CHAPTER IX

In all French public offices there is a strange mingling of the sordid and of the magnificent.

The Paris Prefecture of Police is a huge, quadrangular building, containing an infinity of bare, and to tell the truth, shabby, airless rooms; yet when Senator Burton had handed in his card and the note from the President of the French Senate, he was taken rapidly down a long corridor, and ushered into a splendid apartment, of which the walls were hung with red velvet, and which might have been a reception room in an Italian Palace rather than the study of a French police official.

"Monsieur le Préfet will be back from déjeuner in a few minutes," said the man, softly closing the door.

The Senator looked round him with a feeling of keen interest and curiosity. After the weary, baffling hours of fruitless effort in which he had spent the last three days, it was more than pleasant to find himself at the fountainhead of reliable information.

Since the far-off days when, as a boy, he had been thrilled by the brilliant detective stories of which French writers, with the one outstanding exception of Poe, then had a monopoly, there had never faded from Senator Burton's mind that first vivid impression of the power, the might, the keen intelligence, and yes, of the unscrupulousness, of the Paris police.

But now, having penetrated into the inner shrine of this awe-inspiring organism, he naturally preferred to think of the secret autocratic powers, and of the almost uncanny insight of those to whom he was about to make appeal. Surely they would soon probe the mystery of John Dampier's disappearance.

The door opened suddenly, and the Paris Prefect of Police walked into the room. He was holding Senator Burton's card, and the letter of introduction with which that card had been accompanied, in his sinewy nervous looking hand.

Bowing, smiling, apologising with more earnestness than was necessary for the few moments the American Senator had had to await his presence, the Prefect motioned his guest to a chair.

"I am very pleased," he said in courtly tones, "to put myself at the disposal of a member of the American Senate. Ah, sir, your country is a wonderful country! In a sense, the parent of France—for was not America the first great nation to become a Republic?"

Senator Burton bowed, a little awkwardly, in response to this flowery sentiment.

He was telling himself that Monsieur Beaucourt was quite unlike the picture he had mentally formed, from youth upwards, of the Paris Prefect of Police.

There was nothing formidable, nothing for the matter of that in the least awe-inspiring, about this tired, amiable-looking man. The Prefect was also lacking in the alert, authoritative manner which the layman all the world over is apt to associate with the word "police."

Monsieur Beaucourt sat down behind his ornate buhl writing-table, and shooting out his right hand he pressed an electric bell.

With startling suddenness, a panel disappeared noiselessly into the red velvet draped wall, and in the aperture so formed a good-looking young man stood smiling.

"My secretary, Monsieur le Sénateur—my secretary, who is also my nephew."

The Senator rose and bowed.

"André? Please say that I am not to be disturbed till this gentleman's visit is concluded." The young man nodded: and then he withdrew as quickly, as silently, as he had appeared; and the panel slipped noiselessly back behind him.

"And now tell me exactly what it is that you wish me to do for you," said the Prefect, with a weary sigh, which was, however, softened by a pleasant smile. "We are not as omnipotent as our enemies make us out to be, but still we can do a good deal, and we could do a good deal more were it not for the Press! Ah, Monsieur le Sénateur, that is the only thing I do not like about your great country. Your American Press sets so bad, so very bad, an example to our poor old world!"

A thin streak of colour came into Monsieur Beaucourt's cheek, a gleam of anger sparkled in his grey eyes.

"Yes, greatly owing to the bad example set in America, and of late in England too, quite a number of misguided people nowadays go to the Press before they come to us for redress! All too soon," he shook a warning finger, "they find they have entered a mouse-trap from which escape is impossible. They rattle at the bars—but no, they are caught fast! Once they have brought those indefatigable, those indiscreet reporters on the scene, it is too late to draw back. They find all their most private affairs dragged into the light of day, and even we can do very little for them then!"

Senator Burton nodded gravely. He wished his son were there to hear these words.

"And now let us return to our muttons," said the Prefect leaning forward. "I understand from the President of the Senate that you require my help in a rather delicate and mysterious matter."

"I do not know that the matter is particularly delicate, though it is certainly mysterious," and then Senator Burton explained, in as few and clear words as possible, the business which had brought him there—the disappearance, three days before, of the English artist, John Dampier, and of the present sad plight of Dampier's wife.

Monsieur Beaucourt threw himself back in his chair. His face lit up, it lost its expression of apathetic fatigue; and his first quick questions showed him a keen and clever cross-examiner.

At once he seized on the real mystery, and that though the Senator had not made more of it than he could help. That was the discrepancy in the account given by the Poulains and by Mrs. Dampier respectively as to the lady's arrival at the hotel.

But even Monsieur Beaucourt failed to elicit the fact that Senator Burton's acquaintance with Mrs. Dampier was of such short standing. He assumed that she was a friend of the Burton family, and the Senator allowed the assumption to go by default.

"The story you have told me," the Prefect said at last, "is a very curious story, Monsieur le Sénateur. But here we come across stranger things every day. Still, certain details make the disappearance of this English gentleman rather stranger than usual. I gather that the vanished man's wife is a charming person?"

"Extremely charming!" said the Senator quickly. "And I should say quite truthful—in fact this discrepancy between her account and that of the Poulains has worried and perplexed me very much."

"Do not let that worry you," said the other thoughtfully. "If this young lady, your friend, be telling the truth, it is very probable that the Poulains began to lie in the hope of avoiding trouble for themselves: having lied they found themselves obliged to stick to their story. You see just now our hotel-keepers are coining gold, and they do not like this very pleasant occupation of theirs interrupted, for even the best of reasons. If this gentleman left the hotel the same night that he arrived there—as I can see you yourself are inclined to believe, Monsieur le Sénateur—then you may be sure that the hotel people, even if they did see him for a few moments, would not care to admit that they had done so. I therefore advise that we put them and their account of what took place out of our minds. From what you tell me, you have already done what I may call the usual things?"

"Yes," said Senator Burton frankly. "My son and I have done everything which common sense could suggest to us. Thus we at once gave a description of the missing man to the police station of the quarter where both the Hôtel Saint Ange and Mr. Dampier's studio are situated. But, owing doubtless to the fact that all your officials are just now very busy and very overworked, we did not get quite as much attention paid to the case as I should have liked. I do not feel quite sure even now that the missing man did not meet with a street accident."

"I can ascertain that for you in a moment."

Again the Prefect pressed a pedal. A panel, and this time a different panel from the first, slid back, and again the secretary appeared.

Monsieur Beaucourt said a brief word or two, and a few moments later a tabulated list, written in round-hand, lay before him.

"Here are all the accidents which have occurred in Paris during the last ninety hours."

He ran his eyes down the list; and then, rising, handed the sheets to
Senator Burton.

"I think this disposes of the idea that an accident may have befallen your friend in the streets," said the Prefect briefly.

And the Senator, handing back the list, acknowledged that this was so.

"May I ask if you know much of the habits and way of life of this vanished bridegroom?" asked the Prefect thoughtfully. "I understand he belongs to the British Colony here."

"Mr. Dampier was not my friend," said the Senator hurriedly. "It is Mrs.
Dampier—"

"Ah, yes—I understand—the three weeks' bride? It is she you know. Well, Monsieur le Sénateur, the best thing you and I can do is to look at the artist's dossier. That is quite likely to provide us with a useful clue."

The Senator felt a thrill of anticipatory interest. All his life he had heard of the dossiers kept by the Paris police, of how every dweller in the great city, however famous, however obscure, had a record in which the most intimate details of their lives were set down in black and white. Somehow he had never quite believed in these French police dossiers.

"Surely you are not likely to have a dossier of Mr. Dampier?" he exclaimed, "he is a British subject, and, as far as I know, a perfectly respectable man."

The Prefect smiled. "The mere fact that he is an English subject living in Paris entitles him to a dossier. In fact everybody who is anybody in any kind of society, from that frequented by the Apaches to that of the Faubourg Saint Germain, has a dossier. And from what you tell me this artist, who won a Salon medal, and who has already had a distinguished career as a painter, is certainly 'somebody.' Now, please tell me exactly the way to spell his surname and his Christian name. English names are so perplexing."

Very clearly the Senator spelt out—first the word "John" and then the word
"Dampier."

And as, under his dictation, the Prefect of Police wrote the two distinctive names of the missing man, there came a look of frowning perplexity and indecision over his face.

"It's an odd thing," he muttered, "but I seem to have heard that name quite lately, and in some strange connection! Now what could it have been? As you probably know, Monsieur le Sénateur, there is a French form of that name, Dampierre. But no—it is that John which puzzles me—I am quite sure that I have heard the name 'John Dampier' quite recently."

"Isn't it likely," suggested the Senator, "that the man's disappearance has been reported to you? My son and I have done everything in our power to make the fact known, and Mr. Dampier's name and particulars as to his appearance have been at the Morgue since yesterday."

"Well, that's possible, of course. Just now my poor head has to hold far more than it was ever meant to do. The presence of so many royal personages in Paris always means extra trouble for me—especially when they are here 'incognito.' By the way, it would amuse, perhaps shock you, to see the dossiers of some of these Princes and Grand Dukes! But these are, of course, kept very secret. Meanwhile, I must not forget Mr. John Dampier."

This time the Prefect did not ring his bell. Instead he blew down a tube. "You would scarcely believe it," he said, looking up suddenly, "but these tubes have only just been installed! I had a regular battle over the matter with the Treasury. But now that the battle is won, I forget half the time that the tube is there! Picot? Please send me the dossier of an artist-painter called John Dampier," he spelt the names. "English subject; living in Impasse des Nonnes. I have an impression that we have had that name before us during the last week or so—Have you any recollection of it?"

He put the tube to his ear.

And then the American Senator, looking at the Paris Prefect of Police, was struck by a sudden change which came over the listener's face. There gathered on Monsieur Beaucourt's features a look of quick surprise, followed—yes, unmistakably—by a frown of dismay.

Putting his free hand over the tube, he withdrew it from his ear and applied it to his lips. "Yes, yes," he said rapidly, "enough, enough! I quite understand. It is, as you say, very natural that I should have forgotten."

And then he looked quickly across at the Senator. "You are right, Monsieur le Sénateur: Mr. Dampier's name was put before me only yesterday as that of an Englishman who had disappeared from his hotel. But I took him to be a passing visitor. You know quite a number of the tourists brought by the Exhibition disappear, sometimes for two or three days—sometimes—well, for ever! That, of course, means they have left Paris suddenly, having got into what the English call a 'scrape.' In such a case a man generally thinks it better to go home—wiser if sadder than when he came."

There followed a pause.

"Well, Monsieur le Sénateur," said the Prefect, rising from his chair. "You may rest assured that I will do everything that is in my power to find your friend."

"But the dossier?" exclaimed Senator Burton. "I thought, Monsieur le
Préfet, that I was to see Mr. Dampier's dossier?"

"Oh, to be sure—yes! I beg your pardon."

Again he whistled down the tube. "Picot?" he exclaimed, "I still require that dossier! Why am I kept waiting in this way?"

He listened for a few moments to what his invisible subordinate had to say, and then again he spoke down the funnel, and with a certain pettish impatience. "The last entry is of no importance—understand me—no importance at all! The gentleman for whose benefit I require the dossier already knows of this Mr. Dampier's disappearance."

A moment later a clerk knocked at the door, and appeared with a blue envelope which he laid with a deep bow on the Prefect's table.

It was not a very large envelope, and yet Senator Burton was surprised at its size, and at the number of slips of paper the Prefect of Police withdrew from it.

"I do not suppose, Monsieur le Sénateur, that you have ever seen one of our dossiers—in fact I may tell you that very few people outside this building ever do see one. By the way, a great deal of nonsense is talked about them. Roughly speaking, a dossier is not a history of the individual in question; it simply records what is being said of him. For instance, the day that I became Prefect of Police my dossier was brought to me—"

He smiled wearily.

"Your dossier?" repeated the Senator in amazement.

"Yes, my dossier. I have had it bound, and I keep it as a curiosity. Everything that had ever been written about me in the days when I was a Member of the Chamber of Deputies is there. And what really made me feel angry was the fact that I had been confused with more than one of my namesakes, in fact certain misdeeds that these worthy folk had committed were actually registered in my dossier!"

He stopped speaking for a moment, and took up the blue envelope.

"But now let us consider this Mr. John Dampier. You will see that he bears the number '16909,' and that his envelope is blue. Had this gentleman ever had anything to do with the police, were he, to put it plainly, of the criminal class, this envelope would be yellow. As for the white envelopes, they, Monsieur le Sénateur, have to deal with a very different sort of individual. We class them briefly under the general word 'Morals.'"

As he spoke the Prefect was looking swiftly through the Dampier dossier, and not till he had glanced at every item did he hand the envelope to his American visitor.

Senator Burton could not but admire the intelligent way the dossier had been prepared, and kept up to date.

On the top sheet were carefully gummed various entries from the biographical dictionaries in which mention was made of John Dampier and his career. There followed a eulogistic newspaper article containing an account of the picture which had won the artist his Médaille d'Honneur at the Salon two years before. Then came a piece of foolscap headed "General remarks," and here were written the following words:—"Lives quietly; is popular with his fellow artists; has few debts; does not frequent the British Colony."

The Senator looked up quickly. "Well, there is not much to learn from this!" he said. And then, "I notice, Monsieur le Préfet, that there was another entry which has been removed."

"Yes," said the Prefect. "That last entry was only added the day before yesterday, and told of Monsieur Dampier's disappearance. It is being written up now, Monsieur le Sénateur, with a note explaining your kind interest in him, and telling of your visit to-day."

Senator Burton rose from his chair. He could not have told exactly why, but he had the impression that his courteous host had suddenly become anxious to get rid of him.

But this impression was evidently erroneous. Even after they had cordially shaken hands, the Prefect of Police seemed in no hurry to let him go.

"One moment, Monsieur le Sénateur?" he looked earnestly into the American's frank face. "I feel bound to tell you that I am convinced there is more in this mysterious disappearance than appears on the surface. I fear—I greatly fear—that this Mr. Dampier has vanished of his own free will," he spoke with evident reluctance, "and that his poor young wife will never see him again. As I think I said before, the public, especially the vulgar, ignorant public, credit us with powers we are far from possessing. It is possible that this gentleman does not care for the trammels of married life, and that his bride, however charming she may be, has disappointed him. Such cases are commoner than you might think possible, especially among English and American people. You, in your country, if you will forgive my saying so, marry with such reckless haste; and that often means repenting at bitter leisure." The Prefect's voice lowered, a look of real distress came over his face. "Ah! what tales I could tell you—what fearful domestic tragedies have been confided to me here, within these four walls! No doubt for an artist this Mr. John Dampier was a very good fellow—what in England they call 'respectable enough.' But still, think what painters are like! Think of how Bohemian, how careless is their life, compared with that of the man who has a regular occupation—" Monsieur de Beaucourt shook his head gloomily—"In most of these stories of sudden disappearance there is no crime, as the relations are so apt to think there is. No, Monsieur le Sénateur, there is simply—a woman! Sometimes it is a new friend—but far oftener it is an old friend."

There was a pause. "God forbid," said the Prefect suddenly, "that I should accuse this unfortunate man of anything heinous! But—but, Monsieur le Sénateur? You must have learnt through our Press, through those of our newspapers which delight in dragging family scandals to light, the amazing story of Count Bréville."

The Senator was impressed, in spite of himself, by the other's manner.

"I don't remember the name," he said thoughtfully.

"Count Bréville," said the Prefect slowly, "was a man of deservedly high reputation, in fact one of the pillars of the Royalist party. He had a wife who adored him, a large family whom he adored, and they all lived an idyllic country life. Well, one day the Count's coat, his hat, his pocket-book (which was known to have been full of bank-notes, but which was now empty) were found on the parapet of a bridge near his château. It was given out—it was believed that a dastardly crime had been committed. And then, by a mere accident, it was brought to my notice—for there was nothing in the Count's dossier which could have led me to suspect such a thing—that a charming governess who had been in the employment of his Countess for some four or five years had suddenly left to join her family in the New World, and that her travelling companion was strangely like her late employer!"

"Yes," said Senator Burton uncomfortably, "I think I do remember something of that story now."

"All the world was let into the secret," said the Prefect regretfully, "for the family had confided, from the first, in the Press. They thought—what did they not think, poor, foolish people? Among other things they actually believed that the Count had been murdered for political reasons. But no, the explanation was far more simple. That high-minded man, that Christian gentleman, this father of charming children whom he apparently adored, had gone off under a false name, leaving everything that was dear to him, including his large fortune, to throw in his lot with the governess!"

The Prefect came closer to Senator Burton. He even lowered his voice. "I had the Countess here, Monsieur le Sénateur, in this room. Oh, what a touching, what a moving interview! The poor woman was only anxious to have back her husband with no questions asked, with no cruel reminders. And now he is back—a broken man. But had he been an artist, Monsieur le Sénateur, would the Count have been traced? Of course not! Would he have returned? No, indeed! The Prefect of Police can do many things, Monsieur le Sénateur, but as I said just now, he cannot force an unwilling husband back to his wife, especially if that husband has already crossed the frontier. Come, Monsieur le Sénateur, confess that some such explanation of Mr. Dampier's disappearance has already occurred to you?"

"Well," said Senator Burton slowly, "I confess that some such thought has crossed my mind. But in that case what a tragic fate for the poor young wife!"

"Bah! Do you know the saying:—'Widowhood is the Marshal's bâton every woman carries in her knapsack!'"

Senator Burton could not help smiling. Then he grew very grave. "But Mrs. Dampier, in the case you suppose, would not be a widow, Monsieur le Préfet: she would be neither maid, wife, nor widow."

The Prefect looked surprised. "Ah yes! The English divorce laws are very conservative. But I suppose in the end such a marriage would be annulled?"

"I suppose so," said Senator Burton indifferently.

"I wish I could help you more," said the Prefect solicitously. He really wished he could, for he liked his kindly visitor. "Can you suggest anything that we could do to help you?"

"Yes," said the Senator frankly. "My son, Monsieur le Préfet, has not the same trust in the hotel-keeper, Poulain, that I feel. Neither, I am bound to tell you, has Mrs. Dampier. I think it would be a relief to the poor young lady, if the hotel could be searched for some trace of Mr. Dampier's sojourn there. You see Mrs. Dampier is convinced—or seems to be—that her husband spent a night there."

"Nothing is easier than to have the place searched," said the Prefect
quickly. "I will arrange for it to be done to-morrow morning at eleven.
Perhaps you, Monsieur le Sénateur, will inform the hotel people that a
Perquisition is about to take place."