HYPSIPYLE
Queen of the shadows, Maid and Wife,
Twifold in essence, as in life,
The lamp of Death, the star of Birth,
Half cradled and half mourned by Earth,
By Hell half won, half lost! aid me
To sing thy fond Hypsipyle,
Thy bosom's mate who, unafraid,
Renounced for thee what part she had
In sun and wind upon the hill,
In dawn about the mere, in still
Woodlands, in kiss of lapping wave,
In laughter, in love—all this she gave!—
And shared thy dream-life, visited
The sunless country of the dead,
There to abide with thee, their Queen,
In that gray region, shadow-seen
By them that cast no shadows, yet
Themselves are shadows. Nor forget,
Koré, her love made manifest
To thee, familiar of her breast
And partner of her whispering mouth.
Thee too, Our Lady of the South,
Uranian Kypris, I invoke,
Regent of starry space, with stroke
Of splendid wing, in whose white wake
Stream those who, filled with thee, forsake
Their clinging shroudy clots, and rise,
Lover and loved, to thy pure skies,
To thy blue realm! O lady, touch
My lips with rue, for she loved much.
What poet in what cloistered nook,
Indenting in what roll of a book
His rhymes, can voice the tides of love?
Nay, thrilling lark, nay, moaning dove,
The nightingale's full-chargéd throat
That cheereth now, and now doth gloat,
And now recordeth bitter-sweet
Longing, too wise to image it:
These be your minstrels, lovers! Choose
From their winged choir your urgent Muse;
Let her your speechless joys relate
Which men with words sophisticate,
Striving by reasons make appear
To head what heart proclaims so clear
To heart; as if by wit to wis
What mouth to mouth tells in a kiss,
Or in their syllogisms dry
Freeze a swift glance's cogency.
Nay, but the heart's so music-fraught,
Music is all in love, words naught.
One heart's a rote, with music stored
Though mute; but two hearts make a chord
Of piercing music. One alone
Is nothing: two make the full tone.