II
"Go straight home with Honoré, Billy, as straight as ever you can," said Father Honoré to eight-year-old Billy McCann who for the past year had constituted himself protector of five-year-old Honoré Googe; "I'll watch you around the power-house."
Little Honoré reached up with both arms for the usual parting from the man he adored. The priest caught him up, kissed him heartily, and set him down again with the added injunction to "trot home."
The two little boys ran hand in hand down the road. Father Honoré watched them till the power-house shut them from sight; then he waited for their reappearance at the other corner where the road curves downward to the highroad. He never allowed Honoré to go alone over the piece of road between the point where he was standing and the power-house, for the reason that it bordered one of the steepest and roughest ledges in The Gore; a careless step would be sure to send so small a child rolling down the rough surface. But beyond the power-house, the ledges fell away very gradually to the lowest slopes where stood, one among many in the quarries, the new monster steel derrick which the men had erected last week. They had been testing it for several days; even now its powerful arm held suspended a block of many tons' weight. This was a part of the test for "graduated strain"—the weight being increased from day to day.
The men, in leaving their work, often took a short cut homeward from the lower slope to the road just below the power-house, by crossing this gentle declivity of the ledge. Evidently Billy McCann with this in mind had twisted the injunction to "go straight home" into a chance to "cut across"; for surely this way would be the "straightest." Besides, there was the added inducement of close proximity to the wonderful new derrick that, since its instalment, had been occupying many of Billy's waking thoughts.
Father Honoré, watching for the children's reappearance at the corner of the road just beyond the long low power-house, was suddenly aware, with a curious shock, of the two little boys trotting in a lively manner down the easy grade of the "cross cut" slope, and nearing the derrick and its suspended weight. He frowned at the sight and, calling loudly to them to come back, started straight down over the steep ledge at the side of the road. He heard some one else calling the boys by name, and, a moment later, saw that it was Sister Ste. Croix who was coming up the hill.
The children did not hear, or would not, because of their absorption in getting close to the steel giant towering above them. Sister Ste. Croix called again; then she, too, started down the slope after them.
She noticed some men running from the farther side of the quarry. She saw Father Honoré suddenly spring by leaps and bounds down over the rough ledge. What was it? The children were apparently in no danger. She looked up at the derrick—
What was that! A tremor in its giant frame; a swaying of its cabled mast; a sickening downward motion of the weighted steel arm—then—
"Merciful Christ!" she groaned, and for the space of a few seconds covered her eyes....
The priest, catching up the two children one under each arm, ran with superhuman strength to evade the falling derrick—with a last supreme effort he rolled the boys beyond its reach; they were saved, but—
Their savior was pinioned by the steel tip fast to the unyielding granite.
A woman's shriek rent the air—a fearful cry:
"Jean—mon Jean!"
A moment more and Sister Ste. Croix reached the spot—she took his head on her lap.
"Jean—mon Jean," she cried again.
The eyes, dimmed already, opened; he made a supreme effort to speak—
"Margot—p'tite Truite—"...
Thus, after six and forty years of silence, Love spoke once; that Love, greater than State and Church because it is the foundation of both, and without it neither could exist; that Love—co-eval with all life, the Love which defies time, sustains absence, glorifies loss—remains, thank God! a deathless legacy to the toiling Race of the Human, and, because deathless, triumphant in death.
It triumphed now....
The ponderous crash of the derrick followed by the screams of the two boys, brought the quarrymen, the women and children, rushing in terrified haste from their evening meal. But when they reached the spot, and before Champney Googe, running over the granite slopes, as once years before he ran from pursuing justice, could satisfy himself that his boy was uninjured, at what a sacrifice he knew only when he knelt by the prostrate form, before Jim McCann, seizing a lever, could shout to the men to "lift all together," the life-blood ebbed, carrying with it on the hurrying out-going tide the priest's loving undaunted spirit.
All work at the quarries and the sheds was suspended during the following Saturday; the final service was to be held on Sunday.
All Saturday afternoon, while the bier rested before the altar in the stone chapel by the lake shore, a silent motley procession filed under the granite lintel:—stalwart Swede, blue-eyed German, sallow-cheeked Pole, dark-eyed Italian, burly Irish, low-browed Czechs, French Canadians, stolid English and Scotch, Henry Van Ostend and three of the directors of the Flamsted Quarries Company, rivermen from the Penobscot, lumbermen from farther north, the Colonel and three of his sons, the rector from The Bow, a dignitary of the Roman Catholic Church from New York, the little choir boys—children of the quarrymen—and Augustus Buzzby, members of the Paulist Order, Elmer Wiggins, Octavius Buzzby supporting old Joel Quimber, Nonna Lisa—in all, over three thousand souls one by one passed up the aisle to stand with bared bowed head by that bier; to look their last upon the mask of the soul; to render, in spirit, homage to the spirit that had wrought among its fellows, manfully, unceasingly, to realize among them on this earth a long-striven-for ideal.
Many a one knelt in prayer. Many a mother, not of English tongue, placing her hand upon the head of her little child forced him to kneel beside her; her tears wet the stone slabs of the chancel floor.
Just before sunset, the Daughters of the Mystic Rose passed into the church; they bore tapers to set upon the altar, and at the head and foot of the bier. Two of them remained throughout the night to pray by the chancel rail; one of them was Sister Ste. Croix. Silent, immovable she knelt there throughout the short June night. Her secret remained with her and the one at whose feet she was kneeling.
The little group of special friends from The Gore came last, just a little while before the face they loved was to be covered forever from human gaze: Aileen with her four-months' babe in her arms, Aurora Googe leading little Honoré by the hand, Margaret McCann with her boy, Elvira Caukins and her two daughters. Silent, their tears raining upon the awed and upturned faces of the children, they, too, knelt; but no sound of sobbing profaned the great peaceful silence that was broken only by the faint chip-chip-chipping monotone from Shed Number Two. In that four men were at work. Champney Googe was one of them.
He was expecting them at this appointed time. When he saw them enter the chapel, he put aside hammer and chisel and went across the meadow to join them. He waited for them to come out; then, taking the babe from his wife's arms, he gave her into his mother's keeping. He looked significantly at his wife. The others passed on and out; but Aileen turned and with her husband retraced her steps to the altar. They knelt, hand clasped in hand....
When they rose to look their last upon that loved face, they knew that their lives had received through his spirit the benediction of God.
Champney returned to his work, for time pressed. The quarrymen in The Gore had asked permission the day before to quarry a single stone in which their priest should find his final resting place. Many of them were Italians, and Luigi Poggi was spokesman. Permission being given, he turned to the men:
"For the love of God and the man who stood to us for Him, let us quarry the stone nearest heaven. Look to the ridge yonder; that has not been opened up—who will work with me to open up the highest ridge in The Gore, and quarry the stone to-night."
The volunteers were practically all the men in the Upper and Lower Quarries; the foreman was obliged to draw lots. The men worked in shifts—worked during that entire night; they bared a space of sod; cleared off the surface layer; quarried the rock, using the hand drill entirely. Towards morning the thick granite slab, that lay nearest to the crimsoning sky among the Flamsted Hills, was hoisted from its primeval bed and lowered to its place on the car.
It was then that four men, Champney Googe, Antoine, Jim McCann, and Luigi Poggi asserted their right, by reason of what the dead had been to them, to cut and chisel the rock into sarcophagus shape. Luigi and Antoine asked to cut the cover of the stone coffin.
All Saturday afternoon, the four men in Shed Number Two worked at their work of love, of unspeakable gratitude, of passionate devotion to a sacrificed manhood. They wrought in silence. All that afternoon, they could see, by glancing up from their work and looking out through the shed doors across the field, the silent procession entering and leaving the chapel. Sometimes Jim McCann would strike wild in his feverish haste to ease, by mere physical exertion, his great over-charged heart of its load of grief; a muttered curse on his clumsiness followed. Now and then Champney caught his eye turned upon him half-appealingly; but they spoke no word; chip-chip-chipping, they worked on.
The sun set; electricity illumined the shed. Antoine worked with desperation; Luigi wrought steadily, carefully, beautifully—his heart seeking expression in every stroke. When the dawn paled the electric lights, he laid aside his tools, took off his canvas apron, and stepped back to view the cover as a whole. The others, also, brought their stone to completion. As with one accord they went over to look at the Italian's finished work, and saw—no carving of archbishop's mitre, no sculpture of cardinal's hat (O mother, where were the day-dreams for your boy!), but a rough slab, in the centre of which was a raised heart of polished granite, and, beneath it, cut deep into the rock—which, although lying yesterday nearest the skies above The Gore, was in past æons the foundation stone of our present world—the words:
THE HEART OF THE QUARRY.
The lights went out. The dawn was reddening the whole east; it touched the faces of the men. They looked at one another. Suddenly McCann grasped Champney's hand, and reaching over the slab caught in his the hands of the other two; he gripped them hard, drew a long shuddering breath, and spoke, but unwittingly on account of his habitual profanity, the last word:
"By Jesus Christ, men, we're brothers!"
The full day broke. The men still stood there, hand clasping hand.
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