DISPUTED ETCHINGS AND DRAWINGS

At the question of the disputed etchings we have not space even to glance. It is a delicate and difficult one, and could only be treated to any advantage at considerable length. It is, furthermore, one of interest to experts and collectors alone, and so directly opposite in many cases are their opinions that it is certain no finality can ever be hoped for. The reader who desires to enter upon this thorny ground must content himself with pinning his faith finally to one or another recognised authority, and abiding by his decision; unless, having first thoroughly studied the undisputed etchings, he is prepared to undertake the trial and judgment of each for himself, in which case he will, without doubt, sooner or later find himself differing on one point or another with every previous writer on the subject.

The less ambitious reader, who wishes only to know and appreciate what Rembrandt beyond question did do, will be wiser to confine himself to a study of the undisputed plates. In them he will find ample justification for the high position to which Rembrandt as an etcher has been elevated by his successors in the art. Beginning with the early etchings of himself or the members of his family, often mere drawings on copper, with little or no appeal to the variety of line and tone obtainable in etching, he may follow the artist's sure and rapid development, until he finds him master of every method the art permits. He may trace the progress of his work, from a first sketch of an idea, dashed off on the copper in one sitting, to the high perfection of such an elaborate portrait as that of "Burgomaster Six." He will further perceive, as was first pointed out by Sir F. Seymour Haden, how during the first ten years he confined himself almost entirely to pure etching, how during the following ten he began more and more to supplement his work with additions in dry-point, and how during the last ten years he to a considerable extent expressed himself by means of the point alone. He will, in especial, discover, if he compares Rembrandt's etched work with that of other masters, and without doing so he can never rightly understand it, that it is not in technique, masterly as that often is, so much as in expressiveness that his pre-eminence lies. It is in the mental qualities more than in the manual, that he so incomparably excels. Drawing often carelessly, blind or indifferent to superficial beauties, he, nevertheless, gets straight to the heart of the matter, grasps the essentials, and feels clearly and records frankly and simply all that speaks to the fundamental humanity in himself, and must therefore strike an answering chord in the breasts of his fellow-men. It is in this perceiving and revealing the true inwardness of the matter, through and apart from the mere accidents of environment, that he is unapproachable, far more than in the strength and direction of line, depth of shadow or brightness of light, application of acid or scraping of copper. In such a plate as the "Blind Tobit" (B. 42) there is not a detail of the technique which other men could not have done as well; but for such another presentment of the hurried, helpless groping for the door by a blind, weak old man not yet inured to the perpetual darkness that has fallen on him, we must wait for a second Rembrandt—and the wait is likely to be long.

Of the drawings I propose to speak very briefly. In the first place, their name is legion, and to treat them properly would take a volume in itself, such a volume as we may hope some day to see written. M. Michel gives a list of nearly nine hundred, which does not pretend to be a full one. The British Museum alone contains ninety authentic drawings and a considerable number of more or less doubtful ones. In the second place, their qualities are such as to appeal almost exclusively to the artist. Rembrandt's impetuous energy did not lend itself to the production of the minute and elegant drawings characteristic of so many Italian masters. He made the drawing for the sake of what it had to tell him, not for the purpose of creating a thing beautiful in itself. An idea crossed his mind, or an object struck his eye, and straightway he jotted it down with whatever came the handiest in the simplest possible manner consistent with the necessity that the note so made should subsequently recall to his memory the idea or object.

Most attractive, perhaps, to the amateur, are the numberless little sketches of landscapes, just the simple everyday scenes that caught his eye during his daily walks, jotted down on the spot, briefly, but with extraordinary truth and vivacity, and always with a sense of balance and proportion, and an intuition of the salient points, transmuted by his own genius into gems of reticent perfection.

CATALOGUE OF WORKS

ARRANGED ACCORDING TO THE GALLERIES IN WHICH THEY HANG

The following abbreviations are used in this list.—S. = signed, C. = canvas, P. = panel.

Where a number is given, thus [No. 6], it is the number of the Catalogue of the Gallery. The dates given must in some cases be accepted as approximate only.

AUSTRIA-HUNGARY

BUDA-PESTH, ACADEMY. Portrait of an Old Man with a white beard. S. 1640. P. 28⅖ × 21⅘. [No. 235.] Repose of the Holy Family. 1655. COLLECTION OF COUNT J. ANDRASSY. Portrait of Himself. S. 1630. P. 19⅗ × 15⅕. COLLECTION OF MR GEORGE VON RATH. Mountain Landscape. S. 1638. P. 22 × 28⅗. Slaughtered Ox. S. 1639. P. 21⅕ × 17⅕. Portrait of a Woman. S. 1660. P. 29⅖ × 20⅖. CRACOW, CZARTORYSKI MUSEUM. Landscape. S. 1638. P. 17¾ × 25¼. INNSBRUCK, FERDINANDEUM. Head of an Old Man. S. 1630. P. 8⅘ × 6⅘. PRAGUE. COUNT NOSTITZ. An Old Man. S. 1634. C. 58 × 54. [No. 269.] TARNOWITZ, GALICIA. COUNT TARNOWSKI. Polish Horseman. 1655. C. 46 × 53⅖. VIENNA, ACADEMY. Portrait of a Young Woman. S. 1632. C. 39⅕ × 28⅘. COUNT KÖNIGSWARTER. Portrait of Rembrandt. S. 1640. C. 23 × 17½. PRINCE LIECHTENSTEIN. Portrait of Saskia. S. 1632. P. 23⅗ × 17⅗. Young Girl at her Toilet, called the Jewish fiancée. S. 1632. C. 43⅕ × 37⅕. Portrait of Rembrandt. S. 1635. C. 36⅘ × 28⅘. Portrait of a Man. S. 1636. Portrait of a Woman. Companion to above. S. 1636. PRINCE LUBOMIRSKI. Study of Rembrandt with his Mouth open. 1629. P. 17⅗ × 13⅕. FRANZ XAVIER MEYER. A Philosopher reading by Candlelight. 1627. Copper, 5⅗ × 5⅗. A very doubtful picture. IMPERIAL MUSEUM. Portrait of a Man. 1630. P. 36⅖ × 28. [No. 1139.] Portrait of a Woman. P. 36⅖ × 28. [No. 1140.] St Paul. 1636. C. 50⅖ × 44. Portrait of Rembrandt's Mother. S. 1639. P. 32 × 24⅘. [No. 1141.] Portrait of Himself. 1658. C. 45⅕ × 32⅖. [No. 1142.] Young Man Singing. 1658. C. 28⅖ × 28⅘. [No. 1144.] Portrait of Himself. S. 1668. P. 20 × 16⅖. [No. 1143.] COUNT SCHÖNBORN-BUCHHEIM. Samson captured by the Philistines. S. 1636. C. 95⅕ × 114⅘. A. STRASSER. Study of an Angel. 1655. P. 10⅖ × 9⅖.

BELGIUM

ANTWERP, MUSEUM. Portrait of Henry Swalm, known as "Portrait of a Burgomaster." S. 1637. C. 55⅗ × 43⅗. [No. 705.] The Young Fisher. S. 1659. P. 9⅓ × 7⅕ [No. 294.] Saskia. C. 44⅘ × 33⅗. [No. 293.] Portrait of an Old Jew. P. 9⅓ × 7⅗. [No. 295.] BRUSSELS, DUC D'ARENBERG. Tobias curing his Father's Blindness. S. 163—. P. 19⅕ × 15⅗. COUNT MERODE-WESTERLOO. St Peter repenting in Prison. S. 1631. P. 23⅖ × 19⅕. MUSEUM. Portrait of a Man. S. 1641. C. 42 × 33⅕. [No. 397.] Portrait of an Old Woman. S. 1654. P. 27⅗ × 28. [No. 397a.]

BRITISH ISLES

LONDON. NATIONAL GALLERY. Portrait of an Old Woman. S. 1634. P. 27 × 21. [No. 775.] Portrait of a Man. S. 1635. C. 30⅛ × 22½. [No. 850.] Ecce Homo. Grisaille. 1636. C. 21⅜ × 17¾. [No. 1400.] Portrait of Rembrandt. S. 1640. C. 39 × 31½. [No. 672.] The Woman taken in Adultery. S. 1644. P. 32½ × 25½. [No. 45.] Adoration of the Shepherds. S. 1646. C. 25 × 22. [No. 47.] A Woman Bathing. S. 1654. P. 24 × 18¼. [No. 54.] Portrait of a Rabbi. S. 1657(?). C. 30 × 26. [No. 190.] Portrait of an Old Man. S. 1659. C. 39 × 32¾. [No. 243.] Portrait of a Monk. 1660. C. 34½ × 25½. [No. 166.] Portrait of Rembrandt. 1664. C. 33 × 27½. [No. 221.] Portrait of a Woman. S. 1666. C. 26¼ × 23¼. [No. 237.] Portrait of a Jew Merchant. C. 53 × 41. [No. 51.] Landscape. P. 22 × 34. [No. 72.] Christ taken down from the Cross. P. 13 × 11. [No. 43.] Portrait of a Burgomaster. C. 50½ × 38. [No. 1674.] Portrait of an Old Lady. C. 50½ × 38. [No. 1675.] HERTFORD HOUSE COLLECTION. Portrait of Burgomaster Pellicorne and his Son Caspar. S. 1632. C. 61 × 48. Suzanna van Collen, Wife of Pellicorne, and her Daughter. S. 1632. C. 61 × 48¼. The Good Samaritan. 1632. P. 9¾ × 8. Portrait of a Boy. S. 1633. Copper, 8 × 6¾. Portrait of Himself. S. 1633-1635. P. 26 × 20. Portrait of a Young Negro, known as the Black Archer. Oval. 1640. P. 26 × 20. Landscape. 1640. P. 18 × 25. Portrait of Himself. S. 1640. P. 25 × 19¼. Portrait of Himself. 1660. 8½ × 6. Portrait of Titus. 1658. C. 26½ × 22. The Unmerciful Servant. 1664. C. 70½ × 86¼. BUCKINGHAM PALACE. The Shipbuilder and his Wife. S. 1633. C. 44 × 65. [No. 16.] The Burgomaster Pancras and his Wife. Called Rembrandt and Saskia. S. 1635. C. 60 × 77. [No. 30.] Christ and Mary Magdalene at the Tomb. S. 1638. P. 23½ × 19½. [No. 41.] Portrait of a Lady. S. 1641. C. 41 × 33. [No. 162.] Portrait of Rembrandt. S. 164—. P. 27 × 23. [No. 174.] The Adoration of the Magi. S. 1657. P. 48 × 40½. [No. 154.] A Jewish Rabbi. C. 30 × 38⅞. [No. 131.] HAMPTON COURT. Portrait of a Rabbi. S. 1635. P. 28 × 24. [No. 381.] EDINBURGH. NATIONAL GALLERY. A Young Woman in Bed. S. 1650. P. 32 × 26½. DUBLIN. NATIONAL GALLERY. Portrait of a Young Man. Said to be Louis van der Linden. 1631. P. 27 × 21½. Shepherds reposing at Night. S. 1647. P. 13½ × 19. [No. 115.] Descent From the Cross. S. 1650. C. 70 × 77½. Lent by the Duke of Abercorn. Portrait of an Old Man. S. P. 24 × 18. [No. 48.] GLASGOW. CORPORATION GALLERIES. The Slaughter-house. S. 16—. P. 28 × 20. [No. 707.] Tobias and the Angel. 1654. P. 29½ × 26. [No. 705.] A Man in Armour. S. 1655. C. 53½ × 40½. [No. 706.] The Painter's Study. P. 20 × 24. [No. 709.] Jeremiah mourning over the Destruction of Jerusalem. C. 15½ × 12. [No. 714.] Study of an Old Man. P. 9 × 8. [No. 711.] Portrait of Rembrandt. P. 26 × 20. [No. 710.] HUNTERIAN MUSEUM. Entombment. 1634. P. 12⅘ × 16. CAMBRIDGE. FITZWILLIAM MUSEUM. Portrait of Rembrandt. S. 1650. C. 54 × 46⅖. [No. 152.] DULWICH COLLEGE. A Young Man. S. 1632. P. 11¼ × 9. [No. 189.] A Young Girl at a Window. S. 1645. C. 31 × 25. [No. 206.] WINDSOR CASTLE. A Young Man. S. 1631. P. 25 × 19. An Old Woman, known as the Countess of Desmond. 1631. P. 23½ × 18. ALTHORP PARK. THE EARL SPENCER, K.G. A Boy, formerly called a portrait of William III. P. 1660. C. 24½ × 21. Woman with Flowers. 1660. C. 38 × 35½. The Circumcision. P. 1661. C. 21½ × 28½. Rembrandt's Mother. C. 56 × 39. ASHRIDGE PARK. THE EARL BROWNLOW. Portrait of a Jew. S. 1632. P. 27 × 23. Portrait of a Man, said to be Peter Cornelius van Hooft, the poet. S. 1653. C. 55 × 52½. Isaac and Esau. P. 22½ × 27. Landscape. A very doubtful picture. P. 8 × 9½. Portrait of an Old Woman. C. 29½ × 24½. BASILDON PARK. CHARLES MORRISON. Portrait of a Young Woman, called Rembrandt's daughter. S. 1665. C. 39½ × 33. BELVOIR CASTLE. DUKE OF RUTLAND. A Young Man. S. 1660. C. 31 × 26½. BOWOOD. MARQUESS OF LANSDOWNE. The Mill. 1654. C. 34 × 40½. BRIGHTON. WILLIAM CHAMBERLIN. Portrait of a Man-at-Arms. S. P. 26 × 20. BROOM HALL, DUNFERMLINE. LORD ELGIN. Portrait of Saskia. S. 1633. P. 26 × 19⅕. CANFORD MANOR, WIMBORNE. LORD WIMBORNE. St Paul. S. 1658. Portrait of a Man. 1660. CASTLE HOWARD. THE EARL OF CARLISLE. Portrait of a Young Artist drawing. S. 164—. Life-size. 1648. CHATSWORTH. DUKE OF DEVONSHIRE, K.G. Portrait of a Rabbi. S. 1635. P. 40 × 31½. DOWNTON CASTLE. A. R. BOUGHTON KNIGHT. The Cradle. 1643-1645. P. 24 × 30½. Portrait of a Man, known as "Rembrandt's Cook." S. 1661. C. 34 × 29½. The Holy Family. P. 30 × 25. DRAYTON MANOR. SIR ROBERT PEEL. The Finding of Moses. 1635. C. oval, 18⅘ × 23⅗. DUNCOMBE PARK. THE EARL OF FEVERSHAM. A Merchant. S. 1659. C. 45 × 38. EDINBURGH. ARTHUR SANDERSON. His Mother in a Hood. 1630. P. 14⅖ × 12⅕. Portrait of an Old Woman. S. 1635. C. 51⅗ × 39⅗. RICHARD SAUNDERSON (in 1836). Abraham receiving the Angels. GLASGOW. WILLIAM BEATTIE. Study of Himself. 1629. P. 10⅕ × 8⅗. GOSFORD HOUSE. EARL OF WEMYSS AND MARCH. A Monk reading. S. 1660. C. 29 × 24. THE GRANGE, ALRESFORD. LORD ASHBURTON. Portrait of a Man. 1635. P. 30 × 25. Portrait of an Old Man. 1637. C. 48 × 37½. Portrait of Lieven Willemsz van Coppenol. About 1650. P. 14 × 11. Portrait of Rembrandt. About 1658. C. 30 × 25½. Portrait of a Man, said to be Cornelius Jansenius. P. 32 × 26. GRITTLETON. SIR A. D. NEELD, Bart. Portrait of Rembrandt. S. 1660. C. 23½ × 20. Portrait of a Burgomaster. S. P. 15 × 12. HINTON ST GEORGE. THE EARL POULETT. Portrait of a Boy. S. 1628. KEDDLESTON HALL. REV. LORD SCARSDALE. Portrait of an Old Man. S. 1645. C. 34 × 27. KNOWSLEY HALL. THE EARL OF DERBY, K.G. The Feast of Belshazzar. 1636. Doubtful Rembrandt. C. 65 × 81½. LONDON. W. C. ALEXANDER. Rembrandt's Mother. 1628. P. 8¾ × 6¾. The Painter's Sister. Doubtful. C. 27 × 20½. WENTWORTH B. BEAUMONT. The Tribute Money. S. 1645. C. 25 × 33½. ALFRED BEIT. St Francis Praying. S. 1637. P. 23⅕ × 18⅘. Portrait of a Young Man. 1660. C. 40 × 32½. R. B. BERENS. Portrait of the Painter. An early work. P. 24 × 18 BRIDGEWATER HOUSE. EARL OF ELLESMERE. A Young Woman, aged 18. S. 1634. P. 27½ × 21. A Young Woman. Oval. 1635. Portrait of a Burgomaster, or, a Minister. S. 1637. C. 52 × 38. Hannah hearing the Young Samuel repeat his Prayers. S. 1648. P. 16 × 18. Study of an Old Man. 1655. Portrait of Rembrandt. S. 165—. C. 26½ × 20¾. MONTAGUE HOUSE. DUKE OF BUCCLEUCH, K.G. Portrait of Saskia. S. 1633. C. 48½ × 38½. Portrait of an Old Woman. S. 1655. C. 31½ × 26. Portrait of Rembrandt. S. 1659. C. 31 × 25½. BARONESS BURDETT-COUTTS. A Forest Scene. P. 16 × 14. W. C. CARTWRIGHT. Dead Peacocks. S. 1640. C. 54 × 50½. THE EARL OF CRAWFORD, K.G. Portrait of Titus. S. 1655. C. 29½ × 24½. THE EARL OF DERBY, K.G. A Rabbi. S. 1635. P. 28 × 21. Joseph's Coat. 1647. C. 48 × 38. DEVONSHIRE HOUSE. THE DUKE OF DEVONSHIRE, K.G. An Old Man. S. 1651. C. 28½ × 25. An Old Man. S. 1652. C. 43 × 34. GEORGE C. W. FITZWILLIAM. Portrait of a Man. 1632. P. 22½ × 18½. F. FLEISCHMANN. Rembrandt's Father. S. 1631. P. 23 × 19½. ALEXANDER HENDERSON. Burgomaster Six. 1655. C. 36½ × 29. Portrait of his Wife, Margaretha, Daughter of Dr. Tulp. S. 1655. P. 36½ × 29. CAPTAIN HEYWOOD-LONSDALE. Portrait of Rembrandt. S. 1635 or 8. P. 25 × 20. DORCHESTER HOUSE. CAPTAIN G. L. HOLFORD. Martin Looten. S. 1632. P. 36 × 29½. A Man with a Sword. S. 1644. C. 39 × 34. Portrait of a Lady, incorrectly called the wife of Jan Sylvius. 1645. C. 49 × 40. Portrait of Titus. S. 1660. C. 29 × 24½. LORD FRANCIS PELHAM HOPE. (Collection sold in 1898.) A Lady and Gentleman. S. 1633. C. 51 × 42. The Ship of St Peter. S. 1635. C. 63 × 50. THE EARL OF HOPETOUN. Rembrandt's Mother. Oval. P. 27 × 21. R. W. HUDSON. An Old Man. S. 1635. P. 26⅘ × 21⅗. THE EARL OF ILCHESTER. Portrait of Rembrandt. S. 1658. C. 51½ × 40. VICTORIA AND ALBERT MUSEUM. Abraham dismissing Hagar and Ishmael. S. 1640. P. 15 × 20½. LORD IVEAGH. Portrait of a Woman. S. 1642. C. 42 × 36. Portrait of Rembrandt. 1663. C. 45 × 37½. MRS JOSEPH. Portrait of Saskia. S. 1636. P. 26 × 20½. LESSER (1893). Portrait of an Old Woman. S. 1635. C. COLONEL LINDSAY (1893). Portrait of a Very Old Woman. S. 1660. C. 30 × 25⅖. MRS ALFRED MORRISON. Portrait of Dr Bonus. S. 1642. C. 41 × 30. DUKE OF NEWCASTLE. Portrait of an Orator. C. 37½ × 29½. THE EARL OF NORTHBROOK. Landscape. 1640. P. 8½ × 11. Portrait of an Old Man. S. 1667. C. 27 × 22½. LORD PENRHYN. Portrait of Catrina Hoogh. S. 1657. C. 49½ × 38½. JAMES REISS Landscape. P. 11½ × 16. MRS OWEN ROE. Portrait of a Man. C. 40 × 33. LADY DE ROTHSCHILD. Portrait of Rembrandt. S. 1656. C. 35 × 28. EDWARD H. SCOTT. Rembrandt's Father's Mill. C. 32½ × 42. COLONEL STERLING. Portrait of a Man. C. 23 × 17. STEPHEN TUCKER. The Angel departing from Tobit. P. 25½ × 19½. SIR CHARLES TURNER. Portrait of a Girl. 1650. P. 8⅖ × 7⅕. LORD WANTAGE. Portrait of an Old Woman. S. 1661. C. 29½ × 25. T. HUMPHRY WARD. An Old Man. 1630 or 1658. C. 20 × 14¾. A Young Man. S. 1646. C. 28 × 23. The Dismissal of Hagar. P. 26 × 22½. GROSVENOR HOUSE. DUKE OF WESTMINSTER, K.G. The Salutation. [No. 33.] S. 1640. P. 22 × 18½. Portrait of a Gentleman with a Hawk. [No. 14.] S. 1643. C. 44 × 37½. A Lady with a Fan. [No. 15.] S. 1643. C. 44 × 37½. Portrait of Nicholas Berchem. [NO. 19.] S. 1647. Cedar panel, 28½ × 25½. Portrait of his Wife. [No. 20], the daughter of Jan Wils. S. 1647. Cedar panel, 28½ × 25. Portrait of Rembrandt. P. 15½ × 11½. Landscape. [No. 83.] P. 39 × 61. HENRY WILLETT. Portrait of a Man. P. 20 × 17. SIR MATTHEW WILSON. Portrait of a Lady. Oval. P. 27 × 21. THE EARL OF YARBOROUGH. Portrait of an Old Lady. 1637. P. 40½ × 35. NEW HALL, BODENHAM. ALFRED BUCKLEY. Sketch of a Man's Head. P. 9 × 7. PANSHANGER. THE EARL COWPER, K.G. Portrait of a Man. S. 1644. C. 44½ × 42. Portrait of Marshal Turenne. 1649. C. 113 × 94. Head of a Man. P. 12½ × 9½. PETWORTH. LORD LECONFIELD. Portrait of the Painter's Sister. S. 1631. P. 25 × 18½. Portrait of Rembrandt. S. 1632. Oval. P. 25 × 18½. Portrait of a Lady. S. 1635. C. 49 × 39½. Portrait of a Youth. S. 1666. C. 29 × 24. Girl with a Rosebud. S. P. 32 × 25. RICHMOND. THE EXECUTORS OF THE LATE SIR FRANCIS COOK. The Painter's Sister. S. 1632. Oval. P. 27 × 21. Portrait of Alotte Adriaans, Wife of Elias Van Trip. S. 1639. P. 25½ × 22. Tobit and His Wife. S. 1650. P. 16¼ × 21¼. Study of an Old Man. P. 13½ × 10½. The Prodigal Son. S. 1634. A very doubtful picture. C. 51 × 66. ROSSIE PRIORY, INCHTURE, PERTHSHIRE. LORD KINNAIRD. Portrait of a Young Woman. S. 1636. Portrait of Rembrandt. S. 1661. C. 36 × 30. WELBECK ABBEY, NOTTS. DUKE OF PORTLAND. Head of a Boy. S. 1634. P. 17 × 14. WILTON HOUSE. THE EARL OF PEMBROKE. An Old Woman Reading. S. 1631. C. 29 × 24. WOBURN ABBEY. DUKE OF BEDFORD. Portrait of an Old Man. 1632. Portrait of Rembrandt. 1635. C. 34½ × 30½. PRESENT OWNERS UNKNOWN. Portrait of a Saint. S. 1635. C. 43 × 38. Portrait of a Lady. P. 29½ × 23. Landscape. C. 14 × 18½.

DENMARK.

COPENHAGEN. NEW CARLSBERG GLYPTOTEK. Man Reading. 1645. C. 24½ × 28. COUNT MOLTKE. Portrait of an Old Woman. [NO. 32.] 1654. C. COPENHAGEN. MUSEUM. Christ at Emmaus. [No. 292.] S. 1648. C. 33½ × 42½. Portrait of a Young Man. [No. 273.] S. 1656. C. 29 × 25. Portrait of a Young Woman. [No. 274.] Companion to the last. S. 1656. C. 29 × 25.

FRANCE.

PARIS. THE LOUVRE. A Philosopher in Meditation. [No. 2540, Grand Gallery.] S. 1633. P. 11⅗ × 13⅕. A Philosopher in Meditation. [No. 2541, Grand Gallery.] 1633. P. 11⅕ × 9⅕. Portrait of Rembrandt. [No. 2552, Salle XV.] S. 1633. C. 23⅕ × 18. Portrait of Rembrandt. [No. 2553, Grand Gallery.] S. 1634. P. 27⅕ × 21⅕. The Angel Raphael leaving Tobit. [No. 2536, Grand Gallery.] S. 1637. P. 27⅕ × 20⅘. Portrait of Rembrandt. [No. 2554, Grand Gallery.] S. 1637. P. 32 × 24⅘. Portrait of an Old Man. [No. 2544, Grand Gallery.] S. 1638. Oval. P. 36 × 22⅖. The Carpenter's Home. [No. 2542, Salon Carré.] S. 1640. P. 16⅖ × 13⅗. A Woman Bathing. [No. 2550, Salle Lacaze.] 1647. P. 24⅘ × 19⅕. Christ at Emmaus. [No. 2539, Salon Carré.] S. 1648. P. 27⅕ × 26. The Good Samaritan. [No. 2537, Grand Gallery.] S. 1648. P. 45⅗ × 54. Portrait of a Man. [No. 2551, Salle Lacaze.] S. 1651. C. 33⅕ × 26⅖. Portrait of Hendrickje Stoffels. [No. 2547, Salon Carré.] P. about 1652. C. 28⅘ × 24. Bathsheba, or a Woman bathing. [No. 2549, Salle Lacaze.] S. 1654. C. 56⅘ × 56⅘. Portrait of a Man. [No. 2546, Grand Gallery.] 1655. P. 10⅖ × 7⅗. The Slaughter-house. [No. 2548, Grand Gallery.] S. 1655. P. 37⅗ × 27⅗. Portrait of a Young Man. [No. 2545, Salon Carré.] S. 1658. C. 29⅕ × 24⅖. Portrait of Rembrandt. [No. 2555, Salon Carré.] S. 1660. C. 44⅖ × 34. Saint Matthew. [No. 2538, Grand Gallery.] S. 1661. C. 38⅖ × 32⅖. Venus and Cupid. [No. 2543, Grand Gallery.] 1661. C. 44 × 35⅕. ÉPINAL. MUSEUM. Portrait of an Old Woman. [No. 101.] S. 1661. C. 45⅗ × 32. NANTES. MUSEUM. Portrait of Rembrandt's Father. [No. 522, attributed to van Vliet.] 1628. P. 7 × 5⅖. PARIS. MME. ANDRÉ-JACQUEMART. Christ at Emmaus. S. R.H. 1629. Paper on panel 15⅗ × 16⅘. Portrait of Lysbeth van Rijn. S. 1632. C. 26 × 20⅖. Portrait of Arnold Tholinx. S. 1656. C. 30⅖ × 25⅕. LÉON BONNAT. Petitioners To a Biblical King. 1633. P. 11⅖ × 10⅗. Jean Six at a Window. Very doubtful. P. 10 × 8. Figure of Susannah. Oval. 1647. P. 8⅘ × 7. Tasters in a Cellar. 1650. P. 19⅘ × 25⅕. Portrait of an Old Man. 1650. P. 22 × 17⅗. Portrait of a Rabbi. 1655. P. 8⁷⁄₂₅ × 9³⁹⁄₅₀. Head of an Old Man. 1660. P. 10 × 8⅘. MARQUIS BONI DE CASTELLANE. Portrait of Nicholas Ruts. S. 1631. P. 46 × 34½. PRINCE DE CHALAIS. Portrait of a Man. LÉON GAUCHEZ. Lucretia. S. 1664. C. 46⅖ × 39⅕. LEOPOLD GOLDSCHMIDT. Portrait of a Woman. Called Rembrandt's cook. 1655. C. 29⅘ × 24⅗. HARJES. Old Man With a White Beard. C. 25⅕ × 23⅕. BARONESS HIRSCH-GEREUTH (THE LATE). Portrait of his Sister, or Saskia. Oval. S. 1633. P. 23 × 17⅗. MAURICE KANN. Head of Christ. 1660. C. 18⅗ × 14⅘. A Man in a Red Cloak. S. 1659. P. 15⅖ × 12⅖. Portrait of a Man. P. between 1666 and 1668. C. 36⅖ × 29⅘. RODOLPHE KANN. Head of Christ. 1652. P. 10⅖ × 8. Portrait of Titus. S. 1655. C. 31⅗ × 23⅗. Portrait of a Rabbi. 1655. P. 10 × 7⅘. Portrait of an Old Woman. S. 1657. P. 8⅘ × 7⅕. Old Woman cutting her Nails. S. 1658. C. 50⅖ × 40. Portrait of a Young Woman. 1668. C. 37⅕ × 29⅕. MME. LACROIX. Landscape, with Swans. 1645. C. 25⅗ × 17⅕. ALBERT LEHMANN. Zachariah receiving the Prophecy of the Birth of John the Baptist. S. 1632. P. 22⅖ × 19⅕. PAUL MATHEY. Head of an Old Man. P. 20 × 24. HENRY PEREIRE. Portrait of a Man. S. 1632. P. 24 × 18⅘. Portrait of Cornelia Pronck. Wife of the man. S. 1633. P. 24 × 18⅘. JULES PORGÈS. The Good Samaritan. S. 1639. C. 38⅕ × 50. Portrait of a Rabbi. S. 1642. P. 30 × 24⅖. An Old Woman meditating over a Book. 1649. C. 39⅕ × 31⅕. Portrait of Rembrandt's Brother. 1650. P. 22⅖ × 17⅕. Portrait of a Woman holding a Book. 1650. P. 22⅖ × 17⅕. COUNTESS EDMOND DE POURTALÈS. Portrait of a Young Man rising from a Chair. S. 1633. C. 50 × 40. BARON ALPHONSE DE ROTHSCHILD. Portrait of an Old Woman. S. 1632. P. 30⅗ × 23. BARON GUSTAVE DE ROTHSCHILD. Portrait of Martin Daey. S. 1634. C. 82⅘ × 52⅘. Portrait of Machteld van Doorn, Wife of Martin Daey. C. 82⅘ × 52⅘. The Standard-Bearer. S. 1636. C. 50 × 42. BARONESS NATHANIEL DE ROTHSCHILD. Portrait of a Boy. S. 1633. P. 17⅗ × 13⅕. BARON N. DE ROTHSCHILD. Portrait of Anthoni Copal. S. 1635. P. 33⅕ × 26⅘. DURAND RUEL. David playing before Saul. 1663. C. 52⅕ × 65⅗. BARON ARTHUR DE SCHICKLER. Judas with the Price of the Betrayal. 1629. C. 31⅗ × 41⅕. A. SCHLOSS. Portrait of Saskia. Oval. 1634. P. 26⅘ × 21. Old Man. S. 1643. P. 10 × 7⅗. HENRI SCHNEIDER. Hans Alenson. S. 1634. C. 71⅕ × 52⅘. The Wife of Alenson. S. 1634. C. 71⅕ × 52⅘. CHARLES SEDELMEYER. Pilate washing his Hands. 1656. C. 51⅕ × 72. CHARLES WALTNER. An Old Rabbi. 1654-56. C. 32⅘ × 26. E. WARNECK. Diana bathing. 1631. P. 7⅕ × 6⅘. Rembrandt laughing. S. 1633. P. 8⅕ × 7. Study of a Rabbi. 1650 To 1655. P. 8⅘ × 7⅖. Study of a Young Boy. 1654. P. 9⅕ × 7⅘. DR MELVIL WASSERMANN. Study of his Father. 1630. P. 11⅖ × 9⅕. Portrait of an Old Man. 1633. P. 10⅖ × 8⅖. ROUEN. M. DUTUIT. Portrait of Rembrandt. S. 1631. P. 32⅖ × 21⅗. TOURS. MUSEUM. Portrait of His Father. [No. 437.] A copy of the one in the Museum at Nantes. 1628. P. 6 × 4.

GERMANY.

BERLIN GALLERY. ROYAL MUSEUM. The Money-Changer. [No. 828 D.] S. 1627. P. 12⅕ × 16⅘. Judith, or Minerva. [No. 828 C.] 1631. P. 23⅗ × 19⅕. The Rape of Proserpina. [No. 823.] 1632. P. 33⅕ × 31⅕. Rembrandt. [No. 810.] S. 1634. P. 22⅘ × 18⅘. Rembrandt. [No. 808.] 1634. P. 22 × 18⅖. Samson threatening his Father-in-law [No. 802], formerly called The Duke of Gueldres. S. 1635. C. 62⅖ × 51⅗. Portrait of the Minister Anslo consoling a Widow. S. 1641. C. 73⅗ × 89⅗. Portrait of Saskia. [No. 812.] S. 1643. P. 28⅘ × 23⅕. Portrait of a Rabbi. [No. 828 A.] S. 1645. C. 44 × 32⅘. The Wife of Tobias with the Goat. [No. 805.] S. 1645. P. 8 × 10⅘. Joseph's Dream. [No. 806.] S. 1645. P. 8 × 10⅘. Susannah and the Elders. [No. 828 E.] S. 1647. P. 30⅖ × 36⅖. Daniel's Vision. [No. 828 F.] 1650. C. 38⅖ × 46⅖. Joseph accused by Potiphar's Wife. [No. 828 H.] S. 1655. C. 41½ × 34. Study of an Old Man. [No. 828 J.] 1655. C. 20⅖ × 14⅘. John the Baptist preaching. [No. 828 K.] S. 1656. C. 25 × 31. Jacob Wrestling with the Angel. [No. 828.] S. 1659. C. 54⅘ × 46⅖. Moses breaking the Tables of the Law. [No. 811.] S. 1659. C. 66⅘ × 54. Portrait of Hendrickje Stoffels. [No. 828 B.] 1662. C. 34⅘ × 26. ALTFRANKEN. COUNT LUCKNER. Portrait of Saskia. S. 1635. P. 39⅕ × 28. ANHOLT. PRINCE OF SALM-SALM. Diana, Actæon, and Callisto. S. 1635. C. 28⅘ × 38. ASCHAFFENBOURG. ROYAL MUSEUM. The Risen Christ. S. 1661. C. 32 × 25⅕. BERLIN. VON CARSTANGEN. Portrait of J. C. Sylvius. S. 1645. C. 52 × 44. Christ at the Column. 1646. P. 13⅗ × 11⅕. Portrait of Rembrandt. S. 1665. C. 32⅘ × 25⅕. EMPEROR FREDERICK MUSEUM. Rembrandt's Brother. 1650. C. 26⅘ × 20⅗. CARL HOLLITSCHER. St Paul in Meditation. 1635. C. 47⅕ × 38. Christ on the Cross. 1648. P. 14 × 9⅗. ROBERT VON MENDELSSOHN. Rembrandt. S. 1651. P. 26⅖ × 21⅕. SANS-SOUCI. The Capture of Samson. S. 1628. P. 24 × 19⅗. JAMES SIMON. Portrait of a Young Girl. S. 1634. P. 17⅗ × 14⅖. BONN. PROFESSOR G. MARTIUS. An Old Woman. 1640. P. 27⅕ × 22⅕. BRUNSWICK. GRAND DUCAL MUSEUM. An Unknown Man. [No. 232.] 1631. P. 25⅖ × 19⅕. Portrait of a Woman. [No. 233.] S. 1633. P. 25⅖ × 19⅕. Portrait of a Man. [No. 237.] S. 1638. P. 32⅘ × 27. Stormy Landscape. [No. 236.] S. 1640. P. 20⅘ × 28⅘. Noli Me Tangere. [No. 235.] S. 1651. C. 26 × 31⅗. Portrait of a Family. [No. 238] S. 1668. C. 50⅖ × 66⅗. CARLSRUHE. GRAND DUCAL MUSEUM. Portrait of Himself. [No. 238.] S. 1645. P. 29⅗ × 23⅗. CASSEL. MUSEUM. Rembrandt. [No. 208.] 1627. P. 8 × 6⅖. An Old Man. [No. 209.] S. 1630. P. 26⅖ × 22⅖. An Old Man. [No. 210.] S. 1632. P. 20 × 15⅗. An Old Man. [No. 211.] S. 1632. P. 23⅗ × 19⅗. Portrait, said to be Coppenol. [No. 212.] S. 1632. C. 40 × 31⅕. Jan Herman Krul. [No. 213.] S. 1633. C. 49⅕ × 37⅗. Saskia. [No. 214.] 1634. P. 39⅕ × 30⅘. Rembrandt. [No. 215.] S. 1634. P. 31⅗ × 25⅗. A Young Woman. [No. 216.] 1635. P. 28⅘ × 23⅗. A Man. [No. 217.] S. 1639. C. 79⅕ × 48⅖. Holy Family. [No. 218.] Called "The Woodchopper." S. 1646. P. 18 × 26⅘. A Winter Landscape. [No. 219.] S. 1646. P. 6⅖ × 8⅘. The Ruin. [No. 220.] S. 1650. P. 26⅖ × 34⅖. Portrait of Bruyningh. [No. 221.] S. 1652. C. 42 × 36. Man in Armour, known as "The Watch." [No. 223.] S. 1655. C. 45⅕ × 36. An Old Man. [No. 226.] 1655. P. 8 × 6. An Old Man. [No. 225.] 1657. P. 8 × 6⅔. An Architect, or Geometrician. [No. 224.] 1656. C. 48 × 36. Jacob Blessing Joseph's Sons. [No. 227.] S. 1656. C. 69⅗ × 80. Portrait of Rembrandt. [No. 222.] S. 1659. C. 29⅕ × 23⅗. COLOGNE. BARON A. VON OPPENHEIM. A Young Girl. 1655. P. 8⅖ × 7. DARMSTADT. GRAND-DUCAL GALLERY. The Flagellation. [No. 347.] S. 1668. C. 37⅗ × 29⅕. DRESDEN. ROYAL GALLERY. Saskia. [No. 1556.] S. 1633. P. 21 × 17⅗. A Man. [No. 1557.] Willem Burchgraeff. [No. 182.] S. 1633. P. 27 × 21. The Capture of Ganymede. [No. 1558.] S. 1635. C. 68⅗ × 52. Rembrandt and Saskia. [No. 1559.] S. 1635. C. 64 × 52⅘. The Marriage of Samson. [No. 1560.] S. 1638. C. 50⅖ × 70⅖. The Man with the Bittern. [No. 1661.] S. 1639. P. 48⅖ × 35⅗. Saskia holding a Pink. [No. 1562.] S. 1641. P. 39⅕ × 32⅘. The Sacrifice of Manoah. [No. 1563.] S. 1641. C. 96⅖ × 114. Old Woman weighing Gold. [No. 1564.] C. 44⅘ × 39⅗. A Young Man. [No. 1565.] S. 1643. C. 30⅘ × 26⅘. An Old Man. [No. 1571.] 1645. C. 37⅗ × 30⅘. The Entombment. [No. 1566.] S. 1653. C. 38⅘ × 27⅗. An Old Man with a Beard. [No. 1567.] S. 1654. P. 40 × 30⅘. Portrait of a Man. [No. 1568.] 1656. C. 35⅘ × 27⅖. Rembrandt. [No. 1569.] S. 1657. C. 34⅕ × 26. An Old Man. [No. 1570.] 1666. C. 32⅘ × 28⅖. ELBERFELD. KARL VON DER HEYDT. The Denial of St Peter. S. 1628. Copper, 8⅘ × 6⅘. A Lady. S. 1635. P. 30⅘ × 25⅗. FRANKFORT. STÆDEL ART INSTITUTE. David playing before Saul. [No. 183.] P. 24⅘ × 20. Portrait of Margaretha van Bilderbeecq. [No. 182.] Oval. S. 1633. P. 26⅘ × 22⅖. Parable of the Labourers in the Vineyard. [No. 181.] S. 1656. C. 61⅕ × 54⅘. GOTHA. MUSEUM. Rembrandt. [No. 181.] S. 1629. P. 7⅕ × 5⅗. HAMBURG. KUNST-HALLE. Maurice Huygens. S. 1632. C. 52 × 44. CONSUL WEBER. Presentation in the Temple. S. 1630. P. 22 × 17⅗. The Woman taken in Adultery. 1644. C. 45⅗ × 54. A Pilgrim at Prayer. S. 1661. C. 36 × 31⅕. LEIPZIG. JULIUS O. GOTTCHALD. Study of an Old Man. 1630. P. 8⅕ × 6⅘. MUSEUM. Rembrandt. [No. 347.] 1654. P. 10⅖ × 8⅖. ALFRED THIEME. The Good Samaritan. 1640. C. 12⅖ × 15. Portrait called the Constable of Bourbon. S. 1644. C. 36⅖ × 29⅗. METZ. MUSEUM. An Old Man. S. 1633. P. 23⅗ × 17⅗. MUNICH. ROYAL GALLERY. Holy Family. [No. 324.] S. 1631. C. 77⅕ × 52. Portrait of a Turk. [No. 325.] S. 1633. P. 33⅗ × 25⅕. The Descent from the Cross. [No. 326.] S. 1633. P. 35⅗ × 26. The Elevation of the Cross. [No. 327.] 1633. C. 38⅖ × 28⅘. The Ascension. [No. 328.] S. 1636. C. 36⅘ × 26⅘. The Entombment. [No. 330.] 1638. C. 37⅕ × 27⅗. The Resurrection. [No. 329.] S. 1639. C. 37⅗ × 28. The Adoration of the Shepherds. [No. 331.] S. 1646. C. 38⅘ × 28⅘. Rembrandt. [No. 333.] S. 1654. P. 32⅘ × 26⅘. DR MARTIN SCHUBART. An Old Man. 1632. P. 25 × 18⅗. NORDKIRCHEN. COUNT ESTERHAZY. A Young Man. S. 1629. NUREMBERG. MUSEUM. Rembrandt [No. 298], in armour. S. 1629. P. 15⅗ × 12⅘. Saint Paul. 1629. OLDENBURG. AUGUSTEUM. The Prophetess Anna, or the painter's mother. [No. 166.] S. 1631. C. 24 × 19⅕. An Old Man. [No. 167.] S. 1632. C. 26⅗ × 20⅖. Landscape. [No. 169.] 1645. P. 11⅗ × 16. POSEN. COUNT EDWARD RACZYNSKI. Christ. S. 1661. C. 39 × 32⅗. SCHWERIN. GRAND DUCAL MUSEUM. An Old Man. [No. 854.] S. 1630. P. 27⅕ × 20⅘. An Old Man. [No. 855.] 1656. C. 22⅘ × 18⅘. STRASBURG. MUSEUM. An Old Man, holding a scroll. 1650. C. 24⅖ × 18⅖. STUTTGART. MUSEUM. St Paul in Prison. [No. 225.] S. 1627. P. 28 × 23⅕. WEIMAR. GRAND DUKE OF SAXE-WEIMAR. Portrait of Rembrandt. S. 1643. C. 24⅖ × 19⅕.

HOLLAND.

THE HAGUE. MAURITSHUIS, ROYAL MUSEUM. Rembrandt's Mother. [No. 556, Room XIV.] 1628. P. 7 × 5. Rembrandt's Father. [No. 565, Room XIV.] 1628. P. 18⅘ × 15⅗. Rembrandt. [No. 148, Room XIV.] 1629. P. 14⅘ × 11⅗. A Man Laughing. [No. 598, Room XIV.] 1630. P. 6 × 4⅘. A Young Girl. [No. 577, Room XIV.] S. 1630. P. 22 × 18. The Presentation in the Temple. [No. 145, Room XIV.] S. 1631. P. 24 × 19⅕. The Anatomy Lesson of Professor Pieterszoon Tulp. [No. 146, Room XIII.] S. 1632. C. 64⅘ × 86⅖. Rembrandt As an Officer. [No. 149, Room XIV.] S. 1634. P. 24⅘ × 18⅘. The Flight Into Egypt. [No. 579, Room XIV.] S. 1636. P. 15⅕ × 14. A Woman at Her Toilet. [No. 552, Room XIV.] S. 1637. P. 29 × 25. Susannah at the Bath. [No. 147, Room XIV.] S. 1637. P. 18⅘ × 15⅗. Portrait Believed To Be Rembrandt's Brother Adriaen. [No. 560, Room XIV.] S. 1650. C. 31⅕ × 26⅖. Homer Reciting His Poems. [No. 584, Room XIV.] S. 1663. C. 43⅕ × 32⅘. AMSTERDAM. RYKSMUSEUM. Rembrandt's Father. [No. 1248.] 1629. C. 21⅗ × 18⅖. A Young Lady, Known As the Lady of Utrecht. S. 1639. P. 42⅖ × 32⅖. Elizabeth Bas [No. 1249], Widow of Admiral Swartenhout. 1640. C. 46⅖ × 35⅕. The Sortie of the Company of Captain Frans Banning Cocq [No. 1246], Called "the Night Watch." S. 1642. C. 143⅗ × 174. Mythological Subject. [No. 1251.] 1650. C. 34 × 26⅘. The Anatomy Lesson of Dr Johannes Deyman. [No. 1250.] S. 1656. C. 40 × 52⅘. The Syndics of the Drapers. [No. 1247.] S. 1661. C. 74 × 109⅗. The Jewish Bride. [No. 1252.] S. 1665. C. 47⅕ × 65⅗. DR C. HOFSTEDE DE GROOT. Rembrandt's Sister. 1630. P. 5¼ × 3¾. SIX COLLECTION. Joseph Interpreting His Dreams. S. 1630. Cardboard, 20 × 15⅕. Anna Vymer. S. 1641. P. 40 × 32. Portrait of Ephraim Bonus. 1647. P. 7⅗ × 6. Burgomaster Six. 1660. C. 44 × 40. THE HAGUE. DR BREDIUS. A Woman Praying. 1654. P. 7¾ × 6. PRINCE HENRI DES PAYS-BAS. Rembrandt. S. 1643. C. 24⅔ × 19⅕. D. F. SCHEURLEER. Head of a Boy. 1629. 10⅖ × 8⅕. STEENGRACHT COLLECTION. The Toilet of Bathsheba. S. 1643. P. 20⅘ × 30⅖. LEEUWARDEN. BARON VAN HARINXMA THOE SLOOTEN. Portrait of an Old Man. S. 1644. P. 9⅖ × 8⅕. ROTTERDAM. BOYMANS MUSEUM. Portrait of Rembrandt's Father. [No. 237, Room B.] S. 1630. Oval. P. 29⅕ × 22⅖. The Peace of the Country. [No. 238, Room D.] S. 1640. P. 29⅗ × 40.

ITALY.

FLORENCE. PITTI PALACE. Rembrandt. [No. 60, Room 5.] 1635. C. 24⅘ × 20⅘. An Old Man. [No. 16, Room 6.] S. 1658. C. 40⅘ × 33⅕. UFFIZI. Portrait of Rembrandt. [No. 451, Room 13.] 1655. C. 28⅘ × 23⅕. Portrait of Rembrandt. [No. 452, Room 13.] 1666. C. 28⅘ × 23⅕. SIGNOR FABRI. Study of an Old Man. P. 23⅗ × 18⅘. MILAN. BRERA. A Woman. [No. 449.] S. 1632. P. 22 × 19⅕.

ROUMANIA.

SINAIA. THE KING OF ROUMANIA. Esther, Haman, and Ahasuerus. 1668. C. 94 × 76.

RUSSIA.

ST PETERSBURG. THE HERMITAGE. Portrait of Rembrandt's Father. [No. 814.] S. 1630. P. 14⅖ × 10⅖. Portrait of a Man. [No. 808.] S. 1631. C. 45⅕ × 36⅘. The Descent From the Cross. [No. 800.] S. 1634. C. 63⅕ × 46⅘. The Incredulity of St Thomas. [No. 801.] S. 1634. P. 22 × 20⅖. The Jewish Bride. [No. 812.] S. 1634. C. 50 × 40⅖. A Young Man [No. 828]. S. 1634. P. 28 × 20⅘. The Sacrifice of Isaac. [No. 792.] S. 1635. C. 77⅕ × 53⅕. Portrait of an Oriental. [No. 813.] S. 1636. C. 39⅗ × 30⅖. Danae. [No. 892.] S. 1636. C. 74 × 82. Portrait of a Man, called Sobieski. [No. 811.] S. 1637. P. 38⅘ × 26⅗. The Parable of the Master of the Vineyard. [No. 798.] S. 1637. P. 12⅖ × 16⅘. An Old Woman. [No. 829.] S. 1643. P. 30⅖ × 22⅖. The Reconciliation of David and Absalom. [No.1777.] S. 1642. P. 30 × 24⅗. Rembrandt's Mother. [No. 807.] S. 1643. P. 31⅗ × 24⅖. The Holy Family. [No. 796.] S. 1645. C. 46⅘ × 36⅖. Portrait of a Man, erroneously called Manasseh Ben Israel. [No. 820.] S. 1645. C. 51⅗ × 44⅘. Abraham Receiving the Angels. [No. 791.] 1650. C. 48⅗ × 65. The Sons of Jacob showing him Joseph's Coat. [No. 793.] S. 1650. C. 61⅘ × 67⅕. The Disgrace of Haman. [No. 795.] S. 1650. C. 50⅘ × 46⅘. Pallas. [No. 809.] 1650. C. 46⅘ × 36⅖. Hannah Teaching the Infant Samuel to Read. [No. 822.] S. 1650. C. 46⅘ × 37⅗. Girl with a Broom. [No. 826.] S. 1651. C. 43⅗ × 36⅘. An Old Woman. [No. 804.] 1654. C. 53⅕ × 42⅘. An Old Woman. [No. 805.] S. 1654. C. 43⅗ × 33⅗. An Old Woman. [No. 806.] S. 1654. C. 29⅗ × 25⅕. An Old Jew. [No. 810.] S. 1654. C. 43⅗ × 33⅗. An Old Man. [No. 818.] 1654. C. 43⅕ × 34⅖. An Old Man. [No. 823.] S. 1654. C. 35⅕ × 28⅘. An Old Man. [No. 824.] S. 1654. C. 29⅗ × 25⅕. Joseph Accused by Potiphar's Wife. [No. 794.] S. 1655. C. 42 × 38⅘. St Peter's Denial. [No. 799.] S. 1656. C. 61⅕ × 67⅕. A Young Woman. [No. 819.] S. 1656. C. 40⅘ × 34⅘. Young Woman trying on an Earring. [No. 817.] S. 1657. P. 16 × 14⅕. A Young Man. [No. 825.] 1660. C. 28⅘ × 22⅖. Portrait of a Man. [No. 821.] S. 1661. C. 28⅖ × 24⅖. Portrait of Jeremias de Decker, the Poet. [No. 827.] S. 1666. P. 28⅖ × 22⅖. The Prodigal Son. [No. 797.] 1669. C. 104⅘ × 100. An Old Jew. [No. 815.] S. P. 20⅖ × 16⅘. PRINCE JOUSOUPOFF. Head of a Young Boy. S. 1633. P. 7²²⁄₂₅ × 6¹⁷⁄₂₅. Susannah and the Elders. S. 1637. A Young Man. 1660. C. 32⅘ × 39⅕. A Lady With an Ostrich Feather. 1660. C. 33 × 39⅗. PRINCE OF LEUCHTEMBERG. Rembrandt. [No. 108]. 1643. P. 30 × 24⅘. COUNT A. W. ORLOFF-DAVIDOFF. Christ. 1660. C. 43¹⁹⁄₂₅ × 38⅘. COUNT S. STROGANOFF. A Philosopher in Meditation. S. 1630. P. 23⅖ × 18-2⅗0 A Young Monk. S. 1660. C. 32⅖ × 26⅘.

SPAIN.

MADRID. PRADO. Queen Artemisia receiving the Ashes of Mausolus. [No. 1544.] Otherwise Known As Cleopatra at her toilet. S. 1634. C. 56⅘ × 61⅕.

SWEDEN.

STOCKHOLM. ROYAL MUSEUM. A Young Girl. [No. 591.] 1630. P. 23⅗ × 24⅘. St Anastasius. [No. 579.] S. 1631. P. 24 × 19⅕. Saskia. [No. 583.] S. 1632. C. 28⅘ × 21⅗. Study of an Old Man as St Peter. [No. 1349.] S. 1632. C. 32⅘ × 24⅘. An Old Man. [No. 585.] S. 1633. The Young Servant. S. 1654. C. 31⅕ × 25⅕. An Old Man. [No. 581.] S. 1655. C. 35⅗ × 29⅕. An Old Woman. [No. 582.] S. 1655. C. 35⅗ × 29⅕. The Conspiracy of Claudius Civilis. [No. 578.] 1661. C. 78⅖ × 123⅗. VANAS. COUNT AXEL DE WACHTMEISTER. A Young Man. S. 1632. P. 25⅒ × 18⅖. A Young Man. 1643. C. 42 × 36.

UNITED STATES OF AMERICA.

CHICAGO. ARMOUR. Portrait of a Man. S. 1643. C. 33⅗ × 26⅘. P. C. HANFORD. An Accountant by a Table. C. 40⅘ × 32. NEW YORK. W. H. BEERS. Rembrandt's Father. 1632. C. 30 × 24⅘. ROBERT W. DE FOREST. Head of a Young Man. 25½ × 19½. H. O. HAVEMEYER. Portrait of Christian Paul van Beersteyn, Burgomaster of Delft. S. 1632. Portrait of Volkera Nicolai Knobbert, wife of Beersteyn. S. 1632. Portrait of Paulus Doomer, called "The Gilder." S. 1640. P. 29⅕ × 21⅗. A Woman, aged 87. S. 1640 or 1646. C. 27⅗ × 24. ROBERT HOE. Young Gipsy holding a Medallion. 1650. C. MORRIS K. JESSUP. Portrait of a Young Man, erroneously called Six. Portrait of his Wife. METROPOLITAN MUSEUM. A Man. [no. 277.] 1640. C. 30¾ × 24¾. An Old Man. [no. 274.] S. 1665. C. 27⅝ × 24⅜. The Mills. [no. 276.] C. 21½ × 26¼. The Adoration of the Shepherds. [No. 278.] P. 24⅜ × 20⁷⁄₁₆. J. PIERPONT MORGAN. Portrait of Rembrandt. C. 43½ × 33½. R. MORTIMER. Portrait of a Young Man putting on His Armour. 1634. C. 40⅖ × 33⅗. W. SCHAUS. Portrait of an Admiral, erroneously called "Van Tromp." 1658. P. 36 × 29¾. CHARLES STEWART SMITH. St John. Oval. S. 1632. P. 25 × 19. C. T. YERKES. The Raising of Lazarus. 1628. P. 16⅘ × 14. Joris de Caulery. S. 1632. Portrait of a Rabbi. 1635. P. 25 × 20⅘. Philemon and Baucis. S. 1658. P. 21⅗ × 27⅗. PHILADELPHIA. P. A. B. WIDENER. Portrait of Saskia. 1633. P. 23⅗ × 18⅕. PITTSBURGH. A. M. BYERS. Portrait of Saskia. S. 1636. P. 31⅖ × 26⅖. SAN FRANCISCO. WILLIAM H. CROCKER. Portrait of a Young Boy. P. 16⅖ × 14. UNKNOWN OWNERS. A Young Man, Called Tulp. S. 1634. P. 28⅘ × 20⅖. Portrait of a Young Woman. S. 1634. P. 28⅘ × 20⅖. A Man, called Matthys Kalkoen. S. 1632. C. 44⅘ × 36. Portrait of Saskia. S. 1634. Portrait called "The Dutch Admiral." S. 1643. Portrait of a Lady. S. 1643. An Orphan Girl of Amsterdam. S. 1645. C. 64 × 33⅗. "The Standard-Bearer." 1662. C. 56 × 58. Portrait Called Six. S. C. 48 × 36⅘.

INDEX

Abraham caressing Isaac (etching), [108] Abraham conversing with Isaac (etching), [99] Abraham dismissing Hagar (etching), [96] Abraham entertaining the Angels, [75]; (etching), [106] Abraham's Sacrifice, [64]; (etching), [105] Actæon, Diana, and Callisto, [63] Adam and Eve (etching), [96] Admiral, Portrait of an, [79] Adoration of the Magi, The, [78] Adoration of the Shepherds, The, [32], [73]; (etching), [112] Adriaen, Rembrandt's Brother, [12], [14], [28], [38]; Portrait of, [51] Adriaans, Alotte, Portrait of, [67] Alenson, the Minister, [25]; Portraits of, and his wife, [61] Amsterdam, prosperity of, [14], [15] Amsterdam, View of (etching), [109] Anatomy Lesson, The, [13], [16], [58]; ill., [58] Anatomy Lesson of Dr Deyman, The, (1656), [77] Angel, An, [78] Angel quitting Tobit, The, [65]; (etching), [98] Anna, [55] Anslo, the Minister, [25]; Portrait of [68]; ill., [68] Architect, An, [77] Artemisia receiving the Ashes of Mausolus, [62] Ascension, The, [20], [64] Asselyn, Jan, [25]; Portrait of (etching), [109]

Baptism of the Eunuch, The (etching), [98] Bartsch, Adam, [90] Bas, Elizabeth, Portrait of, [68]; ill., [68] Bathers, The (etching), [112] Bathsheba (Louvre), [76] Bathsheba at her Toilet, [71] Battle-Scene (etching), [109] Baucis and Philemon receiving Jupiter and Mercury, [79] Beersteyn Christian Paul van, Portrait of, [56] Beggars at the Door of a House (etching), [101]; ill., [100] Beggars, etchings of, [101], [112] Belshazzar's Feast, [64] Berchem, Nicholas; Portraits of, and his wife, [73] Bilderbeecq, Margaretha van, Portrait of, [58] Blind Fiddler, The (etching), [95] Bonus, Dr Ephraim, [25]; Portraits of [69], [73]; (etching), [100] Boy, Portrait of a (Hinton St George), [51]; (Belvoir Castle), [78]; head of a, [52]; (etching), [109] Bruyningh, Portrait of, [76] Bull, The (etching), [109] Burchgraeff, Willem, Portrait of, [58]

Canal, The (etching), [112] Canal with a Large Boat (etching), [102] Canal with Swans (etching), [102] Cappelle, Van de, [25] Capuchin, The, [81] Cattenburch, Dirck van, [37], [87] Caulery, Joris de, Portrait of, [57] Christ, Head of (M. Rudolphe Kann), [76]; (M. Maurice Kann), [80] Christ, Half-length portraits of (St. Petersburg), [79]; (Aschaffenbourg), [81] Christ appearing to the Disciples (etching), [103] Christ and Mary Magdalene at the Tomb, [66] Christ and Mary Magdalene in the Garden, [75] Christ and the Disciples at Emmaus (etchings), [96], [104] Christ and the Samaritan Woman (etching), [111] Christ at Emmaus (Mme. André-Jacquemart), [51]; (Louvre), [74]; ill., [74]; (Copenhagen), [74] Christ before Pilate (etching), [106] Christ bound to the Column, [73] Christ disputing with the Doctors (etching), [103] Christ driving the Money-Lenders from the Temple (etching), [96] Christ Entombed (etching), [111] Christ healing the Sick (etching), [85], [87], [110]; ill., [86] Christ in the Garden of Olives (etching), [111] Christ on the Cross, [74] Christ preaching (etching), [87], [111] Christ taken from the Cross, [68] Christ's Body carried to the Tomb (etching), [112] Circumcision, The, [32], [81]; (etching), [103] Cleopatra at her Toilet, [62] Collen, Suzanna van, Portrait of, [56] Concord of the Country, The, [67] Conspiracy of Claudius Civilis, The, [41], [81] Constable of Bourbon, [72] Coppenol, [6], [25]; Portraits of, [55], [57]; ill., [54]; (etchings), [110], [112] Cornelia, daughter of Rembrandt and Hendrickje, [35], [39], [46], [47] Cottage and Barn (etching), [98] Cottage with white Pales (etching), [112] Cradle, The, [76] Crayers, Louis, [35], [40], [45] Crucifixion, The (etchings), [108], [110]

Daey, Martin, Portrait of, [61] Danae, [64]; ill., [64] Daniel's Vision, [72] David and Absalom, Reconciliation of, [68] David and Goliath, Combat of (etching), [105] David at Prayer (etching), [111] David playing before Saul (Frankfort), [57]; (1665), [83] Dead Peacocks, [68] Death of the Virgin, The (etching), [97] Decker, Jeremias de, [45]; Portrait of, [83] Deposition, The (Duke of Abercorn), [75] Descent from the Cross, The, [20], [60], [62]; (etchings), [87], [95], [98], [105] Desmond, The Countess of, [54] Deyman, Dr, [25], [38] Diana bathing, [55]; (etching), [107] Dircx, Geertje, [33] Doomer Paul, Portrait of, [67] Doorn, Machteld van, Portrait of, [61] Dou, Gerard, Rembrandt's first pupil, [11]; Portrait of, [54], [55] Draughtsman, The (etching), [109] Drawings, Rembrandt's, [115] Dutch Admiral and his Wife, The, [71]

Ecce Homo, [65]; (etching), [87] Elevation of the Cross, The, [59]; ill., [60] Entombment, The (Glasgow), [59]; (Munich), [66]; (Dresden), [76] Esther, Haman, and Ahasuerus, [83] Etchings, The, early appreciation of, [85]; the various states, [88]; catalogues of, [90], [91]; authentic etchings, [93]; disputed etchings, [113]; qualities of the etchings, [114], [115]

Family Group (Brunswick), [83] Faustus, Dr (etching), [110] Flagellation, The, [83] Flight into Egypt, The (The Hague), [64]; (Buda-Pesth), [77]; (etchings), [103], [108] Flute Player, The (etching), [109] Francen, Abraham, [25], [47]; Portrait of (etching), [110] Frederick-Henry, Prince (Stathouder), commissions to Rembrandt, [20], [27], [32], [59]

Game of Golf, The (etching), [105] Gelder, Aert de, [44] Gentleman with the Hawk, The, [71] Gerritsz, Harmen, Rembrandt's father, [6], [11]; Portraits of, [11], [52], [53], [54], [55], [57]; ill., [12]; (etchings), [94], [95] Gilder, The, [67] Girl, Head of a, [59] Girl with a Broom, [75] Goldsmith at his Work, A (etching), [111] Goldweigher, The (etching), [103] Goldweigher's Field, The (etching), [103] Good Samaritan, The (Wallace Collection), [57]; (Cracow), [66]; (M. Porgès), [66]; (circa 1640), [67]; (Louvre), [74]; (etchings), [87], [95] Grotius, [57] Grotto, The (etching), [99]

Hagar and Ishmael, Expulsion of, [67] Haman, The Disgrace of, [75] Hannah teaching Samuel to read (Bridgewater House), [74]; (St Petersburg), [75] Haring, Jacob, [38]; Portrait of (etching), [110] Haring, Thomas Jacobsz, [38], [39]; Portrait of (etching) [106] Harmen Gerritsz, see [Gerritsz] Heertsbeeck, Isaac van, [36], [40], [41], [44], [45] Hendrickje, her relations with Rembrandt, [34], [35]; her children, [35]; partnership with Titus, [42], [88]; her will, [44]; her death, [44]; Portraits of (Louvre), [34], [76], [81]; (Berlin), [82]; ill., [44] Hog, The (etching), [98] Holy Family, The (Munich), [55]; (Louvre), [67]; (Downton), [71]; (St Petersburg), [72]; (Cassel), [73]; (etching), [108] Holy Family crossing a Rill during the Flight into Egypt, [103] Holy Family with the Serpent, The (etching), [104] Homer reciting his Poems, [82] Hoogh, Catrina, Portrait of, [78] House of the Carpenter, The, [67] Hundred Guilder Print, The, [85], [86], [110] Huygens, Constantin, [11], [20], [27] Huygens, Maurice, Portrait of, [53]

Jacob and Esau, Reconciliation of, [68] Jacob and Laban (etching), [98] Jacob blessing Joseph's Sons, [78] Jacob wrestling with the Angel, [80] Jacob's Dream (etching), [105] Jacob's Sons bringing him Joseph's Coat, [75] Jansenius, [82] Jesus and His Parents returning from Jerusalem (etching), [104] Jew in a High Cap, A (etching), [97] Jews' Synagogue, The (etching), [101] Jewish Bride, The (Prince Liechtenstein), [19]; (St Petersburg), [61]; (Amsterdam), [83] Jewish Bride, The Little (etching), [97] John the Baptist preaching, [78]; ill., [78] John the Baptist, Beheading of, (etching), [97] Jonghe, Clement de, [25], [85], [87]; Portrait of (etching), [103]; ill., [90] Joseph accused by Potiphar's Wife, [77] Joseph and Potiphar's Wife (etching), [96] Joseph interpreting his Dreams, [53] Joseph relating his Dreams (etchings), [97] Joseph's Coat, [74] Judas with the Price of the Betrayal, [51] Judith, [55] Jupiter and Antiope (etching), [107]

Kalkoen, Matthys, Portrait of, [57] Knobbert, Volkera Nicolai, Portrait of, [56] Krul, Jan Herman, Portrait of, [58]; ill., [58]

Lady, Portrait of a (Capt. Holford), [73] Lady of Utrecht, The, [67] Lady with the Fan, The (Buckingham Palace), [68]; ill., [70]; (Grosvenor House), [71] Lady with the Parrot, The, [78] Landscapes by Rembrandt, [66], [67], [73], [76], [98], [102], [109] Landscape with Cottage and Mill Sail (etching), [98] Landscape with a Cow drinking (etching), [112] Landscape with a Flock of Sheep (etching), [112] Landscape with a Man sketching (etching), [109] Landscape with an Obelisque (etching), [112] Landscape with a ruined Tower (etching), [109] Large Tree by a House (etching), [109] Lastman, Pieter, [9], [10] La Tombe, Pieter de, [25], [85], [111] Ledikant (etching), [100] Lievensz, Jan, [9], [11], [12], [30], [89] Lion Hunt, A (etchings), [109] Looten, Martin, Portrait of, [57] Lucretia, Death of, The, [82] Lutma, Jan, [25]; Portrait of (etching), [106]; ill., [106] Lysbeth, Rembrandt's Sister, [13], [14], [28], [38]; Portraits of, [51], [57], [58]

Man, Portrait of a (National Gallery), [63]; (St Petersburg), [65], [82]; (Cassel), [67]; (Brussels), [68]; ill., [70]; (Mr Armour), [71]; (Mr M. K. Jessup), [71]; (Earl of Brownlow), [76]; (M. Kann), [82] Man and his Wife, Portraits of a (Vienna), [56]; ill., [56]; (Prince Liechtenstein), [64]; ill., [64]; (Prince Jousoupoff), [81] Man in Armour (Brunswick), [66]; (Glasgow), [77]; (Cassel), [77] Man in a Red Cloak (M. Kann), [79] Man reading by a Window (Copenhagen), [73] Man sketching in a Book (Dresden), [78] Man with a Sword (Capt. Holford), [72] Man with a Baton (Louvre), [75] Man with the Bittern (Dresden), [67]; ill., [66] Man seated on the Ground (etching), [100] Man in an Arbour (etching), [98] Manasseh ben Israel, his "Piedra Gloriosa," [87], [105]; Portrait of, [72]; (etching), [96] Manoah and his Wife, The Offering of, [68] Marriage of Jason and Creusa, The (etching), [101] Merchant, Portrait of a (St Petersburg), [55]; (Lord Feversham), [79] Metamorphosis of Narcissus, The, [75] Mill, The, [76] Minerva, [55] Minister, Portrait of a, [65] Monks, figures of, [81] Mordecai, The Triumph of (etching), [110] Moses breaking the Tables of the Law, [80] Moses, The Saving of, [67] Mountebank, A (etching), [96]

Nativity, The (etching), [111] Nebuchadnezzar's Dream (etching), [105] Negress, A (etching), [107] Neeltje, Rembrandt's Mother, [2], [7], [14], [28]; Portraits of, see [Rembrandt's Mother] Night-Watch, The, [30], [69] Noli me tangere, [75]

Old Man caressing a Boy (etching), [108] Old Beggar Man conversing with a Woman (etching), [94] Old Beggar Woman (etching), [100] Old Jew (St Petersburg), [76] Old Lady, Portrait of an (National Gallery), [61]; ill., [62]; (Earl of Yarborough), [65]; see also [Old Woman] Old Man, Portrait of an (Berlin), [48]; (Cassel), [53]; (Louvre), [66]; (Buda-Pesth), [69]; (M. Schloss, Paris), [71]; (Lady Cook), [73]; (Dresden), [73], [76], [78], [83]; (Leeuwarden), [73]; (Strasburg), [75]; (Duke of Devonshire), [75], [76]; (St Petersburg), [76]; (Stockholm), [77]; (Pitti), [79]; (Nat. Gallery), [79]; (Col. Lindsay), [81]; (New York), [82]; (Earl of Northbrook), [83] Old Man with a divided Fur Cap (etching), [97] Old Woman, Portraits of an (Wilton House), [53]; (St Petersburg), [71], [76]; (M. Porgès), [74]; (Brussels), [76]; (Stockholm), [77]; (M. Kann), [78]; (Épinal), [82]; (Lord Wantage), [82]; (etchings), [95], [108] Old Woman Sleeping (etching), [105] Old Woman weighing Money (Dresden), [71] Omval, View of (etching), [99] Oriental, Portrait of an, [65] Oriental Heads (etching), [127] Orphan Girl of Amsterdam, An, [72]

Pallas, [75] Pancake Woman, The (etching), [96] Pancras, Burgomaster, and his Wife, [62]; ill., [62] Parable of the Labourers in the Vineyard, [78] Parable of the Master of the Vineyard, [65] Peasant with Milk Pails (etching), [112] Pellicorne, Burgomaster Jan, Portrait of, [56] Persian, The (etching), [95] Petitioners to a Biblical Prince, [59] Philon the Jew, [53] Philosopher in Meditation, A (Stroganoff Collection), [53]; (Louvre), [59] Philosopher reading by Candlelight, [49] Phœnix, The (etching), [113] "Piedra Gloriosa," Rembrandt's illustrations to, [87], [105] Pilate washing his Hands, [78] Pilgrim at Prayer, A, [81] Pluto carrying off Proserpine, [57] Presentation in the Temple, The (Hamburg), [52]; (TheHague), [55], [60]; (etchings), [94], [111] Presentation in the Vaulted Temple, The (etching), [109] Prodigal Son, The, [62], [83]; (etching), [96]

Rabbi, A (Hampton Court), [63]; (M. Porgès), [68]; (Berlin), [72]; ill., [74]; (Nat. Gallery), [78]; (Duke of Devonshire), [128] Raising of the Cross, The, [20] Raising of Lazarus, The, [51]; (etchings), [87], [98] Rape of Ganymede, The, [63] Rat-Killer, The (etching), [95] Rembrandt, date of birth discussed, [2], [3]; birthplace, [5]; his father, [6]; entered as a student at Leyden University, [7]; apprenticed to Swanenburch, [8], [9]; under Lastman at Amsterdam, [10]; return to Leyden, [10]; removal to Amsterdam, [11]; the Anatomy Lesson, [13], [16]; early portraits, [13], [16], [17]; meeting with Saskia, [19]; marriage, [22]; early extravagance, [23]; his first child, [24]; family quarrels, [23], [26]; his friends, [25]; birth and death of two daughters, [27]; financial difficulties, [26], [28], [29]; birth of Titus, [30]; death of Saskia, [30]; decline of prosperity, [32], [36]; relations with Hendrickje Stoffels, [34], [35]; bankruptcy, [38]; sale of his property, [39], [40]; fresh commissions, [41], [43]; failing sight, [43]; death of Hendrickje, [44]; his last pupil, [44]; death of Rembrandt, [46] Rembrandt, Portraits of himself— (Count Andrassy), [53]; (Lord Ashburton), [65], [79]; (Berlin), [61]; (Bridgewater House), [79]; (Duke of Buccleuch), [79], [80]; (Buckingham Palace), [72]; (Cambridge), [75]; (Carlsruhe), [71]; (Herr von Carstangen), [83]; (Cassel), [49], [61], [79]; (Gotha), [51]; (The Hague), [51], [61]; (Heywood-Lonsdale), [65]; (Lord Ilchester), [78]; (Lord Iveagh), [78]; (Lord Kinnaird), [82]; (Leipzig), [75]; (Louvre), [61], [65], [80]; (Herr Mendelssohn), [75]; (Munich), [78]; (Nat. Gallery), [67], [82]; ill., [28], [46]; (Sir A. D. Neeld), [80]; (Prince Henri of the Pays Bas), [71]; (Pitti), [63]; (Lady de Rothschild), [78]; (Uffizi), [83]; (Vienna), [79], [83]; (Wallace Collection), [61]; (Warneck Collection), [58]; (Weimar), [71] Etchings, [3], [94], [95], [97], [100], [108] Rembrandt's Brother, Portrait of (Berlin), [75]; (The Hague), [75] "Rembrandt's Cook" (Downton), [82] Rembrandt's Father, see [Gerritsz] Rembrandt and his Wife (etching), [96] Rembrandt's Mother, Portraits of, [49], [51], [55], [57], [67], [71]; ill., [6]; (etchings), [93], [95], [108] Rembrandt's Mill (etching), [98]; ill., [98] Repose in Egypt (etchings), [99], [112] Resurrection, The, [66] Robinson, Sir J. C., [48] Ruin, The, [75]

Saint, A, [65] St Anastasius, [54] St Catherine (etching), [97] St Francis praying (etching), [107] St Jerome (etchings), [95], [96], [98], [113] St Matthew, [81] St Paul (Vienna), [65]; (Lord Wimborne), [79] St Paul in Prison (Stuttgart), [49] St Peter, [52]; (etching), [112] St Peter, The Denial of (Elberfeld), [51]; (St Petersburg), [78] St Peter and St John at the Gate of the Temple (etchings), [107] St Stephen, The Martyrdom of (etching), [96] St Thomas, Incredulity of, [62] Salutation, The, [67] Samson captured by the Philistines (Berlin), [50] Samson overpowered by the Philistines (Count Schonborn), [64] Samson propounding his Riddle to the Philistines, [66] Samson threatening his Father-in-Law, [64] Saskia, Early Portraits of, [14], [17], [18], [57]; ill., [18]; her birth and family, [18]; first meeting with Rembrandt, [19]; marriage, [22]; her character, [22]; children, [24], [27], [30]; death, [30]; her will, [31]; Portraits of (Dresden), [58]; (St Petersburg), [61]; (M. Schloss), [61]; (Cassel), [61]; 1635, [62]; Rembrandt and Saskia (Dresden), [62]; ill., [24]; (Buckingham Palace), [62]; (Berlin), [71]; (etchings), [95], [108]; pencil drawing of (at Berlin), [4] Schoolmaster, The (etching), [98] Six, Burgomaster, [25], [34], [38]; Portrait of, (Six Collection), [79]; (etching), [100], [114] Six's Bridge (etching), [99] Shell, The (etching), [102]; ill., [102] Shepherds reposing at Night, [74] Shipbuilder and his Wife, The, [58]; ill., Frontispiece Sketches, sheets of (etchings), [112], [113] Slaughter-house, The (Herr Rath), [66]; (Glasgow), [75]; (Louvre), [77] Sobieski, [65]; ill., [66] Sortie of the Banning Cocq Company, [30], [69] Sportsman, The (etching), [110] Standard Bearer, The (Baron G. de Rothschild), [65]; (in America), [81] Star of the Kings, The (etching), [113] Stoffels, Hendrickje, see [Hendrickje] Storm, an Effect of, [67] Susannah and the Elders (Prince Jousoupoff), [65]; (Berlin), [73] Susannah, Study of, [74] Swalm, Henry, [25]; Portrait of, [65] Swanenburch, Jacob van, [8] Sylvius, Jan Cornelis, [18], [21], [25]; Portrait of, [72]; (etchings), [87], [88], [108], [109] Syndics of the Drapers' Guild, The, [43], [82]; ill., [80]

Tholinx, Arnold, [38]; Portrait of, [77]; (etching), [110] Three Crosses, The (etching), [87], [111] Three Trees, The (etching), [87], [98], ill., [92] Titia, Rembrandt's Granddaughter, [46], [47] Titus, Rembrandt's Son, [30], [33], [35]; his will, [38], [39]; partnership with Hendrickje, [42]; marriage, [46]; death, [46]; Portraits of (M. Kann), [77]; (Earl of Crawford), [77]; (Vienna), [79]; (Capt. Holford), [81]; (etching), [110] Tobias and the Angel, [76] Tobias restoring his Father's Sight, [62] Tobias' Wife with the Goat, [72] Tobit and his Wife, [75] Tobit Blind (etching), [111], [115] Tree, Sketch of a (etching), [109] Tribute Money, The, [72] Tulp, Dr, [13], [25], [41]; Portraits of, [57] Turenne, Marshal, Portrait of, [74]

Uijtenbogaerd, Jan, Portraits of (etchings), [87], [96], [103] Unmerciful Servant, The, [82] Uylenborch, Hendrick van, [16], [25], [29], [31], [40] Uylenborch, Magdalena van, wife of Titus, [46], [47] Uylenborch, Saskia van—see [Saskia].

Van Loo, Albert, [26], [46] Van Loo, Gerrit and Hiskia, [21], [22], [23], [25] Venus and Cupid, [81] Virgin mourning the Death of Jesus, The (etching), [109] Virgin and Child in the Clouds, The (etching), [98] Vision of Ezekiel, The (etching), [105] Village by the High Road (etching), [102] Village with a River and Sailing Vessel (etching), [109] Village with a Square Tower (etching), [102] Vista, The (etching), [103] Vymer, Anna, Portrait of, [68]

Winter Scene, A, [73]; ill., [74] Woman, Portrait of a (Mr Byers), [64]; (Lord Kinnaird), [64]; (Lord Iveagh), [69]; (M. Kann), [82]; and see [Old Woman] Woman bathing (Louvre), [74]; (Nat. Gallery), [76] Woman taken in Adultery, The, [72]; ill., [72] Woman by a Dutch Stove (etching), [111] Woman preparing to dress after Bathing (etching), [107] Woman with her Feet in Water (etching), [107] Woman with an Arrow (etching), [107] Woodchopper, The, [73]

Young Girl, Portrait of a (Stockholm), [51]; (The Hague), [53]; (Bridgewater House), [61]; (Dulwich), [72]; ill., [72] Young Man, Portrait of a (Earl Cowper), [72]; (Mr Humphry Ward), [73]; (Copenhagen), [77]; (Louvre), [78] Young Man and his Wife (Prince Liechtenstein), [64] Young Man in a Cap and Breastplate (Dresden), [71] Young Man laughing, [52] Young Man with the Turban, [54] Young Man seated in Meditation (etching), [96] Young Painter with Paper and Crayon, [74] Young Servant (Stockholm), [76] Young Woman, Portrait of a (Cassel), [63]; (Dr Bredius), [65]; (Dresden), [68]; (Copenhagen), [78] Young Woman in Bed (Edinburgh), [75] Young Woman reading (etching), [95] Youth (Lord Leconfield), [83]

Zachariah receiving the Prophecy of the Birth of John the Baptist, [55] "Zeewærts-Lof, Der," [87] Zoomer, Jan Pietersen, [85], [86], [87]

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