CHAPTER X.
MONA MEETS MRS. MONTAGUE'S NEPHEW.
The next morning, as soon as she had finished her breakfast, Mona asked Mary to conduct her to the sewing-room, and there she found a pile of work, which would have been exceedingly disheartening to a less resolute spirit.
But the young girl had bravely determined to do the best she could and not worry about the result.
Fate had willed that she must work for her living, and she had resolved not to murmur at her lot, but, putting forth all her energies, hope to please her employer and meet with success in her undertaking.
So she arranged her chair and table by a pleasant window overlooking the street, and then boldly attacked the mountain before her.
"I wonder if Mrs. Montague intends to have these done by hand or machine?" she mused, as she shook out the folds of snowy cloth and began to turn a hem on one of the sheets. "And then"—with a puzzled expression—"how am I to know how broad to make the hems?"
She feared to go on with the work without special directions, for she might make some mistake. But after considering the matter, she determined to leave the sheets altogether and do the over-and-over sewing on the pillow-slips, until she could ascertain Mrs. Montague's wishes.
Mona was naturally quick in all her movements, and, being also very persevering, she had accomplished considerable by ten o'clock, when Mrs. Montague, in an elegant morning negligée of light-blue cashmere, and looking as lovely as an houri, strolled languidly into the sewing-room to see what her new seamstress was about.
"Oh, you are sewing up the slips," she remarked, as she nodded in reply to Mona's polite good morning and observed her employment. "I forgot to tell you about the hems last night, and I have been afraid ever since I awoke this morning that you would not make them broad enough."
"Yes, I feared I might make some mistake, so left them," Mona answered, but without stopping her work.
"How beautiful your seams look!" the lady said, as she examined some of the slips. "Your stitches are very fine and even; but over-and-over sewing must be very monotonous work. You might vary it by hemming a sheet now and then. I want the hems three inches wide on both ends."
"Do you have them stitched or done by hand?" Mona inquired.
"Oh, stitched; I have a beautifully running machine, and I want to get them out of the way as soon as possible, for there is dressmaking to be done. Can you run a White machine?"
Mona was conscious that her companion was regarding her very earnestly during this conversation, but she appeared not to notice it, and replied:
"I never have, but if I could be shown how to thread it, I think I should have no difficulty."
She was very thankful to know that all that mountain before her was not to be done by hand.
"Do you like to sew?" Mrs. Montague inquired, as she watched the girl's pretty hand in its deft manipulation of the needle.
Mona smiled sadly.
"I used to think I did," she said, after a moment's hesitation, "but when one is obliged to do one thing continually it becomes monotonous and irksome."
"How long have you been obliged to support yourself by sewing?" the woman asked, curiously, for to her there seemed to be something very incongruous in this beautiful high-bred girl drudging all day long as a seamstress.
Mona flushed at the question.
There was nothing she dreaded so much as being questioned regarding her past life.
"Not very long; death robbed me of friends and home, and so I was obliged to earn my living," she returned, after considering a moment how she should answer.
"Then you are an orphan?"
"Yes."
"Have you no relatives?" and the lovely but keen blue eyes of the lady were fixed very searchingly upon the fair young face.
"None that I know of."
"You do not look as if you had ever done much work of any kind," Mrs. Montague observed. "You seem more like a person who has been reared in luxury; your hands are very fair and delicate; your dress is of very fine and expensive material, and—why, there is real Valenciennes lace on your pocket-handkerchief!"
Mona was becoming very nervous under this close inspection. She saw that Mrs. Montague was curious about her, though she did not for a moment imagine that she could have the slightest suspicion regarding her identity; yet she feared that she might be trapped into betraying something in an unguarded moment, if she continued this kind of examination.
"I always buy good material," she quietly remarked, "I think it is economy to do so, and—my handkerchief was given to me. How wide did you tell me to make the hems on these pillow-slips?" she asked, in conclusion, to change the subject, but mentally resolving that Mrs. Montague should never see any but plain handkerchiefs about her again.
"I did not tell you any width for the slips," was the dry, yet haughty rejoinder, for madame could not fail to understand that she had been politely admonished that her curiosity was becoming annoying to her fair seamstress, "but you may make them to match those upon the sheets—three inches."
She arose, immediately after giving this order, and swept proudly from the room, and Mona did not see her again that day. It seemed to the poor girl, with her unaccustomed work, the longest one she had ever known, and she grew heavy-hearted, and very weary before it was over.
She had all her life been in the habit of taking plenty of exercise in the open air. While she was studying, Mr. Dinsmore had made her walk to and from school, then after lunch they would either go for a drive or for a canter in the park or the suburbs of the city.
She had never been subjected to any irksome restraint, and so it seemed very hard to be obliged to sit still for so many hours at a time and do nothing but "stitch! stitch! stitch!" like the woman in the "Song of the Shirt."
But six o'clock came at last, to release her from those endless seams and hems, and after she had eaten her dinner she was so completely wearied out that she crept up to her bed and almost immediately fell asleep.
But the next morning she was pale and heavy-eyed, and Mrs. Montague evidently realized that it was unwise to make her apply herself so steadily, for she made out a memorandum of several little things which she wanted and sent Mona down town to purchase them.
The girl came back looking so bright and fresh, and went at her work with so much vigor, the woman smiled wisely to herself.
"She hasn't been used to such close application, it is plain to be seen," she mused, "and I must take care or she will give out. She sews beautifully, though, and rapidly, and I want to keep her, for I believe she can be made very useful."
So every day after that she sent her out for a while on some pretext or other, and Mona felt grateful for these moments of respite.
One day she was sent to Macy's with a longer list than usual, and while there she came face to face with a couple of acquaintances—young ladies who, like herself, had only that winter been introduced to society.
They had been only too eager, whenever they had met her in company, to claim the wealthy Mr. Dinsmore's niece as their friend.
Mona bowed and smiled to-day, as she met them, but was astonished and dismayed beyond measure when they both gave her a rude stare of surprise, and then passed on without betraying the slightest sign of recognition.
For a moment Mona's face was like a scarlet flame, then all her color as quickly fled, leaving her ghastly white as she realized that she had received the cut direct.
Her heart beat so heavily that she was oppressed by a feeling almost of suffocation, and was obliged to stop and lean against a pillar for a moment for support.
She did not see that a young man was standing near, watching her with a peculiar smile on his bold face. He had observed the whole proceeding, and well understood its meaning, while, during all the time that Mona remained in the store, he followed her at a distance. Her emotion passed after a moment, and then all her pride arose in arms. Her eyes flashed, her lips curled, and she straightened herself haughtily.
"They are beneath me," she murmured. "Homeless, friendless as I am to-day, I would not exchange places with them. I am superior to them even in my poverty, for I would not wound the humblest person in the world with such rudeness and ill-breeding."
Yet, in spite of this womanly spirit, in spite of the contempt which she felt for such miserable pride of purse and position, she was deeply wounded and made to realize, as she never yet had done, that Mrs. Richmond Montague's seamstress would henceforth be regarded as a very different person from Miss Mona Montague, the heiress and a petted beauty in society.
She did not care to go out shopping so much after that; but when obliged to do so she avoided as much as possible those places where she would be liable to meet old acquaintances.
She would take her airing after lunch in the quiet streets of the neighborhood, and then return to her tasks in the sewing-room.
She was not quite so lonely after a dressmaker came to do some fitting for Mrs. Montague, for the woman was kind and sociable, and, becoming interested in the beautiful sewing-girl, seemed to try to make the time pass pleasantly to her, and was a great help to her about her work.
Mona often wondered how Mrs. Montague would feel if she should know who she was. Sometimes she was almost inclined to think that she did suspect the truth, for she often found her regarding her with a curious and intent look. It occurred to her that the woman might possibly have known her mother, and noticed her resemblance to her, for Mr. Dinsmore had told her that she looked very much like her.
One day Mona was standing close beside her, while she tried on a fichu which she had been fixing for her to wear that evening, when the woman broke out abruptly, while she scanned her face intently:
"For whom are you in mourning, Ruth?"
Mona did not know just how to reply to this direct question; but after an instant's reflection she said:
"The dearest friend I had in the world. Do you not remember, Mrs.
Montague, that I told you I was an orphan? I am utterly friendless."
Mrs. Montague regarded her with a peculiar look for a moment, but she did not pursue the subject, and Mona was greatly relieved.
"If she knew my mother," she told herself, "and has discovered my resemblance to her—if she knew Uncle Walter, and I had told her I was in mourning for him—she would have known at once who I am."
It was very evident that her employer was pleased with her work, for she frequently complimented her upon her neatly finished seams, while the dressmaker asserted that she had seldom had one so young to work with her who was so efficient.
On the whole she was kindly treated; she was in a pleasant and luxurious home, although in the capacity of a servant; her wages were fair, and for the present she felt that she could not do better than to remain where she was, while she experienced a very gratifying feeling of independence in being able to provide for herself.
She had seen Mr. Graves only once since leaving her own home, and then she had met him on the street during one of her daily walks.
He had told her that Mr. Dinsmore's property had all passed into the hands of his wife, although the house had not as yet been disposed of; it had been rented, furnished, to a family for a year. He said he had never met Mrs. Dinsmore; all her business had been transacted through her lawyer, and the woman evidently did not like, for some reason, to appear personally in the settlement of the property.
He kindly inquired how she endured the confinement of her new life, and urged her cordially to come to him whenever she was tired and needed a rest, telling her that she should always be sure of a warm welcome.
A day or two after this meeting with her old friend, and just as she was returning from her usual walk, Mona encountered a young man as she was about to mount the steps leading into Mrs. Montague's residence.
He was dressed in the height of fashion, and might have been regarded as fairly good-looking if he had not been so conceited and self-conscious.
The young girl did not bestow more than a passing glance upon him, supposing him to be some stranger whom she might never meet again.
She ran lightly up the steps, when, what was her surprise to find him following her, and, just as she was on the point of ringing for admittance, he stayed her hand, by remarking, with excessive politeness:
"I have a latch-key, miss—pray allow me to admit you."
Of course, Mona knew then that this young exquisite must be the nephew of
Mrs. Montague, of whom Mary had told her—Mr. Louis Hamblin.
She observed him more closely as she thanked him, and saw that he was apparently about twenty-five years of age, with light-brown hair, blue eyes, and somewhat irregular, yet not unpleasant, features. He was well formed, rather tall, and carried himself with ease, though somewhat proudly.
He was evidently impressed with Mona's appearance, as his look of admiration plainly indicated.
He appeared to regard her as some visitor to see his aunt, for his manner was both respectful and gentlemanly as he opened the door, and then stood aside to allow her to pass in.
Mona bowed in acknowledgment of this courtesy, and, entering, passed directly through the hall and up stairs, greatly to the young man's astonishment.
He gave vent to a low whistle, and exclaimed, under his breath, as he deposited his cane in the stand and drew off his gloves:
"Jove! I imagined her to be some high-toned caller, and she is only some working girl. Really, though, she is as fine a specimen of young womanhood as I have encountered in many a day, and I should like to see more of her. Ah, Aunt Marg," he went on, as Mrs. Montague came sweeping down the stairs, just then, in an elaborate dinner costume, "how fine you look, and I'm on time, you perceive! How about the McKenzie reception to-night?"
"We must go, of course," responded the lady, in a somewhat weary tone, "for Mrs. McKenzie would be offended if we should remain away, though I am really too tired after the Ashton ball last evening to go out again; besides, I do not like to wear a dress that isn't properly finished; but I shall have to, for the girls cannot possibly do all that needs to be done."
"You are too particular, Aunt Marg. What if every seam isn't bound just as you like it? Your general make-up is always superb. By the way, who was that girl in black who just came in and went up stairs?" the young man concluded, as if it had only just occurred to him to inquire regarding her.
"Oh, that was Ruth Richards, my seamstress; she had just been out on an errand," Mrs. Montague indifferently returned as they passed into the drawing-room.
"Ruth Richards? Pretty name, isn't it?" her companion remarked, "and the girl herself is a stunner—one does not often meet so lovely a seamstress."
Mrs. Montague turned upon him sharply.
"Nonsense, Louis," she said, impatiently; "don't allow your head to be turned by every pretty face that you see. There are plenty of fine-looking girls in our own set, without wasting your admiration upon a poor sewing-girl."
"I never should have imagined that she was a sewing-girl," Mr. Hamblin returned. "I supposed her to be some aristocratic young lady of your acquaintance, who had come for a social call. She carries herself like a young queen; her form is simply perfect, and her face!—well, were I an artist I should love to paint it," he concluded, with unusual enthusiasm.
Mrs. Montague shrugged her graceful shoulders, and curled her red lips scornfully.
"What would Kitty McKenzie say if she could hear you run on like this about a girl who has to work for her living?" she sneered.
"Kitty McKenzie cannot hold a candle to Ruth Richards. Dress her as Kitty rigs herself out and all New York would be raving about her," the young man replied.
"Louis Hamblin, I am all out of patience with you! Kitty would feel highly complimented with your opinion of her charms," cried his aunt, angrily. "But let me tell you," she added, resolutely, "I shall not countenance any fooling with that young lady; you have shown her very marked attention, and she has a right to expect that you have serious intentions. You know that I should be only too glad to have you marry Kitty; she is a sweet girl, to say nothing about her beauty, while the McKenzies are all that could be desired, both as to wealth and position; and the day that Kitty becomes your wife I will match her dowry as a wedding-gift to you."
"Thank you; I know that you are all that is kind and good in your plans for me, Aunt Margie," Louis responded, in a conciliatory tone, "and you need not fear that I am rashly going to throw Kitty over; we are the best of friends, although not acknowledged lovers. I cannot quite make up my mind to propose, for, really, I do not feel like tying myself down just yet."
"It would be a good thing for you—you have sown wild oats enough, Louis, and it is time that you began to think of settling down in life. If you please me you know that a brilliant future awaits you, for you are my only heir," Mrs. Montague concluded, as she searched his face earnestly.
"My dear Aunt Margie, you well know there is nothing I like to do better than to please you," was the gallant response, and Mrs. Montague believed him, and smoothed her ruffled plumage.
"Nevertheless," Mr. Louis Hamblin remarked later, while smoking his cigar by himself, "I shall try to see more of that pretty seamstress, without regard to the McKenzie expectations. Jove! what eyes she has! and her low 'thank you,' as I let her in, had the most musical sound I've heard in many a day. Stay," he added, with a start, "now I think of it, she must be the same girl to whom those proud upstarts gave the cut direct in Macy's the other day. I thought her face was familiar, and didn't she pull herself together gloriously after it. There's a romance connected with her, I'll bet. She must have been in society, or she could not have known them well enough to salute them as she did. Really, Miss Ruth Richards grows more and more interesting to me."