IV.
Summon thy ships together, gather a mighty fleet!
For a strong young Nation is arming, that never hath known defeat.
Summon thy ships together, there on thy blood-stained sands!
For a shadowy army gathers with manacled feet and hands,
A shadowy host of sorrows and shames, too black to tell,
That reach, with their horrible wounds, for thee to drag thee down to Hell;
A myriad phantoms and spectres, thou warrest against in vain—
Thou art weighed in the Scales and found wanting, the balance of God, O Spain!
Her Vivien Eyes
Her Vivien eyes,—beware! beware!—
Though they be stars, a deadly snare
They set beneath her night of hair.
Regard them not! lest, drawing near—
As sages once in old Chaldee—
Thou shouldst become a worshiper,
And they thy evil destiny.
Her Vivien eyes,—away! away!—
Though they be springs, remorseless they
Gleam underneath her brow's bright day.
Turn, turn aside, whate'er the cost!
Lest in their deeps thou lures behold,
Through which thy captive soul were lost,
As was young Hylas once of old.
Her Vivien eyes,—take heed! take heed!—
Though they be bibles, none may read
Therein of God or Holy Creed.
Look, look away! lest thou be cursed,—
As Merlin was, romances tell,—
And in their sorcerous spells immersed,
Hoping for Heaven thou chance on Hell.
There Was a Rose
There was a rose in Eden once: it grows
On Earth now, sweeter for its rare perfume:
And Paradise is poorer by one bloom,
And Earth is richer. In this blossom glows
More loveliness than old seraglios
Or courts of kings did ever yet illume:
More purity, than ever yet had room
In soul of nun or saint.—O human rose,—
Who art initial and sweet period of
My heart's divinest sentence, where I read
Love, first and last, and in the pauses love;
Who art the dear ideal of each deed
My life aspires by to some high goal,—
Set in the haunted garden of my soul!
The Artist
In story books, when I was very young,
I knew you first, one of the Fairy Race;
And then it was your picture took its place,
Framed in with love's deep gold, and draped and hung
High in my heart's red room: no song was sung,
No tale of passion told, I did not grace
With your associated form and face,
And intimated charm of touch and tongue.
As years went on you grew to more and more,
Until each thing, symbolic to my heart
Of beauty,—such as honor, truth, and fame,—
Within the studio of my soul's thought wore
Your lineaments, whom I, with all my art,
Strove to embody and to give a name.
Poetry and Philosophy
Out of the past the dim leaves spoke to me
The thoughts of Pindar with a voice so sweet
Hyblæan bees seemed swarming my retreat
Around the reedy well of Poesy.
I closed the book. Then, knee to neighbor knee,
Sat with the soul of Plato, to repeat
Doctrines, till mine seemed some Socratic seat
High on the summit of Philosophy.
Around the wave of one Religion taught
Her first rude children. From the stars that burned
Above the mountained other, Science learned
The first vague lessons of the work she wrought.
Daughters of God, in whom we still behold
The Age of Iron and the Age of Gold.
"Quo Vadis"
It is as if imperial trumpets broke
Again the silence on War's iron height;
And Cæsar's armored legions marched to fight,
While Rome, blood-red upon her mountain-yoke,
Blazed like an awful sunset. At a stroke,
Again I see the living torches light
The horrible revels, and the bloated, white,
Bayed brow of Nero smiling through the smoke:
And here and there a little band of slaves
Among dark ruins; and the form of Paul,
Bearded and gaunt, expounding still the Word:
And towards the North the tottering architraves
Of empire; and, wild-waving over all,
The flaming figure of a Gothic sword.
To a Critic
Song hath a catalogue of lovely things
Thy kind hath oft defiled,—whose spite misleads
The world too often!—where the poet reads,
As in a fable, of old envyings,
Crows, such as thou, which hush the bird that sings,
Or kill it with their cawings; thorns and weeds,
Such as thyself, 'midst which the wind sows seeds
Of flow'rs, these crush before one blossom swings.
But here and there the wisdom of a School
Unknown to these hath often written down
"Fame" in white ink the future hath turned brown;
When every beauty, heaped with ridicule,
In their ignoble prose, proved their renown,
Making each famous—as an ass or fool.
AFTERWORD.
The old enthusiasms
Are dead, quite dead, in me;
Dead the aspiring spasms
Of art and poesy,
That opened magic chasms,
Once, of wild mystery,
In youth's rich Araby.
That opened magic chasms.
The longing and the care
Are mine; and, helplessly,
The heartache and despair
For what can never be.
More than my mortal share
Of sad mortality,
It seems, God gives to me,
More than my mortal share.
O world! O time! O fate!
Remorseless trinity!
Let not your wheel abate
Its iron rotary!—
Turn round! nor make me wait,
Bound to it neck and knee,
Hope's final agony!—
Turn round! nor make me wait.
Transcriber's note
The following changes have been made to the text:
[Page 25]: Was 'beach' (Of an old beech)
[Page 46]: Was 'marrige' (Her marriage eve)
[Page 53]: Was 'slighest' (whose slightest prick)