THE END.
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A SIX-CYLINDER COURTSHIP, By Edw. Salisbury Field
With a color frontispiece by Harrison Fisher, and illustrations by Clarence F. Underwood, decorated pages and end sheets. Harrison Fisher head in colors on cover. Boxed.
A story of cleverness. It is a jolly good romance of love at first sight that will be read with undoubted pleasure. Automobiling figures in the story which is told with light, bright touches, while a happy gift of humor permeates it all.
“The book is full of interesting folks. The patois of the garage is used with full comic and realistic effect, and effervescently, culminating in the usual happy finish.”—St. Louis Mirror.
AT THE FOOT OF THE RAINBOW,
By Gene Stratton-Porter Author of “FRECKLES”
With illustrations in color by Oliver Kemp, decorations by Ralph Fletcher Seymour and inlay cover in colors.
The story is one of devoted friendship, and tender self-sacrificing love; the friendship that gives freely without return, and the love that seeks first the happiness of the object. The novel is brimful of the most beautiful word painting of nature and its pathos and tender sentiment will endear it to all.
JUDITH OF THE CUMBERLANDS, By Alice MacGowan
With illustrations in colors, and inlay cover by George Wright.
No one can fail to enjoy this moving tale with its lovely and ardent heroine, its frank, fearless hero, its glowing love passages, and its variety of characters, captivating or engaging, humorous or saturnine, villains, rascals, and men of good will. A tale strong and interesting in plot, faithful and vivid as a picture of wild mountain life, and in its characterization full of warmth and glow.
A MILLION A MINUTE, By Hudson Douglas
With illustrations by Will Grefe.
Has the catchiest of titles, and it is a ripping good tale from Chapter I to Finis—no weighty problems to be solved, but just a fine running story, full of exciting incidents, that never seemed strained or improbable. It is a dainty love yarn involving three men and a girl. There is not a dull or trite situation in the book.
GROSSET & DUNLAP, Publishers, ·· NEW YORK
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BEVERLY OF GRAUSTARK. By George Barr McCutcheon. With Color Frontispiece and other illustrations by Harrison Fisher. Beautiful inlay picture in colors of Beverly on the cover.
“The most fascinating, engrossing and picturesque of the season’s novels.”—Boston Herald. “‘Beverly’ is altogether charming—almost living flesh and blood.”—Louisville Times. “Better than ‘Graustark’.”—Mail and Express. “A sequel quite as impossible as ‘Graustark’ and quite as entertaining.”—Bookman. “A charming love story well told.”—Boston Transcript.
HALF A ROGUE. By Harold MacGrath. With illustrations and inlay cover picture by Harrison Fisher.
“Here are dexterity of plot, glancing play at witty talk, characters really human and humanly real, spirit and gladness, freshness and quick movement. ‘Half a Rogue’ is as brisk as a horseback ride on a glorious morning. It is as varied as an April day. It is as charming as two most charming girls can make it. Love and honor and success and all the great things worth fighting for and living for the involved in ‘Half a Rogue.’”—Phila. Press.
THE GIRL FROM TIM’S PLACE. By Charles Clark Munn. With illustrations by Frank T. Merrill.
“Figuring in the pages of this story there are several strong characters. Typical New England folk and an especially sturdy one, old Cy Walker, through whose instrumentality Chip comes to happiness and fortune. There is a chain of comedy, tragedy, pathos and love, which makes a dramatic story.”—Boston Herald.
THE LION AND THE MOUSE. A story of American Life. By Charles Klein, and Arthur Hornblow. With illustrations by Stuart Travis, and Scenes from the Play.
The novel duplicated the success of the play; in fact the book is greater than the play. A portentous clash of dominant personalities that form the essence of the play are necessarily touched upon but briefly in the short space of four acts. All this is narrated in the novel with a wealth of fascinating and absorbing detail, making it one of the most powerfully written and exciting works of fiction given to the world in years.
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THE AFFAIR AT THE INN. By Kate Douglas Wiggin. With illustrations by Martin Justice.
“As superlatively clever in the writing as it is entertaining in the reading. It is actual comedy of the most artistic sort, and it is handled with a freshness and originality that is unquestionably novel.”—Boston Transcript. “A feast of humor and good cheer, yet subtly pervaded by special shades of feeling, fancy, tenderness, or whimsicality. A merry thing in prose.”—St. Louis Democrat.
ROSE O’ THE RIVER. By Kate Douglas Wiggin. With illustrations by George Wright.
“‘Rose o’ the River,’ a charming bit of sentiment, gracefully written and deftly touched with a gentle humor. It is a dainty book—daintily illustrated.”—New York Tribune. “A wholesome, bright, refreshing story, an ideal book to give a young girl.”—Chicago Record-Herald. “An idyllic story, replete with pathos and inimitable humor. As story-telling it is perfection, and as portrait-painting it is true to the life.”—London Mail.
TILLIE: A Mennonite Maid. By Helen R. Martin. With illustrations by Florence Scovel Shinn.
The little “Mennonite Maid” who wanders through these pages is something quite new in fiction. Tillie is hungry for books and beauty and love; and she comes into her inheritance at the end. “Tillie is faulty, sensitive, big-hearted, eminently human, and first, last and always lovable. Her charm glows warmly, the story is well handled, the characters skilfully developed.”—The Book Buyer.
LADY ROSE’S DAUGHTER. By Mrs. Humphry Ward. With illustrations by Howard Chandler Christy.
“The most marvellous work of its wonderful author.”—New York World. “We touch regions and attain altitudes which it is not given to the ordinary novelist even to approach.”—London Times. “In no other story has Mrs. Ward approached the brilliancy and vivacity of Lady Rose’s Daughter.”—North American Review.
THE BANKER AND THE BEAR. By Henry K. Webster.
“An exciting and absorbing story.”—New York Times. “Intensely thrilling in parts, but an unusually good story all through. There is a love affair of real charm and most novel surroundings, there is a run on the bank which is almost worth a year’s growth, and there is all manner of exhilarating men and deeds which should bring the book into high and permanent favor.”—Chicago Evening Post.
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THE CIRCULAR STAIRCASE, By Mary Roberts Reinhart With illustrations by Lester Ralph.
In an extended notice the New York Sun says: “To readers who care for a really good detective story ‘The Circular Staircase’ can be recommended without reservation.” The Philadelphia Record declares that “The Circular Staircase” deserves the laurels for thrills, for weirdness and things unexplained and inexplicable.
THE RED YEAR, By Louis Tracy
“Mr. Tracy gives by far the most realistic and impressive pictures of the horrors and heroisms of the Indian Mutiny that has been available in any book of the kind *** There has not been in modern times in the history of any land scenes so fearful, so picturesque, so dramatic, and Mr. Tracy draws them as with the pencil of a Verestschagin or the pen of a Sienkiewics.”
ARMS AND THE WOMAN, By Harold MacGrath With inlay cover in colors by Harrison Fisher.
The story is a blending of the romance and adventure of the middle ages with nineteenth century men and women; and they are creations of flesh and blood, and not mere pictures of past centuries. The story is about Jack Winthrop, a newspaper man. Mr. MacGrath’s finest bit of character drawing is seen in Hillars, the broken down newspaper man, and Jack’s chum.
LOVE IS THE SUM OF IT ALL, By Geo. Cary Eggleston With illustrations by Hermann Heyer.
In this “plantation romance” Mr. Eggleston has resumed the manner and method that made his “Dorothy South” one of the most famous books of its time.
There are three tender love stories embodied in it, and two unusually interesting heroines, utterly unlike each other, but each possessed of a peculiar fascination which wins and holds the reader’s sympathy. A pleasing vein of gentle humor runs through the work, but the “sum of it all” is an intensely sympathetic love story.
HEARTS AND THE CROSS, By Harold Morton Cramer With illustrations by Harold Matthews Brett.
The hero is an unconventional preacher who follows the line of the Man of Galilee, associating with the lowly, and working for them in the ways that may best serve them. He is not recognized at his real value except by the one woman who saw clearly. Their love story is one of the refreshing things in recent fiction.
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THE SPIRIT OF THE SERVICE. By Edith Elmer Wood. With illustrations by Rufus Zogbaum.
The standards and life of “the new navy” are breezily set forth with a genuine ring impossible from the most gifted “outsider.” “The story of the destruction of the ‘Maine,’ and of the Battle of Manila, are very dramatic. The author is the daughter of one naval officer and the wife of another. Naval folks will find much to interest them in ‘The Spirit of the Service.’”—The Book Buyer.
A SPECTRE OF POWER. By Charles Egbert Craddock.
Miss Murfree has pictured Tennessee mountains and the mountain people in striking colors and with dramatic vividness, but goes back to the time of the struggles of the French and English in the early eighteenth century for possession of the Cherokee territory. The story abounds in adventure, mystery, peril and suspense.
THE STORM CENTRE. By Charles Egbert Craddock.
A war story; but more of flirtation, love and courtship than of fighting or history. The tale is thoroughly readable and takes its readers again into golden Tennessee, into the atmosphere which has distinguished all of Miss Murfree’s novels.
THE ADVENTURESS. By Coralie Stanton. With color frontispiece by Harrison Fisher, and attractive inlay cover in colors.
As a penalty for her crimes, her evil nature, her flint-like callousness, her more than inhuman cruelty, her contempt for the laws of God and man, she was condemned to bury her magnificent personalty, her transcendent beauty, her superhuman charms, in gilded obscurity at a King’s left hand. A powerful story powerfully told.
THE GOLDEN GREYHOUND. A Novel by Dwight Tilton. With illustrations by E. Pollak.
A thoroughly good story that keeps you guessing to the very end, and never attempts to instruct or reform you. It is a strictly up-to-date story of love and mystery with wireless telegraphy and all the modern improvements. The events nearly all take place on a big Atlantic liner and the romance of the deep is skilfully made to serve as a setting for the romance, old as mankind, yet always new, involving our hero.
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LAVENDER AND OLD LACE. By Myrtle Reed.
A charming story of a quaint corner of New England where bygone romance finds a modern parallel. One of the prettiest, sweetest, and quaintest of old-fashioned love stories *** A rare book, exquisite in spirit and conception, full of delicate fancy, of tenderness, of delightful humor and spontaneity. A dainty volume, especially suitable for a gift.
DOCTOR LUKE OF THE LABRADOR. By Norman Duncan. With a frontispiece and inlay cover.
How the doctor came to the bleak Labrador coast and there in saving life made expiation. In dignity, simplicity, humor, in sympathetic etching of a sturdy fisher people, and above all in the echoes of the sea, Doctor Luke is worthy of great praise. Character, humor, poignant pathos, and the sad grotesque conjunctions of old and new civilizations are expressed through the medium of a style that has distinction and strikes a note of rare personality.
THE DAY’S WORK. By Rudyard Kipling. Illustrated.
The London Morning Post says: “It would be hard to find better reading *** the book is so varied, so full of color and life from end to end, that few who read the first two or three stories will lay it down till they have read the last—and the last is a veritable gem *** contains some of the best of his highly vivid work *** Kipling is a born story-teller and a man of humor into the bargain.”
ELEANOR LEE. By Margaret E. Sangster. With a frontispiece.
A story of married life, and attractive picture of wedded bliss *** an entertaining story or a man’s redemption through a woman’s love *** no one who knows anything of marriage or parenthood can read this story with eyes that are always dry *** goes straight to the heart of everyone who knows the meaning of “love” and “home.”
THE COLONEL OF THE RED HUZZARS. By John Reed Scott. Illustrated by Clarence F. Underwood.
“Full of absorbing charm, sustained interest, and a wealth of thrilling and romantic situations. So naively fresh in its handling, so plausible through its naturalness, that it comes like a mountain breeze across the far-spreading desert of similar romances.”—Gazette-Times, Pittsburg. “A slap-dashing day romance.”—New York Sun.
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THE FAIR GOD; OR, THE LAST OF THE TZINS. By Lew Wallace. With illustrations by Eric Pape.
“The story tells of the love of a native princess for Alvarado, and it is worked out with all of Wallace’s skill *** it gives a fine picture of the heroism of the Spanish conquerors and of the culture and nobility of the Aztecs.”—New York Commercial Advertiser.
“Ben Hur sold enormously, but The Fair God was the best of the General’s stories—a powerful and romantic treatment of the defeat of Montezuma by Cortes.”—Athenæum.
THE CAPTAIN OF THE KANSAS. By Louis Tracy.
A story of love and the salt sea—of a helpless ship whirled into the hands of cannibal Fuegians—of desperate fighting and tender romance, enhanced by the art of a master of story telling who describes with his wonted felicity and power of holding the reader’s attention *** filled with the swing of adventure.
A MIDNIGHT GUEST. A Detective Story. By Fred M. White. With a frontispiece.
The scene of the story centers in London and Italy. The book is skilfully written and makes one of the most baffling, mystifying, exciting detective stories ever written—cleverly keeping the suspense and mystery intact until the surprising discoveries which precede the end.
THE HONOUR OF SAVELLI. A Romance. By S. Levett Yeats. With cover and wrapper in four colors.
Those who enjoyed Stanley Weyman’s A Gentleman of France will be engrossed and captivated by this delightful romance of Italian history. It is replete with exciting episodes, hair-breath escapes, magnificent sword-play, and deals with the agitating times in Italian history when Alexander II was Pope and the famous and infamous Borgias were tottering to their fall.
SISTER CARRIE. By Theodore Drieser. With a frontispiece, and wrapper in color.
In all fiction there is probably no more graphic and poignant study of the way in which man loses his grip on life, lets his pride, his courage, his self-respect slip from him, and, finally, even ceases to struggle in the mire that has engulfed him. *** There is more tonic value in Sister Carrie than in a whole shelfful of sermons.
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NEW CHRONICLES OF REBECCA, By Kate Douglas Wiggin With illustrations by F. C. Yohn.
Additional episodes in the girlhood of the delightful little heroine at Riverboro which were not included in the story of “Rebecca of Sunnybrook Farm,” and they are as characteristic and delightful as any part of that famous story. Rebecca is as distinct a creation in the second volume as in the first.
THE SILVER BUTTERFLY, By Mrs. Wilson Woodrow With illustrations in colors by Howard Chandler Christy.
A story of love and mystery, full of color, charm, and vivacity, dealing with a South American mine, rich beyond dreams, and of a New York maiden, beyond dreams beautiful—both known as the Silver Butterfly. Well named is The Silver Butterfly! There could not be a better symbol of the darting swiftness, the eager love plot, the elusive mystery and the flashing wit.
BEATRIX OF CLARE, By John Reed Scott With illustrations by Clarence F. Underwood.
A spirited and irresistibly attractive historical romance of the fifteenth century, boldly conceived and skilfully carried out. In the hero and heroine Mr. Scott has created a pair whose mingled emotions and alternating hopes and fears will find a welcome in many lovers of the present hour. Beatrix is a fascinating daughter of Eve.
A LITTLE BROTHER OF THE RICH, By Joseph Medill Patterson Frontispiece by Hazel Martyn Trudeau, and illustrations by Walter Dean Goldbeck.
Tells the story of the idle rich, and is a vivid and truthful picture of society and stage life written by one who is himself a conspicuous member of the Western millionaire class. Full of grim satire, caustic wit and flashing epigrams. “Is sensational to a degree in its theme, daring in its treatment, lashing society as it was never scourged before.”—New York Sun.
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BARBARA WINSLOW, REBEL. By Elizabeth Ellis With illustrations by John Rae, and colored inlay cover.
The following, taken from story, will best describe the heroine: A TOAST: “To the bravest comrade in misfortune, the sweetest companion in peace and at all times the most courageous of women.”—Barbara Winslow. “A romantic story, buoyant, eventful, and in matters of love exactly what the heart could desire.”—New York Sun.
SUSAN. By Ernest Oldmeadow With a color frontispiece by Frank Haviland. Medallion in color on front cover.
Lord Ruddington falls helplessly in love with Miss Langley, whom he sees in one of her walks accompanied by her maid, Susan. Through a misapprehension of personalities his lordship addresses a love missive to the maid. Susan accepts in perfect good faith, and an epistolary love-making goes on till they are disillusioned. It naturally makes a droll and delightful little comedy; and is a story that is particularly clever in the telling.
WHEN PATTY WENT TO COLLEGE. By Jean Webster With illustrations by C. D. Williams.
“The book is a treasure.”—Chicago Daily News. “Bright, whimsical, and thoroughly entertaining.”—Buffalo Express. “One of the best stories of life in a girl’s college that has ever been written.”—N.Y. Press. “To any woman who has enjoyed the pleasures of a college life this book cannot fail to bring back many sweet recollections; and to those who have not been to college the wit, lightness, and charm of Patty are sure to be no less delightful.”—Public Opinion.
THE MASQUERADER. By Katherine Cecil Thurston With illustrations by Clarence F. Underwood.
“You can’t drop it till you have turned the last page.”—Cleveland Leader. “Its very audacity of motive, of execution, of solution, almost takes one’s breath away. The boldness of its denouement is sublime.”—Boston Transcript. “The literary hit of a generation. The best of it is the story deserves all its success. A masterly story.”—St. Louis Dispatch. “The story is ingeniously told, and cleverly constructed.”—The Dial.
THE GAMBLER. By Katherine Cecil Thurston With illustrations by John Campbell.
“Tells of a high strung young Irish woman who has a passion for gambling, inherited from a long line of sporting ancestors. She has a high sense of honor, too, and that causes complications. She is a very human, lovable character, and love saves her.”—N.Y. Times.
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THE SHUTTLE, By Frances Hodgson Burnett With inlay cover in colors by Clarence F. Underwood.
This great international romance relates the story of an American girl who, in rescuing her sister from the ruins of her marriage to an Englishman of title, displays splendid qualities of courage, tact and restraint. As a study of American womanhood of modern times, the character of Bettina Vanderpoel stands alone in literature. As a love story, the account of her experience is magnificent. The masterly handling, the glowing style of the book, give it a literary rank to which very few modern novels have attained.
THE MAKING OF A MARCHIONESS, By Frances Hodgson Burnett Illustrated with half tone engravings by Charles D. Williams. With initial letters, tail-pieces, decorative borders. Beautifully printed, and daintily bound, and boxed.
A delightful novel in the author’s most charming vein. The scene is laid in an English country house, where an amiable English nobleman is the centre of matrimonial interest on the part of both the English and Americans present.
Graceful, sprightly, almost delicious in its dialogue and action. It is a book about which one is tempted to write ecstatically.
THE METHODS OF LADY WALDERHURST, By Francis Hodgson Burnett A Companion Volume to “The Making of a Marchioness.”
With illustrations by Charles D. Williams, and with initial letters, tail-pieces, and borders, by A. K. Womrath. Beautifully printed and daintily bound, and boxed.
“The Methods of Lady Walderhurst” is a delightful story which combines the sweetness of “The Making of a Marchioness,” with the dramatic qualities of “A Lady of Quality.” Lady Walderhurst is one of the most charming characters in modern fiction.
VAYENNE, By Percy Brebner With illustrations by E. Fuhr.
This romance like the author’s The Princess Maritza is charged to the brim with adventure. Sword play, bloodshed, justice grown the multitude, sacrifice, and romance, mingle in dramatic episodes that are born, flourish, and pass away on every page.
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DARREL OF THE BLESSED ISLES, By Irving Bacheller With illustrations by Arthur Keller.
“Darrel, the clock tinker, is a wit, philosopher, and man of mystery. Learned, strong, kindly, dignified, he towers like a giant above the people among whom he lives. It is another tale of the North Country, full of the odor of wood and field. Wit, humor, pathos and high thinking are in this book.”—Boston Transcript.
D’RI AND I: A Tale of Daring Deeds in the Second War with the British. Being the Memoirs of Colonel Ramon Bell, U. S. A. By Irving Bacheller With illustrations by F. C. Yohn.
“Mr. Bacheller is admirable alike in his scenes of peace and war. D’ri, a mighty hunter, has the same dry humor as Uncle Eb. He fights magnificently on the ‘Lawrence,’ and was among the wounded when Perry went to the ‘Niagara.’ As a romance of early American history it is great for the enthusiasm it creates.”—New York Times.
EBEN HOLDEN: A Tale of the North Country, By Irving Bacheller.
“As pure as water and as good as bread,” says Mr. Howells. “Read ‘Eben Holden’” is the advice of Margaret Sangster. “It is a forest-scented, fresh-aired, bracing and wholly American story of country and town life. *** If in the far future our successors wish to know what were the real life and atmosphere in which the country folk that saved this nation grew, loved, wrought and had their being, they must go back to such true and zestful and poetic tales of ‘fiction’ as ‘Eben Holden,’” says Edmund Clarence Stedman.
SILAS STRONG: Emperor of the Woods, By Irving Bacheller With a frontispiece.
“A modern Leatherstocking. Brings the city dweller the aroma of the pine and the music of the wind in its branches—an epic poem *** forest-scented, fresh-aired, and wholly American. A stronger character than Eben Holden.”—Chicago Record-Herald.
VERGILIUS: A Tale of the Coming of Christ, By Irving Bacheller.
A thrilling and beautiful story of two young Roman patricians whose great and perilous love in the reign of Augustus leads them through the momentous, exciting events that marked the year just preceding the birth of Christ.
Splendid character studies of the Emperor Augustus, of Herod and his degenerate son, Antipater, and of his daughter “the incomparable” Salome. A great triumph in the art of historical portrait painting.