Twentieth Century Culture and Deportment / Or the Lady and Gentleman at Home and Abroad; Containing Rules of Etiquette for All Occasions, Including Calls; Invitations; Parties; Weddings; Receptions; Dinners and Teas; Etiquette of the Street; Public Places, Etc., Etc. Forming a Complete Guide to Self-Culture; the Art of Dressing Well; Conversation; Courtship; Etiquette for Children; Letter-Writing; Artistic Home and Interior Decorations, Etc.

by Maud C. Cooke

Woodwork.

Says one writer, “There is a widespread illusion gone out through the world that to have everything in a dwelling ‘finished in hard wood throughout,’ as the advertisements say, is the only orthodox thing. Paint smells of turpentine and heresy.” In this respect it is useless to deny that there is solid comfort in the permanency and genuineness of oak, walnut, or ash, that paint is powerless to give.

But the natural color of woods in many cases may fail to harmonize with the scheme of color to be carried out in the furnishings of the apartment.

WINDOW DECORATION.

In such case, the woodwork should be subjected to delicate, harmonious, painted tints, or polish or gilding, as the case may be.

There is a great variety of woods from which we may choose, but to obtain from them the finer shadings and combinations of color is difficult, not to say impossible.

There is no necessity for making the woodwork that is to be painted unnecessarily substantial or elaborate. Woods such as white maple, holly, poplar, for the light effects; black birch, cherry, mahogany, for darker.

“One fallacy among people,” says an architect, “is an immovable faith that the first duty of a human apartment is to look as high as possible. A cathedral, or the rotunda of the Capitol, must have height to produce an overpowering effect. But in an ordinary room of ordinary size, comfort, convenience and prettiness are more to be sought after than height.”

Ordinary woodwork must be painted in such shades as will debar it from occupying the prominent position to which positive beauty is alone entitled. Give it a similarity to the ground of the paper, but a little darker, and the rounded surface of any fancy moldings, a shade or two darker. Paint the doors the same, except the panels, which may be decorated, in which case they must be painted the tint of the furniture as a background for the design. This may be very simple, a band of color, a vine in outline or flat color. Trace the outline of wild vines, or ferns, anything graceful. Originality is not demanded. There are good reasons why window casings should start from floor or base, since in this way a visible means of support is given to the entire window, which otherwise has a suspended, insecure look. The panel underneath may be of wood or plaster.