LINES WRITTEN FOR MISS STORY'S ALBUM
The armless Vatican Cupid
Hangs down his beautiful head;
For the priests have got him in prison,
And Psyche long has been dead.
But see, his shaven oppressors
Begin to quake and disband!
And The Times, that bright Apollo,
Proclaims salvation at hand.
"And what," cries Cupid, "will save us?"
Says Apollo: "Modernise Rome!
What inns! Your streets, too, how narrow!
Too much of palace and dome!
"O learn of London, whose paupers
Are not pushed out by the swells!
Wide streets with fine double trottoirs;
And then—the London hotels!"
The armless Vatican Cupid
Hangs down his head as before.
Through centuries past it has hung so,
And will through centuries more.
PIS-ALLER
"Man is blind because of sin,
Revelation makes him sure;
Without that, who looks within,
Looks in vain, for all's obscure."
Nay, look closer into man!
Tell me, can you find indeed
Nothing sure, no moral plan
Clear prescribed, without your creed?
"No, I nothing can perceive!
Without that, all's dark for men.
That, or nothing, I believe."—
For God's sake, believe it then!
THE LAST WORD
Creep into thy narrow bed,
Creep, and let no more be said!
Vain thy onset! all stands fast.
Thou thyself must break at last.
Let the long contention cease!
Geese are swans, and swans are geese.
Let them have it how they will!
Thou art tired; best be still.
They out-talk'd thee, hiss'd thee, tore thee?
Better men fared thus before thee;
Fired their ringing shot and pass'd,
Hotly charged—and sank at last.
Charge once more, then, and be dumb!
Let the victors, when they come,
When the forts of folly fall,
Find thy body by the wall!
THE LORD'S MESSENGERS
Thus saith the Lord to his own:—
"See ye the trouble below?
Warfare of man from his birth!
Too long let we them groan;
Haste, arise ye, and go,
Carry my peace upon earth!"
Gladly they rise at his call,
Gladly obey his command,
Gladly descend to the plain.
—Ah! How few of them all,
Those willing servants, shall stand
In the Master's presence again!
Some in the tumult are lost;
Baffled, bewilder'd, they stray.
Some, as prisoners, draw breath.
Some, unconquer'd, are cross'd
(Not yet half through the day)
By a pitiless arrow of Death.
Hardly, hardly shall one
Come, with countenance bright,
At the close of day, from the plain;
His Master's errand well done,
Safe through the smoke of the fight,
Back to his Master again.
A NAMELESS EPITAPH
Ask not my name, O friend!
That Being only, which hath known each man
From the beginning, can
Remember each unto the end.
BACCHANALIA;
OR,
THE NEW AGE
I
The evening comes, the fields are still.
The tinkle of the thirsty rill,
Unheard all day, ascends again;
Deserted is the half-mown plain,
Silent the swaths! the ringing wain,
The mower's cry, the dog's alarms,
All housed within the sleeping farms!
The business of the day is done,
The last-left haymaker is gone.
And from the thyme upon the height,
And from the elder-blossom white
And pale dog-roses in the hedge,
And from the mint-plant in the sedge,
In puffs of balm the night-air blows
The perfume which the day forgoes.
And on the pure horizon far,
See, pulsing with the first-born star,
The liquid sky above the hill!
The evening comes, the fields are still.
Loitering and leaping,
With saunter, with bounds—
Flickering and circling
In files and in rounds—
Gaily their pine-staff green
Tossing in air,
Loose o'er their shoulders white
Showering their hair—
See! the wild Mænads
Break from the wood,
Youth and Iacchus
Maddening their blood.
See! through the quiet land
Rioting they pass—
Fling the fresh heaps about,
Trample the grass.
Tear from the rifled hedge
Garlands, their prize;
Fill with their sports the field,
Fill with their cries.
Shepherd, what ails thee, then?
Shepherd, why mute?
Forth with thy joyous song!
Forth with thy flute!
Tempts not the revel blithe?
Lure not their cries?
Glow not their shoulders smooth?
Melt not their eyes?
Is not, on cheeks like those,
Lovely the flush?
—Ah, so the quiet was!
So was the hush!
II
The epoch ends, the world is still,
The age has talk'd and work'd its fill—
The famous orators have shone,
The famous poets sung and gone,
The famous men of war have fought,
The famous speculators thought,
The famous players, sculptors, wrought,
The famous painters fill'd their wall,
The famous critics judged it all.
The combatants are parted now—
Uphung the spear, unbent the bow,
The puissant crown'd, the weak laid low.
And in the after-silence sweet,
Now strifes are hush'd, our ears doth meet,
Ascending pure, the bell-like fame
Of this or that down-trodden name
Delicate spirits, push'd away
In the hot press of the noon-day.
And o'er the plain, where the dead age
Did its now silent warfare wage—
O'er that wide plain, now wrapt in gloom,
Where many a splendour finds its tomb,
Many spent fames and fallen mights—
The one or two immortal lights
Rise slowly up into the sky
To shine there everlastingly,
Like stars over the bounding hill.
The epoch ends, the world is still.
Thundering and bursting
In torrents, in waves—
Carolling and shouting
Over tombs, amid graves—
See! on the cumber'd plain
Clearing a stage,
Scattering the past about,
Comes the new age.
Bards make new poems,
Thinkers new schools,
Statesmen new systems,
Critics new rules.
All things begin again;
Life is their prize;
Earth with their deeds they fill,
Fill with their cries.
Poet, what ails thee, then?
Say, why so mute?
Forth with thy praising voice!
Forth with thy flute!
Loiterer! why sittest thou
Sunk in thy dream?
Tempts not the bright new age?
Shines not its stream?
Look, ah, what genius,
Art, science, wit!
Soldiers like Cæsar,
Statesmen like Pitt!
Sculptors like Phidias,
Raphaels in shoals,
Poets like Shakespeare—
Beautiful souls!
See, on their glowing cheeks
Heavenly the flush!
—Ah, so the silence was!
So was the hush!
The world but feels the present's spell,
The poet feels the past as well;
Whatever men have done, might do,
Whatever thought, might think it too.
EPILOGUE
TO LESSING'S LAOCOÖN
One morn as through Hyde Park we walk'd,
My friend and I, by chance we talk'd
Of Lessing's famed Laocoön;
And after we awhile had gone
In Lessing's track, and tried to see
What painting is, what poetry—
Diverging to another thought,
"Ah," cries my friend, "but who hath taught
Why music and the other arts
Oftener perform aright their parts
Than poetry? why she, than they,
Fewer fine successes can display?
"For 'tis so, surely! Even in Greece,
Where best the poet framed his piece,
Even in that Phœbus-guarded ground
Pausanias on his travels found
Good poems, if he look'd, more rare
(Though many) than good statues were—
For these, in truth, were everywhere.
Of bards full many a stroke divine
In Dante's, Petrarch's, Tasso's line,
The land of Ariosto show'd;
And yet, e'en there, the canvas glow'd
With triumphs, a yet ampler brood,
Of Raphael and his brotherhood.
And nobly perfect, in our day
Of haste, half-work, and disarray,
Profound yet touching, sweet yet strong,
Hath risen Goethe's, Wordsworth's song;
Yet even I (and none will bow
Deeper to these) must needs allow,
They yield us not, to soothe our pains,
Such multitude of heavenly strains
As from the kings of sound are blown,
Mozart, Beethoven, Mendelssohn."
While thus my friend discoursed, we pass
Out of the path, and take the grass.
The grass had still the green of May,
And still the unblacken'd elms were gay;
The kine were resting in the shade,
The flies a summer-murmur made.
Bright was the morn and south the air;
The soft-couch'd cattle were as fair
As those which pastured by the sea,
That old-world morn, in Sicily,
When on the beach the Cyclops lay,
And Galatea from the bay
Mock'd her poor lovelorn giant's lay.
"Behold," I said, "the painter's sphere!
The limits of his art appear.
The passing group, the summer-morn,
The grass, the elms, that blossom'd thorn—
Those cattle couch'd, or, as they rise,
Their shining flanks, their liquid eyes—
These, or much greater things, but caught
Like these, and in one aspect brought!
In outward semblance he must give
A moment's life of things that live;
Then let him choose his moment well,
With power divine its story tell."
Still we walk'd on, in thoughtful mood,
And now upon the bridge we stood.
Full of sweet breathings was the air,
Of sudden stirs and pauses fair.
Down o'er the stately bridge the breeze
Came rustling from the garden-trees
And on the sparkling waters play'd;
Light-plashing waves an answer made,
And mimic boats their haven near'd.
Beyond, the Abbey-towers appear'd,
By mist and chimneys unconfined,
Free to the sweep of light and wind;
While through their earth-moor'd nave below
Another breath of wind doth blow,
Sound as of wandering breeze—but sound
In laws by human artists bound.
"The world of music!" I exclaim'd:—
"This breeze that rustles by, that famed
Abbey recall it! what a sphere
Large and profound, hath genius here!
The inspired musician what a range,
What power of passion, wealth of change!
Some source of feeling he must choose
And its lock'd fount of beauty use,
And through the stream of music tell
Its else unutterable spell;
To choose it rightly is his part,
And press into its inmost heart.
"Miserere, Domine!
The words are utter'd, and they flee.
Deep is their penitential moan,
Mighty their pathos, but 'tis gone.
They have declared the spirit's sore
Sore load, and words can do no more.
Beethoven takes them then—those two
Poor, bounded words—and makes them new;
Infinite makes them, makes them young;
Transplants them to another tongue,
Where they can now, without constraint,
Pour all the soul of their complaint,
And roll adown a channel large
The wealth divine they have in charge.
Page after page of music turn,
And still they live and still they burn,
Eternal, passion-fraught, and free—
Miserere, Domine!"
Onward we moved, and reach'd the Ride
Where gaily flows the human tide.
Afar, in rest the cattle lay;
We heard, afar, faint music play;
But agitated, brisk, and near,
Men, with their stream of life, were here.
Some hang upon the rails, and some
On foot behind them go and come.
This through the Ride upon his steed
Goes slowly by, and this at speed.
The young, the happy, and the fair,
The old, the sad, the worn, were there;
Some vacant, and some musing went,
And some in talk and merriment.
Nods, smiles, and greetings, and farewells!
And now and then, perhaps, there swells
A sigh, a tear—but in the throng
All changes fast, and hies along.
Hies, ah, from whence, what native ground?
And to what goal, what ending, bound?
"Behold, at last the poet's sphere!
But who," I said, "suffices here?
"For, ah! so much he has to do;
Be painter and musician too!
The aspect of the moment show,
The feeling of the moment know!
The aspect not, I grant, express
Clear as the painter's art can dress;
The feeling not, I grant, explore
So deep as the musician's lore—
But clear as words can make revealing,
And deep as words can follow feeling.
But, ah! then comes his sorest spell
Of toil—he must life's movement tell!
The thread which binds it all in one,
And not its separate parts alone.
The movement he must tell of life,
Its pain and pleasure, rest and strife;
His eye must travel down, at full,
The long, unpausing spectacle;
With faithful unrelaxing force
Attend it from its primal source,
From change to change and year to year
Attend it of its mid career,
Attend it to the last repose
And solemn silence of its close.
"The cattle rising from the grass
His thought must follow where they pass;
The penitent with anguish bow'd
His thought must follow through the crowd.
Yes! all this eddying, motley throng
That sparkles in the sun along,
Girl, statesman, merchant, soldier bold,
Master and servant, young and old,
Grave, gay, child, parent, husband, wife,
He follows home, and lives their life.
"And many, many are the souls
Life's movement fascinates, controls;
It draws them on, they cannot save
Their feet from its alluring wave;
They cannot leave it, they must go
With its unconquerable flow.
But ah! how few, of all that try
This mighty march, do aught but die!
For ill-endow'd for such a way,
Ill-stored in strength, in wits, are they.
They faint, they stagger to and fro,
And wandering from the stream they go;
In pain, in terror, in distress,
They see, all round, a wilderness.
Sometimes a momentary gleam
They catch of the mysterious stream;
Sometimes, a second's space, their ear
The murmur of its waves doth hear.
That transient glimpse in song they say,
But not as painter can pourtray—
That transient sound in song they tell,
But not, as the musician, well.
And when at last their snatches cease,
And they are silent and at peace,
The stream of life's majestic whole
Hath ne'er been mirror'd on their soul.
"Only a few the life-stream's shore
With safe unwandering feet explore;
Untired its movement bright attend,
Follow its windings to the end.
Then from its brimming waves their eye
Drinks up delighted ecstasy,
And its deep-toned, melodious voice
For ever makes their ear rejoice.
They speak! the happiness divine
They feel, runs o'er in every line;
Its spell is round them like a shower—
It gives them pathos, gives them power.
No painter yet hath such a way,
Nor no musician made, as they,
And gather'd on immortal knolls
Such lovely flowers for cheering souls.
Beethoven, Raphael, cannot reach
The charm which Homer, Shakespeare, teach
To these, to these, their thankful race
Gives, then, the first, the fairest place;
And brightest is their glory's sheen,
For greatest hath their labour been."
PERSISTENCY OF POETRY
Though the Muse be gone away,
Though she move not earth to-day,
Souls, erewhile who caught her word,
Ah! still harp on what they heard.
A CAUTION TO POETS
What poets feel not, when they make,
A pleasure in creating,
The world, in its turn, will not take
Pleasure in contemplating.
THE YOUTH OF NATURE
Raised are the dripping oars,
Silent the boat! the lake,
Lovely and soft as a dream,
Swims in the sheen of the moon.
The mountains stand at its head
Clear in the pure June-night,
But the valleys are flooded with haze.
Rydal and Fairfield are there;
In the shadow Wordsworth lies dead.
So it is, so it will be for aye.
Nature is fresh as of old,
Is lovely; a mortal is dead.
The spots which recall him survive,
For he lent a new life to these hills.
The Pillar still broods o'er the fields
Which border Ennerdale Lake,
And Egremont sleeps by the sea.
The gleam of The Evening Star
Twinkles on Grasmere no more,
But ruin'd and solemn and grey
The sheepfold of Michael survives;
And, far to the south, the heath
Still blows in the Quantock coombs,
By the favourite waters of Ruth.
These survive!—yet not without pain,
Pain and dejection to-night,
Can I feel that their poet is gone.
He grew old in an age he condemn'd.
He look'd on the rushing decay
Of the times which had shelter'd his youth
Felt the dissolving throes
Of a social order he loved;
Outlived his brethren, his peers;
And, like the Theban seer,
Died in his enemies' day.
Cold bubbled the spring of Tilphusa,
Copais lay bright in the moon,
Helicon glass'd in the lake
Its firs, and afar rose the peaks
Of Parnassus, snowily clear;
Thebes was behind him in flames,
And the clang of arms in his ear,
When his awe-struck captors led
The Theban seer to the spring.
Tiresias drank and died.
Nor did reviving Thebes
See such a prophet again.
Well may we mourn, when the head
Of a sacred poet lies low
In an age which can rear them no more!
The complaining millions of men
Darken in labour and pain;
But he was a priest to us all
Of the wonder and bloom of the world,
Which we saw with his eyes, and were glad.
He is dead, and the fruit-bearing day
Of his race is past on the earth;
And darkness returns to our eyes.
For, oh! is it you, is it you,
Moonlight, and shadow, and lake,
And mountains, that fill us with joy,
Or the poet who sings you so well?
Is it you, O beauty, O grace,
O charm, O romance, that we feel,
Or the voice which reveals what you are?
Are ye, like daylight and sun,
Shared and rejoiced in by all?
Or are ye immersed in the mass
Of matter, and hard to extract,
Or sunk at the core of the world
Too deep for the most to discern?
Like stars in the deep of the sky,
Which arise on the glass of the sage,
But are lost when their watcher is gone.
"They are here"—I heard, as men heard
In Mysian Ida the voice
Of the Mighty Mother, or Crete,
The murmur of Nature reply—
"Loveliness, magic, and grace,
They are here! they are set in the world,
They abide; and the finest of souls
Hath not been thrill'd by them all,
Nor the dullest been dead to them quite.
The poet who sings them may die,
But they are immortal and live,
For they are the life of the world.
Will ye not learn it, and know,
When ye mourn that a poet is dead,
That the singer was less than his themes,
Life, and emotion, and I?
"More than the singer are these.
Weak is the tremor of pain
That thrills in his mournfullest chord
To that which once ran through his soul.
Cold the elation of joy
In his gladdest, airiest song,
To that which of old in his youth
Fill'd him and made him divine.
Hardly his voice at its best
Gives us a sense of the awe,
The vastness, the grandeur, the gloom
Of the unlit gulph of himself.
"Ye know not yourselves; and your bards—
The clearest, the best, who have read
Most in themselves—have beheld
Less than they left unreveal'd.
Ye express not yourselves;—can you make
With marble, with colour, with word,
What charm'd you in others re-live?
Can thy pencil, O artist! restore
The figure, the bloom of thy love,
As she was in her morning of spring?
Canst thou paint the ineffable smile
Of her eyes as they rested on thine?
Can the image of life have the glow,
The motion of life itself?
"Yourselves and your fellows ye know not; and me,
The mateless, the one, will ye know?
Will ye scan me, and read me, and tell
Of the thoughts that ferment in my breast,
My longing, my sadness, my joy?
Will ye claim for your great ones the gift
To have render'd the gleam of my skies,
To have echoed the moan of my seas,
Utter'd the voice of my hills?
When your great ones depart, will ye say:
All things have suffer'd a loss,
Nature is hid in their grave?
"Race after race, man after man,
Have thought that my secret was theirs,
Have dream'd that I lived but for them,
That they were my glory and joy.
—They are dust, they are changed, they are gone!
I remain."
THE YOUTH OF MAN
We, O Nature, depart,
Thou survivest us! this,
This, I know, is the law.
Yes! but more than this,
Thou who seest us die
Seest us change while we live;
Seest our dreams, one by one,
Seest our errors depart;
Watchest us, Nature! throughout,
Mild and inscrutably calm.
Well for us that we change!
Well for us that the power
Which in our morning-prime
Saw the mistakes of our youth,
Sweet, and forgiving, and good,
Sees the contrition of age!
Behold, O Nature, this pair!
See them to-night where they stand,
Not with the halo of youth
Crowning their brows with its light,
Not with the sunshine of hope,
Not with the rapture of spring,
Which they had of old, when they stood
Years ago at my side
In this self-same garden, and said:
"We are young, and the world is ours;
Man, man is the king of the world!
Fools that these mystics are
Who prate of Nature! for she
Hath neither beauty, nor warmth,
Nor life, nor emotion, nor power.
But man has a thousand gifts,
And the generous dreamer invests
The senseless world with them all.
Nature is nothing; her charm
Lives in our eyes which can paint,
Lives in our hearts which can feel."
Thou, O Nature, wast mute,
Mute as of old! days flew,
Days and years; and Time
With the ceaseless stroke of his wings
Brush'd off the bloom from their soul.
Clouded and dim grew their eye,
Languid their heart—for youth
Quicken'd its pulses no more.
Slowly, within the walls
Of an ever-narrowing world,
They droop'd, they grew blind, they grew old.
Thee and their youth in thee,
Nature! they saw no more.
Murmur of living,
Stir of existence,
Soul of the world!
Make, oh, make yourselves felt
To the dying spirit of youth!
Come, like the breath of the spring!
Leave not a human soul
To grow old in darkness and pain!
Only the living can feel you,
But leave us not while we live!
Here they stand to-night—
Here, where this grey balustrade
Crowns the still valley; behind
Is the castled house, with its woods,
Which shelter'd their childhood—the sun
On its ivied windows; a scent
From the grey-wall'd gardens, a breath
Of the fragrant stock and the pink,
Perfumes the evening air.
Their children play on the lawns.
They stand and listen; they hear
The children's shouts, and at times,
Faintly, the bark of a dog
From a distant farm in the hills.
Nothing besides! in front
The wide, wide valley outspreads
To the dim horizon, reposed
In the twilight, and bathed in dew,
Corn-field and hamlet and copse
Darkening fast; but a light,
Far off, a glory of day,
Still plays on the city spires;
And there in the dusk by the walls,
With the grey mist marking its course
Through the silent, flowery land,
On, to the plains, to the sea,
Floats the imperial stream.
Well I know what they feel!
They gaze, and the evening wind
Plays on their faces; they gaze—
Airs from the Eden of youth
Awake and stir in their soul;
The past returns—they feel
What they are, alas! what they were.
They, not Nature, are changed.
Well I know what they feel!
Hush, for tears
Begin to steal to their eyes!
Hush, for fruit
Grows from such sorrow as theirs!
And they remember,
With piercing, untold anguish,
The proud boasting of their youth.
And they feel how Nature was fair.
And the mists of delusion,
And the scales of habit,
Fall away from their eyes;
And they see, for a moment,
Stretching out, like the desert
In its weary, unprofitable length,
Their faded, ignoble lives.
While the locks are yet brown on thy head,
While the soul still looks through thine eyes,
While the heart still pours
The mantling blood to thy cheek,
Sink, O youth, in thy soul!
Yearn to the greatness of Nature;
Rally the good in the depths of thyself!
PALLADIUM
Set where the upper streams of Simois flow
Was the Palladium, high 'mid rock and wood;
And Hector was in Ilium, far below,
And fought, and saw it not—but there it stood!
It stood, and sun and moonshine rain'd their light
On the pure columns of its glen-built hall.
Backward and forward roll'd the waves of fight
Round Troy—but while this stood, Troy could not fall.
So, in its lovely moonlight, lives the soul.
Mountains surround it, and sweet virgin air;
Cold plashing, past it, crystal waters roll;
We visit it by moments, ah, too rare!
We shall renew the battle in the plain
To-morrow;—red with blood will Xanthus be;
Hector and Ajax will be there again,
Helen will come upon the wall to see.
Then we shall rust in shade, or shine in strife,
And fluctuate 'twixt blind hopes and blind despairs,
And fancy that we put forth all our life,
And never know how with the soul it fares.
Still doth the soul, from its lone fastness high,
Upon our life a ruling effluence send.
And when it fails, fight as we will, we die;
And while it lasts, we cannot wholly end.
PROGRESS
The Master stood upon the mount, and taught.
He saw a fire in his disciples' eyes;
"The old law," they cried, "is wholly come to nought,
Behold the new world rise!"
"Was it," the Lord then said, "with scorn ye saw
The old law observed by Scribes and Pharisees?
I say unto you, see ye keep that law
More faithfully than these!
"Too hasty heads for ordering worlds, alas!
Think not that I to annul the law have will'd;
No jot, no tittle from the law shall pass,
Till all have been fulfill'd."
So Christ said eighteen hundred years ago.
And what then shall be said to those to-day,
Who cry aloud to lay the old world low
To clear the new world's way?
"Religious fervours! ardour misapplied!
Hence, hence," they cry, "ye do but keep man blind!
But keep him self-immersed, preoccupied,
And lame the active mind!"
Ah! from the old world let some one answer give:
"Scorn ye this world, their tears, their inward cares?
I say unto you, see that your souls live
A deeper life than theirs!
"Say ye: 'The spirit of man has found new roads,
And we must leave the old faiths, and walk therein'?—
Leave then the Cross as ye have left carved gods,
But guard the fire within!
"Bright else and fast the stream of life may roll,
And no man may the other's hurt behold;
Yet each will have one anguish—his own soul
Which perishes of cold."
Here let that voice make end; then, let a strain,
From a far lonelier distance, like the wind
Be heard, floating through heaven, and fill again
These men's profoundest mind:
"Children of men! the unseen Power, whose eye
For ever doth accompany mankind,
Hath look'd on no religion scornfully
That men did ever find.
"Which has not taught weak wills how much they can?
Which has not fall'n on the dry heart like rain?
Which has not cried to sunk, self-weary man:
Thou must be born again!
"Children of men! not that your age excel
In pride of life the ages of your sires,
But that ye think clear, feel deep, bear fruit well,
The Friend of man desires."
REVOLUTIONS
Before man parted for this earthly strand,
While yet upon the verge of heaven he stood,
God put a heap of letters in his hand,
And bade him make with them what word he could.
And man has turn'd them many times; made Greece,
Rome, England, France;—yes, nor in vain essay'd
Way after way, changes that never cease!
The letters have combined, something was made.
But ah! an inextinguishable sense
Haunts him that he has not made what he should;
That he has still, though old, to recommence,
Since he has not yet found the word God would.
And empire after empire, at their height
Of sway, have felt this boding sense come on;
Have felt their huge frames not constructed right,
And droop'd, and slowly died upon their throne.
One day, thou say'st, there will at last appear
The word, the order, which God meant should be.
—Ah! we shall know that well when it comes near;
The band will quit man's heart, he will breathe free.
SELF-DEPENDENCE
Weary of myself, and sick of asking
What I am, and what I ought to be,
At this vessel's prow I stand, which bears me
Forwards, forwards, o'er the starlit sea.
And a look of passionate desire
O'er the sea and to the stars I send:
"Ye who from my childhood up have calm'd me,
Calm me, ah, compose me to the end!
"Ah, once more," I cried, "ye stars, ye waters,
On my heart your mighty charm renew;
Still, still let me, as I gaze upon you,
Feel my soul becoming vast like you!"
From the intense, clear, star-sown vault of heaven,
Over the lit sea's unquiet way,
In the rustling night-air came the answer:
"Wouldst thou be as these are? Live as they.
"Unaffrighted by the silence round them,
Undistracted by the sights they see,
These demand not that the things without them
Yield them love, amusement, sympathy.
"And with joy the stars perform their shining,
And the sea its long moon-silver'd roll;
For self-poised they live, nor pine with noting
All the fever of some differing soul.
"Bounded by themselves, and unregardful
In what state God's other works may be,
In their own tasks all their powers pouring,
These attain the mighty life you see."
O air-born voice! long since, severely clear,
A cry like thine in mine own heart I hear:
"Resolve to be thyself; and know that he,
Who finds himself, loses his misery!"
MORALITY
We cannot kindle when we will
The fire which in the heart resides;
The spirit bloweth and is still,
In mystery our soul abides.
But tasks in hours of insight will'd
Can be through hours of gloom fulfill'd.
With aching hands and bleeding feet
We dig and heap, lay stone on stone;
We bear the burden and the heat
Of the long day, and wish 'twere done.
Not till the hours of light return,
All we have built do we discern.
Then, when the clouds are off the soul,
When thou dost bask in Nature's eye,
Ask, how she view'd thy self-control,
Thy struggling, task'd morality—
Nature, whose free, light, cheerful air,
Oft made thee, in thy gloom, despair.
And she, whose censure thou dost dread,
Whose eye thou wast afraid to seek,
See, on her face a glow is spread,
A strong emotion on her cheek!
"Ah, child!" she cries, "that strife divine,
Whence was it, for it is not mine?
"There is no effort on my brow—
I do not strive, I do not weep;
I rush with the swift spheres and glow
In joy, and when I will, I sleep.
Yet that severe, that earnest air,
I saw, I felt it once—but where?
"I knew not yet the gauge of time,
Nor wore the manacles of space;
I felt it in some other clime,
I saw it in some other place.
'Twas when the heavenly house I trod,
And lay upon the breast of God."
A SUMMER NIGHT
In the deserted, moon-blanch'd street,
How lonely rings the echo of my feet!
Those windows, which I gaze at, frown,
Silent and white, unopening down,
Repellent as the world;—but see,
A break between the housetops shows
The moon! and, lost behind her, fading dim
Into the dewy dark obscurity
Down at the far horizon's rim,
Doth a whole tract of heaven disclose!
And to my mind the thought
Is on a sudden brought
Of a past night, and a far different scene.
Headlands stood out into the moonlit deep
As clearly as at noon;
The spring-tide's brimming flow
Heaved dazzlingly between;
Houses, with long white sweep,
Girdled the glistening bay;
Behind, through the soft air,
The blue haze-cradled mountains spread away,
The night was far more fair—
But the same restless pacings to and fro,
And the same vainly throbbing heart was there,
And the same bright, calm moon.
And the calm moonlight seems to say:
Hast thou then still the old unquiet breast,
Which neither deadens into rest,
Nor ever feels the fiery glow
That whirls the spirit from itself away,
But fluctuates to and fro,
Never by passion quite possess'd
And never quite benumb'd by the world's sway?—
And I, I know not if to pray
Still to be what I am, or yield and be
Like all the other men I see.
For most men in a brazen prison live,
Where, in the sun's hot eye,
With heads bent o'er their toil, they languidly
Their lives to some unmeaning taskwork give,
Dreaming of nought beyond their prison-wall.
And as, year after year,
Fresh products of their barren labour fall
From their tired hands, and rest
Never yet comes more near,
Gloom settles slowly down over their breast;
And while they try to stem
The waves of mournful thought by which they are prest,
Death in their prison reaches them,
Unfreed, having seen nothing, still unblest.
And the rest, a few,
Escape their prison and depart
On the wide ocean of life anew.
There the freed prisoner, where'er his heart
Listeth, will sail;
Nor doth he know how there prevail,
Despotic on that sea,
Trade-winds which cross it from eternity.
Awhile he holds some false way, undebarr'd
By thwarting signs, and braves
The freshening wind and blackening waves.
And then the tempest strikes him; and between
The lightning-bursts is seen
Only a driving wreck,
And the pale master on his spar-strewn deck
With anguish'd face and flying hair
Grasping the rudder hard,
Still bent to make some port he knows not where,
Still standing for some false, impossible shore.
And sterner comes the roar
Of sea and wind, and through the deepening gloom
Fainter and fainter wreck and helmsman loom,
And he too disappears, and comes no more.
Is there no life, but these alone?
Madman or slave, must man be one?
Plainness and clearness without shadow of stain!
Clearness divine!
Ye heavens, whose pure dark regions have no sign
Of languor, though so calm, and, though so great,
Are yet untroubled and unpassionate;
Who, though so noble, share in the world's toil,
And, though so task'd, keep free from dust and soil!
I will not say that your mild deeps retain
A tinge, it may be, of their silent pain
Who have long'd deeply once, and long'd in vain—
But I will rather say that you remain
A world above man's head, to let him see
How boundless might his soul's horizons be,
How vast, yet of what clear transparency!
How it were good to abide there, and breathe free;
How fair a lot to fill
Is left to each man still!
THE BURIED LIFE
Light flows our war of mocking words, and yet,
Behold, with tears mine eyes are wet!
I feel a nameless sadness o'er me roll.
Yes, yes, we know that we can jest,
We know, we know that we can smile!
But there's a something in this breast,
To which thy light words bring no rest,
And thy gay smiles no anodyne.
Give me thy hand, and hush awhile,
And turn those limpid eyes on mine,
And let me read there, love! thy inmost soul.
Alas! is even love too weak
To unlock the heart, and let it speak?
Are even lovers powerless to reveal
To one another what indeed they feel?
I knew the mass of men conceal'd
Their thoughts, for fear that if reveal'd
They would by other men be met
With blank indifference, or with blame reproved;
I knew they lived and moved
Trick'd in disguises, alien to the rest
Of men, and alien to themselves—and yet
The same heart beats in every human breast!
But we, my love!—doth a like spell benumb
Our hearts, our voices?—must we too be dumb?
Ah! well for us, if even we,
Even for a moment, can get free
Our heart, and have our lips unchain'd;
For that which seals them hath been deep-ordain'd!
Fate, which foresaw
How frivolous a baby man would be——
By what distractions he would be possess'd,
How he would pour himself in every strife,
And well-nigh change his own identity——
That it might keep from his capricious play
His genuine self, and force him to obey
Even in his own despite his being's law,
Bade through the deep recesses of our breast
The unregarded river of our life
Pursue with indiscernible flow its way;
And that we should not see
The buried stream, and seem to be
Eddying at large in blind uncertainty,
Though driving on with it eternally.
But often, in the world's most crowded streets,
But often, in the din of strife,
There rises an unspeakable desire
After the knowledge of our buried life;
A thirst to spend our fire and restless force
In tracking out our true, original course;
A longing to inquire
Into the mystery of this heart which beats
So wild, so deep in us—to know
Whence our lives come and where they go.
And many a man in his own breast then delves,
But deep enough, alas! none ever mines.
And we have been on many thousand lines,
And we have shown, on each, spirit and power;
But hardly have we, for one little hour,
Been on our own line, have we been ourselves—
Hardly had skill to utter one of all
The nameless feelings that course through our breast,
But they course on for ever unexpress'd.
And long we try in vain to speak and act
Our hidden self, and what we say and do
Is eloquent, is well—but 'tis not true!
And then we will no more be rack'd
With inward striving, and demand
Of all the thousand nothings of the hour
Their stupefying power;
Ah yes, and they benumb us at our call!
Yet still, from time to time, vague and forlorn,
From the soul's subterranean depth upborne
As from an infinitely distant land,
Come airs, and floating echoes, and convey
A melancholy into all our day.
Only—but this is rare—
When a belovéd hand is laid in ours,
When, jaded with the rush and glare
Of the interminable hours,
Our eyes can in another's eyes read clear,
When our world-deafen'd ear
Is by the tones of a loved voice caress'd—
A bolt is shot back somewhere in our breast,
And a lost pulse of feeling stirs again.
The eye sinks inward, and the heart lies plain,
And what we mean, we say, and what we would, we know.
A man becomes aware of his life's flow,
And hears its winding murmur; and he sees
The meadows where it glides, the sun, the breeze.
And there arrives a lull in the hot race
Wherein he doth for ever chase
That flying and elusive shadow, rest.
An air of coolness plays upon his face,
And an unwonted calm pervades his breast.
And then he thinks he knows
The hills where his life rose,
And the sea where it goes.
LINES
WRITTEN IN KENSINGTON GARDENS
In this lone, open glade I lie,
Screen'd by deep boughs on either hand;
And at its end, to stay the eye,
Those black-crown'd, red-boled pine-trees stand!
Birds here make song, each bird has his,
Across the girdling city's hum.
How green under the boughs it is!
How thick the tremulous sheep-cries come!
Sometimes a child will cross the glade
To take his nurse his broken toy;
Sometimes a thrush flit overhead
Deep in her unknown day's employ.
Here at my feet what wonders pass,
What endless, active life is here!
What blowing daisies, fragrant grass!
An air-stirr'd forest, fresh and clear.
Scarce fresher is the mountain-sod
Where the tired angler lies, stretch'd out,
And, eased of basket and of rod,
Counts his day's spoil, the spotted trout.
In the huge world, which roars hard by,
Be others happy if they can!
But in my helpless cradle I
Was breathed on by the rural Pan.
I, on men's impious uproar hurl'd,
Think often, as I hear them rave,
That peace has left the upper world
And now keeps only in the grave.
Yet here is peace for ever new!
When I who watch them am away,
Still all things in this glade go through
The changes of their quiet day.
Then to their happy rest they pass!
The flowers upclose, the birds are fed,
The night comes down upon the grass,
The child sleeps warmly in his bed.
Calm soul of all things! make it mine
To feel, amid the city's jar,
That there abides a peace of thine,
Man did not make, and cannot mar.
The will to neither strive nor cry,
The power to feel with others give!
Calm, calm me more! nor let me die
Before I have begun to live.
A WISH
I ask not that my bed of death
From bands of greedy heirs be free;
For these besiege the latest breath
Of fortune's favour'd sons, not me.
I ask not each kind soul to keep
Tearless, when of my death he hears.
Let those who will, if any, weep!
There are worse plagues on earth than tears.
I ask but that my death may find
The freedom to my life denied;
Ask but the folly of mankind
Then, then at last, to quit my side.
Spare me the whispering, crowded room,
The friends who come, and gape, and go;
The ceremonious air of gloom—
All, which makes death a hideous show!
Nor bring, to see me cease to live,
Some doctor full of phrase and fame,
To shake his sapient head, and give
The ill he cannot cure a name.
Nor fetch, to take the accustom'd toll
Of the poor sinner bound for death,
His brother-doctor of the soul,
To canvass with official breath
The future and its viewless things—
That undiscover'd mystery
Which one who feels death's winnowing wings
Must needs read clearer, sure, than he!
Bring none of these; but let me be,
While all around in silence lies,
Moved to the window near, and see
Once more, before my dying eyes,
Bathed in the sacred dews of morn
The wide aerial landscape spread—
The world which was ere I was born,
The world which lasts when I am dead;
Which never was the friend of one,
Nor promised love it could not give,
But lit for all its generous sun,
And lived itself, and made us live.
There let me gaze, till I become
In soul, with what I gaze on, wed!
To feel the universe my home;
To have before my mind—instead
Of the sick room, the mortal strife,
The turmoil for a little breath—
The pure eternal course of life,
Not human combatings with death!
Thus feeling, gazing, might I grow
Composed, refresh'd, ennobled, clear;
Then willing let my spirit go
To work or wait elsewhere or here!
THE FUTURE
A wanderer is man from his birth.
He was born in a ship
On the breast of the river of Time;
Brimming with wonder and joy
He spreads out his arms to the light,
Rivets his gaze on the banks of the stream.
As what he sees is, so have his thoughts been.
Whether he wakes,
Where the snowy mountainous pass,
Echoing the screams of the eagles,
Hems in its gorges the bed
Of the new-born clear-flowing stream;
Whether he first sees light
Where the river in gleaming rings
Sluggishly winds through the plain;
Whether in sound of the swallowing sea—
As is the world on the banks,
So is the mind of the man.
Vainly does each, as he glides,
Fable and dream
Of the lands which the river of Time
Had left ere he woke on its breast,
Or shall reach when his eyes have been closed.
Only the tract where he sails
He wots of; only the thoughts,
Raised by the objects he passes, are his.
Who can see the green earth any more
As she was by the sources of Time?
Who imagines her fields as they lay
In the sunshine, unworn by the plough?
Who thinks as they thought,
The tribes who then roam'd on her breast,
Her vigorous, primitive sons?
What girl
Now reads in her bosom as clear
As Rebekah read, when she sate
At eve by the palm-shaded well?
Who guards in her breast
As deep, as pellucid a spring
Of feeling, as tranquil, as sure?
What bard,
At the height of his vision, can deem
Of God, of the world, of the soul,
With a plainness as near,
As flashing as Moses felt
When he lay in the night by his flock
On the starlit Arabian waste?
Can rise and obey
The beck of the Spirit like him?
This tract which the river of Time
Now flows through with us, is the plain.
Gone is the calm of its earlier shore.
Border'd by cities and hoarse
With a thousand cries is its stream.
And we on its breast, our minds
Are confused as the cries which we hear,
Changing and shot as the sights which we see.
And we say that repose has fled
For ever the course of the river of Time.
That cities will crowd to its edge
In a blacker, incessanter line;
That the din will be more on its banks,
Denser the trade on its stream,
Flatter the plain where it flows,
Fiercer the sun overhead.
That never will those on its breast
See an ennobling sight,
Drink of the feeling of quiet again.
But what was before us we know not,
And we know not what shall succeed.
Haply, the river of Time—
As it grows, as the towns on its marge
Fling their wavering lights
On a wider, statelier stream—
May acquire, if not the calm
Of its early mountainous shore,
Yet a solemn peace of its own.
And the width of the waters, the hush
Of the grey expanse where he floats,
Freshening its current and spotted with foam
As it draws to the Ocean, may strike
Peace to the soul of the man on its breast—
As the pale waste widens around him,
As the banks fade dimmer away,
As the stars come out, and the night-wind
Brings up the stream
Murmurs and scents of the infinite sea.
ELEGIAC POEMS
THE SCHOLAR-GIPSY[16]
Go, for they call you, shepherd, from the hill;
Go, shepherd, and untie the wattled cotes!
No longer leave thy wistful flock unfed,
Nor let thy bawling fellows rack their throats,
Nor the cropp'd herbage shoot another head.
But when the fields are still,
And the tired men and dogs all gone to rest,
And only the white sheep are sometimes seen
Cross and recross the strips of moon-blanch'd green,
Come, shepherd, and again begin the quest!
Here, where the reaper was at work of late—
In this high field's dark corner, where he leaves
His coat, his basket, and his earthen cruse,
And in the sun all morning binds the sheaves,
Then here, at noon, comes back his stores to use—
Here will I sit and wait,
While to my ear from uplands far away
The bleating of the folded flocks is borne,
With distant cries of reapers in the corn—
All the live murmur of a summer's day.
Screen'd is this nook o'er the high, half-reap'd field,
And here till sun-down, shepherd! will I be.
Through the thick corn the scarlet poppies peep,
And round green roots and yellowing stalks I see
Pale pink convolvulus in tendrils creep;
And air-swept lindens yield
Their scent, and rustle down their perfumed showers
Of bloom on the bent grass where I am laid,
And bower me from the August sun with shade;
And the eye travels down to Oxford's towers.
And near me on the grass lies Glanvil's book—
Come, let me read the oft-read tale again!
The story of the Oxford scholar poor,
Of pregnant parts and quick inventive brain,
Who, tired of knocking at preferment's door,
One summer-morn forsook
His friends, and went to learn the gipsy-lore,
And roam'd the world with that wild brotherhood,
And came, as most men deem'd, to little good,
But came to Oxford and his friends no more.
But once, years after, in the country-lanes,
Two scholars, whom at college erst he knew,
Met him, and of his way of life enquired;
Whereat he answer'd, that the gipsy-crew,
His mates, had arts to rule as they desired
The workings of men's brains,
And they can bind them to what thoughts they will.
"And I," he said, "the secret of their art,
When fully learn'd, will to the world impart;
But it needs heaven-sent moments for this skill."
This said, he left them, and return'd no more.—
But rumours hung about the country-side,
That the lost Scholar long was seen to stray,
Seen by rare glimpses, pensive and tongue-tied,
In hat of antique shape, and cloak of grey,
The same the gipsies wore.
Shepherds had met him on the Hurst in spring;
At some lone alehouse in the Berkshire moors,
On the warm ingle-bench, the smock-frock'd boors
Had found him seated at their entering,
But, 'mid their drink and clatter, he would fly.
And I myself seem half to know thy looks,
And put the shepherds, wanderer! on thy trace;
And boys who in lone wheatfields scare the rooks
I ask if thou hast pass'd their quiet place;
Or in my boat I lie
Moor'd to the cool bank in the summer-heats,
'Mid wide grass meadows which the sunshine fills,
And watch the warm, green-muffled Cumner hills,
And wonder if thou haunt'st their shy retreats.
For most, I know, thou lov'st retired ground!
Thee at the ferry Oxford riders blithe,
Returning home on summer-nights, have met
Crossing the stripling Thames at Bab-lock-hithe,
Trailing in the cool stream thy fingers wet,
As the punt's rope chops round;
And leaning backward in a pensive dream,
And fostering in thy lap a heap of flowers
Pluck'd in shy fields and distant Wychwood bowers,
And thine eyes resting on the moonlit stream.
And then they land, and thou art seen no more!—
Maidens, who from the distant hamlets come
To dance around the Fyfield elm in May,
Oft through the darkening fields have seen thee roam,
Or cross a stile into the public way.
Oft thou hast given them store
Of flowers—the frail-leaf'd, white anemony,
Dark bluebells drench'd with dews of summer eves,
And purple orchises with spotted leaves—
But none hath words she can report of thee.
And, above Godstow Bridge, when hay-time's here
In June, and many a scythe in sunshine flames,
Men who through those wide fields of breezy grass
Where black-wing'd swallows haunt the glittering Thames,
To bathe in the abandon'd lasher pass,
Have often pass'd thee near
Sitting upon the river bank o'ergrown;
Mark'd thine outlandish garb, thy figure spare,
Thy dark vague eyes, and soft abstracted air—
But, when they came from bathing, thou wast gone!
At some lone homestead in the Cumner hills,
Where at her open door the housewife darns,
Thou hast been seen, or hanging on a gate
To watch the threshers in the mossy barns.
Children, who early range these slopes and late
For cresses from the rills,
Have known thee eying, all an April-day,
The springing pastures and the feeding kine;
And mark'd thee, when the stars come out and shine,
Through the long dewy grass move slow away.
In autumn, on the skirts of Bagley Wood—
Where most the gipsies by the turf-edged way
Pitch their smoked tents, and every bush you see
With scarlet patches tagg'd and shreds of grey,
Above the forest-ground called Thessaly—
The blackbird, picking food,
Sees thee, nor stops his meal, nor fears at all;
So often has he known thee past him stray,
Rapt, twirling in thy hand a wither'd spray,
And waiting for the spark from heaven to fall.
And once, in winter, on the causeway chill
Where home through flooded fields foot-travellers go,
Have I not pass'd thee on the wooden bridge,
Wrapt in thy cloak and battling with the snow,
Thy face tow'rd Hinksey and its wintry ridge?
And thou hast climb'd the hill,
And gain'd the white brow of the Cumner range;
Turn'd once to watch, while thick the snowflakes fall,
The line of festal light in Christ-Church hall—
Then sought thy straw in some sequester'd grange.
But what—I dream! Two hundred years are flown
Since first thy story ran through Oxford halls,
And the grave Glanvil did the tale inscribe
That thou wert wander'd from the studious walls
To learn strange arts, and join a gipsy-tribe;
And thou from earth art gone
Long since, and in some quiet churchyard laid—
Some country-nook, where o'er thy unknown grave
Tall grasses and white flowering nettles wave,
Under a dark, red-fruited yew-tree's shade.
—No, no, thou hast not felt the lapse of hours!
For what wears out the life of mortal men?
'Tis that from change to change their being rolls;
'Tis that repeated shocks, again, again,
Exhaust the energy of strongest souls
And numb the elastic powers.
Till having used our nerves with bliss and teen,
And tired upon a thousand schemes our wit,
To the just-pausing Genius we remit
Our worn-out life, and are—what we have been.
Thou hast not lived, why should'st thou perish, so?
Thou hadst one aim, one business, one desire;
Else wert thou long since number'd with the dead!
Else hadst thou spent, like other men, thy fire!
The generations of thy peers are fled,
And we ourselves shall go;
But thou possessest an immortal lot,
And we imagine thee exempt from age
And living as thou liv'st on Glanvil's page,
Because thou hadst—what we, alas! have not.
For early didst thou leave the world, with powers
Fresh, undiverted to the world without,
Firm to their mark, not spent on other things;
Free from the sick fatigue, the languid doubt,
Which much to have tried, in much been baffled, brings.
O life unlike to ours!
Who fluctuate idly without term or scope,
Of whom each strives, nor knows for what he strives,
And each half lives a hundred different lives;
Who wait like thee, but not, like thee, in hope.
Thou waitest for the spark from heaven! and we,
Light half-believers of our casual creeds,
Who never deeply felt, nor clearly will'd,
Whose insight never has borne fruit in deeds,
Whose vague resolves never have been fulfill'd;
For whom each year we see
Breeds new beginnings, disappointments new;
Who hesitate and falter life away,
And lose to-morrow the ground won to-day—
Ah! do not we, wanderer! await it too?
Yes, we await it!—but it still delays,
And then we suffer! and amongst us one,
Who most has suffer'd, takes dejectedly
His seat upon the intellectual throne;
And all his store of sad experience he
Lays bare of wretched days;
Tells us his misery's birth and growth and signs,
And how the dying spark of hope was fed,
And how the breast was soothed, and how the head,
And all his hourly varied anodynes.
This for our wisest! and we others pine,
And wish the long unhappy dream would end,
And waive all claim to bliss, and try to bear;
With close-lipp'd patience for our only friend,
Sad patience, too near neighbour to despair—
But none has hope like thine!
Thou through the fields and through the woods dost stray,
Roaming the country-side, a truant boy,
Nursing thy project in unclouded joy,
And every doubt long blown by time away.
O born in days when wits were fresh and clear,
And life ran gaily as the sparkling Thames;
Before this strange disease of modern life,
With its sick hurry, its divided aims,
Its heads o'ertax'd, its palsied hearts, was rife—
Fly hence, our contact fear!
Still fly, plunge deeper in the bowering wood!
Averse, as Dido did with gesture stern
From her false friend's approach in Hades turn,
Wave us away, and keep thy solitude!
Still nursing the unconquerable hope,
Still clutching the inviolable shade,
With a free, onward impulse brushing through,
By night, the silver'd branches of the glade—
Far on the forest-skirts, where none pursue,
On some mild pastoral slope
Emerge, and resting on the moonlit pales
Freshen thy flowers as in former years
With dew, or listen with enchanted ears,
From the dark dingles, to the nightingales!
But fly our paths, our feverish contact fly!
For strong the infection of our mental strife,
Which, though it gives no bliss, yet spoils for rest;
And we should win thee from thy own fair life,
Like us distracted, and like us unblest.
Soon, soon thy cheer would die,
Thy hopes grow timorous, and unfix'd thy powers,
And thy clear aims be cross and shifting made;
And then thy glad perennial youth would fade,
Fade, and grow old at last, and die like ours.
Then fly our greetings, fly our speech and smiles!
—As some grave Tyrian trader, from the sea,
Descried at sunrise an emerging prow
Lifting the cool-hair'd creepers stealthily,
The fringes of a southward-facing brow
Among the Ægæan isles;
And saw the merry Grecian coaster come,
Freighted with amber grapes, and Chian wine,
Green, bursting figs, and tunnies steep'd in brine—
And knew the intruders on his ancient home,
The young light-hearted masters of the waves—
And snatch'd his rudder, and shook out more sail;
And day and night held on indignantly
O'er the blue Midland waters with the gale,
Betwixt the Syrtes and soft Sicily,
To where the Atlantic raves
Outside the western straits; and unbent sails
There, where down cloudy cliffs, through sheets of foam,
Shy traffickers, the dark Iberians come;
And on the beach undid his corded bales.
THYRSIS[17]
A Monody, to commemorate the author's friend,
Arthur Hugh Clough, who died at Florence, 1861.
How changed is here each spot man makes or fills!
In the two Hinkseys nothing keeps the same;
The village street its haunted mansion lacks,
And from the sign is gone Sibylla's name,
And from the roofs the twisted chimney-stacks—
Are ye too changed, ye hills?
See, 'tis no foot of unfamiliar men
To-night from Oxford up your pathway strays!
Here came I often, often, in old days——
Thyrsis and I; we still had Thyrsis then.
Runs it not here, the track by Childsworth Farm,
Past the high wood, to where the elm-tree crowns
The hill behind whose ridge the sunset flames?
The signal-elm, that looks on Ilsley Downs,
The Vale, the three lone weirs, the youthful Thames?—
This winter-eve is warm,
Humid the air! leafless, yet soft as spring,
The tender purple spray on copse and briers!
And that sweet city with her dreaming spires,
She needs not June for beauty's heightening,
Lovely all times she lies, lovely to-night!—
Only, methinks, some loss of habit's power
Befalls me wandering through this upland dim.
Once pass'd I blindfold here, at any hour;
Now seldom come I, since I came with him.
That single elm-tree bright
Against the west—I miss it! is it gone?
We prized it dearly; while it stood, we said,
Our friend, the Gipsy-Scholar, was not dead;
While the tree lived, he in these fields lived on.
Too rare, too rare, grow now my visits here,
But once I knew each field, each flower, each stick;
And with the country-folk acquaintance made
By barn in threshing-time, by new-built rick.
Here, too, our shepherd-pipes we first assay'd.
Ah me! this many a year
My pipe is lost, my shepherd's holiday!
Needs must I lose them, needs with heavy heart
Into the world and wave of men depart;
But Thyrsis of his own will went away.
It irk'd him to be here, he could not rest.
He loved each simple joy the country yields,
He loved his mates; but yet he could not keep,
For that a shadow lour'd on the fields,
Here with the shepherds and the silly sheep.
Some life of men unblest
He knew, which made him droop, and fill'd his head.
He went; his piping took a troubled sound
Of storms that rage outside our happy ground;
He could not wait their passing, he is dead.
So, some tempestuous morn in early June,
When the year's primal burst of bloom is o'er,
Before the roses and the longest day—
When garden-walks and all the grassy floor
With blossoms red and white of fallen May
And chestnut-flowers are strewn—
So have I heard the cuckoo's parting cry,
From the wet field, through the vext garden-trees,
Come with the volleying rain and tossing breeze:
The bloom is gone, and with the bloom go I!
Too quick despairer, wherefore wilt thou go?
Soon will the high Midsummer pomps come on,
Soon will the musk carnations break and swell,
Soon shall we have gold-dusted snapdragon,
Sweet-William with his homely cottage-smell,
And stocks in fragrant blow;
Roses that down the alleys shine afar,
And open, jasmine-muffled lattices,
And groups under the dreaming garden-trees,
And the full moon, and the white evening-star.
He hearkens not! light comer, he is flown!
What matters it? next year he will return,
And we shall have him in the sweet spring-days,
With whitening hedges, and uncrumpling fern,
And blue-bells trembling by the forest-ways,
And scent of hay new-mown.
But Thyrsis never more we swains shall see;
See him come back, and cut a smoother reed,
And blow a strain the world at last shall heed—
For Time, not Corydon, hath conquer'd thee!
Alack, for Corydon no rival now!—
But when Sicilian shepherds lost a mate,
Some good survivor with his flute would go,
Piping a ditty sad for Bion's fate;
And cross the unpermitted ferry's flow,
And relax Pluto's brow,
And make leap up with joy the beauteous head
Of Proserpine, among whose crowned hair
Are flowers first open'd on Sicilian air,
And flute his friend, like Orpheus, from the dead.
O easy access to the hearer's grace
When Dorian shepherds sang to Proserpine!
For she herself had trod Sicilian fields,
She knew the Dorian water's gush divine,
She knew each lily white which Enna yields,
Each rose with blushing face;
She loved the Dorian pipe, the Dorian strain.
But ah, of our poor Thames she never heard!
Her foot the Cumner cowslips never stirr'd;
And we should tease her with our plaint in vain!
Well! wind-dispersed and vain the words will be,
Yet, Thyrsis, let me give my grief its hour
In the old haunt, and find our tree-topp'd hill!
Who, if not I, for questing here hath power?
I know the wood which hides the daffodil,
I know the Fyfield tree,
I know what white, what purple fritillaries
The grassy harvest of the river-fields,
Above by Ensham, down by Sandford, yields,
And what sedged brooks are Thames's tributaries;
I know these slopes; who knows them if not I?—
But many a dingle on the loved hill-side,
With thorns once studded, old, white-blossom'd trees,
Where thick the cowslips grew, and far descried
High tower'd the spikes of purple orchises,
Hath since our day put by
The coronals of that forgotten time;
Down each green bank hath gone the ploughboy's team,
And only in the hidden brookside gleam
Primroses, orphans of the flowery prime.
Where is the girl, who by the boatman's door,
Above the locks, above the boating throng,
Unmoor'd our skiff when through the Wytham flats,
Red loosestrife and blond meadow-sweet among
And darting swallows and light water-gnats,
We track'd the shy Thames shore?
Where are the mowers, who, as the tiny swell
Of our boat passing heaved the river-grass,
Stood with suspended scythe to see us pass?—
They all are gone, and thou art gone as well!
Yes, thou art gone! and round me too the night
In ever-nearing circle weaves her shade.
I see her veil draw soft across the day,
I feel her slowly chilling breath invade
The cheek grown thin, the brown hair sprent with grey;
I feel her finger light
Laid pausefully upon life's headlong train;—
The foot less prompt to meet the morning dew,
The heart less bounding at emotion new,
And hope, once crush'd, less quick to spring again.
And long the way appears, which seem'd so short
To the less practised eye of sanguine youth;
And high the mountain-tops, in cloudy air,
The mountain-tops where is the throne of Truth,
Tops in life's morning-sun so bright and bare!
Unbreachable the fort
Of the long-batter'd world uplifts its wall;
And strange and vain the earthly turmoil grows,
And near and real the charm of thy repose,
And night as welcome as a friend would fall.
But hush! the upland hath a sudden loss
Of quiet!—Look, adown the dusk hill-side,
A troop of Oxford hunters going home,
As in old days, jovial and talking, ride!
From hunting with the Berkshire hounds they come.
Quick! let me fly, and cross
Into yon farther field!—'Tis done; and see,
Back'd by the sunset, which doth glorify
The orange and pale violet evening-sky,
Bare on its lonely ridge, the Tree! the Tree!
I take the omen! Eve lets down her veil,
The white fog creeps from bush to bush about,
The west unflushes, the high stars grow bright,
And in the scatter'd farms the lights come out.
I cannot reach the signal-tree to-night,
Yet, happy omen, hail!
Hear it from thy broad lucent Arno-vale
(For there thine earth-forgetting eyelids keep
The morningless and unawakening sleep
Under the flowery oleanders pale),
Hear it, O Thyrsis, still our tree is there!—
Ah, vain! These English fields, this upland dim,
These brambles pale with mist engarlanded,
That lone, sky-pointing tree, are not for him;
To a boon southern country he is fled,
And now in happier air,
Wandering with the great Mother's train divine
(And purer or more subtle soul than thee,
I trow, the mighty Mother doth not see)
Within a folding of the Apennine,
Thou hearest the immortal chants of old!—
Putting his sickle to the perilous grain
In the hot cornfield of the Phrygian king,
For thee the Lityerses-song again
Young Daphnis with his silver voice doth sing;[18]
Sings his Sicilian fold,
His sheep, his hapless love, his blinded eyes—
And how a call celestial round him rang,
And heavenward from the fountain-brink he sprang,
And all the marvel of the golden skies.
There thou art gone, and me thou leavest here
Sole in these fields! yet will I not despair.
Despair I will not, while I yet descry
Neath the mild canopy of English air
That lonely tree against the western sky.
Still, still these slopes, 'tis clear,
Our Gipsy-Scholar haunts, outliving thee!
Fields where soft sheep from cages pull the hay,
Woods with anemonies in flower till May,
Know him a wanderer still; then why not me?
A fugitive and gracious light he seeks,
Shy to illumine; and I seek it too.
This does not come with houses or with gold,
With place, with honour, and a flattering crew;
'Tis not in the world's market bought and sold—
But the smooth-slipping weeks
Drop by, and leave its seeker still untired;
Out of the heed of mortals he is gone,
He wends unfollow'd, he must house alone;
Yet on he fares, by his own heart inspired.
Thou too, O Thyrsis, on like quest wast bound;
Thou wanderedst with me for a little hour!
Men gave thee nothing; but this happy quest,
If men esteem'd thee feeble, gave thee power,
If men procured thee trouble, gave thee rest.
And this rude Cumner ground,
Its fir-topped Hurst, its farms, its quiet fields,
Here cam'st thou in thy jocund youthful time,
Here was thine height of strength, thy golden prime!
And still the haunt beloved a virtue yields.
What though the music of thy rustic flute
Kept not for long its happy, country tone;
Lost it too soon, and learnt a stormy note
Of men contention-tost, of men who groan,
Which task'd thy pipe too sore, and tired thy throat—
It fail'd, and thou wast mute!
Yet hadst thou alway visions of our light,
And long with men of care thou couldst not stay,
And soon thy foot resumed its wandering way,
Left human haunt, and on alone till night.
[Too rare], too rare, grow now my visits here!
'Mid city-noise, not, as with thee of yore,
Thyrsis! in reach of sheep-bells is my home.
—Then through the great town's harsh, heart-wearying roar,
Let in thy voice a whisper often come,
To chase fatigue and fear:
Why faintest thou? I wander'd till I died.
Roam on! The light we sought is shining still.
Dost thou ask proof? Our tree yet crowns the hill,
Our Scholar travels yet the loved hill-side.