SOME OF THE BOOKS WE CONSULTED
Afro-American Folk Music, H. E. Krehbiel. (Schirmer, 1914.)
The History of American Music, Louis C. Elson. (Macmillan Co.)
Music in America, Dr. Frederick Louis Ritter. (Charles Scribner’s Sons, 1890.)
My Musical Life, Walter Damrosch. (Charles Scribner’s Sons, 1923.)
Stephen Collins Foster, Harold Vincent Milligan. (G. Schirmer, 1920.)
Francis Hopkinson and James Lyon, Two Studies in Early American Music, O. G. Sonneck. (Printed by the Author in Washington, D. C., 1905.)
Early Concert-Life in America (1731–1800), O. G. Sonneck. (Leipsic, Breitkopf & Haertel, 1907.)
Musicians of Today, Romain Rolland. (Henry Holt, 1917.)
La Musique Française d’aujourd’hui, Jean Aubry. (Perrin & Cie.)
The History of Pianoforte Music, Herbert Westerby. (E. P. Dutton & Co.)
Gustav Mahler, Paul Stefan. (G. Schirmer.)
The Symphony Since Beethoven, Felix Weingartner. (Oliver Ditson Co., 1904.)
Voyage Musical au Pays du Passé, Romain Rolland. (Librairie Hachette & Sons, Ltd., 1909.)
Modern Composers of Europe, Arthur Elson. (Sir Isaac Pitman Sons, Ltd., 1907.)
The Player-Piano Up-to-Date, William Braid White. (Edward Lyman Bill.)
Outlines of Music History, Clarence G. Hamilton. (Oliver Ditson Co.)
The Romantic Composers, Daniel Gregory Mason. (Macmillan Co.)
Contemporary Russian Composers, M. Montagu-Nathan. (Frederick A. Stokes Co.)
The Story of Music, W. J. Henderson. (Longmans, Green & Co., 1889.)
Histoire Generale de la Musique, François Joseph Fetis.
Primitive Music, R. Wallaschek.
Grove’s Dictionary of Music and Musicians. (Macmillan & Co.)
Music of the Most Ancient Nations, Carl Engel. (South Kensington Museum Art Handbooks.)
American Primitive Music, Frederick R. Burton.
The Art of Music: A Narrative History of Music. (D. G. Mason, Editor-in-Chief.)
Music: Its Laws and Evolution, Jules Combarieu. (Paul, Trench, Trübner & Co., 1903.)
Histoire de la Musique, Felix Clement.
History of Music, Emil Naumann.
Marcotone, Edward Maryon.
Mythology: Age of Fable, Bulfinch.
History of Music, W. J. Baltzell. (Theo. Presser.)
History of Rome, Dionysius Cassius.
Metropolitan Museum of Art Handbook No. 13.
Catalogue of Musical Instruments of All Nations.
Familiar Talks on the History of Music, A. J. Gantvoort. (G. Schirmer.)
Analysis of the Evolution of Musical Form, Margaret H. Glyn. (Longmans & Co.)
La Musique Grégorienne, Dom Augustin Gatard.
The Music of the Bible, Sir John Stainer. (Novello & Co. H. W. Gray.)
Critical and Historical Essays, Edward MacDowell. (A. P. Schmidt.)
Histoire de la Musique, H. Lavoix fils. (Concienne Maison Quantin.)
Early History of Singing, W. J. Henderson.
The History of British Music, Frederick J. Crowest.
Story of the Art of Music, F. J. Crowest. (Appleton’s.)
La Musique des Troubadours, Jean Beck. (Laurens.)
Story of Minstrelsy, Edmundstoune Duncan. (Scribner’s.)
Trouvères et Troubadours, Pierre Aubry. (Alcan.)
Lecture on Trouvères et Troubadours, Raymond Petit. (MS.)
Cours de Composition Musicale, Vincent d’Indy. (Durand et Cie.)
Encyclopédie de la Musique et Dictionaire du Conservatoire, Albert Lavignac (fondateur). V Vols.
The Threshold of Music, William Wallace. (Macmillan Co.)
Palestrina, Michel Brenet. (Alcan.)
Monteverdi, Henry Prunières. (Alcan.)
Twelve Good Musicians, Frederick Bridge. (Kegan Paul, Trench, Trübner & Co.)
Les Clavecinistes, André Pirro. (Laurens.)
Lully, Henry Prunières. (Laurens.)
The Earlier French Musicians (1632–1834), Mary Hargrave. (Kegan Paul, Trench.)
A History of Music, Paul Landormy. (Translated, F. H. Martens.) (Scribner’s).
Chippewa Music, Frances Densmore. (Smithsonian Institution Bureau of American Ethnology.) (Bulletin 45.)
Teton Sioux Music, Frances Densmore. (Bureau of American Ethnology.) (Bulletin 61.)
Alla Breve, Carl Engel. (G. Schirmer.)
Complete Book of the Great Musicians, Percy A. Scholes. (Oxford University Press.)
Baker’s Biographical Dictionary of Musicians. (3rd. revised Edition.) (G. Schirmer, 1919.)
Pianoforte and its Music, H. E. Krehbiel.
The Story of Music and Musicians, Lucy C. Lillie. (Harpers.)
Johann Sebastian Bach, Johann Nikolaus Forkel.
Irish Folk Music, Capt. Francis O’Neill. (1910, Regan Printing House, Lyon & Healy, Chicago.)
Histoire et Theorie de la Musique de L’Antiquité, par Fr. Aug. Gevaert, 1881.
Grand Opera Singers of Today, Henry C. Lahee. (The Page Co., Boston.)
Richard Strauss (Living Masters of Music), Ernest Newman. (John Lane, The Bodley Head.)
Great Singers—Series 1, 2, George T. Ferris. (T. Appleton Co., N. Y., 1893.)
Richard Strauss the Man and His Works, Henry T. Finck. (Little Brown & Co.)
The History of the Art of Music, W. S. B. Mathews. (The Music Magazine Pub. Co., Chicago, 1891.)
Haydn (The Great Musicians), Pauline D. Townsend. (Samson, Marston & Rivington, 1884.)
Mozart (The Great Musicians), Dr. F. Gehring. (Scribners, 1883.)
The World of Music, Anna Comtesse de Bremont. (Brentano’s, 1892.)
Contemporary Musicians. Cecil Gray. (Oxford University Press, 1924.)
Music and Its Story, R. T. White. (Cambridge University Press, 1924.)
Evolution of the Art of Music, C. Hubert H. Parry. (Appleton, 1896.)
Modern Composers of Europe, Arthur Elson. (Sir Isaac Pitman & Son Ltd., London, 1909.)
One Hundred Folk Songs of All Nations, Granville Banstock. (G. Schirmer.)
Sixty Patriotic Songs of All Nations, Granville Banstock. (G. Schirmer.)
The Life of Ludwig van Beethoven, Alexander Wheelock Thayer. Translated by H. E. Krehbiel. (Beethoven Association, 1921.)
Complete Opera Book, Gustave Kobbé. (G. P. Putnam’s Sons, 1924.)
In the Garret, Carl Van Vechten. (Alfred Knopf, 1920.)
The Music and Musical Instruments of the Arab, Francisco Salvador Daniel.
Songs of the Russian People, Kurt Schindler.
Appreciation of Music, Thomas Whitney Surette and Daniel Gregory Mason.
My Favorite Folk Songs, Marcella Sembrich. (Oliver Ditson Co.)
One Hundred Folk Songs, Cecil Sharp. (Oliver Ditson Co.)
Sixty Russian Folk Songs, Kurt Schindler and Deems Taylor. (G. Schirmer Co.)
Russian Folk Songs, M. Balakirev. (M. P. Belaieff, Leipsic.)
Old Irish Folk Music and Song, P. W. Joyce. (Longmans, Green Co.)
Ancient Irish Music, P. W. Joyce. (Longmans, Green Co.)
English Melodies, Vincent Jackson. (J. M. Dent & Son L’t’d, 1910.)
Songs Every Child Should Know, Dolores M. Bacon. (Doubleday Page, 1906.)
The Orchestra and Its Instruments, Esther Singleton. (The Symphony Society of New York, 1917.)
Reminiscences of Morris Steinert, Jane Marlin. (G. P. Putnam’s Sons, 1900.)
Edward MacDowell, Lawrence Gilman. (John Lane, 1906.)
The Study of Folk-Songs, Countess Martinengo-Cesaresco. (E. P. Dutton & Co.)
A History of Music, Sir Charles Villiers Stanford-Cecil Forsyth. (The Macmillan Co., 1924.)
The History of Music, Waldo Selden Pratt. (G. Schirmer, 1907.)
The New Encyclopedia of Music and Musicians, Waldo Selden Pratt, Editor. (The Macmillan Co., 1924.)
Ancient Art and Ritual, Jane Harrison. (Henry Holt & Co., 1913.)
Der Auftakt (Czecho-Slovakian Magazine). (Festival No., May, 1925).
Musical Quarterly, O. G. Sonneck, Editor. (G. Schirmer, April, 1924.)
German Music of the Last Decade, by Hugo Leichtentritt. League of Composer Review. (New York.)
Franco-American Musical Society Bulletin. Ely Jade, Editor, (N. Y.)
Book of American Negro Spirituals. James Weldon Johnson. (Viking Press, N. Y.)
Miniature Essays. (J. & W. Chester, Ltd.)
Program Notes of the Philharmonic Society of New York. Lawrence Gilman.
La Revue Musicale. Henry Prunières, Editor. (Paris.)
The Sackbut, Ursula Greville, Editor. (London.)
Musical America. (New York.)
Musical Courier. (New York.)
Musical Leader.