THE BURIAL IN THE DESERT.

“How weeps yon gallant band

O’er him their valour could not save!

For the bayonet is red with gore,

And he, the beautiful and brave,

Now sleeps in Egypt’s sand.”   Wilson.

In the shadow of the Pyramid

Our brother’s grave we made,

When the battle-day was done,

And the desert’s parting sun

A field of death survey’d.

The blood-red sky above us

Was darkening into night,

And the Arab watching silently

Our sad and hurried rite;

The voice of Egypt’s river

Came hollow and profound;

And one lone palm-tree, where we stood,

Rock’d with a shivery sound:

While the shadow of the Pyramid

Hung o’er the grave we made,

When the battle-day was done,

And the desert’s parting sun

A field of death survey’d.

The fathers of our brother

Were borne to knightly tombs,

With torch-light and with anthem-note,

And many waving plumes:

But he, the last and noblest

Of that high Norman race,

With a few brief words of soldier-love

Was gather’d to his place;

In the shadow of the Pyramid,

Where his youthful form we laid,

When the battle-day was done,

And the desert’s parting sun

A field of death survey’d.

But let him, let him slumber

By the old Egyptian wave!

It is well with those who bear their fame

Unsullied to the grave!

When brightest names are breathed on,

When loftiest fall so fast,

We would not call our brother back

On dark days to be cast,—

From the shadow of the Pyramid,

Where his noble heart we laid,

When the battle-day was done,

And the desert’s parting sun

A field of death survey’d.

[“Mrs Hemans’ funeral poems are among her most impressive works: the music of her verse, through which an under-current of sadness may always be traced, was never more happily employed than in lamenting the beloved and early called, or in bidding

‘Hope to the world to look beyond the tombs.’

I need only mention a few lyrics, ‘The Farewell to the Dead,’ (in the Lays of Many Lands;) ‘The Exile’s Dirge,’ (in the Songs of the Affections;) ‘The Burial of an Emigrant’s Child in the Forest,’ (in the Scenes and Hymns of Life;) and the ‘Burial in the Desert,’ a noble poem, published among her poetical remains. The introduction of the two following stanzas of a more concise and monumental character,[399] though they have already appeared in print, will not, I am sure, be objected to as illustrating the above remark.”—Chorley’s Memorials of Mrs Hemans, p. 26-7.]

[ [399] Vide “Monumental Inscription,” p. 356.