Mosaics of Grecian History

by Marcius Willson; Robert Pierpont Wilson

III. CONTESTS BETWEEN THE TURKS AND VENETIANS.

Greece was long the scene of severe contests between the Turks and the Venetians. Athens was first captured by the Turks in 1456, but they were driven from it in 1467 by the Venetians, who were in turn expelled from the city by the Turks in 1470. But Venice, as a French historian—COMTE DE LABOURDE—has observed, "Alone of the states of Europe could feel, from a merely material point of view, the force of the blow struck at Europe and her own commerce by the submission of almost the whole of Greece to Turkish rule;" and this feeling survived many centuries. In 1670 the Turks conquered Crete from the Venetians, and in 1684 the latter retaliated by offensive operations against the Peloponnesus, which was soon reconquered by the Venetian admiral Morosini. In 1687 Morosini crowned his successes by the capture of Athens. The Turkish garrison had retired to the Acropolis, and the victory is principally of interest on account of the irreparable injury done to the works of art on that "rock-shrine of Athens." Although he subsequently sought to evade all responsibility for the desolation that ensued, it was Morosini who directed his batteries to hurl their fatal burdens against the Acropolis, and it was he who afterward robbed it of many of its treasures. Hitherto the alterations made for military purposes, and the slight injuries inflicted at various times, had not marred the general beauty and effect of its buildings; but when the troops of Venice entered Athens, the Parthenon and others of that gorgeous assemblage of structures were in ruins, and the glory of the Athenian Acropolis survived only in the past. Contrasting its past glory and its present decay, a writer in a recent Review makes these interesting observations:

"No other fortress has embraced so much beauty and splendor within its walls, and none has witnessed a series of more startling and momentous changes in the fortunes of its possessors. Wave after wave of war and conquest has beaten against it. The city which lies at its feet has fallen beneath the assaults of the Persian, the Spartan, the Macedonian, the Roman, the Goth, the Crusader, and the Turk. Through all these and other vicissitudes the Acropolis passed, changing only in the character of its occupants, unchanged in its loveliness and splendor. With a few blemishes and losses, whether from the decaying taste of later times or the occasional robberies of a foreign conqueror, but unaffected in its general aspect, it presented to the eyes of the victorious Ottoman the same front of unparalleled beauty which it had displayed in the days of Pericles. To him who looks upon it now, however, the scene is changed indeed—changed not only in the loss of its treasures of decorative art (for of many of these it had been robbed before), but with its loveliest fabrics shattered, many reduced to hopeless ruin, and not a few utterly obliterated. Less than two centuries sufficed to bring about all this dilapidation: less than three months sufficed to complete the ruin. If the Venetian, by his abortive conquest, inflicted not more injury on the fair heritage of Athenian art than it had undergone from all preceding spoliations, he left it, not merely from the havoc of war, but by wanton subsequent mutilation, in that state which rendered the recovery of its ancient grace and majesty impossible."

The Venetians evacuated Athens in 1688, and a few years subsequently the Peloponnesus was their only possession in Greece. In 1715 a Turkish army of one hundred thousand men under Al'i Coumour'gi, the Grand Vizier of Ach'met III., invaded the Peloponnesus, and first attacked Corinth. Historians tell us that the garrison, weakened by several unsuccessful attacks, opened negotiations for a surrender; but, while these were in progress, the accidental firing of a magazine in the Turkish camp so enraged the infidels that they at once broke off the negotiations, stormed and captured the city, and put most of the garrison, with Signor Minotti, the commander, to the sword. Those taken prisoners were reserved for execution under the walls of Nauplia, within sight of the Venetians.

In BYRON'S Siege of Corinth, founded on the historical narrative; a poetical license is taken, and the death of Minotti and the remnant of his followers is attributed to the explosion of a powder-magazine fired by Minotti himself. From the fine descriptions which this poem contains we extract the following verses:

The Siege and Fall of Corinth.

On dim Cithæron's ridge appears
The gleam of twice ten thousand spears;
And downward to the Isthmian plain,
From shore to shore of either main,
The tent is pitched, the crescent shines
Along the Moslem's leaguering lines;
And the dusk Spä'hi's bands advance
Beneath each bearded pä'sha's glance;
And far and wide as eye can reach
The turbaned cohorts throng the beach;
And there the Arab's camel kneels,
And there his steed the Tartar wheels;
The Turcoman has left his herd,
The sabre round his loins to gird;
And there the volleying thunders pour,
Till waves grow smoother to the roar.
The trench is dug, the cannon's breath
Wings the far hissing globe of death;
Fast whirl the fragments from the wall,
Which crumbles with the ponderous ball;
And from that wall the foe replies,
O'er dusty plain and smoky skies,
With fires that answer fast and well.
The summons of the Infidel.

The walls grew weak; and fast and hot
Against them poured the ceaseless shot,
With unabating fury sent
From battery to battlement;
And thunder-like the pealing din
Rose from each heated culverin;
And here and there some crackling dome
Was fired before the exploding bomb;
And as the fabric sank beneath
The shattering shell's volcanic breath,
In red and wreathing columns flashed
The flame, as loud the ruin crashed,
Or into countless meteors driven,
Its earth-stars melted into heaven—
Whose clouds that day grew doubly dun,
Impervious to the hidden sun,
With volumed smoke that slowly grew
To one wide sky of sulphurous hue.

Having made a breach in the walls, as morning dawns the Turks form in line, and wait for the word to storm the intrenchments. Coumourgi addresses them—the command is given, and with the irresistible force of an avalanche the infidels pour into Corinth.

Tartar, and Spähi, and Turcoman,
Strike your tents and throng to the van;
Mount ye, spur ye, skirr the plain,
That the fugitive may flee in vain
When he breaks from the town; and none escape,
Aged or young, in the Christian shape;
While your fellows on foot, in a fiery mass,
Bloodstain the breach through which they pass.
The steeds are all bridled, and snort to the rein;
Curved is each neck, and flowing each mane;
White is the foam of their champ on the bit:
The spears are uplifted, the matches are lit,
The cannon are pointed, and ready to roar,
And crush the wall they have crumbled before:
The khan and the päshas are all at their post;
The vizier himself at the head of the host.
When the culverin's signal is fired, then on;
Leave not in Corinth a living one—
A priest at her altars, a chief in her halls,
A hearth in her mansions, a stone on her walls.
God and the prophet-Ala Hu!
Up to the skies with that wild halloo!
"There the breach lies for passage, the ladder to scale;
And your hands on your sabres, and how should ye fail?
He who first downs with the red cross may crave
His heart's dearest wish; let him ask it, and have!"
Thus uttered Coumourgi, the dauntless vizier;
The reply was the brandish of sabre and spear,
And the shout of fierce thousands in joyous ire;
Silence—hark to the signal—fire!

---

As the spring-tides, with heavy plash,
From the cliffs invading, dash
Huge fragments, sapped by the ceaseless flow,
Till white and thundering down they go,
Like the avalanche's snow,
On the Alpine vales below;
Thus at length, outbreathed and worn,
Corinth's sons were downward borne
By the long and oft renewed
Charge of the Moslem multitude.
In firmness they stood, and in masses they fell,
Heaped, by the host of the infidel,
Hand to hand, and foot to foot:
Nothing there, save death, was mute;
Stroke, and thrust, and flash, and cry
For quarter, or for victory,
Mingle there with the volleying thunder,
Which makes the distant cities wonder
How the sounding battle goes,
If with them or for their foes.

From the point of encountering blades to the hilt
Sabres and swords with blood were gilt;
But the rampart is won, and the spoil begun,
And all but the after-carnage done.
Shriller shrieks now mingling come
From within the plundered dome:
Hark to the haste of flying feet,
That splash in the blood of the slippery street;
But here and there, where 'vantage ground
Against the foe may still be found,
Desperate groups of twelve or ten
Make a pause, and turn again—
With banded backs against the wall
Fiercely stand, or fighting fall.

Minotti, though an old man, has an "arm full of might," and he disputes, foot by foot, the successful and deadly onslaughts of the Turks. He finally retires, with the remnant of his gallant band, to the fortified church, where lie the last and richest spoils sought by the infidels, and in the vaults beneath which, lined with the dead of ages gone, was also "the Christians' chiefest magazine." To the latter a train had been laid, and, seizing a blazing torch, his "last and stern resource,"

Darkly, sternly, and all alone,
Minotti stands o'er the altar-stone,

and awaits the last attack of his foes. It soon comes.

So near they came, the nearest stretched
To grasp the spoil he almost reached,
When old Minotti's hand
Touched with the torch the train—
'Tis fired!
Spire, vaults, the shrine, the spoil, the slain,
The turbaned victors, the Christian band,
All that of living or dead remain,
Hurled on high with the shivered fane,
In one wild roar expired!
The shattered town, the walls thrown down,
The waves a moment backward bent—
The hills that shake, although unrent,
As if an earthquake passed—
The thousand shapeless things all driven
In cloud and flame athwart the heaven,
By that tremendous blast—
Proclaimed the desperate conflict o'er
On that too long afflicted shore:
Up to the sky like rockets go
All that mingled there below:
Many a tall and goodly man,
Scorched and shrivelled to a span,
When he fell to earth again
Like a cinder strewed the plain:
Down the ashes shower like rain;
Some fell in the gulf, which received the sprinkles
With a thousand circling wrinkles;
Some fell on the shore, but, far away,
Scattered o'er the isthmus lay.

---

All the living things that heard
That deadly earth-shock disappeared;
The wild birds flew; the wild dogs fled,
And howling left the unburied dead;
The camels from their keepers broke,
The distant steer forsook the yoke—
The nearer steed plunged o'er the plain,
And burst his girth, and tore his rein;
The bull-frog's note, from out the marsh,
Deep-mouthed arose, and doubly harsh
The wolves yelled on the caverned hill,
Where echo rolled in thunder still;
The jackal's troop, in gathered cry,
Bayed from afar complainingly,
With a mixed and mournful sound,
Like crying babe, and beaten hound:
With sudden wing and ruffled breast
The eagle left his rocky nest,
And mounted nearer to the sun,
The clouds beneath him seemed so dun;
Their smoke assailed his startled beak,
And made him higher soar and shriek.
Thus was Corinth lost and won!