The West End of the Confessor's Shrine, with the Modern Altar


THE WEST END OF THE CONFESSOR'S SHRINE,
SHOWING THE MODERN ALTAR

A small portion of the ancient shrine is given in this illustration, but we can see the only twisted pillar which retains any of its original Italian mosaic decoration, and behind the candlesticks is more of this beautiful work. The altar and the gilded group and cornice over it are of recent date, i.e. the Coronation of King Edward VII. and Queen Alexandra; the red velvet pall with its blue linen cover were placed over the tomb of the saint at the same time. A portion of the tombs of Edward III. and Richard II. show on the south side of the chapel, with the windows of that of St. Edmund above.


Neither Feckenham nor Queen Mary could afford to pay for a new golden top, and the present plain wooden one was perforce substituted. The only wonder is that the royal chapel was not stripped entirely bare of its treasures long before our time. The relics, no doubt, were taken at the suppression of the monastery. The silver head and armour of Henry V. were stolen in the reign of Henry VIII., after the monks, those careful custodians of the Abbey, had been dispersed. The silver cradle on the tomb of Edward IV.'s little daughter vanished later. We look around and see the empty places on Henry III.'s tomb whence the mosaics and jewels have been picked out; the arms of Richard II. and his queen are missing; that once wonderful work of art, Philippa's monument, so well described by Sir Gilbert Scott, is a ruin. The Coronation Chair, now raised safely out of harm's way, is actually covered with the names of tourists. Yet neither Henry VIII. nor the Protestant Protector Somerset, not even those scapegoats the Puritan soldiers, are altogether to blame for these and other acts of vandalism. During the eighteenth and early nineteenth centuries people seem to have roamed about the Abbey, occasionally accompanied by a verger, usually free to write their names or to break off relics. The glass cases of the wax effigies, which are covered with such records, bear witness to the careless guardianship of the church in former days.