| | Page |
| Portrait of Louis Raemaekers | | |
| Introduction | Francis Stopford | |
| An Appreciation from the Prime Minister | H. H. Asquith | |
| Christendom After Twenty Centuries | Francis Stopford | [8] |
| A Stable peace | Eden Phillpotts | [10] |
| The Massacre of the Innocents | E. Charles Vivian | [12] |
| Bernhardiism | Hilaire Belloc | [14] |
| From Liège to Aix-La-Chapelle | Francis Stopford | [16] |
| Spoils for the Victors | Hilaire Belloc | [18] |
| The Very Stones Cry Out | Bernard Vaughan, S. J. | [20] |
| Satan's Partner | G. K. Chesterton | [22] |
| Thrown to the Swine | The Dean of St. Paul's | [24] |
| The Land Mine | Herbert Warren | [26] |
| "For Your Motherland" | Eden Phillpotts | [28] |
| The German Loan | E. Charles Vivian | [30] |
| Europe, 1916 | G. K. Chesterton | [32] |
| The Next to Be Kicked Out—Dumba's Master | Arthur Pollen | [34] |
| The Friendly Visitor | H. DeVere Stacpoole | [36] |
| "To Your Health, Civilization!" | The Dean of St. Paul's | [38] |
| Fox Tirpitz Preaching to the Geese | Herbert Warren | [40] |
| The Prisoners | Eden Phillpotts | [42] |
| It's Unbelievable | Hilaire Belloc | [44] |
| Kreuzland, Kreuzland Über Alles | The Dean of St. Paul's | [46] |
| The Ex-convict | Hilaire Belloc | [48] |
| Miss Cavell | G. K. Chesterton | [50] |
| The Hostages | John Oxenham | [52] |
| King Albert's Answer to the Pope | E. Charles Vivian | [54] |
| The Gas Fiend | Eden Phillpotts | [56] |
| The German Tango | John Buchan | [58] |
| The Zeppelin Triumph | W. L. Courtney | [60] |
| Keeping Out the Enemy | H. DeVere Stacpoole | [62] |
| The German Offer | Hilaire Belloc | [64] |
| The Wolf Trap | Herbert Warren | [66] |
| Ahasuerus II | John Buchan | [68] |
| Our Candid Friend | The Dean of St. Paul's | [70] |
| Peace and Intervention | Boyd Cable | [72] |
| Little Red Riding Hood | H. DeVere Stacpoole | [74] |
| The Sea Mine | Arthur Pollen | [76] |
| "Seduction" | G. K. Chesterton | [78] |
| Murder on the High Seas | Arthur Pollen | [80] |
| Ad Finem | John Oxenham | [82] |
| "U'S" | Arthur Pollen | [84] |
| Mater Dolorosa | Eden Phillpotts | [86] |
| "Gott Strafe Italien!" | Ralph D. Blumenfeld | [88] |
| Serbia | Sir Sidney Lee | [90] |
| "Just a Moment—I'm Coming" | Boyd Cable | [92] |
| The Holy War | Boyd Cable | [94] |
| "Gott Mit Uns" | Eden Phillpotts | [96] |
| The Widows of Belgium | The Dean of St. Paul's | [98] |
| The Harvest Is Ripe | William Mitchell Ramsay | [100] |
| "Unmasked" | Boyd Cable | [102] |
| The Great Surprise | G. K. Chesterton | [104] |
| Thou Art the Man! | John Oxenham | [106] |
| Sympathy | Ralph D. Blumenfeld | [108] |
| The Refugees | Joseph Thorp | [110] |
| "The Junker" | Clive Holland | [112] |
| "Au Milieu De Fantômes Tristes Et Sans Nombre" | Alice Meynell | [114] |
| Bluebeard's Chamber | William Mitchell Ramsay | [116] |
| The Raid | Arthur Pollen | [118] |
| Better a Living Dog Than a Dead Lion | Arthur Shadwell | [120] |
| "The Burden of the Intolerable Day" | William Mitchell Ramsay | [122] |
| Eagle in Hen-run | Boyd Cable | [124] |
| The Future | Sidney Lee | [126] |
| Christ or Odin? | Bernard Vaughan | [128] |
| Ferdinand | Edmund Gosse | [130] |
| Juggernaut | John Oxenham | [132] |
| Michael and the Marks | W. M. J. Williams | [134] |
| Their Beresina | John Oxenham | [136] |
| New Peace Offers | W. L. Courtney | [138] |
| The Shields of Rosselaere | William Mitchell Ramsay | [140] |
| The Obstinacy of Nicholas | Joseph Thorp | [142] |
| The Order of Merit | Ralph D. Blumenfeld | [144] |
| The Marshes of Pinsk | Alice Meynell | [146] |
| God With Us | John Buchan | [148] |
| Ferdinand the Chameleon | G. K. Chesterton | [150] |
| The Latin Sisters | Horace Annesley Vachell | [152] |
| Misunderstood | Joseph Thorp | [154] |
| Prosperity Reigns in Flanders | Cecil Chesterton | [156] |
| The Last Hohenzollern | E. Charles Vivian | [158] |
| Piracy | Arthur Pollen | [160] |
| "Weeping, She Hath Wept" | Father Bernard Vaughan | [162] |
| Military Necessity | Eden Phillpotts | [164] |
| Liberté! Liberté, Chérie! | John Oxenham | [166] |
| I—"A Knavish Piece of Work" | George Birdwood | [168] |
| II—"Sisyphus,—His Stone" | George Birdwood | [170] |
| Concrete Foundations | A. Shadwell | [172] |
| Pallas Athene | Herbert Warner | [174] |
| The Wonders of Culture | Clive Holland | [176] |
| "Folk Who Do Not Understand Them" | Bernard Vaughan | [178] |
| On The Way to Calais | Eden Phillpotts | [180] |
| Von Bethmann-Hollweg and Truth | Herbert Warren | [182] |
| Van Tromp and De Ruyter | Arthur Pollen | [184] |
| War and Christ | Cecil Chesterton | [186] |
| Barbed Wire | E. Charles Vivian | [188] |
| The Higher Politics | Boyd Cable | [190] |
| The Loan Game | W. M. J. Williams | [192] |
| A War of Rapine | E. Charles Vivian | [194] |
| The Dutch Junkers | A. Shadwell | [196] |
| The War Makers | John Oxenham | [198] |
| The Christmas of Kultur, A.D. 1915 | A. Shadwell | [200] |
| Serbia | Horace Annesley Vachell | [202] |
| The Last of the Race | Arthur Pollen | [204] |
| The Curriculum | W. M. J. Williams | [206] |
| The Dutch Journalist to His Belgian Confrère | G. K. Chesterton | 208 |
| A Bored Critic | Eden Phillpotts | [210] |
| "The Peace Woman" | Clive Holland | [212] |
| The Self-satisfied Burgher | W. L. Courtney | 214 |
| The Decadent | John Oxenham | [216] |
| Liquid Fire | Clive Holland | [218] |
| Nish and Paris | Sidney Lee | [220] |
| Gott Strafe England! | Cecil Chesterton | [222] |
| The Pacificist Kaiser (The Confederates) | Sidney Lee | [224] |
| Dinant | W. R. Inge | [226] |
| "Hesperia" (Wounded First) | H. DeVere Stacpoole | [228] |
| Gallipoli | G. K. Chesterton | [230] |
| The Beginning of the Expiation | G. K. Chesterton | [232] |
| The Shirkers | Sidney Lee | [234] |
| One of the Kaiser's Many Mistakes | John Oxenham | [236] |
| Belgium in Holland | Edmund Gosse | [238] |
| Serbia | William Mitchell Ramsay | [240] |
| Jackals in the Political Field | Herbert Warren | [242] |
| A Letter from the German Trenches | Cecil Chesterton | [244] |
| His Master's Voice | A. Shadwell | [246] |
| Hun Generosity | Horace Annesley Vachell | [248] |
| Easter, 1915 | G. K. Chesterton | [250] |
| Pan Germanicus as Peace Maker | Alfred Stead | [252] |
| Gott Mit Uns | Cecil Chesterton | [254] |
| Our Lady of Antwerp | W. L. Courtney | [256] |
| Deportation | Cecil Chesterton | [258] |
| The German Band | John Oxenham | [260] |
| Arcades Ambo | Horace Annesley Vachell | [262] |
| "Is It You, Mother?" | Sidney Lee | [264] |
| The Fate of Flemish Art at the Hands of Kultur | Arthur Morrison | [266] |
| The Graves of All His Hopes | H. DeVere Stacpoole | [268] |
| "My Sixth Son is Now Lying Here—Where Are Yours?" | H. DeVere Stacpoole | [270] |
| Bunkered | W. R. Inge | [272] |
| Gott Strafe Verdun | W. R. Inge | [274] |
| The Last Throw | E. Charles Vivian | [276] |
| The Zeppelin Bag | Clive Holland | [278] |
| "Come In, Michael, I Have Had a Long Sleep" | Horace Annesley Vachell | [280] |
| Five on a Bench | G. K. Chesterton | [282] |
| What About Peace, Lads? | W. R. Inge | [284] |
| The Liberators | Joseph Thorp | [286] |
| Tom Thumb and the Giant | E. Charles Vivian | [288] |
| "We Have Finished Off the Russians" | E. Charles Vivian | [290] |
| Muddle Through | Clive Holland | [292] |
| My Enemy Is My Best Friend | William Mitchell Ramsay | [294] |
| How I Deal With the Small Fry | Clive Holland | [296] |
| The Two Eagles | A. Shadwell | [298] |
| London Inside the Savoy | E. Charles Vivian | [300] |
| London Outside the Savoy | E. Charles Vivian | [302] |
| The Invocation | A. Shadwell | [304] |