FOOTNOTES:
[23] Giovanni Pindemonte, has recently published a collection of Dramas, the subjects of which are taken from Italian history, and this is a very interesting and praiseworthy enterprize. The name of Pindemonte is also rendered illustrious by Hippolito Pindemonte, one of the sweetest and most charming of the present Italian poets.
[24] The posthumous works of Alfieri are just published, in which are to be found many exquisite pieces; but we may conclude from a rather singular Dramatic Essay, which he has written on the Death of Abel, that he himself was conscious that his pieces were too austere, and that on the stage more must be allowed to the pleasures of the imagination.
Chapter iii.
Every thing was arranged in a few days, the parts distributed, and the evening chosen for the performance in a palace belonging to a female relation of Prince Castel-Forte, and a friend of Corinne. Oswald felt a mixture of uneasiness and pleasure, at the approach of this new scene of triumph for the talents of Corinne. He enjoyed the by anticipation; but he was also jealous in the same manner, not of any man in particular, but of that whole audience in general who were to witness the talents of her whom he loved. He wished to be the only witness of her mental charms;—he wished that Corinne, timid and reserved, like an English woman, should possess eloquence and genius for none but him. However distinguished a man may be, perhaps he never enjoys, without alloy, the superiority of a woman: if he feel an affection for her, his heart is disturbed;—if not, his self-love is wounded. Oswald, in the presence of Corinne, was more intoxicated than happy; and the admiration which she inspired him with, increased his love without giving more stability to his projects. He contemplated her as an admirable phenomenon, which appeared to him anew every day; but even the transport and astonishment which she made him feel, seemed to render the hope of a peaceful and tranquil life more distant. Corinne, however, was of the tenderest and most easy disposition in private life; her ordinary qualities would have made her beloved independently of her brilliant ones; but yet again, she united in herself too much talent, and was too dazzling in every respect. Lord Nelville, with all his accomplishments, did not believe himself equal to her, and this idea inspired him with fears as to the duration of their mutual affection. Vainly did Corinne by force of love become his slave; the master, often uneasy about his captive queen, did not enjoy his empire undisturbed.
Some hours before the representation, Lord Nelville conducted Corinne to the palace of Princess Castel-Forte, where the theatre was fitted up. The sun shone most brilliantly, and from one of the windows of the stair-case, Rome and the Campagna were discovered. Oswald stopped Corinne a moment and said, "Behold this beautiful day, it is for your sake; it is to heighten the splendour of your fame." "Ah, if that were so," answered she, "it is you who would bring me happiness; it is to you that I should owe the protection of heaven." "Would the pure and gentle sentiments which the beauty of nature inspires, be sufficient to make you happy?" replied Oswald: "there is a great distance between the air that we breathe, the reverie which the country inspires, and that noisy theatre which is about to resound with your name." "Oswald," said Corinne, "if the applause which I am about to receive, have the power to affect me, will it not be because it is witnessed by you? And should I display any talent, will it not owe its success to you, who have animated and inspired it? Love, poetry, and religion, all that is born of enthusiasm, is in harmony with nature; and in beholding the azure sky, in yielding to the impression which it causes, I have a juster comprehension of the sentiments of Juliet, I am more worthy of Romeo." "Yes, thou art worthy of him, celestial creature!" cried Lord Nelville; "'tis only a weakness of the soul, this jealousy of thy talents, this desire to live alone with thee in the universe. Go, receive the meed of public homage, go; but let that look of love, still more divine than thy genius, be directed to me alone!" They then parted, and Lord Nelville went and took his seat in theatre, awaiting the pleasure of beholding the appearance of Corinne.
Romeo and Juliet is an Italian subject; the scene is placed in Verona, where is still to be seen the tomb of those two lovers. Shakespeare has written this piece with that Southern imagination at once impassioned and pleasing; that imagination which triumphs in happiness, but which, nevertheless, passes so easily from happiness to despair, and from despair to death. The impressions are rapid; but one easily feels that these rapid impressions will be ineffaceable. It is the force of nature, and not the frivolity of the heart, which beneath an energetic climate hastens the development of the passions. The soil is not light, though vegetation is prompt; and Shakespeare has seized, more happily than any other foreign writer, the national character of Italy and that fecundity of the mind which invents a thousand ways of varying the expression of the same sentiments—the oriental eloquence which makes use of all the images of nature to paint what is passing in the heart. It is not as in Ossian, one same tint, one uniform sound which responds constantly to the most sensitive chords of the heart; the multiplied colours that Shakespeare employs in Romeo and Juliet, do not give a cold affectation to his style; it is the ray divided, reflected, and varied, which produces these colours, in which we ever feel that fire they proceed from. There is a life and a brilliancy in this composition which characterise the country and the inhabitants. The play of Romeo and Juliet translated into Italian would only seem to return to its mother tongue.
The first appearance of Juliet is at a ball, where Romeo Montague has introduced himself into the house of the Capulets, the mortal enemies of his family. Corinne was dressed in a charming festive habit, conformable to the costume of the times. Her hair was tastefully adorned with precious stones and artificial flowers. Her friends did not know her on her first appearance, till her voice discovered her: her figure then became familiar to them; but it was in a manner deified, and preserved only a poetical expression. The theatre resounded with unanimous applause upon her appearance. Her first looks discovered Oswald, and rested upon him—a spark of joy, a lively and gentle hope, was painted in her countenance: on beholding her, every heart beat with pleasure and fear: it was felt that so much felicity could not last upon earth; was it for Juliet, or Corinne, that this presentiment was to be verified?
When Romeo approached to address to her in a low voice, the lines, so brilliant in English, so magnificent in the Italian translation, upon her grace and beauty, the spectators, charmed to hear their own sentiments so finely interpreted, joined in the transport of Romeo; and the sudden passion which the first look of Juliet kindled in his soul, appeared like reality to every eye. Oswald from this moment felt disturbed; it appeared to him that all was near to being revealed, that Corinne was about to be proclaimed an angel among women, that he should be forced to reveal his sentiments, that his claim would be disputed and the prize ravished from him—a kind of dazzling cloud seemed to pass before his eyes—he feared his sight might fail him—he was ready to faint, and retired for some moments behind a pillar. Corinne, uneasy, sought him with anxiety, and pronounced this line,
"Too early seen unknown, and known too late!"
with such a tone of voice, that Oswald started as he heard it, for it seemed to him to be applied to their personal situation.
He could never feel tired of admiring the grace of her actions, the dignity of her motions, and the expression of her countenance, in which was painted what language could not reveal, all those mysteries of the heart which cannot be reduced to words; but which, nevertheless, dispose of our life. The accent, the look, the least gesture of an actor, truly inspired and influenced by genuine emotion, are a continual revelation of the human heart; and the ideal of the fine arts is always mingled with these revelations of nature. The harmony of the verse and the charm of the attitudes, lend to passion that grace and dignity which it often wants in reality. Thus every sentiment of the heart, and every emotion of the soul, pass before the imagination without losing anything of their truth.
In the second act, Juliet appears in the balcony to converse with Romeo. Corinne had preserved, of her former ornaments, only the flowers, and those were soon to disappear: the theatre half-lighted to represent night, cast a milder reflection upon the countenance of Corinne. There was now something more melodious in her voice, than when surrounded with the splendour of a fête. Her hand lifted towards the stars, seemed to invoke the only witnesses worthy of hearing her, and when she repeated, "Romeo! Romeo!" although Oswald was certain that she thought of him, he felt jealous that these delicious accents should make the air resound with any other name than his. Oswald was seated opposite the balcony, and he who performed Romeo being a little concealed by the darkness of the scene, Corinne was enabled to fix her eyes upon Oswald when pronouncing these lines:
"In truth, fair Montague, I am too fond;
And therefore thou may'st think my 'haviour light;
But trust me, gentleman, I'll prove more true
Than those that have more cunning to be strange.
* * * * * *
* * * * * *
* * * * therefore pardon me."
At these words—"Pardon me! Pardon me for loving; pardon me for having let you know it!"—There was in Corinne's look, so tender a prayer and so much respect for her lover, so much exultation in her choice, when she said, "Noble Romeo! Fair Montague!" that Oswald felt as proud as he was happy. He raised his head, which tenderness had bowed down, and fancied himself the king of the world, since he reigned over a heart which contained all the treasures of life.
Corinne, perceiving the effect which she produced upon Oswald, became more and more animated by that emotion of the heart which alone produces miracles; and when at the approach of day, Juliet thought she heard the song of the lark—a signal for the departure of Romeo, the accents of Corinne possessed a supernatural charm: they described love, and nevertheless one might perceive that there was something of religious mystery in them, some recollections of heaven, with a presage that she was shortly to return thither; a kind of celestial melancholy, as of a soul exiled upon earth, but which was soon to be called to its divine home. Ah! how happy was Corinne the day that she represented the part of a noble character in a beautiful tragedy before the lover of her choice; how many years, how many lives would appear dull, compared to such a day!
If Lord Nelville could have performed, with Corinne, the part of Romeo, the pleasure which she would have tasted would not have been so complete. She would have desired to put aside the verses of the greatest poet in order to speak the dictates of her own heart; perhaps even her genius would have been confined by insurmountable timidity; she would not have dared to look at Oswald for fear of betraying herself, and truth would have destroyed the charm of art; but how sweet it was to know that he whom she loved was present when she experienced those exalted sentiments which poetry alone can inspire; when she felt all the charm of tender emotions, without their real pain; when the affection she expressed was neither personal nor abstract; and when she seemed to say to Lord Nelville, "See how I am able to love."
It is impossible when the situation is our own to be satisfied with ourselves: passion and timidity alternately transport and check us—inspire us either with too much bitterness or too much submission; but to appear perfect without affectation; to unite calm to sensibility, which too frequently destroys it; in a word, to exist for a moment in the sweetest reveries of the heart; such was the pure enjoyment of Corinne in performing tragedy. She united to this pleasure that of all the plaudits she received; and her look seemed to place them at the feet of Oswald, at the feet of him whose simple approval she valued more than all her fame. Corinne was happy, at least for a moment! for a moment, at least, she experienced at the price of her repose, those delights of the soul which till then she had vainly wished for, and which she would ever have to regret!
Juliet in the third act becomes privately, the wife of Romeo. In the fourth, her parents wishing to force her to marry another, she determines to take the opiate which she receives from the hand of a friar, and which is to give her the appearance of death. All the motions of Corinne, her disturbed gait, her altered accent, her looks, sometimes animated and sometimes dejected, painted the cruel conflict of fear and love, the terrible images which pursued her at the idea of being transported alive to the tomb of her ancestors, and the enthusiasm of passion, which enabled a soul, so young, to triumph over so natural a terror. Oswald felt an almost irresistible impulse to fly to her aid. At one time she lifted her eyes towards heaven, with an ardour which deeply expressed that need of divine protection, from which no human being was ever free. At another time, Lord Nelville thought he saw her stretch her arms towards him to ask his assistance—he rose up in a transport of delirium, and then sat down immediately, brought to his senses by the astonished looks of those about him; but his emotion became so strong that it could no longer be concealed.
In the fifth act, Romeo, who believes Juliet dead, lifts her from the tomb before she awakes and presses her to his heart. Corinne was clad in white, her black hair dishevelled, and her head inclined upon Romeo with a grace, and nevertheless an appearance of death, so affecting and so gloomy, that Oswald felt himself shaken with the most opposite impressions. He could not bear to see Corinne in the arms of another, and he shuddered at beholding the image of her whom he loved, apparently deprived of life; so that in fact he felt, like Romeo, that cruel combination of despair and love, of death and pleasure, which makes this scene the most agonising that ever was represented on a stage. At length, when Juliet awakes in this tomb, at the foot of which her lover has just immolated himself, when her first words in her coffin, beneath these funeral vaults, are not inspired by the terror which they ought to cause, when she exclaims:
"Where is my lord? Where is my Romeo?"
Lord Nelville replied by deep groans, and did not return to himself till Mr Edgermond conducted him out of the theatre.
The piece being finished, Corinne felt indisposed from emotion and fatigue. Oswald entered first into her apartment, where he saw her alone with her women, still in the costume of Juliet, and, like Juliet, almost swooning in their arms. In the excess of his trouble he could not distinguish whether it was truth or fiction, and throwing himself at the feet of Corinne, exclaimed, in English:
"Eyes look your last! Arms take your last embrace."
Corinne, still wandering, cried: "Good God! what do you say? are you going to leave me?"—"No;" interrupted Oswald, "I swear—" At that instant the crowd of Corinne's friends and admirers forced the door in order to see her. Her eyes were fixed upon Oswald, listening with anxiety for what he was about to answer; but there was no opportunity for further conversation between them during the whole evening, for they were not left alone a single instant.
Never had the performance of a tragedy produced such an effect in Italy. The Romans extolled with transport the talents of Corinne, both as the representative of Juliet, and the translator of the piece. They said that this was truly the species of tragedy which suited the Italians, which painted their manners, moved the soul by captivating the imagination, and gave effect to their beautiful language, in a style alternately eloquent and lyrical, inspired and natural. Corinne received all these praises with the sweetest air imaginable; but her soul remained suspended on the words "I swear,"—which Oswald had pronounced when he was prevented by the entrance of the company from concluding his sentence: this word might in truth contain the secret of her destiny.
Book viii.
THE STATUES AND THE PICTURES.
Chapter i.
After the day which had passed, Oswald could not close his eyes during the night. He had never been so near sacrificing every thing to Corinne. He did not even desire to know her secret; or rather, before he was acquainted with it, he wished to contract a solemn engagement, to consecrate his life to her. For some hours uncertainty seemed banished from his mind; and he took pleasure in composing, in his thoughts, the letter which he should write to her on the morrow, and which would decide his fate. But this confidence in happiness, this reliance upon resolution, was of no long duration. His thoughts soon reverted to the past, he remembered that he had loved, much less, it is true, than he loved Corinne; and the object of his first choice could not be compared to her; but nevertheless it was this sentiment which had hurried him away to thoughtless actions, to actions which had torn the heart of his father.—"Ah! who knows," cried he, "whether he would not fear equally to-day, lest his son should forget his native country and the duties which he owes it?"
"Oh thou!" said he, addressing the portrait of his father, "thou, the best friend I shall ever have upon earth, I can no longer hear thy voice, but teach me by that silent look which yet retains such power over my soul, inform me what I am to do, that now at least in thy celestial abode, thou mayest be satisfied with the conduct of thy son! Forget not, however, that need of happiness which consumes mortal man—be indulgent in heaven, as thou wert upon earth! I shall become better if I am allowed to taste of happiness; if I am permitted to live with this angelic creature, to have the honour of protecting, of saving such a woman.—Of saving her?" continued he suddenly; "and from what? From a life of homage, of fame, and of independence!"—This reflection, which originated in himself, terrified him like an inspiration of his father.
In conflicts of sentiment, who has not felt that kind of secret superstition which makes us take our own thoughts for presages, and our sufferings for a warning from heaven? Ah! how bitter is the struggle between passion and conscience, in susceptible minds!
Oswald paced his chamber under the most cruel agitation, sometimes stopping to look at the moon, which in Italy is so mild and so beautiful. The aspect of nature inspires resignation; but it is without effect upon a mind racked with uncertainty. The next day arrived without bringing any relief to his distracted thoughts, and when the Count d'Erfeuil and Mr Edgermond came to visit him, they were uneasy as to the state of his health, so much was he altered by the anxieties of the night. The Count d'Erfeuil was the first who spoke.—"It must be allowed," said he, "that yesterday's entertainment was charming. Corinne is a most admirable woman. I lost half her words, but I understood everything from her voice and her countenance. What a pity it is, that a rich lady should be possessed of this talent! For if she were in humbler circumstances, and unrestrained as she is, she might embrace the stage as a profession; and to have an actress like her, would be the glory of Italy."
Oswald received a painful impression from this speech, and yet could not tell how to make it known. For there was that about the Count, that one could not be angry at what he said, even though it were disagreeable to one's feelings. None but sensitive minds understand those delicate precautions which they owe each other: self-love, so alive to every thing that affects itself, hardly ever thinks of the susceptibility of others.
Mr Edgermond praised Corinne in the most becoming and flattering terms. Oswald answered him in English, in order to relieve the conversation about Corinne from the disagreeable eulogiums of the Count. "I see I am one too many here," said the Count; "well I will pay a visit to Corinne: she will not be sorry I dare say to hear my observations upon her acting yesterday evening. I have some advice to give her, too, upon details; but these details are very essential to the effect of the whole: she is really so astonishing a woman that one should neglect nothing to assist her in attaining perfection.—And besides," said he, inclining towards Nelville's ear, "I wish to encourage her to play tragedy more often: 'tis a certain way to get married by some foreigner of distinction who may pass through this city. As to you and me, my dear Oswald, that idea does not concern us, we are too much accustomed to charming women to commit foolish things; but who knows? a German prince, or a Spanish grandee—" At these words Oswald rose up almost beside himself, and it is impossible to conceive what would have been the issue, if the Count d'Erfeuil had perceived his emotion; but he was so satisfied with his last reflection, that he tripped away lightly, not in the least suspecting that he had offended Lord Nelville: had he known it, though he loved him as much as man could love another, he would certainly have remained. The brilliant valour of the Count, contributed still more than his self-love to render him blind to his defects. As he was extremely delicate in everything that regarded honour, he did not imagine that he could be wanting with respect to sensibility; and believing himself, not without reason, amiable and brave, he was pleased with his lot, and did not suspect there was any more profound way of regarding life than his own.
None of the sentiments which agitated Oswald had escaped Mr Edgermond, and when the Count d'Erfeuil was gone, he said to him—"My dear Oswald, I take my leave,—I am going to Naples."—"Why so soon?" answered Nelville. "Because it is not good for me to stay here," continued Edgermond; "I am fifty years of age, and nevertheless I am not sure that Corinne would not make a fool of me."—"And even in that case," interrupted Oswald, "what would be the consequence?"—"Such a woman is not formed to live in Wales," replied Mr Edgermond; "believe me, my dear Oswald, only Englishwomen are fit for England: it does not become me to give you advice, I need not assure you that I shall not mention a word of what I have seen; but with all Corinne's accomplishments, I should say, with Thomas Walpole, of what use is all that at home? And, you know the home is all with us, all for our women at least. Imagine to yourself your beautiful Italian alone, while you are hunting or attending your duty in Parliament; imagine her leaving you at dessert to get tea ready against you shall leave table! Dear Oswald, depend upon it our women possess those domestic virtues which are to be found nowhere else. The men in Italy have nothing to do but to please the women; therefore the more attractive they are the better. But with us, where men have active pursuits, women must be satisfied with the shade. That it would be a great pity to condemn Corinne to such a destiny, I freely acknowledge. I should be glad to see her upon the throne of England; but not beneath my humble roof. My lord, I knew your mother, whose loss was so much lamented by your worthy father: she was a lady in every respect like my young cousin. Such is the wife, which, were I at a proper time of life, I should choose. Adieu, my dear friend, do not be offended at what I have said, for nobody can be a greater admirer of Corinne than I am, and I own to you that after all were I at your time of life, I doubt whether I could have sufficient fortitude to renounce the hope of becoming agreeable to her."—In finishing, these words, he took the hand of Oswald, squeezed it cordially, and departed without receiving a word in reply. But Mr Edgermond comprehended the cause of his silence, and satisfied with a pressure of the hand from Oswald in answer to his own, he went away, impatient himself to finish a conversation which was painful to him.
Of all that he had said, only one word had penetrated the heart of Oswald, and that was the recollection of his mother, and his father's profound attachment to her. He had lost her when he was only fourteen years of age, but he recollected her virtues with the most heart-felt reverence, as well as that timidity and reserve which characterised them.—"Fool that I am," cried he, when alone, "I wish to know what kind of wife my father destined for me, and do I not know it, since I can call to mind the image of my mother whom he so tenderly loved? What do I want more? Why deceive myself in feigning ignorance of what would be his sentiments now, were it in my power to consult his will?" It was, however, a terrible task for Oswald to return to Corinne, after what had passed the evening before, without saying something in confirmation of the sentiments which he had expressed. His agitation and his trouble became so violent, that they affected a ruptured blood-vessel which he thought had completely healed up, but which now re-opened and began to bleed afresh. Whilst his servants, in affright, called everywhere for assistance, he secretly wished that the end of life might terminate his sufferings.—"If I could die," said he, "after having seen Corinne once more, after having heard her again call me her Romeo!"—Tears rolled down his cheeks; they were the first tears he had shed for the sake of another since the death of his father.
He wrote to Corinne informing her of his accident, and some melancholy words terminated his letter. Corinne had begun this day under the most deceitful auspices: happy in the impression she conceived she had made upon Oswald, believing herself beloved, she was happy; nor did busy thought conjure up any reflection not in unison with what she so much desired. A thousand circumstances ought to have mingled considerable fear with the idea of espousing Lord Nelville; but as there was more passion than foresight in her character, governed by the present, and not diving into the future, this day, which was to cost her so many pangs, dawned upon her as the most pure and serene of her life.
On receiving Oswald's note, her soul was a prey to the most cruel feelings: she believed him in imminent danger, and set out immediately on foot, traversing the Corso at the hour when all the city were walking there, and entered the house of Oswald in face of all the first society of Rome. She had not taken time to reflect, and had walked so fast, that when she reached the chamber, she could not breathe, or utter a single word. Lord Nelville conceived all that she had risked to come and see him, and exaggerating the consequences of this action, which in England would have entirely ruined the reputation of an unmarried woman, he felt penetrated with generosity, love, and gratitude, and rising up, feeble as he was, he pressed Corinne to his heart, and cried:—"My dearest love! No, I never will abandon you! After having exposed yourself on my account! When I ought to repair—" Corinne comprehended what he would say, and as she gently disengaged herself from his arms, interrupted him thus, having first enquired how he was:—"You are deceived, my lord; in coming to see you I do nothing that most of my countrywomen would not do in my place. I knew you were ill—you are a stranger here—you know nobody but me; it is therefore my duty to take care of you. Were it otherwise, ought not established forms to yield to those real and profound sentiments, which the danger or the grief of a friend give birth to? What would be the fate of a woman if the rules of social propriety, permitting her to love, forbade that irresistible emotion which makes us fly to succour the object of our affection? But I repeat to you, my lord, you need not be afraid that I have compromised myself by coming hither. My age and my talents allow me, at Rome, the same liberty as a married woman. I do not conceal from my friends that I am come to see you. I know not whether they blame me for loving you; but that fact admitted, I am certain that they do not think me culpable in devoting myself entirely to you."
On hearing these words, so natural and so sincere, Oswald experienced a confused medley of different feelings. He was moved with the delicacy of Corinne's answer; but he was almost vexed that his first impression was not just. He could have wished that she had committed some great fault in the eyes of the world, in order that this very fault, imposing upon him the duty of marrying her, might terminate his indecision. He was offended at this liberty of manners in Italy, which prolonged his anxiety by allowing him so much happiness, without annexing to it any condition. He could have wished that honour had commanded what he desired, and these painful thoughts produced new and dangerous effects. Corinne, notwithstanding the dreadful alarm she was in, lavished upon him the most soothing attentions.
Towards the evening, Oswald appeared more oppressed; and Corinne, on her knees by the side of his bed, supported his head in her arms, though she was herself racked with more internal pain than he. This tender and affecting care made a gleam of pleasure visible through his sufferings.—"Corinne," said he to her, in a low voice, "read in this volume, which contains the thoughts of my father, his reflections on death. Do not think," he continued, seeing the terror of Corinne; "that I feel myself menaced with it. But I am never ill without reading over these consoling reflections. I then fancy that I hear them from his own mouth; besides, my love, I wish you to know what kind of man my father was; you will the better comprehend the cause of my grief, and of his empire over me, as well as all that I shall one day confide to you."—Corinne took this manuscript, which Oswald never parted from, and in a trembling voice read the following pages.
"Oh ye just, beloved of the Lord! you can speak of death without fear; for you it is only a change of habitation, and that which you quit is perhaps the least of all! Oh numberless worlds, which in our sight fill the boundless region of space! unknown communities of God's creatures; communities of His children, scattered throughout the firmament and ranged beneath its vaults, let our praises be joined to yours! We are ignorant of your condition, whether you possess the first, second, or last share of the generosity of the Supreme Being; but in speaking of death or of life, of time past or of time to come, we assimilate our interests with those of all intelligent and sensible beings, no matter where placed, or by what distance separated from us. Families of peoples! Families of nations! Assemblage of worlds! you say with us, Glory to the Master of the Heavens, to the King of Nature, to the God of the Universe! Glory and homage to Him, who by his will can convert sterility into abundance, shadow into reality, and death itself into eternal life.
"Undoubtedly the end of the just is a desirable death; but few amongst us, few amongst our forefathers have witnessed it. Where is the man who could approach without fear the presence of the Eternal? Where is the man who has loved God unremittingly, who has served Him from his youth, and who, attaining an advanced age, finds in his recollections no subject of uneasiness? Where is the man, moral in all his actions, without ever thinking of the praise and the reward of public opinion? Where is that man, so rare among the human species, who is worthy to serve as a model to all? Where is he? Where is he? Ah! if he exist amongst us, let our reverence and respect surround him; and ask, you will do wisely to ask, to be present at his death, as at the sublimest of earthly spectacles: only arm yourself with courage to follow him to that bed, so repulsive to our feelings, from which he will never rise. He foresees it; he is certain of it; serenity reigns in his countenance, and his forehead seems encircled with a celestial aureole: he says, with the apostle, I know in whom I have believed; and this confidence animates his countenance, even when his strength is exhausted. He already contemplates his new country, but without forgetting that which he is about to quit: he gives himself up to his Creator and to his God, without forgetting those sentiments which have charmed him during his life.
"Is it a faithful spouse, who according to the laws of nature must be the first of all his connections to follow him: he consoles her, he dries her tears, he appoints a meeting with her in that abode of felicity of which he can form no idea without her. He recalls to her mind those happy days which they have spent together; not to rend the heart of a tender friend, but to increase their mutual confidence in the goodness of heaven. He also reminds the companion of his fortunes, of that tender love which he has ever felt for her; not to give additional poignancy to that grief which he wishes to assuage, but to inspire her with the sweet idea that two lives have grown upon the same stalk; and that by their union they will become an additional defence to each other in that dark futurity where the pity of the Supreme God is the last refuge of our thoughts. Alas! is it possible to form a just conception of all the emotions which penetrate a loving soul at the moment when a vast solitude presents itself to our eyes, at the moment when the sentiments, the interests upon which we have subsisted during so many smiling years, are about to vanish for ever? Ah! you who are to survive this being like unto yourself whom heaven had given you for your support; that being who was every thing to you, and whose looks bid you an agonizing adieu, you will not refuse to place your hand upon an expiring heart, in order that its last palpitation may still speak to you when all other language has failed! And shall we blame you, faithful pair, if you had desired that your mortal remains should be deposited in the same resting place? Gracious God, awaken them together; or if one of them only has merited that favour, if only one of them must join the small number of the elect, let the other be informed of it; let the other perceive the light of angels at the moment when the fate of the happy shall be proclaimed, in order that he may possess one moment of joy before he sinks into eternal night.
"Ah! perhaps we wander when we endeavour to describe the last days of the man of sensibility, of the man who beholds death advance with hasty strides, who sees it ready to separate him from all the objects of his affection.
"He revives, and regains a momentary strength in order that his last words may serve for the instruction of his children. He says to them—'Do not be afraid to witness the approaching end of your father, of your old friend.—It is in obedience to a law of nature that he quits before you, this earth which he entered first. He teaches you courage, and nevertheless he leaves you with grief. He would certainly have wished to assist you a little longer with his experience—to walk a little longer side by side with you through all those perils with which your youth is surrounded; but life has no defence in the hour allotted for our descent to the tomb. You will now live alone in the midst of a world from which I am about to disappear; may you reap in abundance the gifts which Providence has sown in it; but do not forget that this world itself is only a transient abode, and that you are destined for another more permanent one. We shall perhaps see one another again; and in some other region, in the presence of my God, I shall offer for you as a sacrifice, my prayers and my tears! Love then religion, which is so rich in promise! love religion, the last bond of union between fathers and their children, between death and life!—Approach, that I may behold you once more! May the benediction of a servant of God light on you!'—He dies!—O, heavenly angels, receive his soul, and leave us upon earth the remembrance of his actions, of his thoughts, and of his hopes!"[25]
The emotion of Oswald and Corinne had frequently interrupted this reading. At length they were obliged to give it up. Corinne feared for the effects of Oswald's grief, which vented itself in torrents of tears, and suffered the bitterest pangs at beholding him in this condition, not perceiving that she herself was as much afflicted as he. "Yes," said he, stretching his hand to her, "dear friend of my heart, thy tears are mingled with mine. Thou lamentest with me that guardian angel, whose last embrace I yet feel, whose noble look I yet behold; perhaps it is thou whom he has chosen for my comforter—perhaps—" "No, no," cried Corinne; "he has not thought me worthy of it." "What is it you say?" interrupted Oswald. Corinne was alarmed at having revealed what she so much wished to conceal, and repeated what had escaped her, in another form, saying—"He would not think me worthy of it!"—This phrase, so altered, dissipated the disquietude which the first had excited in the heart of Oswald, and he continued, undisturbed by any fears, to discourse with Corinne concerning his father.
The physicians arrived and dissipated somewhat the alarm of Corinne; but they absolutely forbade Lord Nelville to speak till the ruptured blood-vessel was perfectly closed. For a period of six whole days Corinne never quitted Oswald, and prevented him from uttering a word, gently imposing silence upon him whenever he wished to speak. She found the art of varying the hours by reading, music, and sometimes by a conversation of which the burden was supported by herself alone; now serious, now playful, her animation of spirits kept up a continual interest. All this charming and amiable attention concealed that disquietude which internally preyed upon her, and which it was so necessary to conceal from Lord Nelville; though she herself did not cease one instant to be a martyr to it. She perceived almost before Oswald himself what he suffered, nor was she deceived by the courage he exerted to conceal it; she always anticipated everything that would be likely to relieve him; only endeavouring to fix his attention as little as possible upon her assiduous cares for him. However, when Oswald turned pale, the colour would also abandon the lips of Corinne; and her hands trembled when stretched to his assistance; but she struggled immediately to appear composed, and often smiled when her eyes were suffused with tears. Sometimes she pressed the hand of Oswald against her heart, as if she would willingly impart to him her own life. At length her cares succeeded, and Oswald recovered.
"Corinne," said he to her, as soon as he was permitted to speak: "why has not Mr Edgermond, my friend, witnessed the days which you have spent by my bedside? He would have seen that you are not less good than admirable; he would have seen that domestic life with you is a scene of continual enchantment, and that you only differ from every other woman, by adding to every virtue the witchery of every charm. No, it is too much—this internal conflict which rends my heart, and that has just brought me to the brink of the grave, must cease. Corinne, thou shalt know my secrets though thou concealest from me thine—and thou shalt decide upon our fate."—"Our fate," answered Corinne, "if you feel as I do, is never to part. But will you believe me that, till now, I have not dared even entertain a wish to be your wife. What I feel is very new to me: my ideas of life, my projects for the future, are all upset by this sentiment, which every day disturbs and enslaves me more and more. But I know not whether we can, whether we ought to be united!"—"Corinne," replied Oswald, "would you despise me for having hesitated? Would you attribute that hesitation to trifling considerations? Have you not divined that the deep and sad remorse which for two years has preyed upon me, could alone cause my indecision?"
"I have comprehended it," replied Corinne; "had I suspected you of a motive foreign to the affections of the heart, you would not have been he whom I loved. But life, I know, does not entirely belong to love. Habits, recollections, and circumstances, create around us a sort of entanglement that passion itself cannot destroy. Broken for a moment, it will join again, and encircle our heart as the ivy twines round the oak. My dear Oswald, let us not appropriate to any epoch of our existence more than that epoch demands. Nothing is now so absolutely necessary to my happiness as that you should not leave me. The terror of your sudden departure pursues me incessantly. You are a stranger in this country, and bound to it by no tie. Should you go, all my prospects would fade,—you would leave your poor Corinne nothing but her grief. This beautiful climate, these fine arts, that poetical inspiration which I feel with you, and now, alas! with you alone, would for me become mute. I never awake but trembling; when I behold the god of day, I know not whether it deceives me by its resplendent beams, ignorant as I am whether this city still contains you within its walls—you, the star of my life! Oswald, remove this terror from my soul, and I will desire to know nothing beyond the delightful security you will give me."—"You know," replied Oswald, "that an Englishman can never abandon his native country, that war may recall me, that—" "Oh, God!" cried Corinne, "are you going to prepare me for the dreadful moment?" and she trembled in every limb, as at the approach of some terrible danger.—"Well, if it be so, take me with you as your wife—as your slave—" But, suddenly recovering herself, she said—"Oswald, you will not go without giving me previous notice of your departure, will you? Hear me: in no country whatever, is a criminal conducted to execution without some hours being allotted for him to collect his thoughts. It will not be by letter that you will announce this to me—but you will come yourself in person—you will hear me before you go far away! And shall I be able then—What, you hesitate to grant my request?" cried Corinne. "No," replied he, "I do not hesitate; since it is thy wish, I swear that should circumstances require my departure, I will apprize thee of it beforehand, and that moment will decide the fate of our future lives."—She then left the room.