JANE PORTER,
AUTHORESS OF “SCOTTISH CHIEFS,” “THADDEUS OF WARSAW,” ETC., ETC.
This distinguished woman died recently at Bristol, England, at the age of seventy-four. We shall, doubtless, soon have an authentic biography of her, from some one to whom her papers and other materials will have been entrusted by the brother who survives her; but, meantime, let us yield to the tide of remembrance which her death has awakened, and arrest, ere they float by and are lost, the scattered leaf-memories that may recall the summers when we knew her. For the sixteen years that we enjoyed the privilege of her friendship, her correspondence with us was interrupted only by illness, and we hope yet to find the leisure to put some of those high-thoughted and invaluable letters into print—true reflex as they are of the lofty and true mind which made her fame. Our present memoranda will be brief, with a view to that better justice to the theme.
We first saw Miss Porter at the house of Lady S——, the sister of Lady Franklin, a few weeks after our first arrival in London, in 1834. It was at a large party, thronged with the scientific and literary persons who form the society of a man like Sir John Franklin. The great navigator, whose fate now excites so deep an interest, was present, and he was almost the only celebrity in the room whom we did not then see for the first time—Sir John having been in command of the English fleet in the Mediterranean, and Lady Franklin at Athens when we chanced to be there. The noble head and majestic frame of the fine old sailor showed in strong relief, even among the great men who surrounded him, and we well remember the confirmed impression, of his native dignity and superiority of presence, which we received at that time.
A very tall lady, apparently about fifty years of age, had arrested our attention early in the evening, and, whenever unoccupied, we found ourself turning to observe her, with a magnetism which we could not resist. She was dressed completely in black, with black lace upon the neck, and black feathers drooping over the knot of her slightly grey hair. Her person was very erect, and, though her conversation was evidently playful with all who spoke with her, there was an exceeding loftiness, and an air of unconscious and easy nobility, in her mien and countenance, which was truly remarkable. She was like the ideal which one forms of a Lady Abbess of noble blood, or of Queen Katharine. The deference with which she was addressed was mingled invariably with an affectionate cordiality, however, which puzzled our conjectures a little, for it is not common to see the two feelings inspired with equal certainty by the same presence. It chanced to be late in the evening before we had an opportunity of enquiring the name of this lady, and, when we heard who she was, we recognized at once that very unusual phenomenon—a complete fitness of the outer temple to the fame whose deathless lamp is enshrined within it. It was Jane Porter, and she looked as one would have expected her to look, who had conjured up her image by aid of magic, after being carried away by her enchantments of story.
We were presented to Miss Porter by Sir John Franklin, just before the breaking up of the party that evening, and, soon after, we were so fortunate as to be a guest, with her, at one of those English country-houses which are the perfection of luxury and refinement, and where there was the opportunity to see her with her proper surroundings. Of the impression received at that time, we have already made a slight record, which some of our readers may remember:—
“One of the most elegant and agreeable persons I ever saw was Miss Porter, and I think her conversation more delightful to remember than any person’s I ever knew. A distinguished artist told me that he remembered her when she was his beau ideal of female beauty; but in those days she was more “fancy-rapt,” and gave in less to the current and spirit of society. Age has made her, if it may be so expressed, less selfish in her use of thought, and she pours it forth like Pactolus—that gold which is sand from others. She is still what I should call a handsome woman, or, if that be not allowed, she is the wreck of more than a common allotment of beauty, and looks it. Her person is remarkably erect, her eyes and eyelids (in this latter resembling Scott) very heavily moulded, and her smile is beautiful. It strikes me that it always is so—where it ever was. The smile seems to be the work of the soul.
“I have passed months under the same roof with Miss Porter, and nothing gave me more pleasure than to find the company in that hospitable house dwindled to a “fit audience though few,” and gathered around the figure in deep mourning which occupied the warmest corner of the sofa. In any vein, and apropos to the gravest and the gayest subject, her well-stored mind and memory flowed forth in the same rich current of mingled story and reflection, and I never saw an impatient listener beside her. I recollect one evening a lady’s singing “Auld Robin Gray,” and some one remarking (rather unsentimentally,) at the close, “By-the-by what is Lady —— (the authoress of the ballad) doing with so many carpenters? Berkeley square is quite deafened with their hammering!” “Apropos of carpenters and Lady ——,” said Miss Porter, “this charming ballad-writer owes something to the craft. She was better-born than provided with the gifts of fortune, and in her younger days was once on a visit to a noble house, when, to her dismay, a large and fashionable company arrived who brought with them a mania for private theatricals. Her wardrobe was very slender, barely sufficient for the ordinary events of a week-day, and her purse contained one solitary shilling. To leave the house was out of the question, to feign illness as much so, and to decline taking a part was impossible, for her talent and sprightliness were the hope of the theatre. A part was cast for her, and, in despair, she excused herself from the gay party bound to the country town to make purchases of silk and satin, and shut herself up, a prey to mortified low spirits. The character required a smart village dress, and it certainly did not seem that it could come out of a shilling. She sat at her window, biting her lips, and turning over in her mind whether she could borrow of some one, when her attention was attracted to a carpenter, who was employed in the construction of a stage in the large hall, and who, in the court below, was turning off from his plane broad and long shavings of a peculiarly striped wood. It struck her that it was like riband. The next moment she was below, and begged of the man to give her half-a-dozen lengths as smooth as he could shave them. He performed his task well, and depositing them in her apartment, she set off alone on horseback to the village, and with her single shilling succeeded in purchasing a chip hat of the coarsest fabric. She carried it home, exultingly, trimmed it with her pine shavings, and on the evening of the performance appeared with a white dress, and hat and belt ribands which were the envy of the audience. The success of her invention gave her spirits and assurance, and she played to admiration. The sequel will justify my first remark. She made a conquest on that night of one of her titled auditors, whom she afterward married. You will allow that Lady —— may afford to be tolerant of carpenters.”
It was two years after this first meeting of Miss Porter at —— Park, that we accepted an invitation to meet her at the house of a Baronet in Warwickshire, and of that visit the following mention is made in Sketches of Travel already published:—
“I remembered a promise I had nearly forgotten, that I would reserve my visit to Stratford till I could be accompanied by Miss J. Porter, whom I was to have the honor of meeting at my place of destination; and promising an early acceptance of the landlady’s invitation, I hurried on to my appointment over the fertile hills of Warwickshire.
“I was established in one of those old Elizabethan country-houses which with their vast parks, their self-sufficing resources of subsistence and company, and the absolute deference shown on all sides to the lord of the manor, give one the impression rather of a little kingdom with a castle in its heart, than of an abode for a gentleman subject. The house itself (called, like most houses of this size and consequence in Warwickshire, a ‘Court,’) was a Gothic half-castellated square, with four round towers, and innumerable embrasures and windows; two wings in front, probably more modern than the body of the house, and again two long wings extending to the rear, at right angles, and enclosing a flowery and formal parterre. There had been a trench about it, now filled up, and at a short distance from the house stood a polyangular and massive structure, well calculated for defence, and intended as a stronghold for the retreat of the family and tenants in more troubled times. One of these rear wings enclosed a catholic chapel, for the worship of the baronet and those of his tenants who professed the same faith; while on the northern side, between the house and the garden, stood a large, protestant stone church, with a turret and spire, both chapel and church, with their clergyman and priest, dependant on the estate, and equally favored by the liberal and high-minded baronet. The tenantry formed two considerable congregations, and lived and worshipped side by side, with the most perfect harmony—an instance of real Christianity, in my opinion, which the angels of heaven might come down to see. A lovely rural grave-yard for the lord and tenants, and a secluded lake below the garden, in which hundreds of wild ducks swam and screamed unmolested, completed the outward features of C—— Court.
“There are noble houses in England with a door communicating from the dining room to the stables, that the master and his friends may see their favorites, after dinner, without exposure to the weather. In the place of this rather bizarre luxury, the oak-panelled and spacious dining-hall of C—— is on a level with the organ loft of the chapel, and when the cloth is removed, the large door between is thrown open, and the noble instrument pours the rich and thrilling music of vespers through the rooms. When the service is concluded, and the lights on the altar extinguished, the blind organist (an accomplished musician, and a tenant on the estate,) continues his voluntaries in the dark until the hall-door informs him of the retreat of the company to the drawing-room. There is not only refinement and luxury in this beautiful, arrangement, but food for the soul and heart.
“I chose my room from among the endless vacant but equally luxurious chambers of the rambling old house; my preference solely directed by the portrait of a nun, one of the family in ages gone by—a picture full of melancholy beauty, which hung opposite the window. The face was distinguished by all that in England marks the gentlewoman of ancient and pure descent; and while it was a woman with the more tender qualities of her sex breathing through her features, it was still a lofty and sainted sister, true to her cross, and sincere in her vows and seclusion. It was the work of a master, probably Vandyke, and a picture in which the most solitary man would find company and communion. On the other walls, and in most of the other rooms and corridors, were distributed portraits of the gentlemen and soldiers of the family, most of them bearing some resemblance to the nun, but differing, as brothers in those wild times may be supposed to have differed, from the gentle creatures of the same blood, nursed in the privacy of peace.”
Warwick Castle, Stratford-on-Avon, and Kenilworth, were all within the reach of what might be called neighborhood, and our hospitable host (in his eightieth year, and unable to accompany us,) had made the arrangements for our visit to these places. We were to be gone three days, but were to remain his guests in all respects. The carriage was packed with the books which might be needed for reference, the butler of the old Baronet was to go with us and provide post-horses and everything we could want at inns upon the road, and, under this kind and luxurious provision, we took seat beside Miss Porter, and visited Kenilworth, Warwick, and Stratford, with no thought or care which need divide our pleasure in her society. From the description of this journey (given without mention of the above circumstances,) let us copy one more passage:—
“I had wandered away from my companion, Miss Jane Porter, to climb up a secret staircase in the wall, rather too difficult of ascent for a female foot, and from my elevated position I caught an accidental view of that distinguished lady through the arch of a Gothic window, with a background of broken architecture and foliage—presenting, by chance, perhaps, the most fitting and admirable picture of the authoress of the “Scottish Chiefs,” that a painter in his brightest hour could have fancied. Miss Porter, with her tall and striking figure, her noble face (said by Mr. Martin Shee to have approached nearer in its youth to his beau idéal of the female features than any other, and still possessing the remains of uncommon beauty,) is at all times a person whom it would be difficult to see without a feeling of involuntary admiration. But standing, as I saw her at that moment, motionless and erect, in the morning-dress, with dark feathers, which she has worn since the death of her beloved and gifted sister, her wrists folded across, her large and still beautiful eyes fixed on a distant object in the view, and her nobly-cast lineaments reposing in their usual calm and benevolent tranquility, while, around and above her, lay the material and breathed the spirit over which she had held the first great mastery—it was a tableau vivant which I was sorry to be alone to see.
“Was she thinking of the great mind that had evoked the spirits of the ruins she stood among—a mind in which (by Sir Walter’s own confession) she had first bared the vein of romance which breathed so freely for the world’s delight? where the visions which sweep with such supernatural distinctness and rapidity through the imagination of genius—vision of which the millionth portion is probably scarcely communicated to the world in a literary lifetime—were Elizabeth’s courtiers, Elizabeth’s passions, secret hours, interviews with Leicester—were the imprisoned king’s nights of loneliness and dread, his hopes, his indignant, but unheeded thoughts—were all the possible circumstances, real or imaginary, of which that proud castle might have been the scene, thronging in those few moments of revery through her fancy? or was her heart busy with its kindly affections, and had the beauty and interest of the scene but awakened a thought of one who was most wont to number with her the sands of those brighter hours.
“Who shall say? The very question would perhaps startle the thoughts beyond recall—so illusive are even the most angelic of the mind’s unseen visitants?”
In another place we made the following memoranda of what we knew of her biography, etc.:—
“Miss Porter was the daughter of a gallant English officer, who died, leaving a widow and four children, then very young, but three of them destined to remarkable fame, Sir Robert Ker Porter, Jane Porter, and Anna Maria Porter. Sir Robert, as is well known, was the celebrated historical painter, traveller in Persia, soldier, diplomatist, and author, lately deceased. He went to Russia with one of his great pictures when very young, married a wealthy Russian princess, and passed his subsequent years between the camp and diplomacy, honored and admired in every station and relation of his life. The two girls were playmates and neighbors of Walter Scott. Jane published her “Scottish Chiefs,” at the age of eighteen, and became immediately the great literary wonder of her time. Her widowed mother, however, withdrew her immediately from society to the seclusion of a country town, and she was little seen in the gay world of London before several of her works had become classics. Anna Maria, the second sister, commenced her admirable series of novels soon after the first celebrity of Jane’s works, and they wrote and passed the brightest years of their life together in a cottage retreat. The two sisters were singularly beautiful. Sir Thomas Lawrence was an unsuccessful suitor to Anna Maria, and Jane was engaged to a young soldier who was killed in the Peninsula. She is a woman to have but one love in a lifetime. Her betrothed was killed when she was twenty years of age, and she has ever since worn mourning, and remained true to his memory. Jane is now the only survivor of the three; her admirable mother and her sister having died some twelve or fourteen years ago, and Sir Robert having died lately, while revisiting England after many years’ diplomatic residence in Venezuela.
“Miss Porter is now near seventy. She has suffered within the last two or three years from ill health, but she is still erect, graceful, and majestic in person and still possessed of admirable beauty of countenance. Her large dark eyes have a striking lambency of lustre, her smile inspires love in all who see her, and her habit of mind, up to the time we last saw her, (three or four years ago,) was that of reflecting the mood of others in conversation, thinking never of herself, and endeavoring only to make others shine, and all this with a tact, a playfulness and simplicity, an occasional unconscious brilliancy and penetration, which have made her, up to seventy years of age, a most interesting, engaging, and lovely woman. Considering the extent of her charm, over old and young, titled and humble, masters and servants, we sincerely think we never have seen a woman so beloved and so fascinating. She is the idol of many different circles of very high rank, and passes her time in yielding, month after month, to pressing invitations from the friends who love her. The dowager queen Adelaide is one of her warmest friends, the highest families of nobility contend for her as a resident guest, distinguished and noble foreigners pay court to her invariably on arriving in England, she has been ennobled by a decree of the king of Prussia, and with all this weight of honor on her head, you might pass weeks with her (ignorant of her history) without suspecting her to be more than the loveliest of women past their prime, and born but to grace a contented mediocrity of station.”
We know nothing more to the honor of the English nobility of this day, than that Jane Porter—such as she was—should have chosen and cherished the greater number of her friendships from among them. Utterly incapable of a servility or an obsequiousness as her gifted and lofty nature was always admitted to be, she still moved in the highest sphere of rank, with sympathies all expanded, and the imprint of congeniality, with all around her, stamped upon countenance and mien. Yet she had mingled, more or less, with all classes, and knew the world well. Had she found it necessary to sacrifice the slightest shadow of purity or independence to retain her position, or had she believed, or conjectured, that purer or simpler natures were to be found in the ranks below, she was not one to hesitate or compromise for an instant. But, with the intuitive perceptions of genius, and a disposition as open as the day, she chose this for her sphere, and lived in it as one who had no thought or need of managements, either to belong to, or to grace it. The class of society, in a country, with which simple and proud genius finds itself most at home, is its superior and true nobility; and, that England’s circles of high rank are so preferred, and so honored and brightened, by spirits like Jane Porter, is, we think, the evidence that proves most for England’s present civilization and glory.