CHAPTER I

Everybody knows the charming song which is called by this name. I hear it sometimes in a young household full of life and kindness and music, where it is sung to me, with a tender indulgence for my weakness and limited apprehension of higher efforts, by the most sympathetic and softest of voices. A kind half-smile mingles in the music on these occasions. Those dear people think I like it because the translated ‘words’ have a semblance of being Scotch, and I am a Scot. But the words are not Scotch, nor is this their charm. I don’t even know what they are. ‘I will come again, my sweet and bonnie.’ That, or indeed the name even is enough for me. I confess that I am not musical. When I hear anything that I like much, at least from an instrument, I instantly conceive a contempt for it, feeling that it must be inferior somehow to have commended itself to me. I wander vainly seeking an idea through fields and plains of sonatas. So do a great many other lowly people, like me, not gifted with taste or (fit) hearing; but, if you will only suggest an idea to me, I will thankfully accept that clue. I don’t understand anything about dominant sevenths or any mathematical quantity. ‘How much?’ I feel inclined to say with the most vulgar. Therefore ‘My Faithful Johnny’ charms me because this is a suggestion of which my fancy is capable. I don’t know who the faithful Johnny was, except that he is to come again, and that somebody, presumably, is looking for him; and, with this guide, the song takes a hundred tones, sorrowful, wistful and penetrating. I see the patient waiting, the doubt which is faith, the long vigil—and hear the soft cadence of sighs, and with them, through the distance, the far-off notes of the promise—never realized, always expected—‘I will come again.’ This is how I like to have my music. I am an ignorant person. They smile and humour me with just a tender touch of the faintest, kindest contempt. Stay—not contempt; the word is far too harsh; let us say indulgence—the meaning is very much the same.

I do not think I had ever heard the song when I first became acquainted with the appearance of a man with whom, later, this title became completely identified. He was young—under thirty—when I saw him first, passing my house every morning as regular as the clock on his way to his work, and coming home in the evening swinging his cane, with a book under his arm, his coat just a little rusty, his trousers clinging to his knees more closely than well-bred trousers cling, his hat pushed back a little from his forehead. It was unnecessary to ask what he was. He was a clerk in an office. This may be anything, the reader knows, from a lofty functionary managing public business, to numberless nobodies who toil in dusty offices and are in no way better than their fate. It was to this order that my clerk belonged. Every day of his life, except that blessed Sunday which sets such toilers free, he walked along the irregular pavement of the long suburban road in which I lived at nine o’clock in the morning were it wet or dry; and between five and six he would come back. After all, though it was monotonous, it was not a hard life, for he had the leisure of the whole long evening to make up for the bondage of the day. He was a pale man with light hair, and a face more worn than either his years or his labours warranted. But his air of physical weakness must have been due to his colourless complexion, or some other superficial cause, for his extreme and unbroken regularity was inconsistent with anything less than thoroughly good health. He carried his head slightly thrown back, and his step had a kind of irregularity in it which made it familiar to me among many others; at each half dozen steps or so his foot would drag upon the pavement, giving a kind of rhythm to his progress. All these particulars I became aware of, not suddenly, but by dint of long unconscious observation, day after day, day after day, for so many years. Never was there a clerk more respectable, more regular. I found out after a while that he lodged about half a mile further on in one of the little houses into which the road dwindled as it streamed out towards the chaos which on all sides surrounds London—and that when he passed my house he was on his way to or from the omnibus which started from a much-frequented corner about a quarter of a mile nearer town. All the far-off ends of the ways that lead into town and its bustle have interests of this kind. I am one of the people, I fear somewhat vulgar-minded, who love my window and to see people pass. I do not care for the dignity of seclusion. I would rather not, unless I were sure of being always a happy member of a large cheerful household, be divided from the common earth even by the trees and glades of the most beautiful park. I like to see the men go to their work, and the women to their marketing. But no; the latter occupation is out of date—the women go to their work too; slim, young daily governesses, hard-worked music-mistresses, with the invariable roll of music. How soon one gets to know them all, and have a glimmering perception of their individualities—though you may see them every day for years before you know their names!

After I had been acquainted (at a distance) with him for some time, and had got to know exactly what o’clock it was when he passed, a change came upon my clerk. One summer evening I saw him very much smartened up, his coat brushed, a pair of trousers on with which I was not familiar, and a rosebud in his button-hole, coming back. I was thunderstruck. It was a step so contrary to all traditions that my heart stopped beating while I looked at him. It was all I could do not to run down and ask what was the matter. Had something gone wrong in the City? Was there a panic, or a crisis, or something in the money-market? But no; that could not be. The spruceness of the man, the rose in his coat, contradicted this alarm; and as I watched disquieted, lo! he crossed the road before my eyes, and turning down Pleasant Place, which was opposite, disappeared, as I could faintly perceive in the distance, into one of the houses. This was the first of a long series of visits. And after a while I saw her, the object of these visits, the heroine of the romance. She also was one of those with whom I had made acquaintance at my window—a trim little figure in black, with a roll of music, going out and in two or three times a day, giving music lessons. I was quite glad to think that she had been one of my favourites too. My clerk went modestly at long intervals at first, then began to come oftener, and finally settled down as a nightly visitor. But this was a long and slow process, and I think it had lasted for years before I came into actual contact with the personages of this tranquil drama. It was only during the summer that I could see them from my window and observe what was going on. When at the end of a long winter I first became aware that he went to see her every evening, I confess to feeling a little excitement at the idea of a marriage shortly to follow; but that was altogether premature. It went on summer after summer, winter after winter, disappearing by intervals from my eyes, coming fresh with the spring flowers and the long evenings. Once passing down Pleasant Place towards some scorched fields that lay beyond—fields that began to be invaded by new houses and cut up by foundation digging, and roadmaking, and bricklaying, but where there was still room for the boys, and my boys, among others, to play cricket—I had a glimpse of a little interior which quickened my interest more and more. The houses in Pleasant Place were small and rather shabby, standing on one side only of the street. The other was formed by the high brick wall of the garden of a big old-fashioned house, still standing amid all the new invasions which had gradually changed the character of the district. There were trees visible over the top of this wall, and it was believed in the neighbourhood that the upper windows of the houses in Pleasant Place looked over it into the garden. In fact, I had myself not long before condoled with the proprietor of the said garden upon the inconvenience of being thus overlooked. For this hypocrisy my heart smote me when I went along the little street, and saw the little houses all gasping with open windows for a breath of the air which the high wall intercepted. They had little front gardens scorched with the fervid heat. At the open window of No. 7 sat my clerk with his colourless head standing out against the dark unknown of the room. His face was in profile. It was turned towards some one who was singing softly the song of which I have placed the name at the head of this story. The soft, pensive music came tender and low out of the unseen room. The musician evidently needed no light, for it was almost twilight, and the room was dark. The accompaniment was played in the truest taste, soft as the summer air that earned the sound to our ears. ‘I know!’ I cried to my companion with some excitement, ‘that is what he is. I have always felt that was the name for him.’ ‘The name for whom?’ she asked bewildered. ‘My faithful Johnny,’ I replied; which filled her with greater bewilderment still.

And all that summer long the faithful Johnny went and came as usual. Often he and she would take little walks in the evening, always at that same twilight hour. It seemed the moment of leisure, as if she had duties at home from which she was free just then. When we went away in August they were taking their modest little promenades together in the cool of the evening; and when we came back in October, as long as the daylight served to see them by, the same thing went on. As the days shortened he changed his habits so far as to go to Pleasant Place at once before going home, that there might still be light enough (I felt sure) for her walk. But by and by the advancing winter shut out this possibility: or rather, I could not see any longer what happened about six o’clock. One evening however, coming home to dinner from a late visit, I met them suddenly, walking along the lighted street. For the first time they were arm-in-arm, perhaps because it was night, though no later than usual. She was talking to him with a certain familiar ease of use and wont as if they had been married for years, smiling and chattering and lighting up his mild somewhat weary countenance with responsive smiles. ‘I will come again, my sweet and bonnie——’ I smiled at myself as these words came into my head, I could not tell why. How could he come again when, it was evident, no will of his would ever take him away? Was she fair enough to be the ‘sweet and bonnie’ of a man’s heart? She was not a beauty; nobody would have distinguished her even as the prettiest girl in Pleasant Place. But her soft, bright face as she looked up to him: a smile on it of the sunniest kind; a little humorous twist about the corners of the mouth; a pair of clear, honest brown eyes; a round cheek with a dimple in it—caught my heart at once as they must have caught his. I could understand (I thought) what it must have been to the dry existence of the respectable clerk, the old-young and prematurely faded, to have this fresh spring of life, and talk, and smiles, and song welling up into it, transforming everything. He smiled back upon her as they walked along in the intermittent light of the shop windows. I could almost believe that I saw his lips forming the words as he looked at her, ‘My sweet and bonnie.’ Yes; she was good enough and fair enough to merit the description. ‘But I wish they would marry,’ I said to myself. Why did not they marry? He looked patient enough for anything; but even patience ought to come to an end. I chafed at the delay, though I had nothing to do with it. What was the meaning of it? I felt that it ought to come to an end.