GERMAN SCHOOL
B-196. Venus and Cupid. (19½X13.) Lucas Cranach.
(Bryan Collection.)
B-197. Portrait of a Lady. (28X22.) Lucas Cranach.
It is from this painter's pencil that we have the only known or recognized portrait of Martin Luther. Collection D'Espinoy.
(Bryan Collection.)
B-198. Portrait. (20½X17.) Balthazar Denner.
An old Lady, with a silk hood. The marks of age are given with great accuracy and truthfulness.
(Bryan Collection.)
B-199. St. George and the Dragon. (16½X13.) Albrecht Dürer.
(Bryan Collection.)
B-200. Triumph of Christianity. (26½X38.) School of Dürer.
This picture is from the collection Quedeville.
(Bryan Collection.)
B-201. Interior of a Private Chapel. (33½X25.) Hans Holbein.
The family of Count Valkeniers are at prayers—the father and the two eldest sons being in armor, ready to depart for war.
From the collection of Joseph M. Meert de Domberg, New York.
(Bryan Collection.)
B-202. Portrait of a Professor. (30½X23½.) Hans Holbein.
(Bryan Collection.)
B-203. The Judgment of Paris. (6½X9.) Joachim Uytenwael.
(Bryan Collection.)
B-204. Adoration. (43X32.) Martin Schoen.
On the right will be seen a Priest, holding a book, and supposed, by General D'Espinoy, from whose collection it came, to be a portrait of Luther, in his youth.
(Bryan Collection.)
B-205. Landscape, with Figures. (11½X16½.) Valkenburg.
(Bryan Collection.)
B-206. Landscape. (13X20.) Valkenburg.
These pictures possess great interest, in being historically known as the earliest landscapes painted otherwise than as a mere accessory to some historical, religious, or other subject. Both of them are from the collection Quedeville.
(Bryan Collection.)