(WEDNESDAY)
I left London, and reached Gravesend at nine in the morning, having been taught to exso dirty; to be sure, the place has all the advantages of an English November to assist it in those particulars. Just now, too, a carriage passed my windows, conveying on board a cargo of passengers, who seemed sincerely afflicted at the thoughts of leaving their dear native land! The pigs squeaked, the ducks quacked, and the fowls screamed; and all so dolefully, as clearly to prove, that theirs was no dissembled sorrow? And after them (more affecting than all) came a wheelbarrow, with a solitary porker tied in a basket, with his head hanging over on one side, and his legs sticking out on the other, who neither grunted nor moved, nor gave any signs of life, but seemed to be of quite the same opinion with Hannah More’s heroine, “Grief is for little wrongs; despair for mine!”
As Miss O’Neil is to play “Elwina” for the first time to-morrow, it is a thousand pities that she had not the previous advantage of seeing the speechless despondency of this poor pig; it might have furnished her with some valuable hints, and enabled her to convey more perfectly to the audience the “expressive silence” of irremediable distress.