Gleanings from Maeterlinck

by Maurice Maeterlinck

29

We find among the cases collected by M. Bozzano a singular premonition wherein the unknown factors of space and time are continued in a very curious fashion. In August 1910, Cavaliere Giovanni de Figueroa, one of the most famous fencing-masters at Palermo, dreamt that he was in the country, going along a road white with dust, which brought him to a broad ploughed field. In the middle of the field stood a rustic building, with a ground-floor used for store-rooms and cow-sheds and on the right a rough hut made of branches and a cart with some harness lying in it.

A peasant wearing dark trousers, with a black felt hat on his head, came forward to meet him, asked him to follow him and took him round behind the house. Through a low, narrow door they entered a little stable with a short, winding stone staircase leading to a loft over the entrance to the house. A mule fastened to a swinging manger was blocking the bottom step; and the chevalier had to push it aside before climbing the staircase. On reaching the loft, he noticed that from the ceiling were suspended strings of melons, tomatoes, onions and Indian corn. In this room were two women and a little girl; and through a door leading to another room he caught sight of an extremely high bed, unlike any that he had ever seen before.

Here the dream broke off. It seemed to him so strange that he spoke of it to several of his friends, whom he mentions by name and who are ready to confirm his statements.

On the 12th of October in the same year, in order to support a fellow-townsman in a duel, he accompanied the seconds, by motor-car, from Naples to Marano, a place which he had never visited nor even heard of. As soon as they were some way in the country, he was curiously impressed by the white and dusty road. The car pulled up at the side of a field which he at once recognized. They alighted; and he remarked to one of the seconds:

“This is not the first time that I have been here. There should be a house at the end of this path and on the right a hut and a cart with some harness in it.”

As a matter of fact, everything was as he described it. An instant later, at the exact moment foreseen by the dream, the peasant in the dark trousers and the black felt hat came up and asked him to follow him. But, instead of walking behind him, the chevalier went in front, for he already knew the way. He found the stable and, exactly at the place which it occupied two months before, near its swinging manger, the mule blocking the way to the staircase. The fencing-master went up the steps and once more saw the loft, with the ceiling hung with melons, onions and tomatoes, and, in a corner on the right, the two silent women and the child, identical with the figures in his dream, while in the next room he recognized the bed whose uncommon height had so much impressed him.

It really looks as if the facts themselves, the extramundane realities, the eternal verities, or whatever we may be pleased to call them, have tried to show us here that time and space are one and the same illusion, one and the same convention and have no existence outside our little day-spanned understanding; that “everywhere” and “always” are exactly synonymous terms and reign alone as soon as we cross the narrow boundaries of the obscure consciousness in which we live. We are quite ready to admit that Cavaliere de Figueroa may have had by clairvoyance an exact and detailed vision of places which he was not to visit until later: this is a pretty frequent and almost classical phenomenon, which, as it affects the realities of space, does not astonish us beyond measure and, in any case, does not take us out of the world which our senses perceive. The field, the house, the hut, the loft do not move; and it is no miracle that they should be found in the same place. But, suddenly, quitting this domain where all is stationary, the phenomenon is transferred to time and, in those unknown places, at the foretold second, brings together all the moving actors of that little drama in two acts, of which the first was performed some two and a half months before, in the depths of some mysterious other life where it seemed to be motionlessly and irrevocably awaiting its terrestrial realization. Any explanation would but condense this vapour of petty mysteries into a few drops in the ocean of mysteries.

Let us note again, in passing, the strange freakishness of these premonitions. They accumulate the most precise and circumstantial details as long as the scene remains insignificant, but come to a sudden stop before the one tragic and interesting scene of the drama: the duel and its issue. We here once more recognize the inconsistent, impotent, ironical or humorous habits of our unknown guest.