ALFRED;
and he would minister as well to the harmonies of an oratorio as Abel, or Jephtha, Moses, or St. Paul—nay, as the Messiah, or the last dread Judgment. Remember, our Alfred was a proficient himself, and spied the Danish forces in the character of a harper. What scope were here for gentle airs, and stirring Saxon songs! He harangues his patriot band, and a manly Phillips would personify with admirable taste the truly royal bard: he leaves Athel-switha his wife, and a fair flock of children in sanctuary, while he rushes to the battle-field: the churchmen might receive their queenly charge with music: the Danes riot in their unguarded camp with drinking-snatches, and old-country-staves: a storm might occur, with elemental crash: the succeeding silence of nature, and distant coming on of the patriot troops at midnight; their war-songs and marches nearer and nearer; the invaders surprised in their camp and in their cups; the hurlyburly of the fight—a hail-stone chorus of arrows, a clash of thousand swords, trumpets, drums, and clattering horse-hoofs; a silent interval, to introduce a single combat between Alfred and Hubba the Dane, with Homeric challenges, tenor and bass; the routed foe, in clamorous and discordant staccato; the conquerors pressing on in steady overwhelming concord; how are the mighty fallen—and praise to the God of battles!
Most briefly, then, thus: there is religion enough to keep it solemn, without being so experimental as to intrude upon personal prejudice. The notion is too slight, and too slenderly worked out, even for admission here, if I were not still, my shrewd and mindful reader, sedulously endeavouring to get rid of all my brain-oppressing fancies: and this, happening to come uppermost as I write, finds itself caught, to my comfort. It is commended, if worth any thing, to the musical proficient: for I might as well think of adding a note to the gamut as of trying to compose an oratorio.
The authorial mind is infinitely versatile: books and book-making are indeed its special privilege, forte, and distinguishing peculiarity; but still its thoughts and regards are ever cast towards originality of idea, though unwritten and unprinted, in all the multitudinous departments of science and of art. Thus, mechanical invention, chemical discovery, music as above, painting as elsewhere, sculpture as below, give it exercise continually. The authorial mind never is at rest, but always to be seen mounted and careering on one hobby-horse or other out of its untiring stud. If the coin of some rude Parthian, or the fragments of some old Ephesian frieze, serve not as a scope for its present ingenuities, it will break out in a new method of grafting raspberries on a rosebush, in the comfortable cut of a pilot-coat, or the safest machinery for a steamer. Ne sutor ultra crepidam is a rule of moderation it repudiates; incessant energy provokes unabated meddling, and its intuitive qualities of penetration, adaptation, and concentration, are only hindered by the accidents of life from carrying any one thing out to the point at least of respectable attainment. Look at Michael Angelo; poet, painter, sculptor, architect, and author: and if indeed we are not told of Milton having modeled, or Horace having built up other monuments than his own imperishable fame, still nothing but manual habit and the world's encouragement were wanting to perfect, in the concrete, the conceptions of those plastic minds. Who will deny that Hogarth was a novelist and play-wright, if not indeed a heart-rending tragedian? Who will refuse to those nameless monastic architects who planned and fashioned the fretted towers of Gloucester, the stern solidity of Durham, the fairy steeple of Strasburg, or the delicate pinnacles of Milan, the praise due to them of being genuine poets of the immortal Epic? Phidas and Praxiteles, Canova and Thorswaldsen, are in this view real authors, as undoubtedly as Homer or Dante, Sallust or Racine; and to rise highest in this argument, the heavens and the earth are but mighty scrolls of an Omniscient Author, fairly written in a universal tongue of grandeur and beauty, of skill, poetry, philosophy, and love.
But let me not seem to prove too much, and so leap over my horse instead of vaulting into the saddle: though authorship may claim thus extensively every master-mind, from the Adorable Former of all things down to the humblest potter at his wheel fashioning the difficult ellipse; still, in human parlance, must we limit it to common acceptations, and think of little more than scribe, in the name of author. Nevertheless, let such seeds of thought as here are carelessly flung out, nurtured in the good soil of charity, and not unkindly forced into foolish accusations of my own conceit, whereas their meaning is general, (as if forsooth selfishly dibbled in with vain particularity, and not liberally broadcast that he may run that reads,)—let such crude considerations excuse my own weak and uninjurious invasion of the provinces of other men. The wisdom for social purposes of infinitesimal division of labour, may be proved good by working well; but its lowering influences on the individual mind cannot be doubted: that an intelligent man should for a life-time be doomed to watch a valve, or twist pin-heads, or wind cotton, or lacquer coffin-nails, cannot be improving; and while I grant great evil in my desultory excesses, still I may make some use of that argument in the converse, and plead that it is good to exercise the mind on all things. Thus, in my assumed métier of authorship, let notions be extenuated that popularly concern it little, and yield admittance to any thought that may lead to that Athenian desideratum, "some new thing."
While the echoes of the name of Alfred still linger on the mind, and our patriotism looks back with gratitude on his thousand virtues unsullied by a fault, (at least that History, seldom so indulgent, has recorded,)—while we reflect that in him were combined the wise king, the victorious general, the enlightened scholar, the humble Christian, the learned author, the excellent father, the admirable MAN in all public and private relations, in domestic alike with social duties, I cannot help wishing that forgetful England had raised some architectural trophy, as a worthy testimonial of Alfred the noble and the good. Whether Oxford, his pet child—or Westminster Hall, as mindful of the code he gave us—or Greenwich, as the evening resting-place of those sons of thunder whom the genius of Alfred first raised up to man our wooden walls—should be the site of some great national memorial, might admit of question; but there can be none that something of the kind has been owing now near upon a thousand years, and that it will well become us to claim boastingly for England so true, so glorious a hero. With a view to expedite this object, and strictly to bear upon the topic in author-fashion, it has come into my thought how much we want a