CONTENTS OF VOL. I.
| PAGE | ||
| Preface | [vii] | |
Sketches of Art, Literature, and Character, Part I. | ||
| I. | A Scene in a Steam Boat | [4] |
| A Singular Character | [20] | |
| Gallery at Ghent | [25] | |
| The Prince of Orange's Pictures | [27] | |
| A Female Gambler | [38] | |
| Cologne—the Medusa | [44] | |
| Professor Walraf | [51] | |
| Schlegel and Madame de Staël | [55] | |
| Story of Archbishop Gerard | [64] | |
| Heidelberg—Elizabeth Stuart | [68] | |
| An English Fanner's idea of the Picturesque | [85] | |
| II. | Frankfort | [88] |
| The Theatre, Madame Haitzinger | [92] | |
| The Versorgung Haus | [98] | |
| The Städel Museum | [103] | |
| Dannecker, Memoir of his Life and Works | [106] | |
| German Sculpture—Rauch, Tieck, Schwanthaler | [147] | |
| III. | Goethe and his daughter-in-law | [160] |
| The German Women | [167] | |
| German Authoresses | [177] | |
| German Domestic Life and Manners | [187] | |
| German Coquetterie and German Romance | [199] | |
| The Story of a Devoted Sister | [205] | |
Sketches of Art, Literature, and Character, Part II. | ||
| I. | Munich | [241] |
| The Theatre—representation of "Egmont" | [245] | |
| Leo von Klenze | [250] | |
| The Glyptothek—its general arrangement—Egina Marbles—Account of the Frescos of Cornelius—Canova's Paris and Thorwaldson's Adonis | [252]-[273] | |
| The Opera at Munich, the Kapel Meister Stuntz | [274] | |
| The Poems of the King of Bavaria | [279] | |
| A public day at the New Palace | [281] | |
| Thoughts on Female Singers—Their condition and destiny | [284] | |
| The Munich Gallery—Thoughts on Pictures—their moral influence | [287] | |
| Rubens and the Flemish Masters | [295] | |
| The Gallery of Schleissheim | [304] | |
| The Boisserée Gallery—The old German School of Painting—Its Effects on the Modern German School of Art | [304] | |
| Representation of the Braut von Messina | [310] | |
| The Hofgarten at Munich | [313] | |
| The King's passion for Building | [316] | |