REMBRANDT VAN RIJN
THE GREAT MASTERS IN PAINTING AND SCULPTURE.
The following Volumes have been issued, price 5s. net each.
BERNARDINO LUINI. By George C. Williamson, Litt.D., Editor of the Series.
VELASQUEZ. By R. A. M. Stevenson.
ANDREA DEL SARTO. By H. Guinness.
LUCA SIGNORELLI. By Maud Cruttwell.
RAPHAEL. By H. Strachey.
CARLO CRIVELLI. By G. McNeil Rushforth, M.A., Lecturer in Classics, Oriel College, Oxford.
CORREGGIO. By Selwyn Brinton, M.A., Author of "The Renaissance in Italian Art."
DONATELLO. By Hope Rea, Author of "Tuscan Artists."
PERUGINO. By G. C. Williamson, Litt.D.
SODOMA. By the Contessa Lorenzo Priuli-Bon.
LUCA DELLA ROBBIA. By the Marchesa Burlamacchi.
GIORGIONE. By Herbert Cook, M.A., F.S.A.
MEMLINO. By W. H. James Weale, late Keeper of the National Art Library.
PIERO DELLA FRANCESCA. By W. G. Waters, M.A.
PINTORICCHIO. By Evelyn March Phillipps.
FRANCIA. By George C. Williamson, Litt.D.
BRUNELLESCHI. By Leader Scott.
MANTEGNA. By Maud Cruttwell.
REMBRANDT VAN RIJN. By Malcolm Bell.
In preparation.
WILKIE. By Lord Ronald Sutherland-Gower, M.A., F.S.A., Trustee of the National Portrait Gallery.
TINTORETTO. By J. B. Stoughton Holborn, M.A. of Merton College, Oxford.
GIOTTO. By F. Mason Perkins.
EL GRECO. By Manuel B. Cossio, Litt.D., Ph.D., Director of the Musée Pédagogique, Madrid.
DÜRER. By Hans W. Singer, M.A., Ph.D., Assistant Director of the Royal Print Room, Dresden.
PAOLO VERONESE. By Roger E. Fry.
GAUDENZIO FERRARI. By Ethel Halsey.
Others to follow.
LONDON: GEORGE BELL & SONS
Buckingham Palace, London.
The Ship builder & his wife. (1633)
REMBRANDT
VAN RIJN
BY
MALCOLM BELL
AUTHOR OF "SIR EDWARD BURNE-JONES:
A RECORD AND REVIEW," ETC.
LONDON
GEORGE BELL & SONS
1901
PREFACE
In order to reduce the volume on Rembrandt, published in 1899, to the smaller dimensions demanded by the "Great Masters" series, it became necessary to dispense with some of the material included in it. This, it is hoped, has been done without seriously affecting the usefulness of the book. The story of the painter's life and work has been to some extent compressed, but everything essential has, it is believed, been retained. The chief omissions are the short descriptions of the pictures and the lists of the etchings, which, while occupying much space, were thought to be more suitable to a work of reference than to a handbook. The student who desires fuller information on these points will find it in the earlier volume.
CONTENTS
| PAGE | ||
| List of Illustrations | [vii] | |
| Bibliography | [ix] | |
| Chronological Table | [xiii] | |
| PART I.—REMBRANDT THE MAN | ||
| Chapter I. | Birth and Early Years | [1] |
| II. | Art Education and Early Works | [8] |
| III. | Days of Prosperity | [16] |
| IV. | Days of Decline | [32] |
| PART II.—REMBRANDT THE PAINTER | ||
| V. | Early Years (1627-1633) | [48] |
| VI. | Time of Prosperity | [61] |
| VII. | Years of Decline | [71] |
| PART III.—REMBRANDT THE ETCHER | ||
| VIII. | The History of the Etchings | [85] |
| IX. | The Authentic Etchings | [93] |
| Catalogue of Works | [117] | |
| Index | [157] | |
LIST OF ILLUSTRATIONS
| PAGE | ||
| The Shipbuilder and his Wife, 1633, [Frontispiece] | Buckingham Palace | |
| Portrait of Rembrandt's Mother, about 1628 | The Hague | [6] |
| Portrait of Rembrandt's Father, about 1631 | Cassel | [12] |
| Portrait of Saskia, 1632 | Prince Liechtenstein, Vienna | [18] |
| Rembrandt and Saskia, about 1635 | Dresden | [24] |
| Portrait of Rembrandt, 1640 | National Gallery, London | [28] |
| Portrait of Saskia, 1641 | Dresden | [30] |
| Portrait of Hendrickje Stoffels, about 1662 | Louvre | [44] |
| Portrait of Rembrandt, about 1664 | National Gallery, London | [46] |
| Portrait called Coppenol, 1631 | The Hermitage | [54] |
| Portrait of a Man, 1630-1632 | Imperial Museum, Vienna | [56] |
| Portrait of a Woman, 1630-1632 | Imperial Museum, Vienna | [56] |
| The Anatomy Lesson, 1632 | The Hague | [58] |
| Portrait of Jan Herman Krul, 1633 | Cassel | [58] |
| The Elevation of the Cross, 1633 | Munich | [60] |
| Portrait of an Old Woman, 1634 | National Gallery, London | [62] |
| The Burgomaster Pancras and his Wife, about 1635 | Buckingham Palace | [62] |
| Portrait of a Man, 1635 | National Gallery, London | [62] |
| Danae, 1636 | The Hermitage | [64] |
| Portrait of a Man, 1636 | Prince Liechtenstein, Vienna | [64] |
| Portrait of a Lady, 1636 | Prince Liechtenstein, Vienna | [64] |
| Portrait called Sobieski, 1637 | The Hermitage | [66] |
| The Man with the Bittern, 1639 | Dresden | [66] |
| Portrait of Elizabeth Bas, about 1640 | Amsterdam | [68] |
| Anslo consoling a Widow, 1641 | Berlin | [68] |
| The Lady with the Fan, 1641 | Buckingham Palace | [70] |
| Portrait of a Man, 1641 | Brussels | [70] |
| The Woman taken in Adultery, 1644 | National Gallery, London | [72] |
| A Girl at a Window, 1645 | Dulwich Gallery | [72] |
| Portrait of a Rabbi, 1645 | Berlin | [74] |
| A Winter Scene, 1646 | Cassel | [74] |
| Christ at Emmaus, 1648 | Louvre | [76] |
| John the Baptist preaching, 1656 | Berlin | [78] |
| The Syndics of the Drapers, 1661 | Amsterdam | [80] |
ETCHINGSThe Numbers given are those of Bartsch's Catalogue | ||
| Christ healing the Sick (74) | [86] | |
| Clement de Jonghe (272) | [90] | |
| The Three Trees (212) | [92] | |
| Rembrandt's Mill (233) | [98] | |
| Beggars at the Door of a House (176) | [100] | |
| The Shell (159) | [102] | |
| Jan Lutma (276) | [106] | |
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