| FOREWORD | [7] |
| INTRODUCTION | [9] |
| I | IT STARTED WITH “A” | [13] |
| II | FRIAR BACON’S MAGIC | [24] |
| III | DA VINCI’S CAMERA | [29] |
| IV | PORTA, FIRST SCREEN SHOWMAN | [36] |
| V | KEPLER AND THE STARS | [43] |
| VI | KIRCHER’S 100th ART | [48] |
| VII | POPULARIZING KIRCHER’S PROJECTOR | [62] |
| VIII | MUSSCHENBROEK AND MOTION | [70] |
| IX | PHANTASMAGORIA | [75] |
| X | DR. PARIS’ TOY | [80] |
| XI | PLATEAU CREATES MOTION PICTURES | [85] |
| XII | THE BARON’S PROJECTOR | [98] |
| XIII | THE LANGENHEIMS OF PHILADELPHIA | [106] |
| XIV | MAREY AND MOVEMENT | [115] |
| XV | EDISON’S PEEP-SHOW | [130] |
| XVI | FIRST STEPS | [139] |
| XVII | WORLD PREMIERES | [149] |
| APPENDIX I CHRONOLOGY | [163] |
| APPENDIX II BIBLIOGRAPHY | [177] |
| INDEX | [185] |