APPENDIX II

GERMATH OF BABYLON, GERGIS, AND GIRGITH

Germa or Grema or Germath of Babylon is a name to which I believe I have met only one other reference, namely, in Ceceo d’Ascoli’s Commentary on the De principiis of Alchabitius (ed. Boffito, p. 19), where for the assertion that the stone anthrax keeps emitting water and so also has to attract water to supply the loss are cited “Evax rex arabum et Zot grecus et Germa babilonensis.”

In another chapter of the Speculum in listing licit works of “astronomy” the author mentions Gergis, De significatione planetarum in domibus, which opens, “Sol consurgit.” It is perhaps the same as Ashmole 393, 15th century(?), fols. 68v-69v, “Gergis de significatione planetarum ac capitis et caude in 12 domibus. Sol in ascendente significat principatum ... / ... neque dimittas que dico tibi nec proferes aliud. Explicit Jergis de significationibus planetarum in domibus 12.” See also Steinschneider (1906) pp. 23-4, where other MSS of this treatise are mentioned and also of a “Girgic, De mansionibus lunae.” Other forms of the name than Gergis and Girgic mentioned by Steinschneider are Zergis, Jergis, Jargus (Hyargus, Largus) and Georgius; also Gugit. Steinschneider further notes that this author appears in the alchemistic Turba; in which connection I may add that Albertus Magnus in Mineralium III, i, 4, speaks of a writer on alchemy from that part of Spain which used to belong to the Arabs named Gilgil (Gilgil in secretis suis).

Steinschneider does not note Royal 12-C-XVIII where, following the work of Thebit ben Corat on images, is “another tract on the same subject, apparently by Jirgis ibn al-ʿAmid. Inc. ‘Dixit Balemiz qui Apollo dicitur Ymago prima fit in prima hora.’ Ends, ‘nomen diei Saturni hadah. Explicit.’” Here then Jirgis is associated with Belenus just as Germath of Babylon was in the Speculum.

In another MS not mentioned by Steinschneider a Theory of Magic Art, which reminds one of the work of Alkindi by that title, is ascribed to a Girgith. Amplon. Quarto 354, 14th century, fols. 60-62, Girgith, Theorica de arte magica, “Cogitacio fuit: res que me ad hoc opusculum ... / ... operari voluerit et sic est finis huius tractatus. Deo gratias.”

And in the medieval catalogue of St. Augustine’s, Canterbury, 1545, we find listed “Documenta Girgith filie Circes,” preceded by “Tractatus de sigillis planetarum.” That is, Girgith is represented as the daughter of the enchantress Circe, and is apparently connected with magical and astrological images. This community of astrological and magical interest inclines one to believe that all the aforesaid authors are one.