C. Combination of the three groups.
The combination of strings, wood-wind and brass instruments, set side by side, produces a full, round and firm tone.
Examples:
[No. 172.] The Tsar's Bride, before 145—Ob., Fag. + Horns + Strings.
"""final chord (cf. [Table I of chords], Ex. 5).
* [No. 173.] Sadko, end of 1st tableau—short chords. Last chords of the 1st, 3rd and 7th tableaux (cf. [Table I and III], [Vol. II], Ex. 9, 10, 18).
* [No. 174.] The Christmas Night 22—Wind + Brass c. sord. + tremolo strings.
Legend of Kitesh 162 (cf. [Ex. 250]).
Snegourotchka—end of opera, (cf. [Table III] in [Vol. II], Ex. 17) and a host of other examples.
General Observations. Balance and correct distribution of tone is much more important in dealing with long sustained chords or those of rhythmic design; in the case of short, disconnected chords resonance is a minor consideration, but one which should not be entirely neglected.
I have endeavoured to outline the general principles to be followed, but I do not profess to deal with all the countless cases which may arise in the course of orchestration. I have given a few examples of well-sounding chords; for further information I advise the reader to study full scores with care, as this is the only method to acquire perfect knowledge of the distribution and doubling of various instruments.
Chapter IV.
COMPOSITION OF THE ORCHESTRA.