INTRODUCTION
The clear and interesting “Preface” of Paul de Rémusat, grandson of the author of these Memoirs, renders unnecessary a lengthy introduction on the part of the publishers. The reader will find there a sympathetic sketch of the talented lady-in-waiting, and through her eyes a vivid portrait not only of Josephine and Napoleon, but of surrounding Court life.
Madame de Rémusat, born Claire de Vergennes, was a woman of superior descent and endowments; her grandson may feel a pardonable pride in setting forth her virtues. Her father and grandfather were among the many political victims of the Revolution, perishing in 1794 upon the same scaffold, three days before the fall of Robespierre. Her mother took the young girl and her sister to a retired spot in the valley of Montmorency, whither they were followed by a friend of the family, Augustin de Rémusat, who won the hand of Claire.
Among the neighbours, during the months of retirement from political storm, was Madame de Beauharnais, who in 1796 became the wife of Bonaparte, and later the famous Empress Josephine. A warm friendship sprang up between the two families, and when Josephine removed to Paris to take her exalted place, Madame de Rémusat went with her as a lady-in-waiting; while M. de Rémusat was made Prefect of the Palace, in 1802.
These Memoirs are an exact record of the life of the author, as well as a survey of the first years of the nineteenth century. They show us what changes the establishment of the Empire effected at Court, and how life there constantly shifted to reflect the changing fortunes of its master. The figure of Napoleon stands out boldly, albeit sketched with an unsympathetic pen. The lady-in-waiting’s loyalty was entirely upon the side of her mistress in the latter’s struggle against the Bonaparte family; and when the downfall of Josephine occurred, Madame de Rémusat followed her into retirement. It was then that she took up her pen to write of historic people and affairs. Her first manuscripts, however, were destroyed, in 1815, the author fearing that they would compromise her family politically by their outspoken criticisms. Napoleon had escaped from Elba, and none could prophesy what a day might bring forth.
In 1818 she began the subject afresh, inspired, as she says, by her “love of truth,” and desiring to refute certain opinions advanced by Madame de Staël’s newly published “Considerations upon the French Revolution.” The circumstances of the renewed literary labour are set forth interestingly in Paul de Rémusat’s story. The Memoirs, he says, were to have been divided into five parts, treating of five distinct epochs. Only three were completed, treating of the important interval between the years 1802 and 1809. This manuscript left unfinished at Madame de Rémusat’s death, in 1821, awaited publication for sixty years, when the people and the events which it described so freely had long since passed away. It was not until 1881, that the grandson of the author gave them to the world. His reasons therefor and the story of the manuscript itself are an appetising foretaste of this work written by a person famed for her sincerity, clear vision, and “talent for being true.”