| I. | Sunshine and Fun | [23] |
| The Sunny Side of the Street.—Jests and Jesters.—The
Force of a Joke.—Lincoln’s Way.—Kings
and Their Joke-makers.—As They do
It in Persia and Ireland.—“Chestnuts.”—Few
Modern Jesters but no End of Jokers.—Entertainers
and Their Ways. | |
| II. | Sunny Men of Serious Presence | [31] |
| Richard Croker.—A Good Fellow and Not
Hard to Approach, if One is not in Politics.—Croker
as a Haymaker.—Does not Keep
Opinions on Tap.—He and Chauncey Depew
on New York City Politics.—Croker Bewilders
a London Salesman.—His Greatest Pride.—Recorder
Goff.—Not as Severe as His Acts.—Justice
Tempered With Mercy.—Two Puzzling
Cases. | |
| III. | At the White House and Near It | [41] |
| My Prophecy to “Major” McKinley.—President
McKinley Becomes “One of the Boys” of My
Audience; His Attention to His Wife.—How
He Won a Vermont City.—A Story of the
Spanish War.—My First Meeting with President
Harrison.—A Second and More Pleasing
One.—A Chance Which I Gladly Lost.—Some
of President Harrison’s Stories.—I Led a Parade
Given in His Honor.—Vice-Presidents
Morton and Hobart. | |
| IV. | Story-Telling as an Art | [57] |
| Different Ways of Story-Telling.—The Slow
Story-Teller.—Lincoln’s Stories.—Bad Telling
of Good Stories.—The Right Way to Tell a
Story.—The Humorous, the Comic and the
Witty Story.—Artemus Ward, Robert J. Burdette
and Mark Twain as Story-Tellers. | |
| V. | Actors’ Jokes | [68] |
| All of Them Full of Humor at All Times.—“Joe”
Jefferson.—J. K. Emmett.—Fay Templeton.—Willie
Collier.—An Actor’s Portrait
on a Church Wall.—“Gus” Thomas, the Playwright.—Stuart
Robson.—Henry Dixey.—Evans
and Hoey.—Charles Hoyt.—Wilson
Barrett.—W. S. Gilbert.—Henry Irving. | |
| VI. | A Sunny Old City | [81] |
| Some Aspects of Philadelphia.—Fun in a Hospital.—“The
Cripple’s Palace.”—An Invalid’s
Success in Making Other Invalids Laugh.—Fights
for the Fun of Fighting.—My Rival
Friends.—Boys Will Be Boys.—Cast Out of
Church.—A Startling Recognition.—Some
Pleasures of Attending Funerals.—How I
Claimed the Protection of the American Flag. | |
| VII. | My First Trip to London | [93] |
| Large Hopes vs. Small Means.—At the Savage
Club.—My First Engagement.—Within an
Ace of Losing It.—Alone in a Crowd.—A
Friendly Face to the Rescue.—The New York
Welcome to a Fine Fellow.—One English Way
With Jokes.—People Who are Slow to Laugh.—Disturbing
Elements.—Cold Audiences.—Following
a Suicide. | |
| VIII. | Experiences in London | [108] |
| Customs and Climate Very Unlike Our Own.—No
Laughter in Restaurants.—Clever Cabbies.—Oddities
in Fire-Fighting.—The “Rogue’s
Gallery.”—In Scotland Yard.—“Petticoat
Lane.”—A Cemetery for Pet Dogs.—“Dogs
Who Are Characters.”—The Professional Toast-Master.—Solemn
After-dinner Speakers.—An
Autograph Table-cloth.—American Brides of
English Husbands. | |
| IX. | “Luck” in Story-Telling | [121] |
| The Real Difference Between Good Luck and
Bad.—Good Luck with Stories Presupposes a
Well-stored Memory.—Men Who Always Have
the Right Story Ready.—Mr. Depew.—Bandmaster
Sousa’s Darky Stories.—John Wanamaker’s
Sunday-School Stories.—General
Horace Porter’s Tales That go to the Spot.—The
Difference Between Parliament and Congress. | |
| X. | Journalists and Authors | [133] |
| Not all Journalists are Critics, Nor are all
Critics Fault-finders.—The Most Savage
Newspapers not the Most Influential.—The Critic’s
Duty.—Horace Greeley.—Mark Twain’s
First Earnings.—A Great Publisher Approached
by Green Goods Men.—Henry Watterson.—Opie
Reid.—Quimby of the “Free Press.”—Laurence
Hutton, Edwin Booth and I in
Danger Together. | |
| XI. | The Unexpected | [146] |
| Robert Hilliard and I and a Dog.—Hartford’s
Actors and Playwrights.—A Fit that Caused a
Misfit.—A Large Price to Hear a Small Man.—Jim
Corbett and I.—A Startled Audience.—Captain
Williams and “Red” Leary.—“Joe”
Choate to the Rescue.—Bait for a Dude.—Deadheads.—Within
an Inch of Davy Jones.—Perugini
and Four Fair Adorers.—Scanlon and
Kernell. | |
| XII. | Sunshine in Shady Places | [164] |
| On Blackwell’s Island.—Snakes and Snake
Charmers.—Insane People as Audiences.—A
Poorhouse That was a Large House.—I am
Well Known by Another Profession.—Criminals
are Not Fools.—Some Pathetic Experiences.—The
Largest Fee I Ever Received. | |
| XIII. | “Buffalo Bill” | [177] |
| He Works Hard But Jokes Harder.—He and
I Stir Up a Section of Paris.—In Peril of a
Mob.—My Indian Friends in the Wild West
Company.—Bartholdi and Cody.—English Bewilderment
Over the “Wild West” People.—Major
“Jack” Burke.—Cody as a Stage
Driver.—Some of His Western Stories.—When
He Had the Laugh on Me. | |
| XIV. | The Art of Entertaining | [190] |
| Not as Easy as It Would Seem.—Scarcity of
Good Stories for the Purpose.—Drawing-room
Audiences are Fastidious.—Noted London
Entertainers.—They are Guests of the People
Who Engage Them.—London Methods and
Fees.—Blunders of a Newly-wed Hostess from
America.—Humor Displaces Sentiment in the
Drawing-room.—My Own Material and Its
Sources. | |
| XV. | In the Sunshine with Great Preachers | [199] |
| I am Nicknamed “The Theological Comedian.”—My
Friend, Henry Ward Beecher.—Our
Trip Through Scotland and Ireland.—His
Quickness of Repartee.—He and Ingersoll Exchange
Words.—Ingersoll’s Own Sunshine.—DeWitt
Talmage on the Point of View.—He
Could Even Laugh at Caricatures of His Own
Face.—Dr. Parkhurst on Strict Denominationalism. | |
| XVI. | The Prince of Wales, Now King Edward VII | [211] |
| The Most Popular Sovereign in Europe.—How
He Saved Me From a Master of Ceremonies.—Promotion
by Name.—He and His Friends
Delight Two American Girls.—His Sons and
Daughters.—An Attentive and Loving Father.—Untiring
at His Many Duties.—Before He
Ascended the Throne.—Unobtrusive Politically,
Yet Influential. | |
| XVII. | Sir Henry Irving | [222] |
| A Model of Courtesy and Kindness.—An Early
Friend Surprised by the Nature of His
Recognition.—His Tender Regard for Members of
His Company.—Hamlet’s Ghost Forgets His
Cue.—Quick to Aid the Needy.—Two Luck
Boys.—Irving as a Joker.—The Story He
Never Told Me.—Generous Offer to a Brother
Actor-manager.—Why He is Not Rich. | |
| XVIII. | London Theatres and Theatre-Goers | [236] |
| Why English and American Plays Do Best at
Home.—The Intelligent Londoner Takes the
Theatre Seriously.—Play-going as a Duty.—The
High-class English Theatre a Costly Luxury.—American
Comedies too Rapid of Action
to Please the English.—Bronson Howard’s
“Henrietta,” not Understood in London.—The
Late Clement Scott’s Influence and Personality. | |
| XIX. | Tact | [247] |
| An Important Factor of Success.—Better Than
Diplomacy.—Some Noted Possessors of Tact.—James
G. Blaine.—King Edward VII.—Queen
Alexandra.—Henry Ward Beecher.—Mme.
Patti.—Mrs. Ronalds.—Mrs. Cleveland.—Mrs.
Langtry.—Colonel Ingersoll.—Mrs. Kendall.—General
Sherman.—Chauncey M. Depew.—Mrs.
James Brown Potter.—Mme. Nordica. | |
| XX. | Adelina Patti | [263] |
| Her Home in Wales.—Some of Her Pets.—An
Ocean Voyage With Her.—The Local Reception
at Her Home-coming.—Mistress of an
Enormous Castle and a Great Retinue of
Servants.—Her Winter Garden and Private
Theatre.—A Most Hospitable and Charming
Hostess.—Her Local Charities are Continuous
and Many. | |
| XXI. | Some Notable People | [278] |
| Cornelius Vanderbilt.—Mrs. Mackey.—The
Rockefellers.—Jay Gould.—George Gould and
Mary Anderson.—Mrs. Minnie Maddern
Fiske.—Augustin Daly.—Nicola Tesla.—Cheiro. | |
| XXII. | Human Nature | [292] |
| Magnetism and Its Elements.—Every One
Carries the Marks of His Trade.—How Men
Are “Sized Up” at Hotels.—Facial Resemblance
of Some People to Animals.—What the
Eye First Catches.—When Faces Are Masked.—Bathing
in Japan.—The Conventions of
Every Day Life That Hide Us From Our
Fellows.—Genuineness is the One Thing
Needful. | |
| XXIII. | Sunny Stage People | [302] |
| “Joe” Jefferson.—I Take His Life.—His
Absent-Mindedness.—Jefferson and General
Grant.—Nat Goodwin, and How He Helped
Me Make Trouble.—Our Bicycling Mishap.—Goodwin
Pours Oil on Troubled Dramatic
Waters Abroad.—George Leslie.—Wilton
Lackaye.—Burr McIntosh.—Miss Ada Rehan. | |
| XXIV. | Sunshine is in Demand | [313] |
| Laughter Wanted Everywhere.—Dismal Efforts
at Fun.—English Humor.—The Difference
Between Humor and Wit.—Composite
Merriment.—Carefully Studied “Impromptus.”—National
Types of Humor.—Some Queer
Substitutes for the Real Article.—Humor is
Sometimes “Knocked Out,” Yet Mirth is Medicine
and Laughter Lengthens Life. | |
| XXV. | “Bill” Nye | [321] |
| A Humorist of the Best Sort.—Not True to His
Own Description of Himself.—Everybody’s
Friend.—His Dog “Entomologist” and the
Dog’s Companions.—A Man With the Right
Word for Every Occasion.—His Pen-name was
His Own.—Often Mistaken for a Distinguished
Clergyman.—Killed by a Published Falsehood. | |
| XXVI. | Some Sunny Soldiers | [330] |
| General Sherman.—His Dramatic Story of a
Trysting-place.—The Battle of Shiloh Fought
Anew.—Sherman and Barney Williams.—General
Russell A. Alger on War.—General
Lew Wallace.—The Room in Which He
Wrote “Ben Hur.”—His Donkey Story.—General
Nelson A. Miles and Some of His
Funny Stories.—A Father Who Wished He
Had Been a Priest. | |
| XXVII. | Some First Experiences | [348] |
| When I was a Boy.—One Christmas Frolic.—How
I Got on One Theatre’s Free List.—My
First Experience as a Manager.—Strange
Sequel of a Modest Business Effort.—My First
Cigar and How It Undid Me.—The Only
“Drink” I Ever Took.—My First Horse in
Central Park.—I Volunteer as a Fifer in
School Band, with Sad Results to All Concerned. | |