HOME.
Alas, for the epidemy to which, few can doubt, ideas are subject! Alas, for the conflict of prolific geniuses, wherewith the world's quiet is disturbed! not impossibly, this very book now in progress of inditing will come to be classed as a "Patch-work," an "Olla Podrida," a "Book without a name," or some other such like rechauffée publication; whereas I protest its idea to be exclusively mine own, and conceived long before its seeming congeners saw the light in definite advertisements—at least to my beholding. And similarly went it with my poor epic: scarcely had a general plan suggested itself to my musings, and divers particular morsels thereof assumed "their unpremeditative lay;" scarcely had I jotted down a staid synopsis, and a goodly array of metrical specimens; when some intrusive newspaper displayed to me in black and white a good-natured notice of somebody else's 'Home, an Epic.' So, as in the case of 'Nero,' and haply of other subjects, had it come to pass, that my high-mettled racer had made another false start; that my just-discovered island, so gladly to have been self-appropriated, was found to have, sticking on one corner of it, the flag of another king; that the havoc of my brain, subsiding calmly into the pendulum regularities of metre, was much ado about nothing; and all those pretty fancies were the catalogued property of another. Such a subject, too! intrinsically worthy of a niche in the temple of Fame, besides Hope, Memory, and Imagination, if only one could manage it well enough to be named in the same breath with Campbell, Rogers, and Akenside. Well, it was a mental mortification; for I am full of moral land-marks, and would not (poetically speaking) for the world move rooted termini into other people's grounds. Whether the field has been well or ill preoccupied I wot not, having neither seen the poem nor heard its maker's name: therefore shall my charity hope well of it, and mourn over the unmerited oblivion which generally greets modern poetry—yea, upon its very natal-day. Nevertheless, as an upright man will never wish barefacedly to steal from others, so does he determine at all times to claim independently his own: to be robbed, and not resent it (I speak foolishly), is the next mean thing after pilfering itself; and rash will be thy daring, O literary larcener! (can such things be?) if thou art found unpermissively appropriating even such sorry spoil as these poor seedlings of still possible volumes.
Prose and verse are allowed to have some disguising differences, at least in termination; and as we must not—so hints the public taste—spoil honest prose, bad as it may be, with too much intermixture of worse verse, it will be prudent in me to be sparing of my specimens. Yet, who will endure so staccato a page of jerking sentences as a confirmed synopsis?—"Well, any thing rather than poetry," says the world; so, for better or worse, I will jot down prosaically a few of my all but impromptu imaginings on Home.
After some general propositions, it would be proper to indulge the orthodoxy of invocation; not to Muses, however, but to the subject itself; for now-a-days, in lieu of definite deities, our worship has regard to theories, doctrines, and other abstract idolisms: and thereafter should follow at length an historical retrospect of domestic life, from the savage to the transition states of hunters and warriors; Nimrods and New Zealanders; Actæons and Avanese, Attilas, Roderics, and all the Ercles' vein or that of mad Cambyses, Hindoos and Fuegians, Greece, Egypt, Etruria, and Troy, in those old days when funds and taxes were not invented, but people had to fight for their dinner, and be their own police: so in a due course of circumconsideration to more modern conditions, from ourselves as central civilization, to Cochin China, and extreme Mexico, to Archangel and Polynesia.
Divers national peculiarities of the physique of homes; as, Tartars' tents, Esquimaux snow-pits, Caffre kraals, Steppe huts, South-sea palm-thatch, tree-villages, caves, log-cabins, and so forth. Then, a wide view of the homes of higher society, first Continental, afterwards British through all the different phases of comfort to be found in heath-hovels, cottages, ornées, villas, parsonage-houses, squirealities, seats, town mansions, and royal palaces. Thus, with a contrastive peep or two about the feverish neighbourhood of a factory, up this musty alley, and down that winding lane, we should have considered briefly all the external accidents of home. The miserable condition of the homeless, whether rich or poor; an oak with its tap-root broken, a house on wheels, a boat without a compass, and all that sort of thing: together with due declamation about soldiers spending twenty years in India, shipwrecked Robinson Crusoes far from native Hull, cadets going out hopelessly forever, emigrants, convicts, missionaries, and all other absentees, voluntary or involuntary. Tirades upon abject poverty, wanton affluence, poor laws, mendicancy, and Ireland; not omitting some thrilling cases of barbaric destitution.
Now come we lawfully to descant upon matters more mental and sentimental—the metaphysique of the subject—the pleasures and pains of Home. As thus, most cursorily: the nursery, with its dear innocent joys; the school-boy, holiday feelings and scholastic cruelties; the desk-abhorring clerk; the over-worked milliner; the starving family of factory children, and of agricultural labourers, and of workers in coal mines and iron furnaces, with earnest exhortations to the rich to pour their horns of plenty on the poor. England, once a safer and a happier land, under the law of charity: now fast verging into a despotic centralized system, kept together by bayonets and constables' staves. Home a refuge for all; for queens and princes from their cumbrous state, as well as for clowns from their hedging and ditching. The home of love, and its thousand blessings, founded on mutual confidence, religion, open-heartedness, communion of interest, absence of selfishness, and so on: the honoured father, due subordination, and results; the loving wife, obedient children, and cheerful servants. Absolute, though most kind, monarchy the best government for a home; with digressions about Austria and China, and such laudable paternal rule; and contra, bitter castigation of republican misrule, its evils and their results, for which see Old Athens and New York, and certain spots half-way between them.
The pains of home: most various indeed, caused by all sorts of opposite harms—too much constraint or too little, open bad example or impossible good example, omissions and commissions, duty relaxed by indulgence, and duty tightened into tyranny; but mainly and generally attributable to the non-assertion or other abuse of parental authority. The spoiled child, and his progress of indulgence, unchecked passions, dissipation, crime, and ruin. Interested interlopers, as former friends, relatives, flatterers, and busy parasites, undermining that bond of confidence without which home falls to pieces; the gloomy spirit of reserve, discouraging every thing like generous open-heartedness; menial influences lowering their subject to their own base level; discords, religious, political, and social; the harmful consequence of over-expenditure to ape the hobbies or grandeur of the wealthier; foolish education beyond one's sphere, as the baker's daughter taking lessons in Italian, and opera-stricken butcher's-boys strumming the guitar; immoral tendencies, gambling, drinking, and other dissipations; and the aggregate of discomforts, of every sort and kind; with cures for all these evils; and to end finally by a grand climax of supplication, invocation, imprecation, resignation, and beatification, in the regular crash of a stout-expiring overture.
It's all very well, objects reader, and very easy to consider this done; but the difficulty is—not so much to do it, answers writer, as to escape the bother of prolixity by proving how much has been done, and how speedily all might be even completed, had poor poesy in these ticketing times only a fair field and no disfavour; for there is at hand good grist, ready ground, baked and caked, and waiting for its eaters. But in this age of prose-devouring and verse-despising, hardy indeed should I be, if I adventured to bore the poor, much-abused, uncomplaining public with hundreds of lines out of a dormant epic; the very phrase is a lullaby; it's as catching as a yawn; well will it be for me if my thread-bare domino conceals me, for whose better fame could brook the scandal of having fathered or fostered so slumbering an embryo?—Let then a few shreds and patches suffice—a brick or two for the house: and verily I know they will, be they never so scanty; for what man of education does not now entertain a just abhorrence of the Muses, the nine antiquated maiden aunts destined for ever to be pensioned on that money-making nice young man, Mammon's great heir-at-law, Prose Prose, Esq.?
With humblest fear, then, and infinite apology, behold, in all sober seriousness, what the labour of such a file as I am might betimes work into a respectable commencement; I don't pretend it is one; but valeat quantum, take it as it stands, unweeded, unpruned, uncared-for, unaltered,
Home, happy word, dear England's ancient boast,
Thou strongest castle on her sea-girt coast,
Thou full fair name for comfort, love, and rest,
Haven of refuge found and peace possest,
Oasis in the desert, star of light
Spangling the dreary dark of this world's night,
All-hallowed spot of angel-trodden ground
Where Jacob's ladder plants its lowest round,
Imperial realm amid the slavish world,
Where Freedom's banner ever floats unfurl'd,
Fair island of the blest, earth's richest wealth,
Her plague-struck body's little all of health,
Home, gentle name, I woo thee to my song,
To thee my praise, to thee my prayers belong:
Inspire me with thy beauty, bid me teem
With gracious musings worthy of my theme:
Spirit of Love, the soul of Home thou art,
Fan with divinest thoughts my kindling heart;
Spirit of Power, in pray'rs thine aid I ask,
Uphold me, bless me to my holy task;
Spirit of Truth, guide thou my wayward wing;
Love, Power, and Truth, be with me while I sing.
V'la: my consolation is that somewhere may be read, in hot-pressed print, too, many worse poeticals than these, which, however, nine readers out of ten will have had the worldly wisdom to skip; and the tenth is soon satiated: yet a tithe is something, at least so think the modern Levites; so, then, on second thoughts, a victim who is so good a listener must not be let off quite so cheaply. However, to vary a little this melancholy musing, and to gild the compulsory pill, Reserve shall be served up sonnet-wise. (P. S. I love the sonnet, maligned as it is both by ill-attempting friend and semi-sneering foe: of course, in our epic, Reserve ambles not about in this uncertain rhyme, but duly stalks abroad in the uniform dress; iambically still, though extricated from those involutions, time out of mind the requisite of sonnets.) Stand forth to be chastised, unpopular
RESERVE.
Thou chilling, freezing fiend, Love's mortal bane,
Lethargic poison of the moral sense,
Killing those high-soul'd children of the brain,
Warm Enterprise and noble Confidence,
Fly from the threshold, traitor—get thee hence!
Without thee, we are open, cheerful, kind;
Mistrusting none but self, injurious self,
Of and to others wishing only good;
With thee, suspicions crowd the gloomy mind,
Suggesting all the world a viperous brood
That acts a base bad part in hope of pelf:
Virtue stands shamed, Truth mute misunderstood,
Honour unhonoured, Courage lacking nerve,
Beneath thy dull domestic curse, Reserve.
Without professing much tendency to the uxorious, all may blamelessly confess that they see exceeding beauty in a good wife; and we need never apologize for the unexpected company of ladies: at off-hand then let this one sit for her portrait. Enduring listener, will the following serve our purpose in striving worthily to apostrophize
THE WIFE.
Behold, how fair of eye, and mild of mien,
Walks forth of marriage yonder gentle queen:
What chaste sobriety whene'er she speaks,
What glad content sits smiling on her cheeks,
What plans of goodness in that bosom glow,
What prudent care is throned upon her brow,
What tender truth in all she does or says,
What pleasantness and peace in all her ways!
For ever blooming on that cheerful face
Home's best affections grow divine in grace;
Her eyes are ray'd with love, serene and bright;
Charity wreathes her lips with smiles of light;
Her kindly voice hath music in its notes;
And heav'n's own atmosphere around her floats!
Thus, wife-like, for better or worse, is the above portrait charmant consigned to the dingy digits of an unidistinguishing printer's-devil; so doth Cæsar's dust come to stop a bung-hole. One morsel more, about children, blessed children, and for this bout I shall have tilted sufficiently in the Muses' court; or, if it must be so said, unhandsome critic, stilted to satiety in false heroics: stay—not false; judge me, my heart. Suppose then an imaginary parent thus to speak about his
INFANT DAUGHTERS.
Oh ye, my beauteous nest of snow-white doves,
What wealth could price for me your guileless loves?
My earthly cherubim, my precious pearls,
My pretty flock of loving little girls,
My stores of happiness with least alloy,
My treasuries of hope and trembling joy!
Yon toothless darling, nestled soft and warm
On a young yearning mother's cradling arm;
The soft angelic smiles of natural grace
Tinting with love that other little face;
And the sweet budding of this sinless mind
In winning ways, that round my heart-strings wind,
Dear winning ways—dear nameless winning ways,
That send me joyous to my God in praise.
Enough! not heartlessly, but to shame the heartlessness of your ennui, let me veil those holiest affections; yes, even at the risk of leaving nominatives widowed of their faithful verbs, will I, until required, epicise no more. Let these mauled bits be intimations of what a little care might have made a little better. Gladly will I keep all the remainder in a state quiescent, even to doubling Horace's wholesome prescription of nine years: for it is impossible but that your fervent poet, in the heat of inspiration, (credit me, lack-wits, there is such a thing,) should blurt out many an unpalatable bit of advice, rebuke, or virtuous indignation against homes in general, for the which sundry conscience-stricken particulars might uncharitably arraign him. But divers other notions are crowding into the retina of my mind's-eye: I must leave my epic as you see it, and bid farewell, a long farewell, to 'Home.' Still shall my egotism have to appear for many weary pages a most impartial and universal friend to the world of bibliopolists; I cater multifariously for all varieties of the literary profession: booksellers at least must own me as their friend, though the lucky purse of Fortunatus saves me from being impaled upon the point of poor Goldsmith's epigram, and I leave to [——] the questionable praise of being their hack. For Bentley and Hatchard, alike with Rivington and Frazer, for Colburn and Nisbet, as well as Knight, Tilt, Tyas, Moxon, and Murray, I seem to be gratuitously pouring out in equal measure my versatile meditations; at this sign all customers may be suited; only, shop-lifters will be visited with the utmost rigour of that obnoxious monosyllable.—Well, poor Epic, good night to you, and my benison on those who love you.
To any one, much in the habit of thoughtful revery, how very unsatisfactory those notions look in writing. He can't half unravel the chaotic cobwebs of his mind; as he plods along penning it, a thousand fancies flit about him too intangibly for fixed words, and his ever-teeming hot imagination cannot away with the slow process of concreted composition. For me, I must write impromptu, or not at all; none of your conventional impromptus, toils of half-a-day, as little instantaneous as sundry patent lights; no working-up of laborious epigrams, sedulously sharpened antitheses, or scintillative trifles, diligently filed and polished; but the positive impromptu of longing to be an adept at shorthand-writing, by way of catching as they fly those swift-winged thoughts; not quick enough by half; most of those bright colours unfixed; most of those fair semi-notions unrecorded. To say nothing of reasons of time, there being other things to do, and reasons of space, there being other things to write. And thus, good friend, affectionately believe the best of these crude intimations of things intellectual, which the husbandry of good diligence, and the golden shower of Danæ's enamoured, and the smiles of the Sun of encouragement might heretofore have ripened into authorship; nay, more, perhaps may still: believe, generously, that if I could coil off quietly, like unwrapped cocoons, all these epics, tragics, theologies, pathetics, analytics, and didactics, they would show in fairer forms, and better-defined proportions: believe, also, truly, that I could, if I would, and that I would, if the game were worth its candle.
But, sooth to say, the over-gorged public may well regard that small-tomed author with most favourable eye, who condenses himself within the narrowest limits; a diable boiteux, not the huge spirit of the Hartz; concentrated meat-lozenges, not soup maigre; pocket-pistols of literature, not lumbering parks of its artillery. Verily, there is a mightier mass of typography than of readers; and the reading world, from very brevity of life, must rush, at a Bedouin pace, over the illimitable plains of newspaper publication, while the pyramids of dusty folio are left to stand in solitary proud neglect. The cursory railroad spirit is abroad: we abhor that old painful ploughing through axle-deep ruts: the friend who will skate with us, is welcomer than he who holds us freezing by the button; and the teacher, who suggestively bounds in his balloon on the tops of a chain of arguments, is more popular in lecturing than he of the old school, who must duteously and laboriously struggle up and down those airy promontories.
I love an avenue, though, like Lord Ashburton's magnificent mile of yew-trees, it may lead to nothing, and therefore have not expunged this unnecessary preface: rather, will I bluntly come upon a next subject, another work in my unseen circulating library,