Chapter Twenty Eight.
“To the jail!”
With impatience Judge Lynch and his jurors await the hunter’s return. Before his leaving them, they had well-nigh made up their minds to the verdict. All know it will be “Guilty,” given unanimously. Woodley’s temporary absence will not affect it. Neither the longer time allowed them for deliberation. If this cause change, it will not be to modify, but make more fixed their determination. Still others keep coming up. Like wildfire the news has spread that the mother of the murdered man is herself stricken down. This, acting as a fresh stimulus to sympathy, brings back such of the searchers as had gone home; many starting from beds to which they had betaken themselves after the day’s fatigue.
It is past midnight, and the crowd collected around the cottage is greater than ever. As one after another arrives upon the ground they step across the threshold, enter the chamber of death, and look upon the corpse, whose pale face seems to make mute appeal to them for justice. After gazing on it for an instant, their anger with difficulty subdued in the solemn presence of death, each comes out muttering a resolve there shall be both justice and vengeance, many loudly vociferating it with the added emphasis of an oath.
It does not need what Simeon Woodley has in store to incite them to action. Already are they sufficiently inflamed. The furor of the mob, with its mutually maddening effect, gradually growing upon them, permeating their spirits, has reached the culminating point.
Still do they preserve sufficient calmness to wait a little longer, and hear what the hunter may have to say. They take it, he has been called from them on some matter connected with the subject under consideration. At such a time who would dare interrupt their deliberations for any trivial purpose? Although none of them has recognised Blue Bill’s voice, they know it to have been that of a negro. This, however, is no reason why he should not have made some communication likely to throw new light on the affair. So, on Woodley’s return, once more gathering around him, they demand to hear what it is.
He tells all that has been imparted to him; but without making known the name of his informant, or in any way compromising the brave fellow with a black skin, who has risked life itself by making disclosure of the truth.
To him the old hunter refers in a slight but significant manner. Comprehending, no one presses for more minute explanation.
“He as says all that,” Woodley continues, after stating the circumstances communicated by the coon-hunter, “has guv me the letter dropped by Dick Darke; which, as I’ve tolt, ye, he picked up. Here air the thing itself. Preehaps it may let some new light into the matter; though I guess you’ll all agree wi’ me, it’s clar enough a’ready.”
They all do agree. A dozen voices have declared, are still declaring that. One now cries out—
“What need to talk any more? Charley Clancy’s been killed—he’s been murdered. An’ Dick Darke’s the man that did it!”
It is not from any lack of convincing evidence, but rather a feeling of curiosity, that prompts them to call for the reading of the letter, which the hunter now holds conspicuously in his hand. Its contents may have no bearing upon the case. Still it can be no harm to know what they are.
“You read it, Henry Spence! You’re a scholart, an’ I ain’t,” says Woodley, handing the letter over to a young fellow of learned look—the schoolmaster of the settlement.
Spence, stepping close up to the porch—into which some one has carried a candle—and holding the letter before the light, first reads the superscription, which, as he informs them, is in a lady’s handwriting.
“To Charley Clancy” it is.
“Charles Clancy!”
Half a score voices pronounce the name, all in a similar tone—that of surprise. One interrogates,—
“Was that letter dropped by Dick Darke?”
“It was,” responds Woodley, to whom the question is addressed.
“Have patience, boys!” puts in the planter, who represents Justice Lynch; “don’t interrupt till we hear what’s in it.”
They take the hint, and remain silent.
But when the envelope is laid open, and a photograph drawn out, showing the portrait of a young lady, recognised by all as a likeness of Helen Armstrong, there is a fresh outburst of exclamations which betoken increased surprise; this stronger still, after Spence reads out the inscript upon the picture:
“Helen Armstrong—for him she loves.”
The letter is addressed to Charles Clancy; to him the photograph must have been sent. A love-affair between Miss Armstrong and the man who has been murdered! A new revelation to all—startling, as pertinent to the case.—
“Go on, Spence! Give us the contents of the letter!” demands an impatient voice.
“Yes, give them!” adds another. “I reckon we’re on the right track now.”
The epistle is taken out of the envelope. The schoolmaster, unfolding it, reads aloud:—
“Dear Charles,—
“When we last met under the magnolia, you asked me a question. I told you I would answer it in writing. I now keep my promise, and you will find the answer underneath my own very imperfect image, which I herewith send in closed. Papa has finally fixed the day of our departure from the old home. On Tuesday next we are to set out in search of a new one. Will it ever be as dear as that we are leaving behind? The answer will depend upon—need I say whom? After reading what I have written upon the carte, surely you can guess. There, I have confessed all—all woman can, could, or should. In six little words I have made over to you my heart. Accept them as its surrender!
“And now, Charles, to speak of things prosaic, as in this hard world we are too oft constrained to do. On Tuesday morning—at a very early hour, I believe—a boat will leave Natchez, bound up the Red River. Upon it we travel, as far as Natchitoches. There to remain for some time, while papa is completing preparations for our farther transport into Texas, I am not certain what part of the ‘Lone Star’ State he will select for our future home. He speaks of a place upon some branch of the Colorado River, said to be a beautiful country; which, you, having been out there, will know all about. In any case, we are to remain for a time, a month or more, in Nachitoches; and there, Carlos mio, I need not tell you, there is a post-office for receiving letters, as also for delivering them. Mind, I say for delivering them! Before we leave for the far frontier, where there may be neither post-office nor post, I shall write you full particulars about our intended ‘location’—with directions how to reach it. Need I be very minute? Or can I promise myself, that your wonderful skill as a ‘tracker,’ of which we’ve heard, will enable you to discover it? They say Love is blind. I hope, yours will not be so: else you may fail in finding the way to your sweetheart in the wilderness.
“How I go on talking, or rather writing, things I intended to say to you at our next meeting tinder the magnolia—our magnolia! Sad thought this, tagged to a pleasant expectation: for it must be our last interview under the dear old tree. Our last anywhere, until we come together again in Texas—perhaps on some prairie where there are no trees. Well; we shall then meet, I hope, never more to part; and in the open daylight, with no need either of night, or tree-shadows to conceal us. I’m sure father, humbled as he now is, will no longer object. Dear Charles, I don’t think he would have done so at any time, but for his reverses. They made him think of—never mind what. I shall tell you all under the magnolia.
“And now, master mine—this makes you so—be punctual! Monday night, and ten o’clock—the old hour. Remember that the morning after? I shall be gone—long before the wild-wood songsters are singing their ‘reveillé’ to awake you. Jule will drop this into our tree post-office this evening—Saturday. As you’ve told me you go there every day, you’ll be sure of getting it in time; and once more I may listen to your flattery, as when you quoted the words of the old song, making me promise to come, saying you would ‘show the night flowers their queen.’
“Ah! Charles, how easy to keep that promise! How sweet the flattery was, is, and ever will be, to yours,—
“Helen Armstrong.”
“And that letter was found on Dick Darke?” questions a voice, as soon as the reading has come to an end.
“It war dropped by him,” answers Woodley; “and tharfor ye may say it war found on him.”
“You’re sure of that, Simeon Woodley?”
“Wal, a man can’t be sure o’ a thing unless he sees it. I didn’t see it myself wi’ my own eyes. For all that, I’ve had proof clar enough to convince me; an’ I’m reddy to stan’ at the back o’ it.”
“Damn the letter!” exclaims one of the impatient ones, who has already spoken in similar strain; “the picture, too! Don’t mistake me, boys. I ain’t referrin’ eyther to the young lady as wrote it, nor him she wrote to. I only mean that neither letter nor picture are needed to prove what we’re all wantin’ to know, an’ do know. They arn’t nor warn’t reequired. To my mind, from the fust go off, nothin’ ked be clarer than that Charley Clancy has been killed, cepting as to who killed him—murdered him, if ye will; for that’s what’s been done. Is there a man on the ground who can’t call out the murderer?”
The interrogatory is answered by a unanimous negative, followed by the name, “Dick Darke.”
And along with the answer commences a movement throughout the crowd. A scattering with threats heard—some muttered, some spoken aloud—while men are observed looking to their guns, and striding towards their horses; as they do so, saying sternly,—
“To the jail!”
In ten minutes after both men and horses are in motion moving along the road between Clancy’s cottage and the county town. They form a phalanx, if not regular in line of march, terribly imposing in aspect.
Could Richard Darke, from inside the cell where he is confined, but see that approaching cavalcade, hear the conversation of those who compose it, and witness their angry gesticulations, he would shake in his shoes, with trembling worse than any ague that ever followed fever.