Transcriber’s Note:

Minor errors, attributable to the printer, have been corrected. Please see the transcriber’s [note] at the end of this text for details regarding the handling of any textual issues encountered during its preparation.

Any corrections are indicated using an underline highlight. Placing the cursor over the correction will produce the original text in a small popup.

Any corrections are indicated as hyperlinks, which will navigate the reader to the corresponding entry in the corrections table in the note at the end of the text.

THE MODERN LIBRARY

OF THE WORLD’S BEST BOOKS

THE GUERMANTES WAY

The publishers will be pleased to send, upon request, an illustrated folder setting forth the purpose and scope of THE MODERN LIBRARY, and listing each volume in the series. Every reader of books will find titles he has been looking for, handsomely printed, in unabridged editions, and at an unusually low price.

THE
GUERMANTES
WAY

BY MARCEL PROUST

Translated by C. K. Scott Moncrieff


THE MODERN LIBRARY · NEW YORK


COPYRIGHT, 1925, BY THOMAS SELTZER

Random House IS THE PUBLISHER OF

THE MODERN LIBRARY

BENNETT A. CERF · DONALD S. KLOPFER · ROBERT K. HAAS

Manufactured in the United States of America

Printed by Parkway Printing Company Bound by H. Wolff



MARCEL PROUST

(1871-1922)

A NOTE ON THE AUTHOR OF “À LA RECHERCHE

DU TEMPS PERDU”

I don’t think there ever has been in the whole of literature such an example of the power of analysis, and I feel safe in saying that there will never be another.”—Joseph Conrad.

The world of fashion in which Marcel Proust spent his youth and early manhood saw nothing of him during the last thirteen years of his life. A victim of chronic illness, he barricaded himself in his apartment, swathed himself like an Egyptian mummy, drew his shutters and curtains to exclude the light, and there recorded his chronicle of things past. Son of a distinguished physician and an heiress of a rich Jewish family, Proust had his first training under the guidance of the Roman Catholic Church. An association in the 1890’s with some of the aesthetes of that period resulted in the publication of a review, to which Proust contributed some juvenile prose and verse. Thereafter the fashionable Faubourg St. Germain became his sphere, and it was there, among the illustrious and well-born, that he assimilated those fragments of gossip and family history which were later transmuted into a world in itself—the world of À La Recherche du Temps Perdu.

BIBLIOGRAPHY

LES PLAISIRS ET LES JOURS (with a preface by Anatole France (1896))

DU CÔTÉ DE CHEZ SWANN (1918) (SWANN’S WAY (1923))

À L’OMBRE DES JEUNES FILLES EN FLEURS (1918) (WITHIN A BUDDING GROVE (1924))

LE CÔTÉ DE GUERMANTES I (1920) LE CÔTÉ DE GUERMANTES II (1921) (THE GUERMANTES WAY (1925))

SODOME ET GOMORRHE I (1921) SODOME ET GOMORRHE II (1922) (CITIES OF THE PLAIN (1928))

LA PRISONNIÈRE (1923) (THE CAPTIVE (1929))

ALBERTINE DISPARUE (1926) (THE SWEET CHEAT GONE (1930))

LE TEMPS RETROUVÉ (1928) (THE PAST RECAPTURED (1932))