FOOTNOTE:
[16] Augustus died at Nola, on his way to the waters of Brindisi, which had been prescribed him; but he left Rome in a dying state.
Chapter vi.
Corinne flattered herself in secret with having captivated the heart of Oswald, but as she knew his reserve and his severity, she had not dared make known to him all the interest he had excited in her heart, though she was disposed, by character, to conceal nothing that she felt. Perhaps also she believed that even in speaking on subjects foreign to their growing passion there was a tenderness of accent in their voice, which betrayed their mutual affection, and that a secret avowal of love was painted in their looks, and in that melancholy and veiled language which penetrates so deeply into the soul.
One morning, when Corinne was getting ready to continue her walks with Oswald, she received a note from him, somewhat ceremonious, informing her that the bad state of his health would confine him at home for some days. A painful disquietude seized upon the heart of Corinne: she at first feared he might be dangerously ill, but the Count d'Erfeuil, whom she saw at night, told her it was one of those melancholy fits to which he was very much subject and, during which he would not speak to anybody.—"He will not see even me," said the Count d'Erfeuil, "when he is so."—This even me was highly displeasing to Corinne, but she was upon her guard not to betray any symptoms of that displeasure to the only man who might be able to give her news of Lord Nelville. She interrogated him, flattering herself that a man of so much apparent levity would tell her all he knew. But on a sudden, whether he wished to conceal from her by an air of mystery that Oswald had confided nothing to him, or whether he believed it more honourable to refuse what was asked of him than to grant it, he opposed an invincible silence to the ardent curiosity of Corinne. She who had always had an ascendency over those with whom she conversed, could not comprehend why all her means of persuasion were without effect upon the Count d'Erfeuil: did she not know that there is nothing in the world so inflexible as self-love?
What resource remained then to Corinne to know what was passing in the heart of Oswald! should she write to him? The formality it would require was too foreign to her open disposition. Three days glided away, during which she did not see Lord Nelville, and was tormented by the most cruel agitation.—"What have I done then," said she, "to drive him from me? I have not told him that I loved him.—I have not been guilty of that crime, so terrible in England, but so pardonable in Italy. Has he guessed it? But why should he esteem me the less for it?" Oswald had only absented himself from Corinne because he felt the power of her charms becoming too strong to resist. Though he had not given his word to espouse Lucilia Edgermond, he knew it was his father's wish that she should become his wife, and to that wish he desired to conform. Besides, Corinne was not known by her real name, and had, for several years, led a life much too independent. Such a marriage, Lord Nelville believed would not have obtained the approbation of his father, and he felt that it was not thus he could expiate the transgressions he had been guilty of towards him. Such were his motives for removing himself from the presence of Corinne. He had formed the project of writing to her on quitting Rome, stating the motives that condemned him to this resolution; but as he could not find strength to do that, he contented himself with abstaining from visiting her, and even this sacrifice became almost too painful to bear from the second day of his absence.
Corinne was struck with an idea that she should never behold Oswald again; that he would go away without bidding her adieu. She expected every instant to receive the news of his departure, and this fear so increased the agony of her feelings that she felt herself all of a sudden seized by passion, that vulture beneath whose talons happiness and independence sink. Unable to endure the house that Lord Nelville no longer visited, she frequently wandered in the gardens of Rome, hoping to meet with him. The hours so spent were the least insupportable, since they afforded some chance of seeing the object of her wanderings. The ardent imagination of Corinne was the source of her talents; but, unfortunately for her, it was united to her natural sensibility, which often rendered it extremely painful to her.
On the evening of the fourth day of this cruel absence, the moon shone beautifully bright, and the silence of the night gives Rome a fine effect: it seems then to be inhabited by the shades of its illustrious ancients. Corinne, returning from the house of a female friend, oppressed with grief, quitted her carriage, to sit for a few moments near the fountain of Trevi; before that abundant cascade, which, falling in the midst of Rome, seems like the vital principle of this tranquil abode. When this cascade ceases to play for some days, one would say that Rome is struck with stupor. It is the noise of carriages that we expect to hear in other capitals; but at Rome, it is the murmuring of this immense fountain, which seems to be an accompaniment necessary to the pensive life people lead there: the image of Corinne was painted in this stream, so pure, that for several centuries past it has borne the name of the Virgin Spring. Oswald, who had stopped in the same place a few moments afterwards, beheld the charming features of his love reflected in the water. He was seized with so lively an emotion, that he did not know, at first, whether it was not his imagination which presented to him the shadow of Corinne, as it had so often done that of his father; he bent towards the fountain to observe more distinctly, when his own countenance was reflected by the side of Corinne's. She knew him, uttered a cry, and darting towards him rapidly, seized his arm as if she were afraid he would leave her again; but hardly had she yielded to this impetuous emotion than recollecting the character of Nelville, she blushed at having given him this lively testimony of her feelings, and letting fall the hand which held Oswald, she covered her face with the other to conceal her tears.
"Corinne!" said Oswald, "dear Corinne! my absence has then rendered you unhappy!" "Oh yes," answered she, "you were sure of that! Why then pain me! have I deserved to suffer at your hand?" "No, certainly," cried Nelville, "but if I do not think myself free; if I feel in my heart a storm of grief, why should I associate you with such a torture of sentiment and dread?"—"It is too late," interrupted Corinne, "it is too late, grief has already seized upon my bosom—spare me."—"Do you mention grief?" replied Oswald, "in the midst of so brilliant a career, of such renown, and possessing so lively an imagination?"—"Hold," said Corinne, "you do not know me; of all the faculties I possess, the most powerful is that of suffering. I am born for happiness, my disposition is open, my imagination animated; but pain excites in me a certain impetuosity, powerful enough to disturb my reason or bring me to my grave; therefore I beseech you, spare me. My gaiety and mobility are only superficial; but there are in my soul abysses of sadness, which I can only escape by guarding against love."
Corinne pronounced these words with an expression that deeply affected Oswald.—"I will come and see you to-morrow morning," said he. "Do you swear it?" said she, with a disquietude which she vainly endeavoured to conceal. "Yes, I swear it," cried Lord Nelville, and disappeared.
Book v.
THE TOMBS, THE CHURCHES, AND THE PALACES.
Chapter i.
The next day, Oswald and Corinne felt much embarrassed at meeting each other. Corinne was no longer confident of the love which she inspired. Oswald was dissatisfied with himself; he knew there was a weakness in his character which sometimes made him feel irritated at his own sentiments as at a species of tyranny; and both endeavoured to avoid speaking of their mutual affection. "I have to propose to-day," said Corinne, "rather a solemn walk; but one that will certainly prove highly interesting: let us go and see the tombs, let us go and see the last asylum of those who inhabited the monuments whose ruins we have contemplated."—"Yes," answered Oswald, "you have conjectured what will suit the present disposition of my soul;" and he pronounced these words in so dolorous an accent, that Corinne was silent some moments, not daring to speak to him. But the desire of affording consolation to Oswald, and the lively interest she took in every thing they were to see together, inspired her with courage, and she said to him: "You know my lord, that, among the ancients, so far was the aspect of the tombs from dispiriting the living, that they endeavoured to excite a new emulation by placing these tombs on the public roads, in order that by recalling to young people the remembrance of illustrious men, they might silently admonish them to follow their example." "Ah! how I envy all those," said Oswald, "whose grief is not mingled with remorse!" "Do you talk of remorse," cried Corinne; "you whose only failings, if they may be so called, are an excess of virtue, a scrupulosity of heart, an exalted delicacy—" "Corinne, Corinne, do not approach that subject," interrupted Oswald, "in your happy country, sombre thoughts disappear before the lustre of a brilliant sky; but that grief which has penetrated to the depths of our soul, must for ever sap the foundation of our existence." "You form an erroneous judgment of me," replied Corinne; "I have already told you, that though I am formed by the nature of my character, for lively enjoyment, I should suffer more exquisitely than you if—" She did not conclude; but changed the discourse.—"My only desire, my lord, is to divert your attention for a moment; I hope for nothing more." The sweetness of this reply moved Lord Nelville, and seeing a melancholy expression in the looks of Corinne, naturally so interesting and so full of fire, he reproached himself for having afflicted a woman, born for the most tender and lively sensations, and endeavoured to atone for it. But the disquietude which Corinne experienced with regard to the future intentions of Oswald, and the possibility of his departure, entirely disturbed her accustomed serenity.
She conducted Lord Nelville outside the gates of the city, where are to be seen the ancient vestiges of the Appian way. These vestiges are indicated in the midst of the Campagna, by the tombs to the right and to the left, which extend out of sight for several miles beyond the walls. The Romans would not permit their dead to be buried inside the city: the emperors alone were allowed that privilege. One private citizen, however, named Publius Bibulus, obtained this favour in reward of his obscure virtues.—Cotemporaries are always more willing to honour virtues of that description than any other.
It is the gate of St Sebastian, formerly called Capene, that conducts to the Appian way. Cicero tells us, that the first tombs we meet after passing this gate, are those of the Metelli, the Scipios, and the Servilii. The family tomb of the Scipios has been found in this very spot and since transplanted to the Vatican. It is almost a sacrilege to displace the ashes of the dead or to change the aspect of ruins. Imagination is more closely connected with morality than is generally believed, and should not be offended. Among so many tombs which strike our sight, names are ascribed to some without any positive certainty; but even the emotion which this uncertainty inspires will not permit us to contemplate any of these monuments with indifference. There are some in which houses for the peasantry are built; for the Romans consecrated an extensive space and vast edifices to the funereal urns of their friends or their illustrious fellow-citizens. They were not influenced by that dry principle of utility which fertilized a few corners of the earth, while blasting with sterility the vast domain of sentiment and of thought.
At some distance from the Appian way is seen a temple, raised by the republic to Honour and Virtue; another to the god who caused Hannibal to turn back, and also the fountain of Egeria, where Numa went to consult the god of all good men,—conscience interrogated in solitude. It seems that about these tombs no traces but those of virtue have subsisted. No monument of the ages of crime is to be found by the side of those where repose the illustrious dead; they are surrounded by an honourable space, where the noblest memories may preserve their reign undisturbed.
The aspect of the country about Rome has something in it singularly remarkable: undoubtedly it is a desert, for it contains neither trees nor habitation; but the earth is covered with wild plants which the energy of vegetation incessantly renews. These parasitic plants glide among the tombs, adorn the ruins, and seem only there to honour the dead. One would say, that proud Nature has rejected all the labours of man, since Cincinnatus no longer guided the plough which furrowed her bosom. She produces plants by chance, without permitting the living to make use of her riches. These uncultivated plains must be displeasing to the agriculturist, to administrators, to all those who speculate upon the earth, and who would lay it under contribution to supply the wants of man. But pensive minds, which are occupied as much by death as by life, take pleasure in contemplating this Roman Campagna upon which the present age has imprinted no trace; this land which cherishes its dead, and covers them lovingly with useless flowers, with useless plants which creep upon the earth, and never rise sufficiently to separate themselves from the ashes which they appear to caress.
Oswald agreed that in this spot the mind felt more calm than it possibly could any where else; besides, here the soul does not suffer so much from the images that grief presents to it; one seems still to share with those who are no more, the charms of that air, of that sun, and of that verdure. Corinne observed the impression that Lord Nelville received, and conceived some hopes from it: she did not flatter herself with being able to console Oswald; she had not even wished to efface from his heart the just regret he must feel at the loss of his father; but there is, even in this regret, something tender and harmonious, which we must endeavour to make known to those who have hitherto only felt its bitterness; it is the only benefit we can confer upon them.
"Let us stop here," said Corinne, "opposite this tomb, the only one which remains yet almost whole: it is not the tomb of a celebrated Roman, it is that of Cecilia Metella, a young maiden to whom her father has raised this monument." "Happy!" said Oswald, "happy are the children who die in the arms of their father and receive death in the bosom of him who gave them life; death itself then loses its sting." "Yes," said Corinne; "happy are those not doomed to the wretched lot of orphans. See, arms have been sculptured on this tomb, though it belongs to a woman: but the daughters of heroes may have their monuments adorned with the trophies of their fathers; what a beautiful union is that of innocence and valour! There is an elegy of Propertius which paints better than any other writing of antiquity, this dignity of woman among the Romans, more imposing, more pure than the worship paid to them during the age of chivalry. Cornelia, dying in her youth, addresses to her husband the most affecting consolations and adieus, in which we feel at every word, all that is respectable and sacred in family ties. The noble pride of an unspotted life is painted in this majestic poetry of the Latins, this poetry, noble and severe as the masters of the world[17]. 'Yes,' says Cornelia, 'no stain has sullied my life from the nuptial bed to the funeral pyre; I have lived pure between the two torches.' What an admirable expression" cried Corinne; "What a sublime image! How worthy of envy is the lot of that woman who has been able to preserve the most perfect unity in her destiny and carries but one recollection to the grave: it is enough for a life!"
In finishing these words, the eyes of Corinne were filled with tears; a cruel sentiment, a painful suspicion seized upon the heart of Oswald.—"Corinne," cried he, "Corinne, has your delicate soul nothing to reproach itself with? If I were able to dispose of myself, if I could offer myself to you, should I have no rival in the past? Should I have reason to be proud of my choice? Would no cruel jealousy disturb my happiness?"—"I am free, and I love you as I never loved man before!" answered Corinne—"What would you have more?—Must I be condemned to an avowal, that before I have known you I have been deceived by my imagination as to the interest which another excited in me? Is there not in the heart of man a divine pity for the errors which sentiment, or rather the illusion of sentiment, may have led us to commit?" In finishing these words a modest blush covered her face. Oswald was startled; but remained silent. There was in Corinne's look an expression of repentance and timidity which did not permit him to judge with rigour—a ray from heaven seemed to descend upon, and absolve her! He took her hand, pressed it against his heart, and knelt before her, without uttering anything, without promising anything; but contemplated her with a look of love which gave the utmost latitude to hope.
"Believe me," said Corinne, to Lord Nelville—"let us form no plan for the years to come. The most happy moments are those which a bountiful chance gives us. Is it here then, is it in the midst of the tombs that we should think of future days?"—"No," cried Lord Nelville, "I can think of no future day that would be likely to part us! these four days of absence have taught me too well that I now no longer exist but in you!"—Corinne made no reply to these sweet expressions; but she treasured them religiously in her heart; she was always fearful that in prolonging the conversation upon that subject most interesting to her, she might draw from Oswald a declaration of his future intentions, before a longer acquaintance might render separation impossible. She often, even designedly, turned his attention towards external objects—like that Sultana in the Arabian Tales, who sought by a thousand different recitals to awaken the interest of him she loved, in order to postpone the decision of her fate till her charms and her wit had completed their conquest.