OTHER SOCIETIES.
In addition to the thirteen cult societies of the Zuñi they have the society of the Kok´-ko, the mythologic society.
It is obligatory that all youths become members of this society to insure their admittance into the dance house in the lake of departed spirits; first by involuntary and later by voluntary initiation. Females sometimes, though seldom, join this order. While the Sia mythology abounds in these same anthropomorphic beings, their origin is accounted for in an entirely different manner from those of the Zuñi. The Ka´ᵗsuna of the Sia were created by Ût´sĕt in a single night in the lower world.[22] These beings accompanied the Sia to this world, and upon their advent here Ût´sĕt directed them to go to the west and there make their home for all time to come.
They are solicited to use their influence with the cloud people, and the dances of the Ka´ᵗsuna are usually held for rain or snow. It is the prerogative of the ti´ämoni to control the appearance of the Ka´ᵗsuna. When a dance is to occur, the ho´naaite of the Society of Quer´ränna selects such men and women as he wishes to have dance and holds a number of rehearsals, both of the songs and dances. Those who are the most graceful, and who have the greatest powers of endurance and the most retentive memories for the songs, are chosen to personate the Ka´ᵗsuna regardless of any other consideration. Both sexes, however, must have been first initiated into the mysteries of the Ka´ᵗsuna.
Previous to initiation the personators are believed by the Sia to be the actual Ka´ᵗsuna. The instruction continues from four to eight days, and during this period continency must be observed, and an emetic drank by the married men and women each morning for purification from conjugal relations.
Whenever the Ka´ᵗsuna appear they are accompanied by their attendants, the Ko´shairi and Quer´ränna, who wait upon them, attending to any disarranged apparel and making the spectators merry with their witty sayings and buffoonery.
Bureau of Ethnology.
Eleventh Annual Report. Plate. XXX
HO´-NA-AI-TE OF QUER´-RÄN-NA SOCIETY.
The Sia have a great variety of masks, which must be very old, judging from their appearance, and the priest of the Quer´ränna, who has them in charge, claims for them great antiquity. Pls. [xxxi] and [xxxii] illustrate some masks of the Ka´ᵗsuna.
When a boy or girl reaches the time when, as their fathers say, they have a good head, some ten or twelve years of age, the father first suggests to the ho´naaite of the Quer´ränna (if the father is not living then the mother speaks) that he would like his son or daughter to become acquainted with the Ka´ᵗsuna; he then makes known his wish to the ti´ämoni, and after these two have said, “It is well,” he says to his child, “My child, I think it is time for you to know the Ka´ᵗsuna,” and the child replies, “It is well, father.” The parent then informs the ho´naaite that his child wishes to know the Ka´ᵗsuna, and the ho´naaite replies, “It is well.” The next time the Ka´ᵗsuna come he may know them.
The ho´naaite prepares a meal painting for the occasion, covering it for the time being with a blanket. Upon the arrival of the Ka´ᵗsuna the father and child, and, if the child be a member of a cult society, the theurgist of the society, proceed to the ceremonial house of the Quer´ränna. If the child possesses a fetich of the ya´ya he carries it pressed to his breast. Upon entering the ceremonial chamber the child and attendants take their seats at the north end of the room near the west side, the ho´naaite of the Quer´ränna sitting just west of the meal painting, the boy to his right, and the parent next to the boy. The ti´ämoni and ho´naaite of warriors are present and sit on the west side of the room and about midway. The Sa´iahlia (two of the Ka´ᵗsuna) stamp about in the middle of the room for a time, then the ho´naaite leads the child before the meal painting, which is, however, still covered with the blanket, and says to the Ka´ᵗsuna, “A youth [or maiden, whichever it may be] has come to know you.” The Ka´ᵗsuna each carry a bunch of Spanish bayonet in either hand, and the child receives two strokes across the back from each of the Ka´ᵗsuna, unless he be an official member of a cult society; in this case he is exempt from the chastisement. A boy is nude excepting the breechcloth; a girl wears her ordinary clothing. The ho´naaite, addressing the Ka´ᵗsuna, says: “Now it is well for you to raise your masks that the child may see.” One of the Sa´iahlia places his mask over the child’s head and the other lays his by the meal painting, the ho´naaite having removed the blanket. The personators of the Kaᵗsuna then say to the child: “Now you know the Ka´ᵗsuna you will henceforth have only good thoughts and a good heart; sometime, perhaps, you will be one of us. You must not speak of these things to anyone not initiated.” The mask is then taken from the child’s head and laid by the side of the other, and the boy answers: “I will not speak of these things to anyone.” The Ka´ᵗsuna then rubs the meal of the painting upon the child, and those present afterwards gather around the painting and rub the meal upon their bodies for mental and physical purification. The child deposits the hä´chamoni presented to him by the ho´naaite at the shrine of the Quer´ränna at the base of the village and to the west. The hä´chamoni is composed of eagle and turkey plumes. The child says when depositing it, “I now know you, Ka´ᵗsuna, and I pay you this hä´chamoni.” The ho´naaite deposits a hä´chamoni for each member of the society at the shrine, which is in a fissure in a rock, and after the deposition of the hä´chamoni the opening is covered with a rock and no evidence of a shrine remains.