DARTMOOR.

A PRIZE POEM.

[In 1820, the Royal Society of Literature advertised their intention of awarding a prize for the best poem on “Dartmoor;” and, as might have been expected, many competitors entered the field. In the following June, the palm was awarded to Mrs Hemans for the composition which follows.

She thus writes to the friends who had been the first to convey to her the pleasing intelligence of her success:—

“What with surprise, bustle, and pleasure, I am really almost bewildered. I wish you had but seen the children, when the prize was announced to them yesterday.... The Bishop’s kind communication put us in possession of the gratifying intelligence a day sooner than we should otherwise have known it, as I did not receive the Secretary’s letter till this morning. Besides the official announcement of the prize, his despatch also contained a private letter, with which, although it is one of criticism, I feel greatly pleased, as it shows an interest in my literary success, which, from so distinguished a writer as Mr Croly, (of course you have read his poem of Paris,) cannot but be highly gratifying.”]

“Come, bright Improvement! on the car of Time,

And rule the spacious world from clime to clime.

Thy handmaid, Art, shall every wild explore,

Trace every wave, and culture every shore.” Campbell.

“May ne’er

That true succession fail of English hearts,

That can perceive, not less than heretofore

Our ancestors did feelingly perceive,

... the charm

Of pious sentiment, diffused afar,

And human charity, and social love.” Wordsworth.

Amidst the peopled and the regal isle,

Whose vales, rejoicing in their beauty, smile;

Whose cities, fearless of the spoiler, tower,

And send on every breeze a voice of power;

Hath Desolation rear’d herself a throne,

And mark’d a pathless region for her own?

Yes! though thy turf no stain of carnage wore

When bled the noble hearts of many a shore;

Though not a hostile step thy heath-flowers bent

When empires totter’d, and the earth was rent;

Yet lone, as if some trampler of mankind

Had still’d life’s busy murmurs on the wind,

And, flush’d with power in daring pride’s excess,

Stamp’d on thy soil the curse of barrenness;

For thee in vain descend the dews of heaven,

In vain the sunbeam and the shower are given,

Wild Dartmoor! thou that, midst thy mountains rude,

Hast robed thyself with haughty solitude,

As a dark cloud on summer’s clear blue sky,

A mourner, circled with festivity!

For all beyond is life!—the rolling sea,

The rush, the swell, whose echoes reach not thee.

Yet who shall find a scene so wild and bare

But man has left his lingering traces there?

E’en on mysterious Afric’s boundless plains,

Where noon with attributes of midnight reigns,

In gloom and silence fearfully profound,

As of a world unwaked to soul or sound.

Though the sad wanderer of the burning zone

Feels, as amidst infinity, alone,

And naught of life be near, his camel’s tread

Is o’er the prostrate cities of the dead!

Some column, rear’d by long-forgotten hands,

Just lifts its head above the billowy sands—

Some mouldering shrine still consecrates the scene,

And tells that glory’s footstep there hath been.

There hath the spirit of the mighty pass’d,

Not without record; though the desert blast,

Borne on the wings of Time, hath swept away

The proud creations rear’d to brave decay.

But thou, lone region! whose unnoticed name

No lofty deeds have mingled with their fame,

Who shall unfold thine annals?—who shall tell

If on thy soil the sons of heroes fell,

In those far ages which have left no trace,

No sunbeam, on the pathway of their race?

Though, haply, in the unrecorded days

Of kings and chiefs who pass’d without their praise,

Thou mightst have rear’d the valiant and the free,

In history’s page there is no tale of thee.

Yet hast thou thy memorials. On the wild,

Still rise the cairns, of yore all rudely piled,[151]

But hallow’d by that instinct which reveres

Things fraught with characters of elder years.

And such are these. Long centuries are flown,

Bow’d many a crest, and shatter’d many a throne,

Mingling the urn, the trophy, and the bust,

With what they hide—their shrined and treasured dust.

Men traverse Alps and oceans, to behold

Earth’s glorious works fast mingling with her mould;

But still these nameless chronicles of death,

Midst the deep silence of the unpeopled heath,

Stand in primeval artlessness, and wear

The same sepulchral mien, and almost share

Th’ eternity of nature, with the forms

Of the crown’d hills beyond, the dwellings of the storms.

Yet what avails it if each moss-grown heap

Still on the waste its lonely vigils keep,

Guarding the dust which slumbers well beneath

(Nor needs such care) from each cold season’s breath?

Where is the voice to tell their tale who rest,

Thus rudely pillow’d, on the desert’s breast?

Doth the sword sleep beside them? Hath there been

A sound of battle midst the silent scene

Where now the flocks repose?—did the scythed car

Here reap its harvest in the ranks of war?

And rise these piles in memory of the slain,

And the red combat of the mountain-plain?

It may be thus:—the vestiges of strife,

Around yet lingering, mark the steps of life,

And the rude arrow’s barb remains to tell[152]

How by its stroke, perchance, the mighty fell

To be forgotten. Vain the warrior’s pride,

The chieftain’s power—they had no bard, and died.[153]

But other scenes, from their untroubled sphere,

The eternal stars of night have witness’d here.

There stands an altar of unsculptured stone,[154]

Far on the moor, a thing of ages gone,

Propp’d on its granite pillars, whence the rains

And pure bright dews have laved the crimson stains

Left by dark rites of blood: for here, of yore,

When the bleak waste a robe of forest wore,

And many a crested oak, which now lies low,

Waved its wild wreath of sacred mistletoe—

Here, at dim midnight, through the haunted shade,

On druid-harps the quivering moonbeam play’d,

And spells were breathed, that fill’d the deepening gloom

With the pale, shadowy people of the tomb.

Or, haply, torches waving through the night

Bade the red cairn-fires blaze from every height,[155]

Like battle-signals, whose unearthly gleams

Threw o’er the desert’s hundred hills and streams,

A savage grandeur; while the starry skies

Rang with the peal of mystic harmonies,

As the loud harp its deep-toned hymns sent forth

To the storm-ruling powers, the war-gods of the North.

But wilder sounds were there: th’ imploring cry

That woke the forest’s echo in reply,

But not the heart’s! Unmoved the wizard train

Stood round their human victim, and in vain

His prayer for mercy rose; in vain his glance

Look’d up, appealing to the blue expanse,

Where in their calm immortal beauty shone

Heaven’s cloudless orbs. With faint and fainter moan,

Bound on the shrine of sacrifice he lay,

Till, drop by drop, life’s current ebb’d away;

Till rock and turf grew deeply, darkly red,

And the pale moon gleam’d paler on the dead.

Have such things been, and here?—where stillness dwells

Midst the rude barrows and the moorland swells,

Thus undisturb’d? Oh! long the gulf of time

Hath closed in darkness o’er those days of crime,

And earth no vestige of their path retains,

Save such as these, which strew her loneliest plains

With records of man’s conflicts and his doom,

His spirit and his dust—the altar and the tomb.

But ages roll’d away: and England stood

With her proud banner streaming o’er the flood;

And with a lofty calmness in her eye,

And regal in collected majesty,

To breast the storm of battle. Every breeze

Bore sounds of triumph o’er her own blue seas;

And other lands, redeem’d and joyous, drank

The life-blood of her heroes, as they sank

On the red fields they won; whose wild flowers wave

Now in luxuriant beauty o’er their grave.

’Twas then the captives of Britannia’s war[156]

Here for their lovely southern climes afar

In bondage pined; the spell-deluded throng

Dragg’d at ambition’s chariot-wheels so long

To die—because a despot could not clasp

A sceptre fitted to his boundless grasp!

Yes! they whose march had rock’d the ancient thrones

And temples of the world—the deepening tones

Of whose advancing trumpet from repose

Had startled nations, wakening to their woes—

Were prisoners here. And there were some whose dreams

Were of sweet homes, by chainless mountain-streams,

And of the vine-clad hills, and many a strain

And festal melody of Loire or Seine;

And of those mothers who had watch’d and wept,

When on the field the unshelter’d conscript slept,

Bathed with the midnight dews. And some were there

Of sterner spirits, harden’d by despair;

Who, in their dark imaginings, again

Fired the rich palace and the stately fane,

Drank in their victim’s shriek, as music’s breath,

And lived o’er scenes, the festivals of death!

And there was mirth, too!—strange and savage mirth,

More fearful far than all the woes of earth!

The laughter of cold hearts, and scoffs that spring

From minds for which there is no sacred thing;

And transient bursts of fierce, exulting glee—

The lightning’s flash upon its blasted tree!

But still, howe’er the soul’s disguise were worn,

If from wild revelry, or haughty scorn,

Or buoyant hope, it won an outward show,

Slight was the mask, and all beneath it—woe.

Yet, was this all? Amidst the dungeon-gloom,

The void, the stillness of the captive’s doom,

Were there no deeper thoughts? And that dark power

To whom guilt owes one late but dreadful hour,

The mighty debt through years of crime delay’d,

But, as the grave’s, inevitably paid;

Came he not thither, in his burning force,

The lord, the tamer of dark souls—Remorse?

Yes! as the night calls forth from sea and sky,

From breeze and wood, a solemn harmony,

Lost when the swift triumphant wheels of day

In light and sound are hurrying on their way:

Thus, from the deep recesses of the heart,

The voice which sleeps, but never dies, might start,

Call’d up by solitude, each nerve to thrill

With accents heard not, save when all is still!

The voice, inaudible when havoc’s strain

Crush’d the red vintage of devoted Spain;

Mute, when sierras to the war-whoop rung,

And the broad light of conflagration sprung

From the south’s marble cities; hush’d midst cries

That told the heavens of mortal agonies;

But gathering silent strength, to wake at last

In concentrated thunders of the past!

And there, perchance, some long-bewilder’d mind,

Torn from its lowly sphere, its path confined

Of village duties, in the Alpine glen,

Where nature cast its lot midst peasant men;

Drawn to that vortex, whose fierce ruler blent

The earthquake power of each wild element,

To lend the tide which bore his throne on high

One impulse more of desperate energy;

Might—when the billow’s awful rush was o’er

Which toss’d its wreck upon the storm-beat shore,

Won from its wanderings past, by suffering tried,

Search’d by remorse, by anguish purified—

Have fix’d, at length, its troubled hopes and fears

On the far world, seen brightest through our tears;

And, in that hour of triumph or despair,

Whose secrets all must learn—but none declare,

When, of the things to come, a deeper sense

Fills the dim eye of trembling penitence,

Have turn’d to Him whose bow is in the cloud,

Around life’s limits gathering as a shroud—

The fearful mysteries of the heart who knows,

And, by the tempest, calls it to repose!

Who visited that deathbed? Who can tell

Its brief sad tale, on which the soul might dwell,

And learn immortal lessons? Who beheld

The struggling hope, by shame, by doubt repell’d—

The agony of prayer—the bursting tears—

The dark remembrances of guilty years,

Crowding upon the spirit in their might?

He, through the storm who look’d, and there was light!

That scene is closed!—that wild, tumultuous breast,

With all its pangs and passions, is at rest!

He, too, is fallen, the master-power of strife,

Who woke those passions to delirious life;

And days, prepared a brighter course to run,

Unfold their buoyant pinions to the sun!

It is a glorious hour when Spring goes forth

O’er the bleak mountains of the shadowy north,

And with one radiant glance, one magic breath,

Wakes all things lovely from the sleep of death;

While the glad voices of a thousand streams,

Bursting their bondage, triumph in her beams!

But Peace hath nobler changes! O’er the mind,

The warm and living spirit of mankind,

Her influence breathes, and bids the blighted heart,

To life and hope from desolation start!

She with a look dissolves the captive’s chain,

Peopling with beauty widow’d homes again;

Around the mother, in her closing years,

Gathering her sons once more, and from the tears

Of the dim past but winning purer light,

To make the present more serenely bright.

Nor rests that influence here. From clime to clime,

In silence gliding with the stream of time,

Still doth it spread, borne onwards, as a breeze

With healing on its wings, o’er isles and seas.

And as Heaven’s breath call’d forth, with genial power,

From the dry wand the almond’s living flower,

So doth its deep-felt charm in secret move

The coldest heart to gentle deeds of love;

While round its pathway nature softly glows,

And the wide desert blossoms as the rose.

Yes! let the waste lift up the exulting voice!

Let the far-echoing solitude rejoice!

And thou, lone moor! where no blithe reaper’s song

E’er lightly sped the summer hours along,

Bid thy wild rivers, from each mountain-source

Rushing in joy, make music on their course!

Thou, whose sole records of existence mark

The scene of barbarous rites in ages dark,

And of some nameless combat; hope’s bright eye

Beams o’er thee in the light of prophecy!

Yet shalt thou smile, by busy culture drest,

And the rich harvest wave upon thy breast!

Yet shall thy cottage smoke, at dewy morn,

Rise in blue wreaths above the flowering thorn,

And, midst thy hamlet shades, the embosom’d spire

Catch from deep-kindling heavens their earliest fire.

Thee, too, that hour shall bless, the balmy close

Of labour’s day, the herald of repose,

Which gathers hearts in peace; while social mirth

Basks in the blaze of each free village hearth;

While peasant-songs are on the joyous gales,

And merry England’s voice floats up from all her vales.

Yet are there sweeter sounds; and thou shalt hear

Such as to Heaven’s immortal host are dear.

Oh! if there still be melody on earth

Worthy the sacred bowers where man drew birth,

When angel-steps their paths rejoicing trode,

And the air trembled with the breath of God;

It lives in those soft accents, to the sky[157]

Borne from the lips of stainless infancy,

When holy strains, from life’s pure fount which sprung,

Breathed with deep reverence, falter on his tongue.

And such shall be thy music, when the cells,

Where Guilt, the child of hopeless Misery, dwells,

(And, to wild strength by desperation wrought,

In silence broods o’er many a fearful thought,)

Resound to pity’s voice; and childhood thence,

Ere the cold blight hath reach’d its innocence,

Ere that soft rose-bloom of the soul be fled,

Which vice but breathes on and its hues are dead,

Shall at the call press forward, to be made

A glorious offering, meet for Him who said,

“Mercy, not sacrifice!” and, when of old

Clouds of rich incense from his altars roll’d,

Dispersed the smoke of perfumes, and laid bare

The heart’s deep folds, to read its homage there!

When some crown’d conqueror, o’er a trampled world

His banner, shadowing nations, hath unfurl’d,

And, like those visitations which deform

Nature for centuries, hath made the storm

His pathway to dominion’s lonely sphere,

Silence behind—before him, flight and fear!

When kingdoms rock beneath his rushing wheels,

Till each fair isle the mighty impulse feels,

And earth is moulded but by one proud will,

And sceptred realms wear fetters, and are still;

Shall the free soul of song bow down to pay,

The earthquake homage on its baleful way?

Shall the glad harp send up exulting strains

O’er burning cities and forsaken plains?

And shall no harmony of softer close

Attend the stream of mercy as it flows,

And, mingling with the murmur of its wave,

Bless the green shores its gentle currents lave?

Oh! there are loftier themes, for him whose eyes

Have search’d the depths of life’s realities,

Than the red battle, or the trophied car,

Wheeling the monarch-victor fast and far;

There are more noble strains than those which swell

The triumphs ruin may suffice to tell!

Ye prophet-bards, who sat in elder days

Beneath the palms of Judah! ye whose lays

With torrent rapture, from their source on high,

Burst in the strength of immortality!

Oh! not alone, those haunted groves among,

Of conquering hosts, of empires crush’d, ye sung,

But of that spirit destined to explore,

With the bright day-spring, every distant shore,

To dry the tear, to bind the broken reed,

To make the home of peace in hearts that bleed;

With beams of hope to pierce the dungeon’s gloom.

And pour eternal starlight o’er the tomb.

And bless’d and hallow’d be its haunts! for there

Hath man’s high soul been rescued from despair!

There hath th’ immortal spark for heaven been nursed;

There from the rock the springs of life have burst

Quenchless and pure! and holy thoughts, that rise

Warm from the source of human sympathies—

Where’er its path of radiance may be traced,

Shall find their temple in the silent waste.

[151] “In some parts of Dartmoor, the surface is thickly strewed with stones, which in many instances appear to have been collected into piles, on the tops of prominent hillocks, as if in imitation of the natural Tors. The Stone-barrows of Dartmoor resemble the cairns of the Cheviot and Grampian hills, and those in Cornwall.”—See Cooke’s Topographical Survey of Devonshire.

[152] Flint arrow-heads have occasionally been found upon Dartmoor.

[153]

“Vixere fortes ante Agamemnona

Multi; sed omnes illachrymabiles

Urgentur, ignotique longâ

Nocte, carent quia vate sacro.”—Horace.

“They had no poet, and they died.”—Pope’s Translation.

[154] On the east of Dartmoor are some Druidical remains, one of which is a Cromlech, whose three rough pillars of granite support a ponderous table-stone, and form a kind of large irregular tripod.

[155] In some of the Druid festivals, fires were lighted on all the cairns and eminences around, by priests, carrying sacred torches. All the household fires were previously extinguished, and those who were thought worthy of such a privilege, were allowed to relight them with a flaming brand, kindled at the consecrated cairn-fire.

[156] The French prisoners, taken in the wars with Napoleon, were confined in a depot on Dartmoor.

[157] In allusion to a plan for the erection of a great national school-house on Dartmoor, where it was proposed to educate the children of convicts.