A SEASIDE GARDEN
(Barbara Campbell to Mary Penrose)
Gray Rocks, July 19. Your epistle upon the evils of an excess of flowers in the house found us here with the Cortrights and Bradfords, and I read it with Lavinia and Sylvia on either side, as the theme had many notes in it familiar to us all! There are certainly times and seasons when the impulse is overpowering to lay hold of every flower that comes in the way and gather it to one's self, to cram every possible nook and corner with this portable form of beauty and fairly indulge in a flower orgie. Then sets in a reaction that shows, as in so many things, the middle path is the best for every day. Also there are many enthusiastic gardeners, both among those who grow their own flowers and those who cause them to be grown, who spare neither pains nor money until the flowers are gathered; then their grip relaxes, and the house arrangement of the fruit of their labour is left to chance.
In many cases, where a professional gardener is in charge, several baskets, containing a confused mass of blossoms, are deposited daily in porch or pantry, often at a time when the mistress is busy, and they are either overlooked or at the last moment crammed into the first receptacle that comes to hand, from their very inopportuneness creating almost a feeling of dislike.
When once lodged, they are frequently left to their fate until they become fairly noisome, for is there anything more offensive to æsthetic taste than blackened and decaying flowers soaking in stagnant water?
Was it not Auerbach, in his Poet and Merchant, who said, "The lovelier a thing is in its perfection, the more terrible it becomes through its corruption"? and certainly this applies to flowers.
Flowers, like all of the best and lasting pleasures, must be taken a little seriously from the sowing of the seed to the placing in the vase, that they may become the incense of home, and the most satisfactory way of choosing them for this use is to make a daily tour about the garden, or, if a change is desired, through the fields and highways, and, with the particular nook you wish to fill in mind, gather them yourself.
Even the woman with too wide a selection to gather from personally can in this way indicate what she wishes.
In the vegetable garden the wise man thinks out his crop and arranges a variety for the table; no one wishes every vegetable known to the season every day, and why should not the eye be educated and nourished by an equal variety?
We are all very much interested in your flower-holders of natural wood, and I will offer you an idea in exchange, after the truly coöperative Garden, You, and I plan. In the flower season, instead of using your embroidered centrepieces for the table, which become easily stained and defaced by having flowers laid upon them, make several artistic table centres of looking-glass, bark, moss, or a combination of all three.
Lavinia Cortright and I, as a beginning, have oval mirrors of about eighteen inches in length, with invisibly narrow nickel bindings. Sometimes we use these with merely an edge of flowers or leaves and a crystal basket or other low arrangement of flowers in the centre. The glass is only a beginning, other combinations being a birch-bark mat, several inches wider than the glass, that may be used under it so that a wide border shows, or the mat by itself as a background for delicate wood flowers and ferns. A third mat I have made of stout cardboard and covered with lichens, reindeer moss, and bits of mossy bark, and I never go to the woods but what I see a score of things that fairly thrust themselves before me and offer to blend with one of these backgrounds, and by holding the eye help to render meal-times less "foody," as Sukey Latham puts it, though none the less nourishing.
Last night when we gathered at dinner, a few moments after our arrival and our first meeting at this cottage, I at once became aware that though host and hostess were the same delightful couple, we were not dining at Meadow's End, their Oaklands cottage, but at Gray Rocks, with silver sea instead of green grass below the windows. While the sea surroundings were brought indoors and on the centre of the dinner table the mirror was edged by a border of sea-sand, glistening pebbles and little shells were arranged as a background instead of mosses and lichens, and rich brown seaweeds still moist with the astringent tonic sea breath edged this frame, and the more delicate rose-coloured and pale green weeds seemed floating upon the glass, that held a giant periwinkle shell filled with the pink star-shaped sabbatia, or sea pink, of the near-by salt marshes. There was no effort, no strain after effect, but a consistent preparation of the eye for the simple meal of sea food that followed.
In front of the cottage the rocks slope quickly to the beach, but on either side there is a stretch of sand pocketed among the rocks, and in the back a dune stops abruptly at the margin of wide salt meadows, creek-fed and unctuous, as befits the natural gardens of the sea.
The other cottages lying to the eastward are gay in red-and-white striped awnings, and porch and window boxes painted red or green are filled with geraniums, nasturtiums, petunias,—any flowers, in short, that will thrive in the broiling sun, while some of the owners have planted buoy-like barrels at the four corners of their enclosures and filled them with the same assortment of foliage plants with which they would decorate a village lawn. This use of flowers seemed at once to draw the coolness from the easterly breeze and intensify the heat that vibrates from the sand.
Have you ever noticed that the sea in these latitudes has no affinity for the brightest colours, save as it is a mirror for the fleeting flames of sunrise and sunset?
The sea-birds are blended tints of rock, sand, sky, and water, save the dash of coral in bill and foot of a few, just as the coral of the wild-rose hips blends with the tawny marsh-grasses. Scarlet is a colour abhorred even by the marshes, until late in autumn the blaze of samphire consumes them with long spreading tongues of flame. How can people be so senseless as to come seaward to cool their bodies, and yet so surround themselves with scarlet that it is never out of range of the eye?
Lavinia Cortright and the botanical Bradfords, as Evan calls them, because though equally lovers of flowers, they go further than some for the reason why that lies hid beneath the colour and perfume, have laid out and are still developing a sand garden that, while giving the cottage home the restful air that is a garden's first claim, has still the distinct identity of the sand and sea!
To begin, with one single exception, they have drawn upon the wild for this garden, even as you are doing in the restoration of your knoll. Back of the cottage a dozen yards is a sand ridge covering some fairly good, though mongrel, loam, for here, as along most of the coasts of sounds and bays, the sea, year by year, has bitten into the soil and at the same time strewn it with sand. Considering this as the garden boundary, a windbreak of good-sized bayberry bushes has been placed there, not in a stiff line, but in blended groups, enclosing three sides, these bays being taken from a thicket of them farther toward the marshes.
An alley from the back porch into this enclosure is bordered on either side by bushes of beach plum, that, when covered with feathery white bloom in May, before the leaves appear, gives the sandy shore the only orchard touch it knows. Of course the flowering period is over when the usual shore season begins, though nowadays there is no off time—people go to shore and country when they are moved; yet the beach plum is a picturesque bush at any time, especially when, in September, it is loaded with the red purple fruit. In the two spaces on either side the alley the sand is filled with massed plants that, when a little more time has been given them for stretching and anchoring their roots, will straightway weave a flower mat upon the sand.
Down beyond the next point, one day last autumn, Horace and Sylvia found a plantation of our one New England cactus, the prickly pear (Opuntia opuntia). We have it here and there in our rocky pasture; but in greater heat and with better underfeeding it seemed a bit of a tropical plain dropped on the eastern coast. Do you know the thing? The leaves are shaped like the fans of a lobster's tail and sometimes are several-jointed, smooth except for occasional tufts of very treacherous spikes, and of a peculiar semitranslucent green; the half-double flowers set on the leaf edges are three inches across and of a brilliant sulphur-yellow, with tasselled stamens; the fruit is fleshy, somewhat fig-shaped, and of a dark red when ripe—altogether a very decorative plant, though extremely difficult to handle.
After surveying the plantation on all sides, the tongs used by the oyster dredges suggested themselves to Horace, and thus grasped, the prickly pears were safely moved and pegged in their new quarters with long pieces of bent wire, the giant equivalents of the useful hairpins that I recommended for pegging down your ferns.
Now the entire plot of several yards square, apparently untroubled by the removal, is in full bloom, and has been for well-nigh a month, they say, though the individual blossoms are but things of a day. Close by, another yellow flower, smaller but more pickable, is just now waving, the rock rose or frostweed, bearing two sorts of flowers: the conspicuous yellow ones, somewhat resembling small evening primroses, while all the ground between is covered with an humble member of the rock rose family—the tufted beach heather with its intricate branches, reminding one more of a club-moss than a true flowering plant. Not a scrap of sand in the enclosure is left uncovered, and the various plants are set closely, like the grasses and wild flowers of a meadow, the sand pinweed that we gather, together with sea lavender, for winter bouquets much resembling a flowering grass.
The rabbit-foot clover takes kindly to the sandy soil, and, as it flowers from late May well into September, and holds its little furry tails like autumn pussy-willows until freezing weather, makes a very interesting sort of bed all by itself, and massed close to it, as if recognizing the family relationship, is the little creeping bush clover with its purplish flowers.
Next, set thickly in a mass representing a stout bush, comes the fleshy beach pea with rosy purple flowers. When it straggles along according to its sweet will, it has a poor and weedy look, but massed so that the somewhat difficult colour is concentrated, it is very decorative, and it serves as a trellis for the trailing wild bean, a sand lover that has a longer flowering season.
A patch of a light lustrous purple, on closer view, proves to be a mass of the feathered spikes of blazing star or colic-root, first cousin of the gay-feather of the West, that sometimes grows six feet high and has been welcomed to our gardens.
On the opposite side of the beach-plum alley, the Bradfords have made preparations for autumn glory, such as we always drive down to the marsh lands from Oaklands not only to see but to gather and take home. Masses of the fleshy tufted seaside goldenrod, now just beginning to throw up its stout flowerstalks, flank a bed of wild asters twenty feet across. Here are gathered all the asters that either love or will tolerate dry soil, a certain bid for their favour having been made by mixing several barrels of stiff loam with the top sand, as an encouragement until the roots find the hospitable mixture below.
The late purple aster (patens) with its broad clasping leaves, the smooth aster (lævis) with its violet-blue flowers, are making good bushes and preparing for the pageant. Here is the stiff white-heath aster, the familiar Michaelmas daisy, that is so completely covered with snowy flowers that the foliage is obliterated, and proves its hold upon the affections by its long string of names,—frostweed, white rosemary, and farewell summer being among them,—and also the white-wreath aster, with the flowers ranged garland-wise among the rigid leaves, and the stiff little savory-leaved aster or sand starwort with pale violet rays. Forming a broad, irregular border about the asters are stout dwarf bushes of the common wild rose (humilis), that bears its deep pink flowers in late spring and early summer and then wears large round hips that change slowly from green to deep glowing red, in time to make a frame of coral beads for the asters.
Outside the hedge of bays, where a trodden pathway leads to the boat landing, the weathered rocks, washed with soft tints blended of the breath of sea mist and sunset rays, break through the sand. In the lee of these, held in place by a line of stones, is a long, low bed of large-flowered portulaca, borrowed from inland gardens, and yet so in keeping with its surroundings as to seem a native flower of sea sands.
The fleshy leaves at a little distance suggest the form of many plants of brackish marsh and creek edges, and even the glasswort itself. When the day is gray, the flowers furl close and disappear, as it were, but when the sun beats full upon the sand, a myriad upraised fleshy little arms stretch out, each holding a coloured bowl to catch the sunbeams, as if the heat made molten the sand of quartz and turned it into pottery in tints of rose, yellow, amber, scarlet, and carnation striped. It was a bold experiment, this garden in the sand, but already it is making good.
Then, too, what a refreshment to the eyes is it, when the unbroken expanse of sky and sea before the house tires, to turn them landward over the piece of flowers toward the cool green marshes ribboned with the pale pink camphor-scented fleabane, the almost intangible sea lavender, the great rose mallows and cat-tail flags of the wet ground, the false indigo that, in the distance, reminds one of the broom of Scottish hills, the orange-fringed orchis, pink sabbatia, purple maritime gerardia, milkwort, the groundsel tree, that covers itself with feathers in autumn, until, far away beyond the upland meadows, the silver birches stand as outposts to the cool oak woods, in whose shade the splendid yellow gerardia, or downy false foxglove, nourishes. Truly, while the land garden excels in length of season and profusion, the gardens of the sea appeal to the lighter fancies and add the charmed spice of variety to out-of-door life.
One of the most interesting features of this cottage and its surroundings is the further transplanting of Martin Cortright from his city haunts. At Meadow's End, though he works in the garden in a dilettante sort of way with Lavinia, takes long walks with father, and occasionally ventures out for a day's fishing with either or both of my men, he is still the bookworm who dives into his library upon every opportunity and has never yet adapted his spine comfortably to the curves of a hammock! In short he seems to love flowers historically—more for the sake of those in the past who have loved and written of them than for their own sake.
But here, even as I began to write to you, Mary Penrose, entrenched in a nook among the steep rocks between the cottage and the sea, a figure coming up the sand bar, that runs northward and at low water shows a smooth stretch a mile in length, caught my eye. Laboriously but persistently it came along; next I saw by the legs that it was a man, a moment later that he was lugging a large basket and that a potato fork protruded from under one arm, and finally that it was none other than Martin Cortright, who had been hoeing diligently in the sand and mud for a couple of hours, that his guests might have the most delectable of all suppers,—steamed clams, fresh from the water, the condition alone under which they may be eaten sans peur et sans reproche!