CARLYLE, AGAIN.
Paris, Dec, 1846.—Accustomed to the infinite wit and exuberant richness of his writings, his talk is still an amazement and a splendor scarcely to be faced with steady eyes. He does not converse;—only harangues. It is the usual misfortune of such marked men,—happily not one invariable or inevitable,—that they cannot allow other minds room to breathe, and show themselves in their atmosphere, and thus miss the refreshment and instruction which the greatest never cease to need from the experience of the humblest. Carlyle allows no one a chance, but bears down all opposition, not only by his wit and onset of words, resistless in their sharpness as so many bayonets, but by actual physical superiority,—raising his voice, and rushing on his opponent with a torrent of sound. This is not in the least from unwillingness to allow freedom to others. On the contrary, no man would more enjoy a manly resistance to his thought. But it is the habit of a mind accustomed to follow out its own impulse, as the hawk its prey, and which knows not how to stop in the chase. Carlyle, indeed, is arrogant and overbearing; but in his arrogance there is no littleness,—no self-love. It is the heroic arrogance of some old Scandinavian conqueror;—it is his nature, and the untamable energy that has given him power to crush the dragons. You do not love him, perhaps, nor revere; and perhaps, also, he would only laugh at you if you did; but you like him heartily, and like to see him the powerful smith, the Siegfried, melting all the old iron in his furnace till it glows to a sunset red, and burns you, if you senselessly go too near. He seems, to me, quite isolated,—lonely as the desert,—yet never was a man more fitted to prize a man, could he find one to match his mood. He finds them, but only in the past. He sings, rather than talks. He pours upon you a kind of satirical, heroical, critical poem, with regular cadences, and generally, near the beginning, hits upon some singular epithet, which serves as a refrain when his song is full, or with which, as with a knitting needle, he catches up the stitches, if he has chanced, now and then, to let fall a row. For the higher kinds of poetry he has no sense, and his talk on that subject is delightfully and gorgeously absurd. He sometimes stops a minute to laugh at it himself, then begins anew with fresh vigor; for all the spirits he is driving before him seem to him as Fata Morgana, ugly masks, in fact, if he can but make them turn about; but he laughs that they seem to others such dainty Ariels. His talk, like his books, is full of pictures; his critical strokes masterly. Allow for his point of view, and his survey is admirable. He is a large subject. I cannot speak more or wiselier of him now, nor needs it;—his works are true, to blame and praise him,—the Siegfried of England,—great and powerful, if not quite invulnerable, and of a might rather to destroy evil, than legislate for good.
Of Dr. Wilkinson I saw a good deal, and found him a substantial person,—a sane, strong, and well-exercised mind,—but in the last degree unpoetical in its structure. He is very simple, natural, and good; excellent to see, though one cannot go far with him; and he would be worth more in writing, if he could get time to write, than in personal intercourse. He may yet find time;—he is scarcely more than thirty. Dr. W. wished to introduce me to Mr. Clissold, but I had not time; shall find it, if in London again. Tennyson was not in town.
Browning has just married Miss Barrett, and gone to Italy. I may meet them there. Bailey is helping his father with a newspaper! His wife and child (Philip Festus by name) came to see me. I am to make them a visit on my return. Marston I saw several times, and found him full of talent. That is all I want to say at present;—he is a delicate nature, that can only be known in its own way and time. I went to see his "Patrician's Daughter." It is an admirable play for the stage. At the house of W.J. Fox, I saw first himself, an eloquent man, of great practical ability, then Cooper, (of the "Purgatory of Suicides,") and others.
My poor selection of miscellanies has been courteously greeted in the London journals. Openings were made for me to write, had I but leisure; it is for that I look to a second stay in London, since several topics came before me on which I wished to write and publish there.
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I became acquainted with a gentleman who is intimate with all the English artists, especially Stanfield and Turner, but was only able to go to his house once, at this time. Pictures I found but little time for, yet enough to feel what they are now to be to me. I was only at the Dulwich and National Galleries and Hampton Court. Also, have seen the Vandykes, at Warwick; but all the precious private collections I was obliged to leave untouched, except one of Turner's, to which I gave a day. For the British Museum, I had only one day, which I spent in the Greek and Egyptian Rooms, unable even to look at the vast collections of drawings, &c. But if I live there a few months, I shall go often. O, were life but longer, and my strength greater! Ever I am bewildered by the riches of existence, had I but more time to open the oysters, and get out the pearls. Yet some are mine, if only for a necklace or rosary.