REVILE THE ACROBAT

Maiden, where are you going,

With impudence that makes your arms and legs

Unnecessary feathers?

Your eyes have interceded

Between the flesh and soul,

And show a light of reconciliation.

For whom have you prepared yourself?

I go to see an acrobat

Reviled by men, and acting

Within a lonely circus owned

By Mind, Soul, & Heart, Incorporated.

I love his limbs whose muscles

Compete with twirls of gossamer,

And Oh, I love him not

With the drooling, fevered weight of earth.

He turns my blood to one

Profusion of melted wings.

Maiden, why is this acrobat

Better than men who stand within

The favored halls of mind and heart,

Playing, with lust and dignity,

Violins and trumpets?

They are not better, and he,

Whose thoughtful quickness combines

The pliantness of mind and soul,

He is not worse—the thoughts of men

Stand still on high roofs of the mind,

Or borrow sorceries of flesh,

While he, with flimsy trails

Of ruffles on a gaudy jacket,

Springs into the air; assaults

Every stately, fierce, robust

Finality that men have made.

He cares not whether he is right or wrong.

He seeks a decorative speed

Of thought and soul, and he is not afraid

Of being insincere.

Men loathe him, but I clothe him

With magnificent, specific

Fabrics slighter than the remorse of a child

And bearing involved births of colors.

Strength is not alone

The size and thickness known to men!