| PAGE |
| [Protogenis, a Comedian of the Second Century, with a Mask, Playing the Character of Meleager, the “Wild Boar Hunter,” Engraved in His Time] | 11 |
| [Vestal Virgins Guarding the Palladium, the Sacred Effigy of Minerva] | 15 |
| [Egyptian] | 17 |
| [Egyptian Scarabeus: The Barque of the Sun, Represented by the Hieroglyph of the City of Heliopolis. The Obelisk below with the God Ra—and the Deess Ma, together Ra-Men-Ma, the Prenomen of King Set First, Second King of the XIX. Dynasty] | 21 |
| [Portrait of Sapor] | 22 |
| [Allegorical Sketch of Persia] | 23 |
| [Impressions of Babylonian Cylinders] | 27 |
| [Impressions of Assyrian, Persian, Hittite, Phœnician, and Cyprian Cylinders] | 29 |
| [Allegorical Sketch of the Source of History] | 33 |
| [Persian Seals] | 35 |
| [Etruscan Sketch] | 37 |
| [Etruscan Scarabeus] | 40 |
| [Phœnician Scarabei and Intaglios] | 42 |
| [Phœnician Intaglios, Mask, etc.] | 45 |
| [Callimachus, the Greek Inventor of the Corinthian Capitol] | 48 |
| [Greek and Roman Intaglio Rings] | 50 |
| [Cameo, the Greek Pallas] | 52 |
| [Roman Gems] | 54 |
| [Cameo in High Relief, Roman Emperor Caracalla] | 57 |
| [Abraxas or Gnostic Gems] | 59 |
| [Abraxas Token] | 62 |
| [Abraxas or Gnostic Gems] | 63 |
| [Early Christian Token] | 67 |
| [Byzantine Gems] | 69 |
| [Byzantine Cabinet and Gems] | 73 |
| [The Annunciation] | 75 |
| [An Orgie of Silenus] | 78 |
| [Renaissance-Medici Period] | 81 |
| [Noah’s Ark] | 85 |
| [A very fine Intaglio by Giovanni Pickler—Ceres] | 87 |
| [Jupiter Ægiochus] | 91 |
| [The Triumph of Constantine] | 95 |
| [John the Baptist Preaching in the Wilderness] | 103 |
| [Historic Cameos: 1347, Trajan offering a Sacrifice to Mars Vincitore; 1348, the Triumphant Entry of Titus Vespasianus into Jerusalem] | 105 |
| [Coriolanus: His Mother and Wife Beseeching Him to Raise the Siege of Rome] | 107 |
| [Historic Cameos: 1339, Trajan Pursuing a Wild Boar; 1350 and 1351, Prisoners; 1349, the Exit from Jerusalem of the Victorious Army of Titus Vespasianus, the Golden Candlesticks, etc.] | 109 |
| [Cock and Serpent: The Cock Intaglio, “Vigilance;” The Serpent in Relief—Cameo; The Serpent’s Tail in its Mouth, “Eternity”] | 115 |
| [Antique Pastes] | 117 |
| [Fragment of Antique Paste, Basso-rilievo] | 120 |
| [A Chimera: Four Faces and the Horn of Jupiter Ammon] | 122 |
| [A Chinese Cameo] | 124 |
| [Aztec or Mexican] | 126 |
| [Aztec or Mexican] | 128 |
| [Odenatus and Zenobia] | 130 |