II

An old man runs down a little yellow road
To an out-flung, white thicket uncovered by morning.
So shall I swing to the white sharpness of death.

INTERLUDE

Sun-light recedes on the mountains, in long gold shafts,
Like the falling pillars of a temple.
Then singing silence almost too nimble for ears:
The mountain-tenors fling their broad voices
Into the blue hall of the sky,
And through a rigid column of these voices
Night dumbly walks.
Night, crushing sound between his fingers
Until it forms a lightly frozen couch
On which he dreams.

CHORUS GIRL

Her voice was like rose-fragrance waltzing in the wind.
She seemed a shadow stained with shadow colors
Swinging through waves of sunlight.
Perhaps her heart was an old minstrel
Sleepily pawing at his little mandolin.

OLD AGE

In me is a little painted square
Bordered by old shops, with gaudy awnings.
And before the shops sit smoking, open-bloused old men,
Drinking sunlight.
The old men are my thoughts:
And I come to them each evening, in a creaking cart,
And quietly unload supplies.
We fill slim pipes and chat,
And inhale scents from pale flowers in the center of the square....
Strong men, tinkling women, and dripping, squealing children
Stroll past us, or into the shops.
They greet the shopkeepers, and touch their hats or foreheads to me....
Some evening I shall not return to my people.

TO ONE DEAD

I walked upon a hill
And the wind, made solemnly drunk with your presence,
Reeled against me.
I stooped to question a flower,
And you floated between my fingers and the petals,
Tying them together.
I severed a leaf from its tree
And a water-drop in the green flagon
Cupped a hunted bit of your smile.
All things about me were steeped in your remembrance
And shivering as they tried to tell me of it.

TO A DISCARDED STEEL RAIL

Straight strength pitched into the surliness of the ditch:
A soul you have—strength has always delicate, secret reasons.
Your soul is a dull question.
I do not care for your strength, but your stiff smile at Time:
A smile which men call rust.

TO AN ENEMY

I despise my friends more than you.
I would have known myself but they stood before the mirrors
And painted on them images of the virtues I craved.
You came with sharpest chisel, scraping away the false paint.
Then I knew and detested myself, but not you,
For glimpses of you in the glasses you uncovered
Showed me the virtues whose images you destroyed.

SOLDIERS

The smile of one face is like a fierce mermaid
Floating dead in a little pale-brown pond.
The lips of one are twisted
To a hieroglyphic of silence.
The face of another is like a shining frog.
Another face is met by a question
That digs into it like sudden claws.
Beside it is a face like a mirror
In which a stiffened child dangles....

Dead soldiers, in a sprawling crescent,
Whose faces form a gravely mocking sentence.

FORGETFULNESS

Happier than green-kirtled apple-trees
Waving their soft-rimmed fans of light
And taking the morning mist, in quick breaths,
You sit in the woven meditation and surprise
Of a morning uncovering its wind-wreathed head.
And yet within the light stillness of your soul
Dream-heavy guards sleep uneasily
Over the body of your last slain sorrow.

THE INTERNE

O the agony of having too much power!
In my passive palm are hundreds of lives.
Strange alchemy, they drain my blood.
My heart becomes iron; my brain copper; my eyes silver; my lips brass.
Merely by twitching a supple finger, I twirl lives from me,
Strong-winged or fluttering and broken.
They are my children: I am their mother and father.
I watch them live and die.

REAR PORCHES OF AN APARTMENT BUILDING

A sky that has never known sun, moon, or stars,
A sky that is like a dead, kind face
Would have the color of your eyes,
O servant-girl singing of pear-trees in the sun
And scraping the yellow fruit you once picked
When your lavender-white eyes were alive.
On the porch above you sit two women
With faces the color of dry brown earth;
They knit grey rosettes and nibble cakes.
And on the porch above them are three children
Gravely kissing each other’s foreheads,
And an ample nurse with a huge red fan....
The death of the afternoon to them
Is but the lengthening of blue-black shadows on brick walls.