THE FRAME OF THE PICTURE
VINES AND SHRUBS
(Mary Penrose to Barbara Campbell)
Woodridge, September 10. Your chronicle of the Pink Family found me by myself in camp, dreaming away as vigorously as if it was a necessary and practical occupation. After all, are we sure that it is not, in a way, both of these? This season my dreams of night have been so long that they have lingered into the things of day and vice versa, and yet neither the one nor the other have whispered of idleness, but the endless hope of work.
Bart's third instalment of vacation ends to-morrow, though we shall continue to sleep out of doors so long as good weather lasts; the remaining ten days we are saving until October, when the final transplanting of trees and shrubs is to be made; and in addition to those for the knoll we have marked some shapely dogwoods, hornbeams, and tulip trees for grouping in other parts of the home acres. There are also to be had for the digging good bushes of the early pink and clammy white azalea, mountain-laurel, several of the blueberry tribe, that have white flowers in summer and glorious crimson foliage in autumn, white-flowered elder, button-bush, groundsel tree, witchhazel, bayberry, the shining-leaved sumach, the white meadow-sweet, and pink steeplebush, besides a number of cornels and viburnums suitable for shrubberies. As I glance over the list of what the river and quarry woods have yielded us, it is like reading from the catalogue of a general dealer in hardy plants, and yet I suppose hundreds of people have as much almost at their doors, if they did but know it.
The commercial side of a matter of this kind is not the one upon which to dwell the most, except upon the principle of the old black woman who said, "Chillun, count yer marcies arter every spell o' pain!" and to-day, in assaying our mercies and the various advantages of our garden vacation, I computed that the trees, shrubs, ferns, herbaceous wild flowers, and vines (yes, we have included vines, of which I must tell you), if bought of the most reasonable of dealers, would have cost us at least three hundred dollars, without express or freight charges.
The reason for my being by myself at this particular moment is that Bart, mounted on solemn Romeo, has taken the Infant, astride her diminutive pony, by a long leader, for a long-promised ride up the river road, the same being the finale of the celebration of his birthday, that began shortly after daylight. The Infant, in order to be early enough to give him the first of his thirty-three kisses, came the night before, and though she has camped out with us at intervals all summer, the novelty has not worn off. She has a happy family of pets that, without being caged or in any way coerced or confined, linger about the old barn, seem to watch for her coming, and expect their daily rations, even though they do not care to be handled.
Punch and Judy, the gray squirrels of the dovecote, perch upon her shoulders and pry into the pockets of her overalls for nuts or kernels of corn, all the while keeping a bright eye upon Reddy, the setter pup, who, though he lies ever so sedately, nose between paws, they well know is not to be trusted. While as for birds, all the season we have had chipping-sparrows, catbirds, robins, and even a wood-thrush, leader of the twilight orchestra, all of whom the little witch has tempted in turn by a bark saucer spread with leaves and various grains and small fruits, from strawberries to mulberries, for which she has had a daily hunt through the Opal Farm land the season through.
Toward the English sparrow she positively declines to harden her heart, in spite of my having repeated the story of its encroachments and crimes. She listens and merely shakes her head, saying, "We 'vited them to come, didn't we, mother? When we 'vites people, we always feed 'em; 'sides, they're the only ones'll let me put them in my pocket," which is perfectly true, for having learned this warm abiding-place of much oats and cracked corn, they follow her in a flock, and a few confiding spirits allow themselves to be handled.
At the birthday dinner party, arranged by the Infant, a number of these guests were present. We must have looked a motley crew, in whose company Old King Cole himself would have been embarrassed, for Bart wore a wreath of pink asters, while a gigantic sunflower made my head-dress, and the cake, made and garnished with red and white peppermints, an American and an Irish flag, by Anastasia, was mounted firmly upon a miscellaneous mass of flowers, with a superstructure of small yellow tomatoes, parsley, young carrots, and beets, the colour of these vegetables having caught the Infant's eye.
The pony, Ginger, had a basket of second-crop clover flowers provided for him; Reddy some corned-beef hash, his favourite dish, coaxed from Anastasia; while for Punch, Judy, and as many of their children as would venture down from the rafters, the Infant had compounded a wonderful salad of mixed nuts and corn. As the Infant ordained that "the childrens shan't tum in 'til d'sert," we had the substantial part of our meal in peace; but the candles were no sooner blown out and the cake cut than Ginger left his clover to nibble the young carrots, the squirrels got into the nut dish bodily and began sorting over the nuts to find those they liked best, with such vigour that the others flew in our faces, and Reddy fell off the box upon which the Infant had balanced him with difficulty, nearly carrying the table-cloth with him, while at this moment, the feast becoming decidedly crumby, we were surrounded by the entire flock of English sparrows!
Now this is not at all what I started to tell you; quite the contrary. Please forgive this domestic excursion into the land of maternal pride and happenings. What I meant to write of was my conviction, that came through sitting on the hay rafters and looking down upon the garden, that as a beautiful painting is improved by proper framing, so should the garden be enclosed at different points by frames, to focus the eye upon some central object.
Though the greater part of the garden is as yet only planned and merely enough set out in each part to fix special boundaries, as in the case of the rose bed, I realize that as a whole it is too open and lacks perspective. You see it all at once; there are no breaks. No matter in what corner scarlet salvia and vermilion nasturtiums may be planted, they are sure to get in range with the pink verbenas and magenta phlox in a teeth-on-edge way.
From other viewpoints the result is no better. Looking from the piazza that skirts two sides of the house, where we usually spend much time, three portions of the garden are in sight at once, and all on different planes, without proper separating frames; the rose garden is near at hand, the old borders leading to the sundial being at right angles with it. At the right, the lower end of the knoll and the gap with its bed of heliotrope are prominent, while between, at a third distance, is the proposed location of the white-birch screen, the old wall rockery, etc. The rockery and rose garden are in their proper relation, but the other portions should be given perspective by framing, and the result of my day-dreams is that this, according to nature, should be done by the grouping of shrubs and the drapery of vines.
I now for the first time fully understand the uses of the pergola in landscape gardening, the open sides of which form a series of vine-draped frames. I had always before thought it a stiff and artificial sort of arrangement, as well as the tall clipped yews, laurel trees in tubs, and marble vases and columns that are parts of the usual framework of the more formal gardens. And while these things would be decidedly out of place in gardens of our class, and at best could only be indulged in via white-painted wooden imitations, the woman who is her own gardener may exercise endless skill in bringing about equally good results with the rustic material at hand and by following wild nature, who, after all, is the first model.
The silver maple by the lane gate.
I think I hear Evan laughing at my preachment concerning his special art, but the comprehension of it has all come through looking at the natural landscape effects that have happened at Opal Farm owing to the fact that the hand of man has there been stayed these many years. On either side of the rough bars leading between our boundary wall and the meadow stands a dead cedar tree, from which the dry, moss-covered branches have been broken by the loads of hay that used to be gathered up at random and carted out this way. Wild birds doubtless used these branches as perches of vantage from which they might view the country, both during feeding excursions and in migration, and thus have sown the seed of their provender, for lo and behold, around the old trees have grown vines of wild grapes, with flowers that perfume the entire meadow in June. Here the woody, spiral-climbing waxwork holds aloft its clusters of berries that look like bunches of miniature lemons until on being ripe they open and show the coral fruit; Virginia creeper of the five-pointed fingers, clinging tendrils, glorious autumn colour, and spreading clusters of purple blackberries, and wild white clematis, the "traveller's joy" of moist roadside copses, all blending together and stretching out hands, until this season being undisturbed, they have clasped to form a natural arch of surpassing beauty.
Having a great pile of cedar poles, in excess of the needs of all our other projects, my present problem is to place a series of simple arches constructed on this natural idea, that shall frame the different garden vistas from the best vantage-point. Rustic pillars, after the plan of Evan's that you sent me for the corners of the rose garden, will give the necessary formal touch, while groups of shrubs can be so placed as not only to screen colours that should not be seen in combination, but to make reasons for turns that would otherwise seem arbitrary.
Aunt Lavinia has promised me any number of Chinese honeysuckle vines from the little nursery bed of rooted cuttings that is Martin Cortright's special province, for she writes me that they began with this before having seed beds for either hardy plants or annuals, as they wished to have hedges of flowering shrubs in lieu of fences, and some fine old bushes on the place furnished ample cuttings of the old-fashioned varieties, which they have supplemented.
Aunt Lavinia also says that the purple Wisteria grows easily from the beanlike seed and blossoms in three years, and that she has a dozen of these two-year-old seedlings that she will send me as soon as I have place for them. Remembering your habit of giving every old tree a vine to comfort its old age, and in particular the silver maple by the lane gate of your garden, with its woodpecker hole and swinging garniture of Wisteria bloom, I have promised a similar cloak to a gnarled bird cherry that stands midway in the fence rockery, and yet another to an attenuated poplar, so stripped of branches as to be little more than a pole and still keeping a certain dignity.
A curtain to the side porch.
The honeysuckles I shall keep for panelling the piazza, they are such clean vines and easily controlled; while on the two-story portion under the guest-room windows some Virginia creepers can be added to make a curtain to the side porch.
As for other vines, we have many resources. Festooned across the front stoop at Opal Farm is an old and gigantic vine of the scarlet-and-orange trumpet creeper, that has overrun the shed, climbed the side of the house, and followed round the rough edges of the eaves, while all through the grass of the front yard are seedling plants of the vine that, in spring, are blended with tufts of the white star of Bethlehem and yellow daffies.
In the river woods, brush and swamp lots, near by, we have found and marked for our own the mountain fringe with its feathery foliage and white flowers shaded with purple pink, that suggest both the bleeding heart of gardens and the woodland Dutchman's breeches. It grows in great strings fourteen or fifteen feet in length and seems as trainable as smilax or the asparagus vine. Here are also woody trailers of moonseed, with its minute white flowers in the axils of leaves that might pass at first glance for one of the many varieties of wild grapes; the hyacinth bean, with its deliciously fragrant chocolate flowers tinged with violet, that is so kind in covering the unsightly underbrush of damp places. And here, first, last, and always, come the wild grapes, showing so many types of leaf and fruit, from the early ripening summer grape of the high-climbing habit, having the most typical leaf and thin-skinned, purple berries, that have fathered so many cultivated varieties; the frost grape, with its coarsely-toothed, rather heart-shaped, pointed leaf and small black berries, that are uneatable until after frost (and rather horrid even then); to the riverside grape of the glossy leaf, fragrant blossoms and fruit.
One thing must be remembered concerning wild grapes: they should be planted, if in the open sunlight, where they will be conspicuous up to late summer only, as soon after this time the leaves begin to grow rusty, while those in moist and partly-shady places hold their own. I think this contrast was borne in upon me by watching a mass of grape-vines upon a tumble-down wall that we pass on our way to the river woods. In August the leaves began to brown and curl at the edges, while similar vines in the cool lane shade were still green and growing. So you see, Mrs. Evan, that, in addition to our other treasure-trove, we are prepared to start a free vinery as well, and as our lucky star seems to be both of morning and evening and hangs a long while in the sky, Meyer, Larry's successor, we find, has enough of a labourer's skill at post setting and a carpenter's eye and hand at making an angled arch (this isn't the right term, but you know what I mean), so that we have not had to pause in our improvements owing to Amos Opie's rheumatic illness.
Not that I think the old man very ill, and I believe he could get about more if he wished, for when I went down to see him this morning, he seemed to have something on his mind, and with but little urging he told me his dilemma. Both The Man from Everywhere and Maria Maxwell have made him good offers for his farm, The Man's being the first! Now he had fully determined to sell to The Man, when Maria's kindness during his illness not only turned him in her favour, but gave him an attachment for the place, so that now he doesn't really wish to sell at all! It is this mental perturbation, in his very slow nature, that is, I believe, keeping him an invalid!
What Maria wants of the farm neither Bart nor I can imagine. She has a little property, a few thousand dollars, enough probably to buy the farm and put it in livable repair, but this money we thought she was saving for the so-called rainy day (which is much more apt to be a very dry period) of spinsterhood! Of course she has some definite plan, but whether it is bees or boarders, jam or a kindergarten, we do not know, but we may be very sure that she is not jumping at random. Only I'm a little afraid, much as I should like her for a next-door neighbour, that, with her practical head, she would insist upon making hay of the lily meadow!
"Straying away again from the horticultural to the domestic things," I hear you say. Yes; but now that the days are shortening a bit, it seems natural to think more about people again. If I only knew whether Maria means to give up her teaching this winter, I would ask her to stay with us and begin to train the Infant's mind in the way it should think, for my head and hands will be full and my heart overflowing, I imagine. Ah! this happy, blessed summer! Yes, I know that you know, though I have never told you. That's what it means to have real friends. But to the shrubs.
Will you do me one more favour before even the suspicion of frost touches my enthusiasm, that I may have everything in order in my Garden Boke against a planting season when Time may again hold his remorseless sway. This list of eighteen or more shrubs is made from those I know and like, with selections from that Aunt Lavinia sent me. Is it comprehensive, think you? Of course we cannot go into novelties in this direction, any more than we may with the roses.
There is the little pale pink, Daphne Mezereum, that flowers before its leaves come in April. I saw it at Aunt Lavinia's and Mrs. Marchant had a great circle of the bushes. Then Forsythias, with yellow flowers, the red and pink varieties of Japanese quince, double-flowering almond and plum, the white spireas (they all have strange new names in the catalogue), the earliest being what mother used to call bridal-wreath (prunifolia), with its long wands covered with double flowers, like tiny white daisies, the St. Peter's wreath (Van Houttei) with the clustered flowers like small white wild roses, two pink species, Billardii and Anthony Waterer, beautiful if gathered before the flowers open, as the colour fades quickly, and a little dwarf bush, Fortune's white spirea, that I have seen at the florist's. Next the old-fashioned purple lilac, that seems to hold its own against all newcomers for garden use, the white tree lilac, the fragrant white mock orange or syringa (Coronarius), the Japanese barberry of yellow flowers and coral berries, the three deutzias, two being the tall crenata and scabra and the third the charming low-growing gracilis, the old-fashioned snowball or Guelder rose (viburnum opulus sterilis), the weigelias, rose-pink and white, the white summer-flowering hydrangea (paniculata grandiflora), and the brown-flowered, sweet-scented strawberry shrub (calycanthus floridus).
"Truly a small slice from the loaf the catalogues offer," you say. Yes; but you must remember that our wild nursery has a long chain to add to these.
In looking over the list of shrubs, it seems to me that the majority of them, like the early wild flowers, are white, but then it is almost as impossible to have too many white flowers as too many green leaves.
September 15. I was prevented from finishing this until to-day, when I have a new domestic event to relate. Maria, no longer a music mistress, has leased the Opal Farm, it seems, and will remain with me this winter pending the repairing of the house, which Amos Opie himself is to superintend. I wish I could fathom the ins and outs of the matter, which are not at present clear, but probably I shall know in time. Meanwhile, I have Maria for a winter companion, and a mystery to solve and puzzle about; is not this truly feminine bliss?