let a valuable property go smash for want of intelligent supervision."

"Then you may go, after all?"

"I can't say until something definite is arranged. I'll have to think it over."

Joan sighed.

A week elapsed before the subject came up again.

Matthias had been out all day; Joan, with no typing to engage her, had sought surcease of ennui with a book and an easy chair in the back-parlour. But the story was badly chosen for her purpose. Its heroine, like herself, had in the beginning been merely a girl of the people, little if any better equipped for the struggle to the top: Joan could see no reason why she should not rise with a rapidity as wonderful, given but the chance denied her through the unreasonable prejudice of her lover.

And presently the book lay open and neglected in her lap, while her thoughts engaged mutinously with this obstruction to her desires, seeking a way to circumvent it without imperilling her conquest.

Joan was proud and sure of her power over Matthias, but she realized that in spite of it she didn't as yet fill his life; there existed in his nature reticences her imagination might not plumb; and until chance, or the confidence only to be engendered through long, slow processes of intimate association, should make these known to her, she hesitated to join issue with his will.

And yet ... she was continually restless and discontented. Sometimes she felt that the old order of uncertainty and stifled longings had been better for her soul; that she couldn't much longer endure the tension of living up to the rigorous standards of Matthias and his kind; that she might even be happier as the object of a passion less honourable and honest than that which he offered her.

But never before this day had she admitted so much to herself, even in her most secret hours of egoistic self-communion....

Matthias came in briskly, in a glow of high spirits, shortly before sunset; and immediately, as always, her every doubt and misgiving vanished like mists in the morning-glow of his love.

Throwing hat and stick upon the couch, he went directly to her chair, knelt beside it, gathered her to him. She yielded with a sedate yet warm tenderness perhaps the more sincere today because of a conscience stricken by the memory of her late disloyalty of thought. And something of her fond gravity and gentleness penetrated and sobered his own mood. He held her very close for many minutes. But when he drew back at arm's-length to worship her with his eyes, she turned her head aside quickly, if not quickly enough to deceive him. He was instant to detect the glimmer of tears in her long lashes, the childish tremor of her sweet lips, and again drew her to him.

"My dearest one!" he whispered with infinite gentleness and solicitude. "What is it? Tell me."

"Nothing," she breathed brokenly in return. "Nothing—only—I guess—I'm a little blue—lonely without you, dear. I'm afraid I need either to be at work or—with you always."

"Then be comforted, sweetest girl; the time won't be long, now—I believe in my very soul."

"Till when—?" She leaned back in her chair, examining his face with eyes that shone with infectious fire of his confident excitement. "Till when? What do you mean? Something has happened!"

"You're right," he laughed exultantly: "two big things have happened to me today. Wylie has accepted 'Tomorrow's People': we signed the contract this afternoon; he's to put it on about the first of the year."

"Oh, I'm so glad!"

"But that isn't all: Algerson has bought Rideout's contract and is to produce 'The Jade God' in Los Angeles as soon as it can be got ready."

"Dearest!"

There was an interval....

"Only," he said presently, "it's going to mean a little real loneliness for you, dear—not more than a few weeks—"

"Why?" she demanded sharply.

"Because I've promised Algerson to superintend the rehearsals. I couldn't well refuse. You know how much it means to us, dear heart."

"When do you leave?"

"Monday—the Twentieth Century Limited for Chicago then on to Los Angeles."

"And you'll be gone, altogether, how long?" Joan persisted tensely.

"With good luck, about a month. If we strike a snag, of course, I may have to stop over a week or so longer. It's hard to say."

"Then I'm to be left—here—alone—with nothing to do but wait—perhaps more than a month!"

"I'm afraid so, dear. It's for both of our sakes. So much depends—"

"Jack!" Placing her hands on his shoulders, Joan held him off. "Take me with you," she pleaded earnestly.

"Think a moment, sweetheart. You must see how impossible it is. For one thing, it wouldn't—O it's all very well to say 'Conventions be hanged!' but—it wouldn't look right. We're not married."

"Take me with you, Jack," she repeated stubbornly.

He shook his head. "And, fairly and squarely, dear, I can't afford it. I haven't got enough money. Even if we were married, I'd have to leave you here."

For a moment longer the girl kept her hands upon his shoulders, exploring his face with eyes that seemed suddenly to have been robbed of much of their girlishness. Then: "Very well," she said coldly, and releasing him, she sat back and averted her countenance.

Matthias got up, distressed and perplexed.

"You can't mean your love won't stand the strain of a few weeks' separation, Joan!"

She made no answer. He shrugged, moved to the work-table, found a cigarette and lighted it.

"Surely you can wait that long—"

"I'll do my best," she interrupted almost impatiently. "If it can't be, it can't. So don't let's talk any more about it."

"I'd give a good deal to be able to arrange things the way you wish," he grumbled. "But I don't see...."

She was silent. He paced the worn path on the carpet for a few moments, then turned aside to his desk and stood idly examining a little collection of correspondence which had been delivered in his absence. One or two letters he opened, skimmed through without paying much attention to their contents, and tossed aside. A third brought from him an exclamation: "Hello!"

"What is it?" Joan enquired indifferently.

"What do you say to running down to Tanglewood over Sunday?"

"Tanglewood?"

"My Aunt Helena's home—down at Port Madison, Long Island, you know. She has just written, asking us. It would be rather fun. Would you like to go?"

A blunt negative was barely suppressed. Curiosity made Joan hesitate, and temporarily to forego further petulance.

"I've got nothing to wear," she doubted uncertainly.

"Rot: you don't need anything but shirtwaists and skirts. There won't be anybody but you, Helena, George Tankerville and myself." Matthias leaned over the back of her chair and caught her face between his hands. "It'll be a splendid holiday for us, before I start. Say yes—sweetheart!"

Joan turned up her face to his, lifting her arms to encircle his neck. She nodded consent as he bent his lips to hers.

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XX

At times Joan was more than half inclined to doubt the reality of some of those unique phases of existence to which her love affair introduced her. Some experiences seemed beyond belief, even to an imagination stimulated by inordinate ambition and further excited by incessant novel-reading and theater-going.

On the Friday morning following the receipt of Helena's invitation she went shopping, squandering upwards of three weeks' savings with that delicious abandonment to extravagance which is possible only to a woman of supremely confident tomorrows. The hundreds she was in subsequent days to disburse as thoughtlessly never afforded her one-half the pleasure that accompanied the expenditure of those seventy hoarded dollars. (For aside from the rent of her room, her association with Matthias had spared her nearly every other expense of daily life.)

Among other things, she purchased for twenty-five dollars a simple evening frock eminently adapted to her requirements. A tolerably faithful copy of a foreign model, it had been designed to fetch a much higher price than that at which Joan was able to acquire it at an end-of-the-season bargain sale. She tried it on before deciding, and had the testimony of the department store mirrors that it was wonderfully becoming to her years and type of beauty. And it was the only garment of its kind that she had ever owned.

As she hurried, tardily, to keep an appointment with Matthias for lunch at Martin's, she told herself that she would never know greater happiness. She could not rid her mind of that wonderful frock and the figure she had cut in it, posing in the dressing-room.

But after luncheon—over which they lingered until they were quite alone in the eastern dining-room—with some hesitation, and having assured himself that there was not even a waiter near at hand, Matthias fumbled in one of his waistcoat pockets, produced a small leather-covered case, and passed it across the table.

"I'd meant to keep this till we got home," he said with an awkward smile. "But I don't think I can wait...."

Joan opened the box—and drew the longest breath of her life. Her heart seemed to leap and then stand stock-still for a full minute before she grasped the magnificence of his present: her engagement ring!

Then and there the girl lost all touch with the tough verities of life; and throughout the day and until she lost consciousness in bed that night, a sensual enchantment held dominion over all her being....

Nor was the great adventure of the visit to Tanglewood of a nature calculated to dissipate that glamour—save, perhaps, in one untoward circumstance which, wholly unforeseen, could not have been provided against.

A woman less shrewd and intelligent than Helena Tankerville, and one as violently opposed to the match, might have planned that short week-end visit to influence and discourage the girl rather than Matthias. But Helena knew that contrast would have the desired effect only upon the man; to whom its significance would be in inverse ratio to the emphasis lent it. So with infinite tact and thoughtfulness Joan's way was made smooth for her from the moment she alighted from the train until the moment of her leave-taking; and this without the least tangible suggestion that any especial consideration was being shewn her. The smallness of the party sanctioned informality; and George Tankerville's obtuse kindness of heart (which permitted him to see nothing in the stratagems of his wife other than a desire to put the girl completely at her ease) facilitated matters immensely.

Joan was spared the embarrassment of a maid—was, indeed, given no reason to believe there were any such servants attached to the establishment. Suffered to unpack her modest effects and dispose of them herself, she received at Helena's hands the indispensable service of "hooking-up." And her unpretentious, pretty frock was by no means overshadowed by Helena's or by the unceremonious dinner jackets of the men; while the simplicity of the evening meal put her thoroughly at her ease, whose recently acquired but rather extensive acquaintance with New York restaurant ways and waiters robbed the attentions of a butler of their terrors.

Nor was it, possibly, altogether a matter of chance that neighbouring friends telephoned an after-dinner invitation to Helena and Tankerville to run over and make up a table at auction: so that Joan was left alone with her lover to become acquainted with and at home among the charms of Tanglewood....

But it wasn't until the first hours of a still and splendid September Sunday that her sense of wonder was quite ravished by the place: its foreign and luxurious atmosphere, the half-wild loveliness of its grounds, the perfection of its appointments and the uniquity of its location. Then the sense of unreality resumed full sway over her perceptions: she seemed to move and have her being in a strange, new world of rare and iridescent witchery. And Helena was at pains to leave her no time for doubts or analysis. They motored in the morning to the South Shore and back, and after luncheon took the Enchantress for a short spin up the Sound, returning for tea upon the terrace....

Tankerville and Matthias were wrangling amiably about the least comfortless routes overland to the Pacific; Helena, with binoculars at the balustrade, was simulating an extravagant interest in the manœuvers of two small yachts far in the distance (and, in the breathing-space thus cunningly contrived, wildly ransacking a rather extensive fund of resource for some subject which might prove a common ground of interest between herself and her guest) and Joan, in the depths of a basket-chair, while seeming smilingly to attend to the light banter of the men, was deeply preoccupied in consideration of her extraordinary sensation of comfort and security in this exotic environment. She was deliciously flattered by appreciation of her own ease and adaptability. The conclusion seemed inevitable that, somehow, strangely, Nature had meant her for just such an existence as this.

The terrace was aflood with the golden glow of the westering sun—the season so far advanced that there was no discomfort in its warmth. The Sound shone like a sapphire, still and vast, and the cup of the skies bending over it was flawless sapphire banded at its rim with an exquisite shade of amethyst. Ashore, the wooded slopes were all aflame in the mortal passion of Indian summer.

In the stirless, suave, and aromatic air hung an impalpable yet ineluctable hint of melancholy....

From landward, with unusual resonance in the deep quiet of that hour, sounded the long, dull, whining purr of a motor-car.

Helena lowered the glasses, turned an ear to the sound, and came slowly back to the tea-table and Joan. Her faint smile, together with a slight elevation of her delicately darkened brows, indicated surprise.

Engrossed in their argument, Matthias and Tankerville gave no heed to the threatened visitation.

Resentfully, Joan detached her attention from the diamond Matthias had given her, and at discretion tossed aside a cigarette which she had been pretending to like because Helena smoked quite openly, and it was consequently the smart thing to do.

Undoubtedly the car was stopping on the drive. Helena moved a few paces toward the house, paused, waited. A woman's laugh with an accent of cheerful excitement came to them. Joan saw Helena start and noticed Matthias break off a sentence in the middle and swing round in his chair. Immediately a woman ran through the doorway to the terrace, a light dust-wrap streaming from her shoulders. A man followed, but at the time Joan hardly noticed him. The woman absorbed all her interest, even though it was an interest compounded of jealousy and hostility. She was unquestionably the loveliest creature Joan had ever seen. Without moving, but staring, the girl sat transfixed with distrust and poignant envy.

With a cry of wonder—"Venetia!"—Helena ran to greet these unpresaged guests.

Meeting, the two women indulged in an embrace almost theatrically perfunctory. The commonplaces of such situations were breathlessly exchanged. Then Helena, disengaging turned to the man and extended a hand.

"Well, Mr. Marbridge!..." she cried with a light note of semi-reproof in her laughter.

At this, with a brightening smile, Marbridge bent over her hand, saying something indistinguishable to Joan.

She was watching the meeting between Matthias and Venetia Marbridge.

He held both her hands, and she permitted him to retain them, for a longer moment of silent greeting than Joan thought necessary. But this circumstance alone betrayed whatever constraint was felt by either. A smile, vague and perhaps not lacking a thought of tender sadness, touched the lips and eyes of Venetia. Matthias returned his twisted and indefinitely apologetic grin.

"More than ever charming, Venetia!"

"Thank you, Jack."

If there were any hint of challenge in her tone or her straightforward eyes, Joan didn't detect it.

George Tankerville submitted with open resignation to the embrace of his sister.

"I suppose I've got to stand for this," he observed with philosophy. "Do you mean me to infer that you're humble and contrite?"

"Not in the least," Venetia retorted defiantly.

"Oh, very well," said he. "That being the case, I extend to you my belated blessing. How did you leave things on the other side?"

"Much as usual—and by steamer."

"When'd you get back?"

"Last Monday...."

Venetia became openly aware of Joan. Matthias interposed.

"Miss Thursday—my fiancée. Joan, this is Mrs. Marbridge."

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